A Week In My Life (March 2021)

I love a good week-in-my-life post and I try to do one every semester or so, since that does tend to shake my life up. Now, the semester is coming to a close and the assessments are in sight so I’m busy with uni work, with cowrites, and with health stuff. There’s a lot to juggle right now.

The week in this post begins on Monday 15th March and ends on Sunday 21st March 2021. I’d thought I’d have this up on the blog earlier than this but when I was writing it, I wasn’t thinking about the timing and then there was Autism Awareness Week to post for. But here we are, just a bit later than planned.


MONDAY

I struggled to wake up with my alarm. My sleep isn’t great at the moment and my alarms really aren’t doing their job. Most of the time I’m sleeping through them completely, which isn’t exactly ideal.

For a moment, I forgot that it had been the Grammys the night before and then suddenly it came rushing back. I went online and found out who won what. I’m sad Ingrid Andress didn’t win any of the three she was nominated for, but I am glad that The Highwomen (Brandi Carlile, Natalie Hemby, Lori McKenna, and Maren Morris) won Best Country Song, although Maren Morris won’t get a Grammy since she wasn’t a writer on the song. And then there’s Taylor Swift. I’m so, so happy that she won Album of the Year for folklore. I think she deserved more than just the one award – I mean, how did she not win Best Pop Duo/Group Performance with ‘exile featuring bon iver’?! – but I do also think it’s a good thing when there’s no one person that walks away with five or six, meaning more artists/songwriters/producers/etc are being recognised for their work (I’m not saying the Grammys are fair – we know they’re problematic – but this is one aspect that makes them fairer).

I’m so happy for her, especially after everything she’s had to deal with with her masters and still working through the fall out of everything that happened/came to a head in 2016. And I know I’m biased but it’s pretty widely acknowledged what a big deal folklore was (and is); it was absolutely the album of 2020.

I was so busy catching up with the Grammys news that I was late for my online Occupational Therapy session. Fortunately my OT therapist understands my passion for music so she didn’t mind. We ran through my exercises and she wants me to do them for a little bit longer before moving on to a new set of exercises. Having fallen down the stairs at the weekend, she warned me to take things gently – to take a bit longer if that felt safer and more comfortable – and said that an injury, even to an unconnected area, could cause a general flare up of pain. So hurray for that. Everything hurt from the fall but I figured that that was due to the actual impact (well, multiple impacts) rather than anything chronic pain related. I haven’t been dealing with this – chronic pain – long enough to be able to predict stuff like flare ups. So we’ll just have to see things go.

And then we were done. The sessions are always exhausting, even if I’m not being asked to do much. So, before I could fall asleep on the sofa (it would not be the first time), I got up and recorded the new vocals for the song I was presenting in class the next day, ‘Last One Standing.’ I really love this song so I was really nervous to hear people’s feedback; I really wanted them to like it.

I finished that and, as predicted, I fell asleep on the sofa for a couple of hours.

I had a gentle rest of the day, doing various admin tasks before starting The One on Netflix. I was craving something new. I got into it really quickly, which was great – exactly what I wanted. I only stopped when 9pm rolled around and it was time for Unforgotten, a show my whole family has loved since it began airing. We all just love Nicola Walker and I particularly love her as Cassie Stuart. Having said that, I’m struggling with this series. I think the case they’re working is super interesting – maybe the most interesting one they’ve tackled – but with Cassie feeling so trapped and angry, it’s not as enjoyable as it has been in the past so I really that hope they’re heading towards a solution that brings some of her warmth back. (It’s safe to say that I wrote this before we saw the series finale.)


TUESDAY

I was really stressing before class (we’re heading towards the assessment and I always get so anxious that I’m not doing enough) and somewhat frantically messaging with my friend. She suggested we have a a quick video chat before the class started and that really helped to ground me. Then we signed into our class.

We didn’t have our normal (awesome) tutor but we had another awesome tutor; I’ve had her as a tutor a handful of times since I first started at ICMP, on the BA, and she’s really great. Throw in the fact that we were presenting our ekphrasis songs (songs that were responses to other pieces of art, like visual art, films, etc) and it was a really interesting and thought provoking session. The brief had really stretched people and the songs were all so exciting and so different in the best possible way. I loved all of them.

I was last and VERY nervous because I was (and am) so attached to my song. Fortunately though, everyone really liked it and had some really great responses, some really interesting thoughts, and some good things to think about in the redrafting process. I was so happy with the positive response that I finished the class feeling like I was glowing. My first ‘glowy moment’ of the year – that’s what I used to call the really awesome moments. It’s been a really long time since I’ve felt like I had a reason to use the phrase.

I meant to have a nap between classes – that always makes it easier to concentrate in the second class, which is, after all, three hours long – but I accidentally ended up binge-watching The One. It’s so compelling and so thought-provoking, in so many different ways.

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The seminar was on authenticity but having studied authenticity in song lyrics pretty extensively for my Musicology essay, it was all pretty familiar. So while it wasn’t too intellectually taxing, I was tired and it was hard to stay focussed. I didn’t mind three hour classes when I was actually in them but I do find three hour classes on Zoom a struggle.

When the class was over, I curled up on the sofa and finished The One; the last episode was just one mind-blowing revelation after another. It was so good. I found Rebecca a particularly fascinating character; there was so much to unravel. Both Hannah Ware (Rebecca Webb) and Zoë Tapper (Kate Saunders) deliver incredible performances and there’s so much potential for another series. Me and my friend, Luce, (who was an episode behind me) freaked out together when she finished it about an hour later.

I’m always exhausted on a Tuesday, even if I do manage a nap, and I was falling asleep on the sofa around ten. So I dragged myself up and headed for bed. That’s pretty early for me these days. I’ve been trying to get to bed earlier so that wasn’t the worst thing in the world.


WEDNESDAY

I slept really badly but I didn’t sleep in. I was still in pain so I couldn’t get back to sleep anyway and at some point during the pandemic, I started feeling guilty if I slept in (this is super unhealthy, I know – I’m working on it in therapy) so I got up, had a shower and breakfast, and got to work. I did some uni stuff and then wrote down my thoughts to collect myself before a meeting with my course leader.

The meeting was about the final module of the Masters, which is called the Major Repertoire Project where we can research and create a body of work about anything we want. I know what I want to centre my project around (I’ll share soon but I want to get the current module done first) but you can take various approaches to the research and I wanted to talk to my course leader about that. We had a really in depth discussion and she gave me some really good ideas to think about. So I’ve got a lot to figure out but I’m really excited to get into it.

As good as the meeting was, I was really tired afterwards. I got comfortable and tried my best to concentrate on blog post writing. It took hours but eventually I managed to finish my blog post on being diagnosed with ADHD. At least I had a pretty good view while I worked.

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Mid afternoon, I was supposed to have a phone call appointment with a neurologist. And I did, except they called two hours late, it wasn’t the person it was supposed to be, and then they basically spent twenty five minutes trying to convince my Mum and I that any tests they do as a department would probably be a waste of time and likely wouldn’t show anything. And that was it. The call ended and I just felt confused and upset. Isn’t the point of a doctor to help you, rather than convince you that trying to find an answer to your problems is a waste of everyone’s time? I mean, I was referred to the neurologist by my GP because she thought this was worth investigating. And then I finally get to see said neurologist after rescheduling and it felt like they were fobbing me off from the moment the call started. So, that was… yeah.

I was all over the place and Mum did her best to distract me. She’d seen bits of The One (although I’d managed to prevent her from seeing anything too spoiler-y) but she wanted to see the whole show so we started it again; she was hooked straight away, just like I was. As we watched, I started doing some basic research based on the Major Rep Project seeds that my course leader had planted in my brain; I didn’t get very far but it was definitely interesting and a good distraction from real life.

And then I went to bed, completely exhausted. It was barely ten thirty.


THURSDAY

I struggled up with my early alarm but all of my careful planning for the day had fallen apart before ten am. I’d had two cowrites booked for the day but then one of them needed rearranging so I suddenly had to try and rearrange the whole day. I was majorly stressing that I was going to have to cancel on somebody but fortunately I was able to rework everything so that I could work with both people.

I had a shower and breakfast before finishing the lyrics to a song I’d been working on and speaking to Richard about the plans for the acoustic videos (the ones I’ve been releasing over the last few weeks). Then I worked on blog post stuff until it was time for my first cowrite. My friend, Anna, and I worked on a really cool song that she’d brought a draft of to the sessions and we were both so proud of it when finished. It has some really great metaphors and imagery and we tightened up this awesome outro that she’d proposed. I feel like we created something really special and that felt so good.

When we hung up, I had an hour to eat a really late lunch (and watch some more of The One with my Mum) before my second writing session, this time with my friend, Dan. He didn’t have a draft like Anna but we’d been messaging about what to write about: he’d sent me some themes, I proposed some more concrete ideas, and then he chose one that resonated for us to work on.

We decided to call it quits after a couple of hours and although we hadn’t finished the song we’d started, I feel like we’d made a really solid start on a really interesting song. I really liked what we’d come up with and Dan seemed to feel good about it too.

I feel like my writing has improved so much over the last few months and it felt particularly strong that day. I just felt like everything I was coming out with was good, not necessarily right for the song of the moment but still good. And that felt kind of amazing. Obviously not every day or every session is like that but every now and then it happens and it’s so, so satisfying; it gives you such a motivation boost. And remembering days like that one are really helpful on the days when it feels like everything you write is complete crap. So it was a good day, despite the stressful start, and I felt really positive about my writing and my friendships and my creative relationships and my course. It was a good day.

I was exhausted and starving by the time we finished but in a good way, in the way where you’ve worked really hard and you need to replenish, in the satisfying way. Mum and I finished The One with dinner and she was as blown away as I’d been. It was fun to have someone to talk about it and dissect it with; there are so many interesting and thought-provoking ideas in there.

Even though it was already late, I couldn’t help doing some more research into some of the ideas my course leader had suggested before forcibly reminding myself that that was not the time to be getting into complicated academic research, that I needed to disconnect and go to bed.


FRIDAY

For the first time in a really long time, I slept super deeply and actually woke up feeling somewhat human and not a zombie.

After a quick shower and breakfast, my Mum and I headed down to the GP surgery for another set of blood tests. I’ve completely forgotten what they’re for or who requested them with so many people involved right now but apparently they might give us more insight into my fatigue. The nurse was lovely and the whole thing was super quick and efficient.

Back home, I did some work for uni and typed up my notes from my meeting with my course leader, including some of the resources I’d started to find the night before. I wanted to get it all down before I started to forget things. This project feels so huge right now – I’m sure it will start to feel more manageable and achievable once I’m actually working on it and not just thinking about it in broad strokes – so I don’t know what I’m going to need to remember at this point.

I worked up until my therapy session, which are still online at this point. I’ve said it before but I’ll say it again: in person is better and, personally, I find it more helpful but I’m grateful to still have access to therapy at all so I’m not complaining. Since I’ve been in a better place, we talked about that and what’s contributed to that. I told her about my first glowy moment – the first one in so long – and she was so excited so we enthused about that together. But we also talked about how difficult I’ve been finding it to start on the assessment work; maybe it’s my anxiety around assessments, maybe it’s the untreated ADHD, maybe it’s a combination of both. It’s also just irritating to have to focus on the paperwork side of things when I just want to keep writing madly.

It was an okay session. Between all of the pandemic stuff and having sessions online, I find it hard to get into things deeply enough to really move forward. So mostly it’s been about coping, which is necessary but also really frustrating. It’s felt like a year of treading water when I’m just so desperate to make some progress, of any kind.

I spent the afternoon doing various admin, like emails and so on, and more uni work. And then, early evening, I uploaded the first of the acoustic session videos. Working with Sunburst Sessions (back in February 2020), we’d made a video for each track of the Honest EP but I obviously hadn’t finished releasing the EP at that point, hence why they’re only coming out now. I’m going in order of the EP tracklist so the first one up was ‘Bad Night.’

The video up and shared to all of my social media and WhatsApp groups etc, I had a long catch up on FaceTime with one of my parents before having dinner with my Mum. It was pretty late by that point and we were both tired so we watched a couple of episodes of Episodes (it’s one of our comfort shows – it’s not emotionally heavy and both Tamsin Greig and Stephen Mangan are brilliant).

I’m still sore from falling down the stairs so Mum gave me a massage (I’m so freaking lucky to have a massage therapist for a mother) and then we both headed to bed.


SATURDAY

I was awake on and off throughout the night and I was wide awake between four and six am. Ugh. And then, of course, I fell into a really deep sleep that was a really struggle to wake up from. And because I’d slept later than usual – later than I usually start taking my current daily painkillers – I was in so much pain that I could barely move. I had to eat and wait for them to kick in before I could manage a shower. So… not the best start to the morning.

When I finally made it to the living room, Mum and I did the Census and then I logged into the blog and posted my International Day of Happiness post.

I spent the rest of the morning working through the feedback I’d received on my songs from this semester, which made the task of choosing songs for the assessment portfolio much more straightforward: I don’t think any of the songs I’ve presented are bad but there were some obvious standouts, all of which were actually in line with my gut instinct about what to submit. I just needed to work on them, based on the feedback, and then pull the paperwork together: the various drafts, the feedback, my notes, etc.

Early afternoon I had a writing session with my friend, Phill, but we ended up deciding that we’d gotten as far as we could online and so we’re gonna continue working on the song when we can meet up in person. We’re just having trouble with the lag time. I’m happy to do that and although that was the writing session effectively over, we stayed on the video call and just had a really fun and chilled out chat, which was really nice. Because socialising has to be so organised now, I’ve definitely found myself having fewer spontaneous and casual chats with people and I’ve missed that. So it was a really nice few hours.

After we hung up, I had some chill time. I was having a quick scroll through Instagram when I saw that Natalie Hemby, a songwriter I really admire, had posted about Travis Meadows, another songwriter I really admire, and how he’s been through A LOT recently…

I love Travis Meadows and his music so I went straight to the gofundme page. The video he’d made the week before, sharing for himself what had happened, was incredibly moving. I donated what I could and shared the fundraiser on all of my socials. (The fundraiser has since met its goal but is still open – I’m sure the hospital bills, past and ongoing, are much more than the original goal set.)

One of my parents came over for a bubble dinner and we watched Lucifer together and then I watched my friend Luce‘s online show. She played some great covers and acoustic versions of the songs she’s already released but she also played some new songs and they were incredible. They were so powerful. I can’t wait for everyone to hear what she’s working on because it’s truly amazing.

When her show finished, I had a couple of FaceTime calls with various family members and then went to bed. It was still really early – not even ten thirty – but I was exhausted.


SUNDAY

I didn’t wake up until half nine and when I opened my eyes, I found three of the five cats watching me. Clearly it was long past breakfast time and they were impatiently waiting for me to deliver. So I dragged myself up, fed the clamouring masses (this is sarcasm just in case you couldn’t tell – I adore them), and had a shower, before settling in the living room.

I ate breakfast in front of the Netflix short Creating The Queen’s Gambit. I loved it, loved seeing how the whole thing came together, from the really obvious creative choices (like Beth’s hair and the sets) to the tiniest of details (like the interactions between the characters); it just made me want to watch the show again but I just don’t have the time right now. I would want to pay attention to all of those details and right now I have too much to do; the TV is pretty much just there for background noise at the moment.

I spent the morning working on my notes for my assessment portfolio. I was due to have a cowrite in the afternoon but then that got rescheduled to the next day. But I made use of the time: I spent several hours working on a research proposal for a Musicology conference. I’d absolutely love to present at this conference, so much so that it’s probably making me super perfectionistic about it. So I’m trying – I really am – to dial that back so that I can actually write the damn proposal. Because if I don’t write the proposal, I definitely don’t get to present at the conference.

After a few hours on that, I went back to my portfolio notes. It wasn’t a particularly interesting day but it was busy. I got a lot done.

Then, in the evening, I had another bubble dinner: pizza, Lucifer, and catching up. It was really nice. I couldn’t totally relax – I did a bit more uni work and some writing for various blog posts – but I had a really good evening. And then I went to bed early, completely knackered.


So it was a super busy week. But that’s not exactly new. I’ve been battling all semester with the danger of burning myself out before the assessment. I know that I really need to manage myself better. It’s just that sometimes my enthusiasm gets the better of me, especially when it comes to music things.

As I post this, classes have ended and the assessment deadline is coming up so I really need to concentrate on that. I just wish concentrating was easier. The practical work I don’t seem to have a problem with but the analysis – an essay that’s not really an essay – has me banging my head against my desk. It’s such a simple, straightforward task and yet I’m finding it so difficult. And on that note, I’m going to post this and go and work on it. Because there’s a hundred and one more things to do after I do that.

Put It In A Postcard by Richard Marc – Out Now!

So today, one of my best friends, Richard Marc, has just released his debut single, ‘Put It In A Postcard,’ and on his birthday no less! I will always share his music on all of my social media but I wanted to share this on here because, while it is completely Richard’s song, I did help with the writing of it and I’m proud of my part in that. It’s a super cool, catchy song. Please go and check it out!

February Album Writing Month 2021

So, every February for the last several years, I have been attempting FAWM or February Album Writing Month, an annual songwriting challenge where participants try to write 14 songs in the 28 days of February. And it’s definitely a challenge. If you have a job, are in some form of education, or have time consuming responsibilities (such as looking after family, handling health issues, etc), you likely have limited time to write. But having a time based challenge like FAWM – with a Twitter spitting out prompts and forums full of people sharing ideas and tips – can be a really great way to help carve out some time and boost motivation. I’ve always found it to be a great experience, one that has produces really interesting songs, whether I actually manage to complete the challenge or not.

I completed it last year and wrote some songs I’m really proud of it, plus I had so much fun, so I was really excited to do it again this year. I was collecting ideas and come 1st February, I was raring to go but then a lot of difficult medical stuff came up, hitting me like a ton of bricks. All of that really messed with my head and it suddenly felt a lot harder to manage everything: my physical health, my mental health, my uni work, writing at all, let alone extra writing. I felt like I was constantly on the edge of burning out. But then, as time passed and I worked my way out of the fog, I was able to focus on songwriting again and, for the second year in a row, I managed to complete the challenge of writing 14 songs in 28 days.


These are the songs I wrote:

  1. One More Time – Coming out of a really tough time, I think I wrote this song kind of to myself, encouraging and reminding myself to get up ‘one more time’ because that’s the only way to get through. It was hard to write but I knew the moment I hit the right chorus and I just fell in love with it. It’s definitely one I’d like to release at some point; hopefully it can can do the same thing for someone else as it did for me.
  2. Astronaut – Having always been fascinated with space and the stars, I was always going to end up writing at least one song about being an astronaut (funnily enough, the FAWM Twitter’s prompt the next day was about being an astronaut). I’m not sure it’s quite there yet but I feel like it’s a really solid foundation and I do love some of the lyrics and melodies, so it’s just about really tightening it up, I think.
  3. Half of the Conversation – This song started as a cowriting exercise in a uni seminar and we all liked what we came up with so much that we kept booking sessions together until we finished a first draft. One of the group wants to use it, which the rest of us are totally happy with. So I’m currently trying to arrange a session with him to redraft and make sure he’s happy with it.
  4. Taking Care of Me – This one is another cowrite with a friend/coursemate. We’ve been meaning to write together for ages and we finally managed to make it work (with plans for another session to redraft and make the song the best it can be). We had a really fun session that started on one idea and ended up on a completely different one, about practicing setting boundaries and making time for yourself and putting yourself first when you feel that it’s best for you. I really like what we came up with, plus it has one of the oddest lyrics I’ve ever strung together in it.
  5. Prison (Redraft) – I first wrote ‘Prison’ during FAWM last year and was really proud of it as a first draft but with the pandemic and then going back to uni, I haven’t managed to work on it again until now. I’m really pleased with the new and improved version and I feel like the metaphor is even stronger.
  6. Keep The Memories – I wrote this song with a friend/coursemate, about a person who screwed me over and really messed me up (although I should’ve seen it coming). We have quite different styles but we ended up with something really cool, something that I definitely wouldn’t have done on my own. I’m still tidying it up and refining it but it was a really fun experiment and I’m pleased with it as a first draft.
  7. Roots (Redraft) – I cowrote this with a friend/coursemate just before FAWM began and then, during FAWM, we had another session where we worked on it. We both really loved the first draft but we experimented with some sections and refined others and hopefully made it better. I think it’s one of my favourite cowrites to have been a part of.
  8. Father’s Eyes – I wrote this song with the same person I cowrote ‘Roots’ with and while it was hard to write – writing about my Dad always is – I feel good about what we’ve come up with. It’s not exactly comfortable but it’s honest and special and I’m grateful to have had someone I felt safe with to explore the idea and write the song with. I’m looking forward to working on it more and getting it just right. That will feel really good.
  9. Last One Standing – Since the pandemic, I’ve been experimenting with writing stories based on fictional stories and characters. This particular one is about Daisy Johnson from Agents of Shield, possibly my all time favourite show, about her owning how truly powerful she is and how important SHIELD and what SHIELD stands for are to her. I love this song so much. I’ve already edited the lyrics a few times to make sure it’s as clear and impactful as possible and I think it’s really close to being done.
  10. Soul – Another fiction-based song, this one is from the perspective of Emily Byrne from Absentia, another of my favourite shows. It covers some of her emotional processing at the end of Season 1, after her trauma, after being on the run, after the mystery is (apparently) solved. It’s not my favourite song I’ve written but the idea and the melody just wouldn’t let me go. Maybe I’ll come back to it at some point and find a better way to do what I was trying to do.
  11. Ashes – This one is another Daisy Johnson inspired song, inspired by the end of Season 3 where *SPOILER ALERT* she abandons SHIELD to go after the Watchdogs (as we later find out in Season 4). We don’t see her make that decision in the show and I’ve always been intrigued by the various ways it might’ve played out. I wrote this from her perspective, when she’s still very much drowning in her guilt and pushing away all the people that care about her.
  12. Hurricane – I already have a song called ‘Hurricane’ but when it comes to this song, not only is ‘Hurricane’ a working title but I highly doubt I’ll ever release this song. It was another experiment, another Absentia inspired song based on the early interactions between Emily and Cal and how their traumatic experiences give them a deep understanding of each other, something that they haven’t received from anyone else. I always really liked that about their relationship, that even though their experiences were different, there was a level of understanding unique to the two of them, something that strengthens both of them. So I tried to write a song about it. Again, I’m not sure I’ve gotten it right yet but there are parts of it that I really like.
  13. Monster – My third and final Absentia inspired song revolved around how various people and circumstances tried to turn Emily into a killer, into a monster. And when I started writing it, I intended for this version of Emily to embrace that, like, ‘Okay, you want a monster? I’ll give you a monster.’ And while that’s how the narrative played out, it became more complex. Almost of her own accord, she embraced what they’d given her (the skills, the emotional compartmentalisation, and yet this unrelenting rage, etc) and turned it back on them. She flipped the script: ‘You wanted me to be a monster? Well, here I am and this is what I’m capable of. Are you scared yet?’ It was probably the most interesting writing process during FAWM; I felt more like I was along for the ride than I had with any of the other songs. It’s not perfect yet – it needs some redrafting – but it feels like a really solid song.
  14. Even Me – I wrote this song with a good friend/coursemate about how, after a break up, all the things and places that were made special by the relationship feel ruined. We had such a great session: it was really productive but we also had so much fun and I’m really happy with how it’s turned out. It needs some refining but I feel like it’s a really solid first draft.
  15. Redraft of a friend/coursemate’s song – I didn’t cowrite this song so I don’t think it’s fair to share too much about it but a friend from my course asked if I’d help her redraft and refine a song she’d written and we had a really productive session. We did some restructuring to improve the flow of the narrative and the narrator’s journey; we switched out some lines to add emotional impact; we rewrote a section to add another layer to the situation described. The song was good already but I feel like we really tightened it up. It felt really collaborative and I had a really good time. Bringing a new idea to life is magical but there’s also something deeply satisfying about honing an idea to, hopefully, be the best it can be.

I actually worked on several more songs but didn’t manage to finish them or couldn’t arrange the cowriting sessions within the time period to finish them. And while most of these songs are still first drafts, I feel really good about a lot of them and where they’re headed. So I’m pretty proud of myself, especially considering how much I was struggling earlier in the month.

Although it’s called February ALBUM Writing Month, I don’t tend to think about writing a cohesive album, more an album’s worth of material. Creating a really good body of work takes so much thought and planning and usually a lot more than 14 songs to get a really good, cohesive body of work. But the challenge gets me so excited and energised when it comes to my songwriting that that’s the real benefit for me. I’m not going to be able to keep writing at this pace with all my uni work and health stuff going on, but I’ve really enjoyed this time to really dedicate to my writing and obviously I’m going to keep writing as much as I can around everything else I’m balancing.

I’d love to include links to these songs so that you guys could hear them (recording, production, and uploading is part of the challenge but I don’t want to put them out there when I don’t know what’s going to happen with them). I haven’t had time but, as I said, I don’t know if I’m going to release them or not and I wouldn’t want to spoil that. Because some of these songs are definitely headed for release…