Posted on April 24, 2021
So, on the 4th January, England went into another national lockdown and this list was once again revived. This one felt much more like the first lockdown than the second, where many schools, businesses, etc were still open. When schools and universities started to open, my course remained online (it was one of the courses that could function solely online and meant less people going back to the uni) so lockdown continued for me. My life has only just started to involve going out again – swimming, getting a haircut, (safely) seeing a few people – and that’s why I’ve kept this list going as long as I have…
As I said in the last part of this list, hopefully there won’t be reason to continue this post; hopefully there won’t be any more lockdowns. But I guess only time will tell. I’ve found it strangely comforting to keep this list; it’s kind of like a time capsule for these strange periods of time, if that makes sense.
I hope you’re all keeping safe and well and I’ll see you in the next post.
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Posted on December 26, 2020
Funnily enough, one of my goals for this year was to consume more new media, to experience new stories, expand my creativity, and just for fun. The first semester of the year didn’t really allow for that very much but then lockdown happened. Initially, my anxiety was so high that all I could do was watch comfortable, familiar, and safe stories, but slowly I started adding in new ones as a means of escape. This basically revolved around film and TV as I just didn’t have the brain space to read with all of the fear and anxiety taking up so much space. But I really started to get into watching new things and enjoyed it more and more; I think I’d gotten stuck in a bit of a rut of rewatching old things because it allowed me to do other things at the same time, namely my constant (and desperate) attempts to keep up with my OCD-induced diary. But with so little going on, I really only had to write about the new things I was watching. Back at university, there’s been less time but I have still managed the odd new thing here and there.
I haven’t included everything in this post – for obvious reasons. I’ve just written about the ones I thought were really good or had something specific that I wanted to say about them. Please don’t feel that you have to read the whole thing in detail; feel free to skim or just look at one section for example. Hopefully there will be something in here that you walk away thinking, “oh, I want to read/watch that…” Fair warning, there will be some spoilers but I will try and mark them clearly.
The Boy, The Mole, The Fox and The Horse by Charlie Mackesy – My therapist gave me this book just before lockdown and I absolutely adore it. I love the beauty and simplicity of it, of the drawings, of the words, of the characters and the little conversations between them, about everything from cake to fear of the future… I can completely understand it not being for everyone – it is a very specific style of book and approach to life – but I loved it and found great comfort in it. I still do. It’s permanently by my bed so that I can just open it at random and read a few passages.
I Would Leave Me If I Could by Halsey – Halsey’s first collection of poetry is described as “In this debut collection, Halsey bares her soul. Bringing the same artistry found in her lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality, and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power. Masterful as it is raw, passionate, and profound, ‘I Would Leave Me If I Could’ signals the arrival of an essential voice.” It’s definitely true that she bares her soul: some of the poems are uncomfortably honest, giving you the sensation of reading a person’s diary. She’s sharing things she’s never shared before and she’s never been one to hide the ugly from the ugly sides of life. (It’s worth noting that some of the poems have graphic descriptions in them and she does discuss some really difficult subjects like abuse and sexual assault so if those things are likely to trigger you, it may be important to have a conversation with yourself about whether you’re in the right place to read the book.) Some of the ones I found most powerful were Due Date, Battles, Stockholm Syndrome Pt. 1, Wish You The Best, Eight, With Great Power Comes Great Responsibility, American Woman, Telltale, Tornado, Lighthouse, The Painter, High-Five Kids, A Story Like Mine, I Would Leave Me If I Could, Something For Them, and Seventeen. These aren’t necessarily ‘favourites’ because some of them are practically painful to read, knowing that she has gone through these experiences. But these are some of the ones that gave me that gut-punch feeling, ones that felt so important to the collection. I have such respect and admiration for her in sharing these stories; it’s one of the bravest pieces of personal writing I’ve ever seen. You can feel her passion and her sincerity and her emotions pouring off the page and I think that is what most drew me into this book. Yes, I loved the writing but the emotion was what made it so powerful. The closing lines to Ordinary Boys, I think, sums up the book really well: “You write to calm the craving. / To corner them in fiction / And say / Finally, / I have conquered you.“
(I also read chapters and excerpts of multiple music and songwriting books for my course but as they weren’t for the sake of just reading and I didn’t always read the complete book each time, it didn’t feel right to include them here.)
I would’ve loved to have read more this year and I had so many plans but between my mental health struggles and university commitments, I just haven’t been able to. Hopefully next year will be a better reading year.
What Happened To Monday – In a dystopian future where every family is only allowed one child, septuplets, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday must remain hidden by assuming the singular identity of Karen Settman. They each go out one day a week – the day they were named after – and until the age of thirty, they manage to go unnoticed. But then Monday doesn’t come home and the sisters fear their secret has been discovered. It’s a really great action film (although, be warned, it doesn’t shy away from fairly graphic violence) and Noomi Rapace is incredible, playing seven distinct women, each with their own personalities, their own struggles, and their own emotional reactions (I’ve seen some people call the different personalities less than subtle but, if you’re only real existence isn’t really who you are or want to be, I wouldn’t be surprised by a need to defiantly distinguish yourself from the people ‘sharing’ your identity). From the emotional scenes to the action sequences, she was fantastic and I found myself connecting to each of the sisters in different ways, although I think Friday was my favourite. Despite being an action film, the emotional storyline is what really carries the film, getting more and more intense as the minutes pass. And the ending is really, really interesting but I won’t give it away. I thought the aesthetic was perfect for the story and really effective in elevating the emotions of the story. With the complicated moral debate that the film is based on, the multiple characters, the relationships between them, and the challenges they face, it really is a multi-layered movie, leaving you with a lot to think about after it ends.
(I kind of wish they would make a sequel of sorts because the underlying problem – the rapidly growing population and society’s inability to cope with that – isn’t solved. It wouldn’t have to involve the main characters, apart from maybe a cameo or two to bridge the films, and it could be shot like a documentary, like the ‘The Truth Behind The Child Allocation Act’ (the law that enforces the one child per family policy). Half of it could tell the story of how the Settman sisters revealed that truth (which could be where the cameos come in, the use of ‘crowd footage’ of certain moments, and interviews with scientists, etc) and then the other half of it could be about the committees put in place to find a better solution to the population problem. I think that could be a really interesting way to build on an already existing universe but without it needing to be a direct sequel but more an expansion of that world.)
Isn’t It Romantic – Romantic comedies aren’t usually my thing and I’ve never seen Rebel Wilson in something I enjoyed so I wasn’t expecting to like this film when a friend picked it for a Netflix Party but I ended up LOVING it. I loved how it made fun of romantic comedies (as well as challenging the toxic elements that can appear in them); I thought Rebel Wilson was hilarious; the musical numbers were great; and it was just such a joyful, feel good film. I’ve watched it multiple films since my first viewing and it always cheers me up.
Ocean’s 8 – I really enjoyed this film. Probably more than the original trilogy. I loved all of the main characters and how different they all were and yet, they became this great team. I loved the dynamics between them, even if many of them weren’t given the time or opportunity to be properly fleshed out (it was a big cast so that’s not exactly surprising). There were so many awesome people in the cast, even the cameo parts. Helena Bonham Carter was brilliant and I adored both Sandra Bullock and Cate Blanchett. They were gorgeous and hilarious and they had great chemistry; I wanted them to have their own spin off adventures, just the two of them. I’m not sure if I ship them in the conventional sense (as I know many people do) but there’s definitely a relationship there that would be really cool to see explored. Anyway. I loved the multiple twists and the comedy was right up my alley (most of the time – there were a few moments that made me cringe but that’s still quite impressive since comedy isn’t really my genre). And the ending was just perfect.
Laputa: Castle in the Sky – I love so many of the Studio Ghibli films and during lockdown, a group of friends and I watched a few of them. I hadn’t seen this one before and although it felt quite similar to Nausicaä of the Valley of the Wind, in terms of themes and general storyline, I did really enjoy it. It follows a young girl and her friend in their attempts to keep a magic crystal safe from the power-hungry military and find a mythical floating castle. But the biggest thing for me was how beautiful it was: the design of the castle, the abandoned gardens with all the greenery growing freely, the big, glass rooms… it was just utterly stunning. It was definitely the most beautiful Studio Ghibli I’ve seen.
Fantasy Island – When a group of competition winners land on Fantasy Island, they are given the opportunity to have their greatest fantasy fulfilled. But slowly the fantasies start to spiral out of control, becoming much darker than originally intended. When they start to overlap, the group start to get suspicious that maybe these aren’t their fantasies at all, that they might be in the fantasy of someone else altogether. I was drawn in by the idea of fantasies being fulfilled and because I’m a fan of Maggie Q, Lucy Hale, and Michael Peña. It wasn’t a life-altering film but I enjoyed it and thought it threw out some interesting stuff about the things we fantasise about, whether they’d actually play out that way if they happened in real life, and who we’d be if they did happen. So, yeah, I felt like it was an afternoon well spent.
The Half of It – Solitary, introverted Ellie Chu lives in a small town, practically taking care of her widowed father and making extra money by writing homework assignments for her classmates. When the less than eloquent, dorky football player, Paul Munsky asks her to write a love letter for Aster Flores, a girl who goes to their school, she initially refuses, secretly in love with Aster herself. But when the power company threatens to cut off her house’s electricity, she accepts in order to make the payment. One letter turns into more and Ellie and Aster connect over their shared love of art and literature, although Aster believes it’s Paul she’s connecting with. Ellie and Paul also start to bond over the experience. I won’t say more than that because the story unfolds so beautifully that I don’t want to ruin it. It’s a funny, gentle, and “quietly revolutionary” (as I believe Rolling Stone described it) coming of age story. I’m sure there will be those who find it too whimsical or too Fault-In-Our-Stars-esque but there’s so much more too it than that. I loved it. I loved the characters and I loved the different relationships between them. I loved the ideas they discussed: about longing, about love, about art, about identity, about life… And the ending is perfect. Utterly perfect.
Official Secrets – This is a docu-drama based on Katharine Gunn, a GCHQ analyst, who leaked a confidential memo that exposed an illegal spying operation by American and British intelligence services to potentially blackmail members of the UN into voting for the 2003 invasion of Iraq. It is eventually published but immediately discredited due to someone at the paper accidentally correcting American grammar to British grammar. Meanwhile an investigation is launched at GCHQ and eventually Katharine confesses to what she’s done. War breaks out in Iraq and Katharine seeks help from Liberty, an advocacy group which campaigns to challenge injustice, protect civil liberties and promote human rights. Even though this is about a historical event, I don’t want to give too much away because it’s a really fascinating film and I don’t want to ruin that experience if you’re not familiar with the events. It was a very strange experience to watch because I was alive at the time but far too young to be aware of the politics behind it all. I was aware of the war and went to the protest marches with my parents (so, somewhere, I’m potentially in the march footage that they used) but I didn’t know the details, like the story of Katharine Gunn. So it was a really interesting experience to watch it now and learning about what happened (I researched it more after finishing it) and putting that in the context of the few memories I do have of that time.
The Accountant – I have to admit that I didn’t like this film much, didn’t like how baldly stereotypical the portrayal of Autism was (as an autistic person, I found it so cringe-worthy that I could barely finish it) but there was a moment at the end that I thought was important and so I wanted to include it in this list. A family with an autistic son are being shown around a facility for people with Autism (not hospital or lab like at all though; more like this huge, beautiful country house) where some spend short periods and some live full time. The doctor says something that I think is really important, especially after such a traditional and unchallenging (and, in some ways, harmful) representation of Autism…
NEUROLOGIST: 1 in 68 children in [the US] are diagnosed with a form of Autism. But if you can put aside for a moment what your pediatrician and all the other NT’s have said about your son…
AUTISTIC BOY’S FATHER: ‘NT’s?
NEUROLOGIST: Neurotypicals. The rest of us. What if we’re wrong? What if we’ve been using the wrong tests to quantify intelligence in children with Autism? Your son’s not less than. He’s different. Now, your expectations for your son may change over time, they might include marriage, children, self-sufficiency. They might not. But I guarantee you, if we let the world set expectations for our children, they’ll start low, and they’ll stay there. And maybe… Just maybe… He doesn’t understand how to tell us. Or… we haven’t yet learned how to listen.
Searching – The really interesting thing about this film is how the viewer sees the story entirely through screens: homemade videos, computer screens, FaceTime, news footage, etc. It was really cool, but I can’t imagine that it would work again without feeling like a gimmick. Anyway, for this film, it was a really interesting way of telling the story, what could otherwise be a normal mystery film, albeit one full of unexpected twists. It follows David Kim’s search for his missing daughter, Margot, through which he learns that his daughter was going through much more than he’d realised after his wife and her mother’s death a few years (approximately) earlier. The police come up with multiple theories but continue to hit dead ends but David refuses to give up, leading to some confusing and shocking discoveries.
Enola Holmes – I was really excited for this film and I wasn’t disappointed; I really, really enjoyed it. I never quite got into Stranger Things but I did think Milly Bobby Brown was great from what I did see of it. I absolutely loved her in this role though: the incredibly smart, resourceful, and loyal younger sister of Mycroft and Sherlock Holmes. She had great, effortless chemistry with so many of the characters, including Sherlock himself, her mother (played beautifully and hilariously by Helena Bonham Carter), and the young Viscount Tewkesbury, whose story she accidentally falls into and becomes a part of whilst on her own quest. I loved the story, beginning when Enola’s mother mysteriously disappears, and I loved how it was constantly evolving, starting as one thing and then turning into another and then another. It felt really cohesive and flowed really well as a film: I loved the motifs that kept reappearing throughout, like the meanings of different flowers and Enola paying people to change clothes with her as just two examples. I also really loved how they broke the fourth wall with Enola speaking directly to the audience, looking right at the camera; I think it was a really effective storytelling technique. I really loved it and have watched it several times since my first viewing. It’s an interesting and thought-provoking film while still retaining that feel good factor that makes it so enjoyable to watch over and over again, especially when I’m having a bad day.
Legally Blonde – *Spoilers* It was good fun and I loved that it challenged societal norms: that we should fit in and conform, that others can tell you who you are and who you should be, that your interests determine your intelligence, your character, or your value… It was great to see a film with a demographic of (probably) mainly young girls, pushing back against these ideas. I loved how Elle used her own expertise to her advantage and how it allowed her to draw conclusions that the others wouldn’t have come to (although I’m not sure that her knowledge of fashion and style would win her many cases). I loved how accepting she was and how willing to forgive she was, with Vivian for example. I did struggle with some of the stereotypes portrayed, like gay men knowing fashion, the sleazy professor trying to sleep with his student, and so on but it was made almost twenty years ago; I have to hope that things are better now. Having said that, they did publicly out a gay man (technically they tricked him into outing himself but is it really any different if they were planning on that exact outcome?), which is beyond problematic. And then to have the whole thing treated as so hilarious and outrageous makes it seem like no big deal when it is. Outing someone is not only cruel but potentially dangerous. It’s not something to joke about. So as much as I enjoyed the rest of the film and appreciated the positive messages it focussed on, ultimately it left a bad taste in my mouth.
Close – Noomi Rapace as an action hero with a complicated backstory? Count me in. Close follows Sam, a highly experienced Close Protection Officer, who is assigned to protect Zoe, the young and entitled heiress, after her father’s sudden death when she and her stepmother travel to Morocco to secure the future of the family mining empire. But while there, the house is attacked in an attempt to kill Zoe and prevent her from becoming a powerful figure in the company. It seems that the stepmother is trying to eliminate her competition and ultimately it’s left to Sam to protect Zoe (and to an extent, teach her to protect herself) and both get them to safety and find out what’s really going on. While it might not be a life altering movie, I really enjoyed it. I love Noomi Rapace and thought she did an awesome job as Sam. I thought she brought a lot to what could’ve potentially been quite a one-dimensional role: she shows an incredible control, calm and quick-thinking under pressure, but she also has deeply emotional reactions to some of the events that happen throughout the film. Apparently she did all her own stunts and was trained by Jacquie Davis, the UK’s first female bodyguard, whom the character of Sam was actually based on. I just loved her as a character and the conflict she finds herself in protecting Zoe, even when it’s no longer her job. The relationship between them grows as they have to depend on each other and it’s messy and complicated but they ultimately develop genuine affection for each other, which is particularly heartwarming when both of them have had such a hard time trusting others. So, overall, a film I really enjoyed and a greatly appreciated ninety minutes of escapism.
Cheer – I wasn’t sure that this would be something I would enjoy but multiple people that I like and respect recommended it so I thought I’d give it a go and absolutely loved it from the first episode. I already had a hypothetical understanding of how physical and intense and skilled cheerleading is but to actually see it (and see the process of learning a routine, practicing it over and over, and then taking it to the biggest of competitions) gave me a completely new insight and respect for it, in a way that I don’t think I could’ve had had I only had that theoretical knowledge of it. I got so invested in so many of the team members (Morgan especially – I think I related to her the most and her journey had the biggest impact on me) and I finished almost every episode in tears because I was so moved by their stories and their passion and then where they had ended up when the series finished. It’s not an obvious choice for those without an interest in cheerleading or sports but I thought it was really, really good and highly recommend it.
Noughts + Crosses – I loved the books so I’ll admit I was worried that that would affect how I felt about the show or if the show would affect how I felt about the books. But they were quite different (Callum going to Police Training rather than Sephy’s school, Yaro’s appearance in the story, etc), which actually made the series much easier to sink into: I wasn’t constantly comparing them because the difference in the stories felt so significant. It wasn’t hard to love them both and feel emotional about how the events played out in each version. The show had a much darker vibe than the books but then, in the books, we see this society through the eyes of teenagers. However that’s not possible in television: we see the whole picture. Quite literally. We also see different plot lines from characters we saw very little of in the books as the story was told in first person, either from Sephy or Callum’s point of view.
As challenging and upsetting as many of the scenes were, there were so many things I loved about it as a show. I loved the casting and portrayal of the characters, especially when it came to Callum and Sephy. They had such great chemistry that their relationship felt so natural. The acting – all of the acting – was fantastic and you really felt the emotions of the characters as they went through them. I also thought the two families were portrayed so well; the dynamics were so complex, so layered and nuanced. I also loved how visually rich it was: even in the intentionally grim areas, like the industrial areas and the roof of Callum’s house, which I think is ultimately due to the incredible attention to detail that you don’t really get in the books. But in the show, you can really see the cultural influence in every aspect of life (stemming from an African Empire that colonised Europe hundreds of years prior): clothing styles, hair styles, architecture, interior design, advertising, language (slang, pleasantries, terms of endearment, etc), and so on.
I don’t know if I feel educated enough to make an assessment of the representation, especially considering the race reversal and the fact that certain things don’t line up with the present (in the UK at least, which is where it’s set), such as an inter-racial couple being arrested and the death penalty as a potential punishment. It’s not a straightforward comparison. But having said that, it does very effectively and powerfully highlight a multitude of issues around race and class. “Josh Lee [of The Guardian] gave the television series four out of five stars, describing it as a ‘reverse-race love story that is vital viewing.’ Lee praised the series for highlighting the challenges that working-class white people and people of colour share in the real world through its depiction of racism in an alternate world dominated by African supremacy.”
Criminal Minds (Season 15) – *SPOILERS* It feels so strange to me that this show is over. I started watching it in mid 2009, in the gap between seasons three and four and now it’s over. I can’t believe I’ve been watching this show for eleven years; that just seems so odd to me. Anyway. I must admit that I’ve been expecting someone to pull the plug on Criminal Minds for a while now. I’m not convinced it’s been consistently good since season seven, although there have been good episodes and story arcs since then; it just felt like they were running out of ideas, reusing old stories and villains, or using ideas that in earlier seasons they would’ve considered too ridiculous or traumatising to make episodes out of. I was endlessly happy to have Emily Prentiss back and that’s ultimately what got me back into the show when I was losing interest, especially with her in the position of Unit Chief; I feel like that was a very natural arc and development of here character. Anyway, back to season fifteen. I hated the cliffhanger to season fourteen and was very relieved to see JJ and Reid recover their friendship and I really liked Reid’s relationship with Max; she seemed like a good fit for him. I wasn’t particularly drawn in by any of the episodes, story wise, and I found Everett Lynch to be a pretty uninteresting nemesis, certainly nothing compared to George Foyet or Ian Doyle. But I liked the more character focussed moments throughout the season. The show was obviously coming to a conclusion and they were muddying the waters of who would be leaving the team, creating new paths for multiple characters. While I would’ve loved to see Emily as FBI Director (not exactly likely given all of the trouble the BAU cause), I think it was fitting that Garcia was the one to leave. She struggled with the darkness of it all and going to work for a non-profit seems like something that would’ve been a really positive place for her to be. As much as I was ready for the show to be over, I found those last few minutes really heartbreaking and I definitely cried when she waved them off, everyone aware that she wouldn’t be there when they got back.
Little Fires Everywhere – As soon as I saw the trailer for this show, I wanted to watch it. The mini series begins with Elena Richardson (played by Reese Witherspoon) watching as her big, beautiful home burns down in front of her and I was instantly invested. We jump back four months and the rest of the series is devoted to finding out what led up to that moment. Set in the late 1990s in the midwest town of Shaker Heights, Ohio, two very different families collide: the Richardson family are privileged, wealthy, and white, while the Warren family are transient, artistic, black, and rarely have money to spare. The children become friends, Pearl Warren drawn to the stability of the Richardson home and developing a crush on the oldest son, Trip, while Izzy Richardson identifies with Pearl’s mother, Mia Warren (played by Kerry Washington), as an artist and outsider. Their relationships bring the mothers closer together with disastrous consequences for all. It’s hard to describe the show without giving anything away, which I don’t really want to do with this one; the show does a much better job than I will. I’m still hoping to read the book but something that I found really interesting was that the author had pictured the Warrens as people of colour because she wanted to talk about how intertwined race and class are but hadn’t felt like she was the right person, as an Asian-American, to talk about a black woman’s experience. But then, when Kerry Washington joined the cast and became an executive producer, the showrunner decided to bring race to the forefront of the story and filled the writer’s room “with creatives who could relate to Mia’s kind of Blackness,” a decision the author was happy with. (x) It was also really interesting to watch how the characters developed and changed due to these relationships and how that affected you, as the person watching, and your feelings about the characters. Everyone I’ve talked to about the show has said the same, that their favourite characters at the beginning of the show weren’t the same as their favourites by the end. But overall, I loved Izzy and I particularly loved the scenes between Izzy and Mia. I thought they were particularly powerful. Having said that, the series is packed with incredibly powerful moments.
Absentia (Seasons 1-3) – Six years after disappearing on the hunt for a serial killer, having been assumed dead, FBI Emily Byrne is found in a cabin in the woods, barely alive and with almost no memory of the years she was missing. Recovering in hospital, she learns that her husband has remarried and that he and his new wife are raising her son. Her former colleagues at the FBI investigate her disappearance again but when they start to find evidence that Emily may have faked her abduction, Emily launches her own investigation and it becomes a race. Will Emily find out the truth before the FBI reach the end of the path they’re being led down? I loved this show. It’s one of my favourites of the year and I may very well rewatch it over the Christmas holidays. I just fell in love with the character of Emily Byrne (played by Stana Katic) – she’s a really well developed character and a total badass – and I was just blown away by how the show portrayed the trauma of what had happened to her, consistently and realistically and with the gravitas it deserved. I also thought it was great that they explored the psychological effects that her disappearance had had on her family and her relationships and how, even though they were incredibly grateful to have her back, their previous issues and their issues stemming from her disappearance didn’t go away and had to be dealt with. So there was a lot of interesting character development throughout the whole show, not just the first season. Fair warning, there’s some serious violence so if that’s not your thing, then you won’t enjoy this. But it’s an incredible psychological-thriller-mystery-drama with great characters. And while I don’t want to talk about the later seasons because that would give away the end of Season 1, I do want to shout out the introduction of the character of Cal Isaac. He’s a really interesting character and I really liked him straight away. The development of his relationship with Emily is done really well too. Anyway, I’m gonna stop here. It’s great. I love it. I can’t wait to watch it again.
Broadchurch (Series 1-3) – Broadchurch follows the partnership of the mysterious and grumpy DI Alec Hardy (played by David Tennant) and the bright and cheerful DS Ellie Miller (played by Olivia Colman) as they attempt to solve cases (one per series) in the small, seaside town of Broadchurch. It was incredibly gripping and the cliffhangers at the end of each episode were almost unbearable. We watched all three series very quickly because we kept finding ourselves watching almost a whole series in one night. Looking back at it though, I’m not sure I could rewatch it: the stories were so painful and emotional that I’m not sure I could bear to, although I guess that’s a testament to how fantastic the acting is. But I absolutely adored Hardy and Ellie’s relationship; the contrast between their personalities was utterly hilarious but their shared commitment to the job and finding the truth made them a remarkable, if unusual, pair.
Agents of Shield (Season 7) – *SPOILERS* I was so upset when I learnt that this year’s season was going to be the last (I legitimately called my Mum in tears when I heard the news) but if there had to be a last, this was the best possible last. It was just incredible, from start to finish. I was a bit wary about it, with the previous season ending with them in the past but then, as they moved towards the present, episode by episode, I really got into it and I loved watching the new timeline develop, story by story. Every episode was excellent but a handful of them were real standouts, not just of the season but of the whole show (7×09 is probably my absolute favourite episode). I loved the references to previous seasons and I loved seeing old characters return as we got closer to the present. I also loved the development of the characters: Coulson, May, and Yoyo all had particularly interesting journeys that I found myself very invested in. And of course, I loved Daisy’s storyline throughout the season. I wasn’t sure a love interest was a good move but they handled it so intuitively that the way it played out felt very natural. And I loved the return to her earlier focus on family and where she came from and what that meant for who she ended up becoming. She was already a powerful figure (powers aside) but she really came into herself in this season and I wouldn’t have thought I could love her more but I did. But then Daisy Johnson is my hero and I will love her forever. I also loved that she was the voice of the audience in the sense of her grief over the team’s story ending; that felt really important and special. And despite it being the end. I loved the ending. It was just absolutely perfect. I sobbed through the last few episodes because it was so powerful and so emotional. A part of me will always want more but I don’t think they could have created a better ending. So I’ll be grateful for what an amazing seven seasons and for all the show has given me. I think it’ll probably be important to me for the rest of my life.
The Fix – I was so happy to have Robin Tunney back on my screen, especially as a main character. I thought her acting, especially when it came to the emotions she was experiencing (or when she had to shut off those emotions), was fantastic. I really enjoyed that the series followed one legal case, allowing the show to really delve into the details and the relationships between all of the characters, as well as side stories that fleshed out the bigger picture. It might not reinvent the wheel but I really did enjoy it and as I said, it was such a delight to see Robin Tunney again, especially in such a beautiful nuanced and complex role.
Lucifer (Season 5: Part 1) – *Spoilers* I love Lucifer and this season certainly didn’t disappoint. I love how much work goes into evolving the characters and their own personal journeys. No one in the ensemble feels like a side character; they’re all beautifully fleshed out, more and more as time goes on. I also thought there were some really great storylines in this season. Michael’s introduction was certainly interesting, although I was glad when he was outed as Michael and not Lucifer so quickly as the idea of Chloe starting a relationship with him, thinking he was Lucifer, made me feel seriously uncomfortable. Both Maze and Dan have really powerful storylines and I felt for them so deeply, even though I hadn’t initially liked Dan. I just wanted to hug Maze the whole time. I also thought the ongoing story of Ella and her boyfriend was a really cool addition. But with so many storylines going on at once, I never felt like the show was unbalanced or that any of stories were treated as filler. And yet it never felt too busy.
There were so many amazing scenes but there were a few that really topped the list. One of them was in the first episode when Maze destroys Lucifer’s piano because she feels so hurt and so angry that Lucifer abandoned her for Hell. Lesley-Ann Brandt’s acting is just incredible; I swear I could feel everything she was feeling. And I’m also really freaking curious how the show made the scene possible, what they did to make it possible for her to tear a piano into pieces. My other favourite is the final fight scene, in episode eight. The choreography is awesome and the special effects, particularly Maze throwing Lucifer through a glass wall while time is frozen, are stunning. The glass seems to hang rather than falling to the floor but they can still sweep it aside. It’s beautiful.
And that cliffhanger. Oh my god.
Away – *Spoilers* This is a ten episode season about a group of astronauts on the first manned mission to Mars. I’m a sucker for anything about space and I’ve always really liked Hilary Swank so I was excited when it popped up on Netflix one day. I felt like it started a little awkwardly but I thought the cast were fantastic and I loved the characters, especially the astronauts. I found them all really interesting and complex and I loved seeing how their lives had lead them to that point and I loved the relationships between them, as a group and in the various combinations. I don’t know if that many disasters is realistic or not but I think they conveyed the emotions of the characters really well. I was crying by the end of every episode, if not before. My favourite part without a doubt was the end when, in the last episode, they land on Mars and everything that’s been building through the show (the relationships between the astronauts, their evolving emotions about the mission, the complicated concept of duty, their relationships with their friends and family on Earth) all come to a head. It’s a stunning end and I was just sobbing. Even my Mum, who’d only seen snatches of it as she came and went, found it emotional.
Dare Me – *SPOILERS* I’ve been finding this one really difficult to write about, I think because there are so many layers to the story and the relationships between the characters are so complicated. The story follows best friends, Beth and Addy, who’ve been inseparable for years until the new cheerleading coach Colette French arrives, removing Beth’s captainship and completely shaking up the team. Beth, a wild and reckless but ultimately lonely girl, distrusts her immediately while Addy, the loyal follower and peacekeeper, becomes more and more infatuated by Coach French, something that drives a wedge between the two friends. The storyline requires some suspension of disbelief (I doubt a real cheerleading coach would encourage parties and underage drinking in her own home but then, given that she’s bringing positive attention to the cheerleaders and therefore the pretty fucked up little town they’re living in, who knows…) but it’s definitely a wild ride from beginning to end. When I first finished it, I thought, “okay, cool, that was interesting,” but a week later, I realised that I was still thinking about it a lot, especially about the characters and their relationships. They were so complex and intriguing. I was fascinated. I even ended up writing a song based on the show.
The Queen’s Gambit – *Spoilers* I know a lot of people found this show really gripping right from the start but it was more of a slow burn for me. I don’t think I absolutely fell for it until the last episode. Like an elastic band being pulled, it was almost like I got more and more frustrated with the show and then all of that tension was released in the final episode when I felt it all come together. I loved every second of that episode: her friends coming together to help her with her strategy, her win against Borgov and his grace over her victory, all of her people supporting and celebrating her, and then it ending with her walking the Russian park with all of the old men playing chess and how excited they were to meet her and honoured to play with her. It was fantastic. I do have my criticisms of it as a show but that final episode especially was so powerful that ultimately my experience of it was positive.
The Split (Series 2) – I started watching this back at the beginning of the year but then the pandemic derailed everything and I forgot about it. But recently I found it on BBC iPlayer and had to finish it. I love Nicola Walker and while the whole cast was great, she just delivered incredible performance after incredible performance. The dual storylines of the legal case her character, Hannah, was working and the difficulties in her personal life were balanced beautifully and they informed each other in a powerful but still realistic way. I loved Series 1 but this series really upped the emotional intensity and Nicola Walker’s acting – the subtlety of the emotional spiral – as the pressure mounted and her life started coming apart around her was just breathtaking. And even though she wasn’t innocent, she also wasn’t the only guilty party and the complexity of the story, the emotions experienced, and the relationships between the characters felt very true to life. The pain that Hannah was going through by the end was completely and utterly heartbreaking and the final episodes had me in floods of tears. I just wanted to hug her. It was an absolute masterclass in acting and I only love Nicola Walker more after watching it. I really, really hope there’s another series and I can’t wait to have her back on my screen, whether in a third series or when Series 4 of Unforgotten airs. She’s fantastic in that too.
Little Voice – I didn’t watch this straight away; the idea of watching a TV show about a struggling singersongwriter felt a little too close to home when I was already struggling with my mental health. And the likelihood that it would probably have a really positive ending for her, music wise, just felt like more than I could handle. So I kept it on my ‘To Watch’ list; I mean, it was co-created by Sara Bareilles so I knew that, in the right frame of mind, I’d really enjoy it. But after hearing Sara’s album of the songs in the show and falling in love with so many of them, I had to watch it. And I did, I really did enjoy it.
*SPOILERS* I got really invested in lots of the characters, especially Bess, Prisha, and Samuel, and I loved the relationships between all of the characters; they all felt really different and natural, based on the characters personalities and experiences together. I especially loved Bess’ relationship with the other characters, particularly with her father, her brother, Prisha, Samuel, Benny, her boss at the bar, one of the elderly women at the senior centre she also works in, and so on. I felt like she had a really special way to connect with people. There were some really touching moments – watching Bess write songs, the first time she performs and it goes well, Bess and Ethan’s conversation about hope, etc – but then there were a handful of moments that made me cringe with secondhand embarrassment – Bess’ early stage banter, watching her father rant during her first studio experience, etc. Overall, it was a positive experience but when I cringed, I really cringed.
It was great to see such a diverse cast and for the show to have a disabled character who’s disability wasn’t brushed aside but also wasn’t his only character trait; he was pretty well developed (considering how many characters there were) with his own storyline, involving his relationship with Bess, his love of musical theatre, and his journey to be more independent, to which he had both positive and negative reactions. There were also some very relatable music industry experiences, like producers trying to mould a song to their own vision or telling you what you want to hear, industry people saying good things and then telling you all of the reasons why they can’t work with you, people making promises that never come to anything, and so on. I haven’t experienced all of these situations but I’ve definitely experienced some of them.
My only real issue with it was that I felt like there was just too much going on, too many storylines that ended up not getting the time they deserved. I loved so many of them that I don’t know which ones I would’ve cut but it was too much for nine episodes and what could’ve been really beautifully developed stories ended up being glossed over. I don’t want to say any more because I don’t want to totally ruin it but I would recommend it if you have Apple TV+. I loved the music and I loved how well it matched the story and the characters. Oh, and I loved Sara Bareilles’ cameo and how Bess and Louis fangirled over meeting her.
His Dark Materials (Series 2) – *SPOILERS* I loved series 1 so I was really, really excited for series 2 of His Dark Materials. I don’t want to give too much away since it’s literally just finished and so a lot of people may not have seen it yet but I thought it was excellent and looked forward to it every week. I thought the city in the ‘middle world,’ Cittàgazze, was really intriguing and so beautiful. And it was very cool to see characters from Lyra’s world in Will’s world (which I believe is also our, the reader’s, world?) and how they tried to fit in. Sometimes the jumps between worlds was a bit confusing or jarring but I loved how some elements matched up beautifully and how some were in such stark contrast. And that was just background as it was the strength of the characters and their relationships that really drove the show. I thought the chemistry between Lyra and Will (and Pan, of course) was great and I loved their friendship; even with only seven episodes to the series, we really saw it grow and develop as they got to know and trust each other. I also really liked Mary Malone and her relationship with Lyra (and the scenes with Lyra and Mary’s machine were incredible). As much as I love Lyra (Dafne Keen really was the perfect choice), I couldn’t help but be absolutely blown away by Ruth Wilson in every episode. Her performances as Marisa Coulter are just awesome. She’s such a complicated character (I’m desperate to understand how she can do what she can do and why her relationship with her dæmon is so different to everyone else’s: why he doesn’t speak, why she’s so cruel to him, how they can be so far apart – something that does seem to distress him but not her – and so on) and Ruth Wilson does such an amazing job playing her. I admit that a part of me was waiting throughout each episode for the moment where we saw how awesome she is, because there was one in pretty much all, if not all, of the episodes: her interrogation of Lee Scoresby (and the painful moment with her dæmon afterwards), the moment when Lyra sets Pan on her dæmon but she is able to fight off the affects – that whole scene is amazing, not to mention intriguing – her ability to control the spectres, the moment where she almost turns on her own dæmon… She’s a force of nature. I’m kind of obsessed with her because she’s such a fascinating character. I did feel like the end was quite rushed: they spent most of the series looking for Will’s father and then he’s just suddenly there, but it wouldn’t surprise me if the pandemic had played a part in that. It just felt like it was suddenly over and I was completely unprepared for that. I have just seen that it’s been renewed for the third and final series so I’m really looking forward to that, whenever it may come. This team and this cast have done such an incredible job with these stories so I’m really glad that they’ll be able to finish them.
Miss Americana – I don’t know if I can sum up this documentary in just a paragraph or two but, between them, Taylor Swift and Lana Wilson created a beautifully honest and emotionally revealing documentary about Taylor’s life so far, the period of transformation she had found herself in, and what she wanted for her future. It shows footage and discusses the history and the fall out of everything with Kanye and the infamous phone call in 2016 (the full recording of which has since been revealed, proving that Taylor was telling the truth all along), the toxicity of social media and how the response to Kanye’s attacks on her continue to affect her, addressing her need to please and how damaging that had become, the harrowing experience of the sexual assault trial, her body image issues and eating disorder, the making of reputation, the reputation tour, her mother’s cancer, beginning to voice her political opinions and arguing with her father and management team about it, the making and release of Lover, the writing of ‘Only The Young,’ and basically her journey of growing as a person. There’s a lot in there and it was a real eye-opening experience, even for someone who considers themselves an avid Taylor fan. I loved her even more than I already did for putting out this documentary and deliberately including details that she knew would help people, like her previously unknown struggles with her body image and the experience of her sexual assault trial. She didn’t have to discuss these things but she did because she knew that there would be people who needed to hear her talk about it. I admire her so much for that. I would highly recommend watching it, fan or not.
City of Lover Concert (Taylor Swift Show) – I was gutted that I couldn’t be at this show when it happened so I was really excited that Taylor was putting it on Disney+. It wasn’t the same and the flow of it felt quite jerky as they had to cut around the songs caught up in the Masters situation (she can perform them but they can’t be recorded and distributed in a film like this one) but it was still really cool and a lovely tribute to the Lover album since we didn’t get a tour for the album (and probably never will since the release of folklore and evermore). You can feel the joy radiating off Taylor as she performed the then new songs and it’s hard not to smile, watching her do this thing that she loves so much. I still wish I could’ve been there for the actual show but I’m so grateful that we got this, especially with the pandemic and the resulting loss of live music.
Hamilton – I’d been planning to see the show in London but then the pandemic hit and obviously that plan was scuppered but then it went up on Disney+ just as my phone contract offered me a free subscription. The timing was beautiful. From the first note, I was absolutely entranced. I loved it. I loved the music, the acting, the set, how the actors interacted with the set… everything. I’ve watched it over and over and read so many articles explaining different aspects of it because I just find the whole production so fascinating. And as both a songwriter and a songwriting nerd, my mind was just exploding. It really is mind-blowing work and I’m sure there are still things I’m missing because it’s so clever and so layered. I could talk about the music for hours but I won’t, I promise. So, yeah, I found it really inspiring as a writer (and I did actually attempt to write a song in the style of it although I’m not sure it’ll ever see the light of day). It was amazing and I love it. I love it more every time I watch it.
folklore: long pond studio sessions – I loved this so much. I love Taylor Swift and I love the folklore album and in a time where we can’t have real concerts, I so appreciated that this film gave us the next best thing. The studio was gorgeous (I would love somewhere like that to write and record music one day) and the performances were stunning; Taylor’s vocals in particular were just breathtaking. She can convey so much emotion just through her eyes and I found watching the film a really emotional moving experience. I also loved getting to learn more about the songs, what they were about, the context in which they were written, and so on. We’ve been speculating and theorising for so long that it was so satisfying to find out where fans had guessed right and get some insight into the ones where we’d been so confused (‘hoax,’ for example). And the whole thing is so beautiful and intimate. It was just so good and I knew from the first watch that I’d be watching it over and over again.
So I hope that was of some interest and that you’re maybe even leaving with a few new things to read or watch. I’m quite proud of how many new things I discovered this year, after being stuck in a rut of just rewatching the same things. I definitely want to continue this approach into next year, although hopefully it will include more books. As I said, I just haven’t been able to concentrate enough to get into a novel. But having said that, I feel really good about pushing myself out of my comfort zone, exploring genres I don’t generally favour, and expanding my creative brain by filling it with new stories, new characters, and new ideas. So I’m proud of this list and I’m excited for the new discoveries that 2021 will bring.
Category: book, covid-19 pandemic, emotions, favourites, music, quotes Tagged: absentia, agents of shield, autism, autism awareness, away, book, broadchurch, castle in the sky, charlie mackesy, cheer, chloe bennet, city of lover concert, close, criminal minds, daisy johnson, dare me, documentaries, enola holmes, fantasy island, favourites, film, folklore: the long pond studio sessions, hamilton, his dark materials, i would leave me if i could, isn't it romantic, laputa: castle in the sky, legally blonde, little fires everywhere, little voice, lucifer, milly bobby brown, miss americana, musical, new, nicola walker, noomi rapace, noughts + crosses, ocean's 8, official secrets, poetry, review, rewatching, ruth wilson, sara bareilles, searching, spoilers, stana katic, taylor swift, the accountant, the boy the mole the fox and the horse, the fix, the half of it, the queen's gambit, the split, tv show, university reading, what happened to monday
Posted on September 29, 2020
So, I’m officially back at university, which feels very weird to say after six months of unstructured time in lockdown. With the ongoing pandemic and my mental health issues, it may be overly ambitious but, as I said in a recent post, I really needed to try. So I thought I’d write a blog about the first week back as it was bound to be an ‘interesting’ experience. I’m only ‘in’ one day a week but that doesn’t account for extra work and assignments, as well as trying to balance extra theory lessons, therapy, and so on. So, unsurprisingly, I was pretty anxious going in.
The week in this post started on Tuesday 22nd September and ended on Monday 28th September 2020. It begins on a Tuesday as my academic week begins on Tuesdays this semester and I thought the week’s activities would make more sense in that context.
I’d tried to go to bed earlier than usual the night before, which I had managed to a certain extent, but getting up was still a struggle. It’s been so long since I’ve been required to get up for something relatively early in the day and finding the motivation to get out of bed was a problem I’d long thought I’d conquered. It was very tempting to roll out of bed at five to nine and attend my lecture as I was. But I really didn’t want to look like a befuddled, just unfurled hedgehog so I eventually managed to drag myself up and into the shower. That was fine but apparently my makeup skills have drastically deteriorated since lockdown began; getting my eyeliner to match was practically impossible – I’d decided to wear makeup in the hope that it would make me feel more motivated, more normal, more in a university mindset, since I always wore make up to university. I got dressed – smarter than my usual lockdown attire but still comfortable – and put on jewellery for the first time in ages. Then, as the day’s classes were on the whole more introductory than anything else, I set myself up on the sofa with my collapsible desk and laptop and logged into the online class, ready for the nine am lecture.
My lecture class is online and we spent two hours going over the new module, Musical Language in Songwriting. We went through the learning outcomes, the details of the assessment, and listened to a selection of songs, hearing some of the musical concepts we’ll be learning about to then try out in our own music. I’ll admit to being anxious about this module: it relies on music theory more heavily than the other modules do and that’s not an area I feel super confident in. So while my tutors are really nice (I’ve met them both before) and I know I could go to them if I needed help, I am still nervous about not being able to do what is asked of me.
We had a two hour break where basically all I managed to do was eat some lunch. I’d forgotten how exhausting it is to go back into education when you’ve had a significant break, how exhausting university can be in general (especially when you’re dealing with issues like anxiety, for example), and how exhausting it is to study/work in an entirely new format. I’ve used Zoom and FaceTime and so on to socialise but I haven’t used it in this context before and it definitely felt like new territory. So I watched some TV and made sure I had a track ready to play in the Workshop.
The Workshop was much more of a challenge than the lecture. This was the onsite class but as I’ve already discussed, I’ve opted to do the whole module online. I felt that feeling safe and being safe was worth a little added difficulty in class. But it was a lot of added difficulty. I was one of two online students – and the other will usually be onsite – and I just felt very removed from the class. The position of the camera meant I couldn’t see any of my classmates and I couldn’t really hear what they were saying or the songs they were playing. That made it very hard to engage as part of the group and anyway, my only way to do that was to type into the chat box that showed up on the tutor’s laptop. Not exactly a great system in group discussions. I spoke to my tutor about the problems and made a note to speak to my student support person. It did make the class a struggle but hopefully, with some feedback, the situation will get better.
I don’t really know what I expected it to feel like. There had been so much administrative drama beforehand that I hadn’t really thought beyond the actual day ‘at’ university. But then it was over and I felt restless, anxious, and depressed. I don’t know what I expected it to feel like (or what I would’ve expected if I’d thought about it) but I’m pretty sure it wasn’t that. So that was a bit upsetting.
Given that my lectures finished at three, I’d planned to log out of uni and get on with stuff: work on some blog posts, write in my diary, or even work on my songwriting assignment for the week. But I was so exhausted and so drained that I couldn’t concentrate on anything – staying awake took all the energy I had. I know I watched a Harry Potter movie (they’ve always been comfortable and familiar background noise) but I don’t really remember watching any of it. I made several attempts at blog writing but suddenly it was the evening and I hadn’t really done anything. I know that going back to uni and going to classes, even undemanding ones, is a big deal and that we shouldn’t base our self worth on our productivity but I felt really frustrated that I hadn’t managed to do anything. I feel like I have so much to do all the time – too much to do – and it just feels impossible to keep up. It’s exhausting, mentally and emotionally.
In the end, I just went to bed early but, of course, I couldn’t sleep. After a while, I was getting so frustrated that I got up for a bit and tried out Dare Me on Netflix. I watched a couple of episodes and although it felt pretty exaggerated and over the top, I found the characters and their motivations interesting and I found it visually appealing: the styling, the settings, the colouring. I don’t know if I’ll keep watching but it helped distract me from everything and eventually I was able to get to sleep.
First day back at university since late March: attempting to navigate online classes, trying to remember how to talk to people rather than cats, and desperately hoping not to make an idiot of myself on camera. (x)
After such a disturbed night, I really, really struggled to get up. I just wanted to sleep all day. But eventually I dragged myself out of bed, got ready, and managed to eat something just in time for my Zoom session with Richard at eleven thirty.
Despite only officially receiving the first assignment the day before, the goal of the session was to work on this first song: a song with a modulation (a key change, for those of you unfamiliar with music theory) and the title ‘Little Pieces.’ I had, in fact, already written a song for this brief. I’ve been speaking to one of my tutors on and off over the summer to make sure I was as prepared as I could be for the module (hence my music theory lessons), especially considering how nervous I was about it and at one point, he mentioned what the first assignment was going to be. Knowing that I really struggle with modulations, I spent some time experimenting with them in various songs, in different moments of songs. And then recently, a concept matching the ‘Little Pieces’ idea popped into my head and I had to write it down before it disappeared. I tried out multiple possibilities for a key change and finally landed on one that felt like it matched the song rather than feeling like it had been shoe-horned in. Since the homework hadn’t been assigned yet, I didn’t do any more – I just emptied the ideas out of my head.
Once the task had been assigned, I looked at it again (I decided it was okay to use my song since it had been explicitly stated that we could use an older song if we did happen to have one called ‘Little Pieces’), made some tweaks, and sent it to Richard. We’re supposed to write the songs ourselves but we can bring in producers or session players as long as we’re making the artistic decisions. Richard and I usually produce very collaboratively but this time it was really on me to choose the arrangement, the specific instruments and effects, and give direction, if not exact instructions, on how instruments that I don’t know or have great experience in, should be played. So, to give you some examples: the track was based around my piano recording; I chose the electric guitar sounds, sometimes from a reference and sometimes from hearing a plugin, and in some cases, I sang a riff that Richard then interpreted (but made them better as he’s a much better guitarist than me, which was fine as they were sketches I was suggesting rather than exactly what I wanted); I directed how the song built and where that began; I suggested dropping beat one after the chord change to emphasise it as I was trying to make it a moment in the song rather than move smoothly over it. Having said all of that, I did use the opportunity to learn from Richard as a more knowledgeable and experienced arranger and producer. He told me about specific things that he would do, explained why certain things made sense musically, and suggested effects (like creating a pulse within a bass pad) that I didn’t even know existed. It was all my call but being so new to being in the production driving seat, it was very helpful to have someone point those sorts of things out to me. I definitely learned A LOT.
We worked for almost four hours and I was absolutely exhausted by the time we closed the video call. I was also weirdly emotional. I just felt really raw and anxious and overwhelmed. I felt like I had too much to do but time was passing too quickly to do it all and I could already see myself getting behind in everything; the thought made me feel like I couldn’t breathe. I did take some Diazepam but it didn’t shift the feeling completely.
I spent most of the rest of the day trying to work on blog posts but ultimately just flipping from one screen to another. I think I was just too tired to concentrate. Nothing could really hold my attention so it felt like I’d wasted the afternoon and evening, which just made me feel frustrated and even more overwhelmed.
Me and Mum had dinner with Friends – mainly because I was feeling too overwhelmed to choose something else (nothing felt right) and because we knew we were both too tired to watch something new, that we’d both just fall asleep and end up rewatching it. We do have a list of new things to watch though and I don’t want to give up my progress in consuming new media just because I’m back at uni. Having said that, it will probably be less, just because I have more things to fit into a week now.
Eventually we just abandoned the day, gave the cats their before-bed snack (otherwise they wake us up at five, demanding breakfast), and went to bed. I was completely exhausted and although it did take me a while to relax, it didn’t take too long to get to sleep.
I slept better than the night before but still not hugely well and it was a struggle to get up. I keep making plans to dedicate a day to a massive sleep in but it always seems to get pushed down the list of priorities. There’s always something to do, something I feel I need to do more. I never wake up feeling particularly refreshed so it’s difficult not to think of sleeping in as a waste of time. Why do something that’s supposed to be enjoyable if you don’t actually enjoy it?
I spent the morning working on various different blog posts. I honestly love writing for this blog, even when it’s difficult. Putting my thoughts or experiences into words – turning them into something tangible – just makes the world feel a little more manageable. And I really needed that. I was feeling really quite fragile and overwhelmed. I felt like I might start crying at any moment.
The list of the semester’s assignments had been added to the module resources so I looked through them and identified which ones felt more difficult than others, which ones I might need help with the theory of before working on the actual song. When my theory lesson rolled around at one thirty, we worked on different time signatures and how to play them on the piano, as well as different modes. That particular assignment involves multiple time signatures, a mode other than the most commonly used (the Ionian), extended chords, and an example of chromaticism – basically, my worst nightmare. I’m not going to achieve all of that in a week so I thought getting a head start on how to actually put those ideas into practice might help for when the assignment comes around.
I spent the rest of the afternoon working – very slowly – on blog posts and my diary. Again, I was just exhausted. I think this week is just A LOT and hopefully it will get at least a bit better as I establish a rhythm and better organise myself around my classes and assignments. I’m learning that booking in sessions and appointments in the morning just knocks me out for the day so I’m going to try, moving forward, to move them to the afternoon so that I can at least get some stuff done in the mornings while I still feel awake(ish) and capable.
I also finished Dare Me. It was definitely interesting. I think it did try to juggle too much in too short a season, making certain moments pretty blunt when they could’ve been more subtle and nuanced, but I loved that it predominantly revolved around female relationships: Beth and Addy, Addy and Coach French, Beth and Coach French, the spiderweb of connections within the cheer squad… I also found the characters themselves, especially the central three, really interesting and I liked that my opinions and feelings for them evolved throughout the season, according to the choices they made and so on. Originally, Addy was my favourite and I definitely related to the magnetic pull of a powerful, female authority figure in her life but over time her naivety began to grate on me as Coach French became more and more obviously manipulative. My first impression of Beth was that she was vicious purely because she got a kick out of it and because she liked being in control but the more I learned about her, the more I felt for her; she was so much more complicated than she seemed on the surface and she definitely ended up my favourite. I’ve been turning it all over in my head ever since I finished it and although I initially wasn’t that bothered about whether there was a second season, I do want one now, having done all this thinking about the characters. I want to know more about them and see how their stories continue to unfold.
I woke up in the middle of the night, wide awake, but my cat, Lucy, came for cuddles so it wasn’t all bad. Eventually I managed to get back to sleep but then I was so tired that it was a really effort to wake up in time to be ready for my therapy session at eleven. But then, after much stressful back and forth, it was put off until next week. I hate it when plans change suddenly on the day. It just throws me for a loop and I think that, if I hadn’t already taken a Diazepam, I would’ve been having a serious anxiety triggered freak out.
It took a while to settle again, to be able to focus again and I spent the rest of the morning and early afternoon working on blog posts. With this week being relatively light in terms of uni work, it made sense to create a buffer of posts so that, if things get really stressful down the line, I can focus on other things with the reassurance that I can continue posting on the blog even though I haven’t been able to write.
In the afternoon, one of my parents – who is in a bubble with us – came over for a visit. We did some catching up and I gave her the recording equipment she’d asked if she could borrow. Then she and Mum went out to get fish and chips for dinner so that they could both have a break from cooking and we ate together, watching Lucifer. I did some diary writing and it was just a really nice, chilled evening. After two episodes, we had a hug – based on one of those ‘how to safely hug during a pandemic’ guides – and said goodnight. Me and Mum (and Lucy) watched some Agents of Shield (we’ve almost reached the end, which is very sad) before going to bed.
Unfortunately, I couldn’t get to sleep. No matter what I tried – and I have many techniques for getting to sleep – I just couldn’t drift off. At about one am, I got up and read for a bit – just because I was so bored and frustrated, which probably wasn’t helping – and then eventually, I managed to go to sleep around three.
Despite plans for a lie in (my Mum had actually forbidden me from setting an alarm), I woke up at half past nine, not much later than usual. My sleep did recover a bit after the initial few months of restless, nightmare filled nights but apparently that’s over and we’re back to this mess of a sleep schedule.
Eventually I managed to drag myself out of bed and spent a couple of hours writing up my diary, before having a shower and getting myself put together (ish – as much as I ever do in lockdown) for the day. Then I went back to my laptop and did some admin. Facebook recently charged me a big amount for no reason that I can figure out and looking through my bank statements, there are some things that don’t add up (oops – maths pun) so we’re trying to get that sorted out. I also set up my bullet journal for the month of October and filled in all the dates I have so far. I’m trying to juggle a lot and for the sake of my mental health, I really need to not let stuff get on top of me, overwhelm me. And the only way I know how to do that is to plan as much as possible.
In the afternoon, I got hit with a wave of anxiety. I’m not sure what was behind it. It’s probably just everything: ongoing pandemic anxiety, a big change in my routine with starting uni, uni assignments that stretch my abilities, lack of sleep, and so on. But I don’t know what exactly triggered it in the moment. I had thought I’d try going for a swim but all the anxiety was just too much so I stayed home and worked on a couple of things. I all but finished a track I’ve been working on with Richard, finalising the arrangement and mixing the levels, and I worked on an upcoming blog post. So even though I didn’t get to swim – I’d really been looking forward to it – I did get some good stuff done so I felt good about that.
I also started watching Blood & Water on Netflix. I didn’t get very far before needing to go to bed but I’m definitely intrigued. The missing person concept has always interested me (in fiction – I don’t think I can think of anything worse in real life) so whatever happens, I’ll probably HAVE to watch it through to the end, just to know what happens. And on a more personal note, listening to the South African accents was quite soothing: one of my best friends is from South Africa and I haven’t seen her (apart from video calls) since mid March when she had to fly home. Obviously not every South African accent is the same, just like with any accent, but every now and then, I hear a word or sentence that really reminds me of how she speaks and I can’t help but smile.
I finally had a halfway decent night’s sleep, even though I wanted to go straight back to sleep as soon as I woke up. I stayed snuggled up under my duvet for a while, reluctant to leave my warm nest, but eventually I dragged myself out and got straight to work. I recorded some extra vocals on my current track and did all of the editing and mixing for them. I’m not very good at it yet but I think I did an okay job.
I went on to work on an upcoming assignment that involves a lot of complicated elements – multiple uncommon time signatures, an uncommon mode, extended chords, and an example of chromaticism – but that just turned me into a frustrated, teary mess. It’s so hard and I can’t figure out how on earth I’m going to manage it, hence why I’m starting it now because there’s no way I could do it in a week. I’m struggling with just the time signatures; I haven’t even attempted to tackle the rest. In the end, I had to give up because I just felt so overwhelmed and incapable. And it doesn’t help that I’m worried that if I don’t submit this song (with all of its examples of different musical techniques), I won’t get a good grade. So it wasn’t a particularly good start to the day: feeling stressed and anxious and stupid because I can’t figure out how to do this one assignment.
After a bit of chill time (Netflix and blog post writing), I headed for the bathroom and Mum helped me dye my hair. I usually refresh it before a semester starts but I just ran out of time last week so we decided that doing it for the second week (and my birthday, which is on the 29th) was good enough. It’s not the most thrilling of things to do but it gives me such a confidence boost that the amount of time and all the faff it takes is worth it.
Mum and I spent a couple of hours watching Agents of Shield while I did some blog writing and then my brother and his Mum came for a visit to celebrate my birthday. We’ve all been super careful around going out and everyone (apart from me as I’ve barely left the house) has recently had a Covid test so we figured we were safe, or as safe as possible. We caught up, had dinner together, and then put a candle in a lemon meringue pie. I got a deliberately out of tune ‘Happy Birthday’ and I blew out the candle; I think we can probably all guess what I wished for.
It was a really nice evening and a really, really lovely way to start my birthday celebrations. I love my family so freaking much and not seeing them has been so hard. So getting to see them, even just for a short visit was so special.
When they left, it was a bit too early to go to bed so me and Mum watched another episode of Agents of Shield, quite possibly my favourite episode of Season 7: ‘As I Have Always Been.’ It’s an amazing episode and it just has everything: incredible acting, high jinks and hilarity, gorgeous character moments, and emotion in spades. It’s one of the best episodes I think they’ve ever done. So that was a good way to end the day.
Despite almost falling asleep on the sofa, I couldn’t sleep when I got to bed. After trying various tricks – running stories through my head, writing stories in my head, listening to a movie on my laptop (with the screen off), listening to music – for about three hours, I took half a sleeping pill and eventually fell asleep.
I woke up suddenly from vivid, disturbing dreams at seven thirty but didn’t get up straight away. I needed a little while to straighten out my thoughts, separate the dreams from reality. They’d had a weird, almost video-game-like quality. I can’t really describe it; it was just unlike any other dream I’ve had before and it really threw me.
I had a gentle morning, catching up with my diary a bit and writing some stuff for the blog. I was aiming for a quiet day, considering that I had uni the next day plus an extracurricular class late afternoon but then it all went wrong. I got the opportunity to get some help on what I’m currently calling ‘the nightmare assignment’ (which I mentioned on Sunday) but I just ended up feeling even more anxious about it. It feels like an impossible task. I haven’t even managed to improvise a melody over these new time signatures; I guess I’m so used to 4/4 (we probably all are as a huge chunk of mainstream music uses that key signature) that trying to sing over 5/4 and 7/4 feels both completely unnatural and unmusical. I ended up in tears because I’m finding it so stressful and although I did recover enough to continue with my day, I felt very low and tired. My eyes in particular felt weird and sore, even hours after crying. So it wasn’t the best day.
I spent the afternoon jumping from one task to another, getting bits and pieces done but not really fully engaging with anything. I just felt like a switch had flipped and I wasn’t quite as ‘there’ as usual. I was anxious about the next day as well, which didn’t help, even though I’d put everything in place to be as ready as possible. And I did get an email from my Workshop tutor, saying that they were going to try out a couple of different things to see if that made the class easier – easier to hear, easier to participate in, and so on.
Mum and I had an evening of Agents of Shield while I tried to finish up this post. We had dinner, I FaceTimed with some of my parents, and then tried to go to bed early. I achieved that – it was better than usual anyway – but then I couldn’t sleep and after three hours, I took half a sleeping pill since I had to get up early for uni.
It was also my birthday the next day, which I had a lot of feelings about. I don’t think I dislike my birthdays but I do sometimes find them difficult in the context of my mental health and ‘how far I’ve come (or not).’ But not only was there that this year, I also feel extremely unready to be twenty six, like I only got to have six months of being twenty five. And I think it’s pretty safe to say that that’s to do with the pandemic and the lockdown. I feel like everything I should’ve or would’ve learned, experienced in that year has been cut in half and so I’m not ‘ready’ to be twenty six, as if people are going to expect me to be capable of things a twenty six year old could do (all mental health and Autism stuff aside) that I won’t be able to do because I didn’t get the full experience of twenty five. I feel like this all sounds ridiculous but hey, feelings are weird and then don’t always make sense.
It’s been a long week.
So that was my first week back at university, my first week of a hundred percent online study, as well as balancing the other areas of my life such as my energy levels and my mental health. It’s been emotional and intense and exhausting. I’m not sure how I feel about it all yet, just that it’s a big adjustment. I’m still finding it very stressful and exhausting. Hopefully it’ll get easier and less emotionally taxing with time.
I’ve been thinking about what I’ve learned from this week and what I can do to manage everything better going forward and this is what I’ve come up with:
I’m sure there’s more but this is all I can come up with for now. I’m sure I’ll learn more as I go.
Category: animals, anxiety, autism, chronic fatigue syndrome, covid-19 pandemic, emotions, mental health, music, sleep, university, writing Tagged: a week in my life, agents of shield, anxiety, anxiety disorder, asd, autism, autism spectrum disorder, autistic, autistic adult, birthday, blended classes, blended learning, blogging, blood & water, cat, cfs, chronic fatigue, chronic fatigue syndrome, coronavirus, covid-19, dare me, depression, diary, diary writing, family, fatigue, friends, growing up, lockdown, lockdown 2020, masters degree, masters degree in songwriting, masters degree year two, masters part time, mental health, mental health in lockdown, mental illness, mixing, music theory, nightmare, nightmares, obsessive compulsive disorder, ocd, online classes, online learning, pandemic, pandemic 2020, pandemic anxiety, part time masters student, part time student, production, singing, sleep, social distancing, songwriting, therapy, tired, university, week in my life, writing
Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder, as well as several mental health issues. I’m a singersongwriter (and currently studying for a Masters in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is now available on iTunes and Spotify, with all proceeds going to Young Minds.
I’m currently releasing my first EP, Honest, track by track and all five songs are now available on all major music platforms. However, there’s still more content to come…