National Album Day 2020

Back in the early weeks of lockdown, I wrote a (very long) post about my favourite albums from the 2010s. I love albums; I love the putting together of a collection of songs to create a bigger, more expressive and more meaningful piece of work, both as a listener and as a songwriter. I think it adds so much more to the listening experience than the release-one-single-at-a-time approach. I love diving into them and getting lost in these little pocket universes they create and generally, once I love an album, they remain high on my musical lists.

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And since today is National Album Day (as well as World Mental Health Day), I thought I’d do a little write up of my favourite albums of 2020 so far…


Manic by Halsey (January 2020) – Despite coming out so early in the year and with all the competition since, it’s easy for me to say that this is at the top of my list of 2020 albums, or of albums in general. I absolutely adore it. I love her previous work and the way each body of work existed in a larger metaphor (Badlands is another of my very favourite albums) but there was something truly special about this album and how personal it was, how it felt like we were truly seeing Ashley for the first time; there was something so sacred about that, especially on the first listen. I love how eclectic this album is – in genre, production style, featured artists, subject matter – because that’s something that’s always been indicative of her as a person: she experiments with her hair, her style, her musical projects, her artistic projects, and so on. That the album reflects that feels very authentic and real. And yet somehow it fits. It works. I could write in depth about every song but I’ll just stick to a couple of points: I loved how you feel the transition from Halsey to Ashley in ‘Ashley’; I love the journey, both lyrically and production wise, that we experience through ‘Forever … (is a long time)’; I love the vivid imagery and storytelling that we get in songs like ‘Finally // Beautiful Stranger’; I love and feel honoured by her willingness to be so open and vulnerable about some of the most difficult parts of her life, such as we hear in ‘More’ and ‘929.’ I’m so inspired by her as a songwriter and as an artist and as a person that I think this album will be very special to me for a very long time, if not forever.

Favourite Tracks: Ashley, You should be sad, Forever … (is a long time), 3am, killing boys, More, Still Learning, and 929.

Good Years by The Shires (March 2020) – I’ve loved The Shires’ music since they released ‘Nashville Grey Skies’ in early 2015 and Ben and Crissie are just such lovely people. Their voices sound gorgeous together, complimenting each other perfectly, and their melodies are always incredibly catchy; I’m usually singing the melodies before I even know the lyrics. The production is also stunning; I would describe it as having the glossiness of pop music while staying very true to the country instrumentation and arrangement. There’s a warmth to it; I always feel enveloped by the very sound of the songs. My only wish would be for some development album to album, for example in the song content; after their first album, love songs feature heavily on every album and I just think it would be really interesting to hear them sing about different subjects. They proved on the first album, Brave, that they could do it and do it well with great songs like ‘Nashville Grey Skies’ and ‘Made in England’ and they’ve come so far since then.

Favourite Tracks: Lightning Strikes and About Last Night.

kelsea by Kelsea Ballerini (March 2020) – I’m consistently awed by Kelsea’s ability to perfectly balance country and pop, blending the intimate storytelling and warm instrumentation of country and the glittery production and melodies of pop. And I love how you can feel her growth in each album, as an artist, as a songwriter, and as a person. To me, this album sounds like the universal inbetween of becoming a real adult: getting comfortable in your skin but still nursing some of your deeper insecurities, walking that line of the steadiness of adulthood and the flightiness of youth, and establishing the anchors of your identity while continuing to grow.

Favourite Tracks: club, the other girl (with Halsey), bragger, half of my hometown (feat. Kenny Chesney), the way i used to, and needy.

Lady Like by Ingrid Andress (March 2020) – I’d been excited for Ingrid to release music ever since I first heard her play ‘Lady Like’ at a Tin Pan South round in 2018. She was just fantastic and I couldn’t wait for her to release more than the two singles that were on iTunes at the time. It only took one song to tell what an amazing talent she was. I love the album – I particularly love her lyrics, her ability to weave humour into one song and then vulnerable, heart-wrenching imagery into another, and it’s really cool to have so much piano in country songs – but I was a bit disappointed that there were only eight tracks and that I’d heard all of them by the time the album came out. It’s great, of course, to finally have them to blast in the car and so on, but I would’ve loved to hear a song she’d been holding back for the release or something like that. And I was really sad that ‘Blue,’ which she’d played on tour, didn’t make the album because it was absolutely stunning.

Favourite Tracks: Bad Advice, We’re Not Friends, More Hearts Than Mine, Life of the Party, and Lady Like.

folklore by Taylor Swift (July 2020) – I’ve already written a bit about this album (and because I am such a songwriting nerd, I’m writing another post about it in more detail because there’s just so much to say about it) but I couldn’t not include this album in this post. I’ll just try my best not to go overboard. This feels like the album of a pure singersongwriter, an album where the songs themselves are given centre stage to shine. Somehow the album is her most experimental yet while still being so true to the songwriter that she has always been. I love the production style, which often centers around the piano, the minimal arrangements, and the lower vocal range that Taylor takes the time to explore. I love the different narratives and perspectives that she writes from while still sharing her emotions and experiences. And I love how vulnerable she allows herself to be, over and over again. Whether these lyrics are autobiographical or drawn from elsewhere – “You know the greatest loves of all time are over now,” “I can see you starin’, honey, like he’s just your understudy, like you’d get your knuckles bloody for me,” “I didn’t have it in myself to go with grace,” “I’m still a believer but I don’t know why, I’ve never been a natural, all I do is try, try, try,” “Before I learned civility, I used to scream ferociously any time I wanted,” “Pulled the car off the road to the lookout, could’ve followed my fears all the way down,” “And you know damn well, for you I would ruin myself, a million little times,” “But the rain is always gonna come, if you’re standing with me,” and “Stood on the cliffside, screaming, ‘Give me a reason'” – they prove what an incredible songwriter she is, what a deeper thinker she is, and how deeply she feels emotions (something that has always made me feel really connected to her and her writing). These are emotions she’s related to, whether the events happened to her or not, and to turn those feelings into something so beautiful and to then share it with the world is so, so special. There’s so much more I could say but it’s a stunning album and I love it more than I can express. It’s one of those albums that arrived in my life just when I needed it and my god, I am so grateful.

Favourite Tracks: the 1, exile (feat. Bon Iver), my tears ricochet, mirrorball, this is me trying, illicit affairs, and mad woman.

If It Wasn’t For You by Caylee Hammack (August 2020) – I first heard Caylee sing at Tin Pan South in 2017 and I just fell in love with her songwriting. I’ve been waiting for her to release music ever since and so when she announced this album I was ecstatic. ‘Family Tree’ was the perfect first single: it feels like such a central theme in the album and one of the strongest songs in every aspect. Just because of what was going on in my life when it came out, I haven’t had the opportunity to really delve into it – into the lyrics and stories and so on – but I’m really loving listening to it and just taking it all in (full disclosure, I cried when I first heard ‘Forged In The Fire’ and ‘Mean Something’). She has an amazing voice and I love her ballsy, unapologetic attitude but that she can also let that fall away and open up to write and sing these incredibly vulnerable songs. Her lyric writing is also something really special: her songs are full of little details that make them so unique. I can’t imagine anyone else singing them and really making them work. There are also various production choices that really stick out to me, things that you – or at least I – don’t hear all that often, like her use of backing vocals and ‘non-musical sounds’ like the cheering of a football game on TV in ‘Family Tree.’ My only sadness concerning this album is that she didn’t include a song she sang when I heard her at Tin Pan South, probably one of the most heartbreaking songs I’ve ever heard: “Laid an old friend in the ground before saying ‘I’m sorry’, and that’s something that I don’t expect forgiveness for, I should’ve called more.” I would’ve loved that song to be included on the album because it was absolutely beautiful.

Favourite Tracks: Preciatcha, Sister, Forged In The Fire, Family Tree, Mean Something (feat. Ashley McBryde & Tenille Townes), and Small Town Hypocrite.

Badlands (Live from Webster Hall) by Halsey (August 2020) – Before I talk about the live album, I have to mention the original first because it’s one of my favourite albums of all time. I love how different it is; I love the production and all the extra details that give it it’s unique sound; I love her vocals and the the myriad of little ways she uses her voice to convey emotion; I love the stories she tells and the lyrics she writes, all of the detail she includes and within them, which ones she chooses to develop, the themes she brings into the songs time and again. She’s truly one of my favourite artists.

But back to the live album. I love how much energy and passion she puts into her performances and I love how you can hear her smiling and responding to the crowd as she sings (and oh my god, how gloriously loud the crowd are). Her vocals are incredible (they’ve grown so much since she toured this album) and I love how she’s made little changes: changing the rhythm, speaking a line instead of singing it, and so on. The music behind her, whether it’s live or programmed or a combination of both sounds great and I can absolutely imagine her up on that stage, leaping around just as she did when I saw her on the Badlands Tour in 2016. I also loved the spoken parts (and especially relevant to this post, how she talks about how much she loves albums and how much everyone in the crowd loves albums if they love Badlands as much as they clearly do) because she speaks so beautifully and has such an interesting way of seeing the world. I guess my only sadness about those tracks is how clearly she’s talking to the audience right there (as it should be in a live show, in my opinion) and it just reminds me how I’ve never felt part of the fanbase – or any artist’s fanbase – regardless of how much I love her. I always feel on the edge, feel like if I took one step back and disappeared, no one would notice. And given just how close Halsey is with her fanbase – always taking photos, signing things, replying to tweets, getting tattoos with them, making them feel truly valued as individuals – it’s not difficult to feel even more invisible than usual. I guess that’s one of the downsides of artists being able to connect to fans one-on-one: it’s great for the fans it happens to, but really hard for those it doesn’t.

It’s worth noting that it’s hard to separate my favourite songs from the Badlands album and my favourite performances from the Badlands (Live at Webster Hall) album but I’ll try my best because they’re not necessarily the same…

Favourite Tracks: Castle, Hold Me Down, Hurricane, Roman Holiday, Colors, Tiny Little Babies – Talking Break, Strange Love, Forget Her and Find Her – Talking Break, Coming Down, Control (this one is so powerful), Young God, Gasoline, Some Kind of Stardust – Talking Break, and Is There Somewhere.

More Love: Songs from Little Voice Season One by Sara Bareilles (September 2020) – I’m aware that having not seen the show, Little Voice, yet, listening to this album may be a different experience than that of someone who has seen the show. I do really want to watch it but with my mental health in mind, I’m conflicted: I want to see anything Sara Bareilles is involved in creating because I love her and I love her work but I’m also wary that media about my chosen career path, about becoming a singersongwriter, has the capacity to seriously trigger my anxiety, something that I’m extra cautious of in these present times when my anxiety is already so high. But regardless of that, I couldn’t let a Sara Bareilles album come out and not listen to it. I have found it a little harder to get into than some of her others (but again that maybe be that I haven’t seen the show that gives the songs context). But there’s something so distinctly Sara Bareilles about it that I love. The songs feel hopeful and have a certain warmth, creating an instant emotional connection. It’s just stronger with some than others. The production feels like the big sister of the Little Voice album and her vocals her just incredible. Her lyrics are just stunning as always – “I’m barely brave enough to be breathing,” “So I will write it down, all the jagged edges,” “I’m facing all of my fears, I’ve lined them up and wonder how I’ve been with them for years,” “I hit my head against the wall, a portrait of my grief,” and “Looking over the precious moments, it hurts don’t it, they can cut both ways” – and I feel like they’re coming to me just at the right time. There’s something about Sara’s music that has always felt just so healing and I’ve never needed that more than I do right now. I think it’s also worth noting that I’ve never had to pause an album so many times to write down song ideas.

Favourite Tracks: More Love, Simple And True, Coming Back To You, and Little Voice.

ballerini by Kelsea Ballerini (September 2020) – While I’m pretty sure I prefer kelsea to ballerini, I think this is a really fascinating project and it’s really cool to see how different the songs could’ve been, what a different life they could’ve had. I found the instrumentation a little repetitive but I loved some of the changes she made, particularly the little lyric tweaks that gave you a brand new, and often a more vulnerable, insight into the songs. Some songs had a completely different emotional vibe that was really unexpected but so cool to experience. As fans, the songs obviously speak differently to us with these changes but I admit that I’m super curious how they’ve taken on new meaning for Kelsea. It will be really interesting to see, when she is able to tour again, how she chooses to perform these songs, which version she chooses or leans into more.

Favourite Tracks: club, homecoming queen?, bragger, half of my hometown, the way i used to, needy, a country song, and la.

Lady Like (Deluxe) by Ingrid Andress (October 2020) – This album was announced less than an hour after I wrote the paragraph of Lady Like, where I talked about wanting some songs I hadn’t already heard. That made me laugh; it was like I had willed it into existence. The livestream before the release was great and it made my little songwriter heart happy to hear all the stories from the behind-the-scenes of writing those songs. And when it was over, the album was available on iTunes. I love that she changed the tracklist to tell the chronological story (using the tracklist to actively tell a story is something I’ve always been a fan of, rather than just putting the songs in an order that sounds good – not that there’s anything wrong with that) so it was a bit like listening to the album all over again and I just feel like it gave the album a slightly different vibe, a different emotional context. I’m not gonna talk about the songs from the original album because I’d just be repeating myself but the five new tracks were definitely a cool addition to the album as a piece of art (I’m still sad about ‘Blue’ though – hopefully she’s just saving it for a future project). I liked the simplicity and honesty of ‘Feeling Things,’ ‘Boys’ is youthfully lighthearted and flippant, and ‘Waste of Lime’ is full of the acerbic wit and attitude that Ingrid does so well, just as well as she does vulnerable and heartfelt. And the added voices of Karen Fairchild and Kimberly Schlapman from Little Big Town bring a beautiful, almost choral effect to ‘More Hearts Than Mine.’ As I said, I think these extra tracks really add to an already great album and I’m so glad that Ingrid decided to expand on the Lady Like era before moving onto the next project.

Favourite Tracks (not including those from the original edition of the album): Feeling Things and Waste of Lime.


I’ve struggled to sit and just listen to new music over lockdown – my brain seems insistent that I always be doing something to keep my anxiety at bay – so there are still multiple albums that I really want to listen to but haven’t been able to focus enough yet to do so. Some of these are:

  • Gaslighter by The Chicks
  • Rise and Shine by Cassadee Pope
  • Petals For Armor by Hayley Williams
  • Fetch The Bolt Cutters by Fiona Apple
  • Punisher by Phoebe Bridgers
  • Such Pretty Forks in the Road by Alanis Morissette
  • Stay Alive by Laura Jane Grace

I’m really looking forward to them though and having something to look forward to in times like these is definitely not a bad thing.

ME/CFS Research: Photo Diary (Pre Lockdown and During Lockdown)

Not long ago, I volunteered for a research study into ME/CFS (Myalgic Encephalomyelitis/Chronic Fatigue Syndrome) and part of it involved keeping a photo diary as a visual representation for how my life is affected by my CFS. Obviously my life before the pandemic and my life now are quite different and so the researcher asked me to include pre-pandemic photos as well, to ensure that both experiences were recorded for the study. The collection of photos (and descriptions) I sent her was very long but I thought I’d do an abridged version to post here because it was a really interesting exercise.

(It’s worth noting that this was put together before I started back at university, hence why there aren’t any current references to classes or assignments.)


PRE-LOCKDOWN

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1. During my BA, I frequently took naps in quiet corners of my university between classes and then at my best friend’s flat when he moved onto the same street as the university. I found the commuting exhausting and the classes were long (some of them three hours) and took a lot of concentration. By the end of the semester, I was often really struggling to wake up to go back for the next class. A few times, I slept straight through both my alarm and my class. Fortunately that only happened a couple of times!

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2. I’m currently doing a Masters Degree in songwriting part time and pre-lockdown, I’d go up to London usually once or twice a week for lectures, workshops, and cowriting sessions. This is an example of one of the assignments we had during the first module, which was called Creative Process.

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3. Because living alone would be too much for me – I wouldn’t have the energy to look after myself, let alone do anything more – I commute to university (pre-pandemic anyway), involving lots of underground travel and multiple train journeys a week, something that I find exhausting. This is one of the reasons I chose to do my Masters part time because it reduced the amount of travelling and therefore allowed me to spend more energy on the course/work rather than on travelling.

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4. At the end of any day that involves hard work or anxiety, I’m utterly exhausted and usually end up horizontal on the sofa or going to bed as soon as I get home from wherever I am. In this instance, I’d just done the assessment presentation for the first module of my Masters – which I’d been incredibly anxious about – and was completely exhausted. Plus the day had involved practicing it in the morning as well as travelling to London and back. I was so tired that I could barely stay awake long enough to eat dinner before going to bed.

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5. I spent most of my days out of uni on the sofa, working on music, my mental health blog, or catching up with my diary, a favourite movie or TV show on in the background because I work better with background noise. I’m usually joined by a cat or two.

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6. As a singersongwriter, I try to perform as often as I can, both in terms of opportunity and having the energy (I once played three gigs in three days after which I could barely function for over a week because I’d just used up so much physical, mental, and emotional energy). That’s not a common problem – managing my energy around the amount of gigs – as there aren’t a huge number of opportunities with so many aspiring singers in the two cities I perform in, London and Brighton. I love performing. It’s the place I most feel myself, especially if I’m singing songs that I’ve written. I don’t feel any fatigue while I’m performing – I’m feeling so much joy that it’s like I’m flying – and I don’t feel any fatigue until the adrenaline wears off, anywhere between thirty minutes and several hours later.

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7. Since getting an Autism Spectrum Disorder diagnosis, I’ve been able to get access to disabled seats at concerts, which does (in certain ways) improve my concert experience. It can be more stressful and it can make no difference at all but at the very least, it makes me feel better. I am in the disabled section and therefore no one can judge me or think that I don’t deserve to be at the show because I’m not dancing around, not ‘enjoying myself enough.’ That makes me feel more able to sit as I need to, which does make the concert experience easier on me and my body. Having said that, I’m not always so sensible out of sheer enthusiasm.

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8. Before the pandemic, my best friend, Richard, and I had almost weekly writing and production sessions. My current EP was made almost entirely by the two of us in various rooms in the various places we’ve lived in over the last few years. These sessions are so fun and invigorating and even when it’s a struggle to find the right words or get the production to sound exactly how I want it to sound, it always feels right. I often feel very drained afterwards because it involves a lot of concentration and communication and we often work for four hours or more at a time. We have had sessions that last all day where I’m barely coherent by the end.

SINCE LOCKDOWN

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1. We have five cats in the house and I’ve been spending a lot of time with them. They’ve always been really good for my anxiety – probably because they are so mindful and live so fully in the moment – but they’ve been an extra comfort during these stressful times. I always try to get a good cuddle in the evenings since I get particularly anxious before bed because I’ve been sleeping so badly and having lots of nightmares during lockdown.

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2. I generally drink at least two Red Bulls a day to keep myself awake and somewhat alert, although I don’t think they work as well as they used to. I’m sleepy all the time, but whether that’s from the CFS or the side effects of my anti-depressants or both, I don’t know. I hate feeling like I need to drink it and I worry about the effects on my health but it’s currently the only way I can stay awake for at least most of the day. My Mum and I are investigating other options, or we were until the pandemic brought everything to halt. We haven’t given up though.

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3. This is my usual day-to-day view at the moment. I have a desk designed for bed or sofa use so that I can work from the sofa, which is more comfortable for me than working at my desk since I’ve been have problems with pain during lockdown (I’ve been referred to various hospital departments but I’m still waiting for the appointments). I’m usually working on my laptop – on my mental health blog, on my diary, on music stuff, etc – and there’s usually a cat draped over me.

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4. I usually have the TV on in the background because I seem to be more productive with familiar background noise, like a familiar TV show or movie. But I’ve also been watching new things during lockdown, both to escape from all of the stress around the pandemic but also as inspiration for my music as not much is happening in my personal life to draw from for songs. This is the very last episode of Agents of Shield, my favourite TV show and I was hugely sad to see it end although the ending was as perfect as the end of something you love can be.

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5. Since face-to-face writing sessions aren’t safe at this current time, I’ve been doing all of my writing sessions via Zoom. I’m currently doing about two a week, mostly with my writing partner, Richard. We alternate sessions: one on my songs and then one on his songs and so on. It’s harder work and not quite as fun or productive as a normal pre-pandemic session (who would’ve thought that not being able to point at something would trip up the creative process?) but it allows us to keep creating, which I’m grateful for. I’m always careful not to plan anything too difficult afterwards because these sessions are really draining and after about four hours, my ability to concentrate starts to fade.

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6. I’ve been playing a lot of piano during lockdown. It distracts me from all that’s going on, I want to improve my skills, and I just genuinely love playing, especially in the lower octaves. I find them very soothing. I can play for hours without noticing the passing time; it’s lovely. Playing and singing for hours is, of course, tiring but it’s worth it because I get so much enjoyment out of it.

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7. Because of my fatigue, I spend a lot of time on the sofa, which can get boring and frustrating, but it’s not so bad when I have my Mum (she’s self-employed, primarily working from home – especially now) and the cats around.

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8. Most days consist of sitting on the sofa, working on my laptop. I’m writing a lot of posts for my mental health blog at the moment, preparing for when university starts again and I have less time to write. My Mum often does emails similarly, keeping me company even if we aren’t actively engaging with each other.


So that’s my condensed photo diary for the study. There are, of course, other areas of my life and other areas of my life that my CFS affects, like food and exercise but I don’t have any photos relating to those. For example, swimming is my main form of exercise but pre-pandemic I wouldn’t take my phone further than the locker room and since lockdown began, I’ve been struggling to find a way to swim that feels safe. I may have found one but I’m trying not to get too excited: I’ve missed it so much and I’m so desperate to get back to it, for my physical health, my mental health, and my relationship with my body. I was also reluctant to include other people; my exception was Richard because our work and social media presence are so intertwined. So there are obviously gaps but I tried my best to give an overview. Hopefully it will be a useful contribution to the research.

Things I Did In Lockdown

Given how stressful I was finding the pandemic and the lockdown, I thought it might be helpful to keep a list of what I’d done (achieved, managed, spent time on – whichever word is most appropriate), whether it took a huge amount of effort or was simply something I’d wanted to do, just to remind myself that I was still doing things, that I was still capable of being productive during such a difficult time. Some of them are silly, some of them important, and some of them are just interesting. And I thought posting it would be a good record of sorts when it comes to looking back at this time.

I don’t consider us to be out of lockdown by posting this. It’s just that now I’m starting a new year at university – the second of my Masters Degree – so my life is going to change. I’m doing all of my classes online, rather than going in for half of the classes as is the current norm at uni; I’d be commuting and the risks still feel too high for just two hours a week. So in terms of leaving the house, not much is changing. But it’s a moment of transition in my life and so it seemed like a natural stopping point for this post. I may continue it as a series, depending on how things play out going forward but for now, this is what I did while in lockdown, from 13th March to 20th September 2020…


  • Watched the entirety of Grey’s Anatomy.
  • Bought a Kalimba.
  • Went down a YouTube rabbit hole of Otomatone covers…

This one and this one are my favourites.

  • Did the Enneagram test.
  • Tried (unsuccessfully) to teach one of my cats to play fetch.
  • Watched all of the Harry Potter films one after the other (more than once…).
  • Continued therapy via Zoom.
  • Released and promoted the ‘Clarity (Academic Remix)‘.
  • Released and promoted the ‘Clarity (Academic Remix)’ Music Video.

  • Wrote a 4000 word, fully researched and referenced essay about authenticity and imagery in ‘All Too Well’ by Taylor Swift for my Masters Degree.
  • Finished the first year of my Masters Degree.
  • Rescued one of my cats (the youngest) when she went missing, stuck up a tree for maybe twenty four hours, with the help of some kind neighbours (all of us masked and socially distanced).
  • Rewatched many of my favourite films and TV shows, including…

Films: Hot Fuzz, The Martian, Miss Congeniality, etc.

TV Shows: Episodes, Lucifer, and Nikita, etc.

  • Wrote and posted fifty three blog posts.
  • Watched Season 15 of Criminal Minds, finishing the show after following it for ten years.
  • Read a lot of Fanfiction…

This is something I did a lot of as a teenager but reverted to during my Masters as a form of stress relief: escaping into another world, a familiar and safe world. My most impressive achievements were reading all of the Ros Myers (Spooks) Fanfiction I could find and reading The Changeling and it’s three sequels (a Harry Potter alternate universe where Ginny is sorted into Slytherin, which totals nearly 600,000 words). Of course, there were more one off stories; these are just my greatest hits.

  • Had multiple movie dates with friends and family.
  • Had multiple Studio Ghibli movie dates with one group of friends.
  • Multiple collaborations via video calling: working on my songs, working with new people, critiquing the songs of friends, and so on.
  • Caught up with Law & Order: SVU.
  • Received a grade I was really happy with for my Musicology essay on Taylor Swift’s song, ‘All Too Well.’
  • Released and promoted ‘Sounds Like Hope.’
  • Rewatched all ten seasons of Friends (multiple times – although mostly as background noise).
  • Played the piano a lot, learning the songs of others and writing my own.
  • Watched all of Little Fires Everywhere in one day.
  • Released and promoted the music video for ‘Sounds Like Hope.’
  • Bought a new cat tree for the cats (they’d practically destroyed the old one), one with beds for all five of them and eventually we caught them all in it at once.

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  • Had multiple panic attacks and meltdowns, some really severe.
  • Watched all of Absentia Season 1 in one day.

  • Watched multiple new films including What Happened To Monday, Isn’t It Romantic, Ocean’s 8, Studio Ghibli’s Castle In The Sky, Fantasy Island, The Half Of It, Official Secrets, The Accountant, and more.
  • Watched multiple new TV shows, including Little Fires Everywhere, Absentia, Broadchurch, Agents of Shield Season 7, The Fix, Lucifer Season 5 (Part 1), Away, and more.
  • Started watching Castle.
  • Made multiple banana breads (and other things, like chocolate chip cookies, but that’s less uncommon).
  • Signed petitions and made donations to various causes in the Black Lives Matter movement and collected a list of resources to educate myself more when I don’t feel so incredibly mentally and emotionally fragile (short pieces, like some of the infographics on Instagram have been really good and digestible but I’ve been struggling to absorb large amounts of new information due to my general mental state, which has included frequent meltdowns and panic attacks, all affecting my concentration and memory).
  • Filled six diaries.
  • Watched many of my favourite movies from childhood, including The Emperor’s New Groove, A Bug’s Life, and all of the Wallace and Gromit shorts and movies.
  • Sorted through my clothes.
  • Sorted through and reorganised my DVDs.
  • Spent A LOT of time with my cats.

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  • Made a significant dent in sorting through all of my possessions.
  • Sorted through my jewellery.
  • Worked on my music theory knowledge during a series of piano lessons.
  • Weaned myself off Pregabalin.
  • Gathered up loads of stuff to donate to charity shops when they reopen/are able to accept donations.
  • Cleared out my box of electronics, technology, cables, etc, only keeping the things I actually use and need.
  • Cleared my eight USB sticks.
  • Celebrated the kittens’ first birthday.

  • Received my new laptop (plus other helpful equipment) from DSA, the process of which has been going on for months, only to find that it wasn’t the right laptop.
  • Watched multiple online/streamed concerts, including ICMP Songwriters’ Circles, Kalie Shorr, Savannah Keyes, Song Suffragettes, Ingrid Andress, and more.

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  • Signed up as a volunteer for the DecodeME research study into CFS/ME.
  • Attended Ingrid Andress’ first livestream show with a meet and greet afterwards, which started at 2am and resulted in me staying up until 5am.
  • Watched all of Absentia Season 2 in one day.
  • Took part in multiple research studies looking at how the pandemic and subsequent lockdown are affecting mental health in general, specific mental health conditions, and Autism. I also participated in studies about experiences with therapy and about living with Chronic Fatigue Syndrome.
  • Received and set up the new laptop from DSA.
  • Loaded up my old Photos library onto the new laptop, only to find three (or more, sometimes up to seven) copies of basically every photo so I started going through and deleting the duplicates (getting the wheel of doom approximately every five seconds). Got down from 85,000 to just under 30,000 and then organised them all into albums, which took about three weeks. It was a mammoth job but it was incredibly satisfying to finish.
  • I applied to be part of the Disability Pride 2020 Livestream, got a place, and saw myself on TV!
  • Managed to go out for a haircut.
  • Planned the ‘Back To Life’ music video, having had to scrap the original plan due to travel restrictions and anxiety.
  • Dyed my hair orange.
  • Dyed my hair red when the orange wasn’t the right colour.
  • Filmed the ‘Back To Life’ music video on the beach with Richard.
  • Watched all of Absentia Season 3 in one day.
  • Was interviewed by a Dutch journalism student about being a new artist during a pandemic.
  • Obsessively listened to and analysed Taylor Swift’s beautiful new album, folklore.
  • Bought a Gretsch electric guitar (for my birthday but early so that I can make use of the time I have before uni starts, in whatever way it starts).
  • Tried to go to the gym but didn’t feel it was safe.
  • Finally saw Hamilton via Disney+.
  • Met up with a friend for a dog walk, meeting her gorgeous new puppy for the first time.
  • After experiencing serious and ongoing pain in both shoulders down to fingers, I had a Zoom appointment with my GP who referred me to an occupational rheumatologist (which would apparently take two to three weeks). And since any medication stronger than Ibuprofen and Paracetamol will cause side effects similar to those of my anti-depressants, she’s reluctant to prescribe anything stronger unless absolutely necessary.
  • Finished Liar Series 2.
  • Updated my photo albums, after getting eighteen months behind.
  • Got up to date with Agents of Shield Season 7 so that I could watch and celebrate the finale of the season and the show itself with the show’s cast, crew, and fandom on social media.
  • Watched the Perseid meteor shower and saw a handful of ‘proper’ shooting stars.
  • Suffered severe electric shock like pain in my lower legs, requiring more doctors appointments. The information was added to my rheumatology referral and I started taking stronger painkillers.
  • Watched Hamilton with some of my family who’d seen it live and loved it but not seen the film.
  • Watched the finale of Agents of Shield, not just of Season 7 but of the whole show, and cried my eyes out, although sometimes I was laughing at the same time. I loved it and thought it was a really beautiful end to such a fantastic show. I’ll miss it more than I can say but I’m so grateful to have had it, to have had Daisy Johnson, and I’ll always carry with me what it’s meant to me.

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  • Released and promoted ‘Back To Life.’
  • Did an interview with Vents Magazine.
  • Went on several dog walks with my friend and her puppy.
  • Contributed to #DaisyJohnsonAppreciationWeek2020 and #QuakeWeek on social media, posting edits on Tumblr and Twitter.
  • Did an interview with Middle Tennessee Music.
  • Filmed the Behind The Video for the ‘Back To Life’ music video.
  • Went through my clothes a second time (sorting through my possessions, especially when I have an emotion connection to them gives me decision fatigue and I stop being able to make objective decisions – there was a lot to go through the first time).
  • Did an interview with Zap Bang Magazine.
  • Made the decision to do the next semester of my Masters Degree 100% online.
  • Bought Bon Iver tickets for November 2021 – here’s hoping it’ll be possible to go!
  • Put together the ‘Back To Life’ music video with Richard.
  • Released and promoted the ‘Back To Life’ Music Video

  • Kept a two week photo diary for the CFS/ME research study.
  • Finally captured the motivation to start learning the Kalimba only to find out there was a problem with the one I’d bought so I have to sort that out before I can really start learning to play it.
  • Went through a traumatic few weeks worried that there was something seriously wrong with one of my cats but after multiple vet visits and lots of tests, she’s been given a clean bill of health.
  • Attended the (online) Induction event for the new year at university.
  • Acted as a guinea pig for one of my tutors as he fine-tuned a couple of things for the upcoming online classes.
  • Was given a signed copy of folklore by Taylor Swift as an early birthday present.
  • Signed up for a home recording course.

I doubt I’ll ever be able to look back on this time positively (from a personal perspective – in the wider sense, it’s clearly been catastrophic) but there have been moments and experiences that I am grateful to have had. As I’ve said, I don’t consider lockdown to be over so this post may become a series but with my Masters to focus on, I will have significantly less time to dedicate to bigger projects like organising my photos or sorting through my possessions. So lockdown continues; I’m just entering the next chapter.