Celebrating Female Creatives For International Women’s Day 2020

Happy International Women’s Day! The theme this year is #EachforEqual, based around the idea that we can all choose to challenge stereotypes, improve environments, and celebrate women’s achievements. “Collectively, each one of us can help create a gender equal world. Let’s all be #EachforEqual.”

So to celebrate the day, I wanted to share some of my favourite female creatives, from writers to artists to musicians. Having said that, these are all ‘smaller’ artists, artists that aren’t supported by major companies or big record labels and so on.


Laura Greenway – Laura is an incredible artist who I’ve known for a while now, after seeing her gallery crowdfunding  page. She makes beautiful visual art and immersive art, based around various mental health problems. Her pieces are thought provoking and meaningful and I look forward to everything she posts about her art.

Isobel Anderson and The Female DIY Musician – Isobel is an amazing musician and sound artist and I was lucky enough to have her as a tutor at university last year. She was encouraging and inspiring and truly motivating. She’s one of the best tutors I’ve ever had. She also runs a community that supports and empowers women wanting to be musicians,  specifically those wanting to learn how to record and produce. It’s really helpful and positive, which is hard to find in such a male dominated industry.

Deerful – Emma is a really good friend of mine and she makes so many different things: music in many forms, art, loops, and so on. She’s incredible, skilled at so many things and I would absolutely love to work with her on a project one day. You can find her music here.

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Very high-tech home studio today.

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Aislin Evans – Aislin is another of my good friends and she’s an amazing songwriter. I love everything she writes. She’s also an actor, multi-instrumentalist, and mental health advocate. She’s doing impressive and inspiring work as a human being and I’m so proud of her and to know her. (You can find her music here.)

Laura Zocca – I’ve followed Laura on YouTube and social media for years and she’s a beautiful songwriter. She’s also a lovely human. Even though she’s now pursuing other career paths, she’s still releasing music, which makes me very happy.  I’m still hoping for a few of my old favourites to see the light of day…

NADINE – Nadine is an awesome singersongwriter and I love her songs. I’ve been to several of her gigs and the atmosphere is incredible; everyone is picking up the words and singing along by the end of the first chorus. It’s magical. A handful of her songs actually move me to tears. She’s also a tutor at my university and although she only taught me for one class, she was great, really encouraging and thoughtful in her responses to our songs.

Write Like A Girl – “Only 17% of UK songwriters are women. Write Like A Girl aims to put female songwriting talent back in the spotlight – and inspire more women to create original music.” This showcase is so cool and so inspiring, full of amazing female songwriters. I try to go whenever I can and I would absolutely love to play in one of their shows at some point.

Liberty’s Mother – I’ve talked about Liberty’s Mother and the woman behind the project, Sophie Daniels, but I had to include her in this list. She’s doing amazing things (an EP, launch event, month long challenge) to raise awareness and money for the baby loss charity, Tommy’s. It’s so inspiring and encouraging to see someone use art and music to do such good for so many people.

Caitlyn Siehl – This girl is an incredible writer and her book, What We Buried, is one of my favourite books, poetry and in general. She writes beautifully: some of the poems are painful, some of them are joyful, some of them are so real it’s like they were written about your own life. It’s a fantastic book and you should definitely read it.

Rosie Powell – Rosie is an amazing photographer and videographer and I absolutely love her work. I’m so happy and so grateful that my first music video was done with her because she made it so easy and so comfortable when I was so nervous. I should probably post some of her other work but I wanted to post what we worked on together because I’m so proud of it. I would absolutely love to work with her again at some point.

Betsy Lane – Betsy is a light of a human being, practically a ball of positivity and sunshine, although that’s not to say she doesn’t bravely share her struggles and vulnerability. She’s a lovely human being and a stunning singersongwriter. I finally got to meet her and see her play a garden show a couple of years ago and she was just as sweet as I’d expected her to be. You can find her music here.

Lois de Silva – I’ve been friends with Lois for years, since we were about sixteen or seventeen. She’s one of the kindest, sweetest people I know and she’s an incredibly talented artist, in multiple forms. She’s done the animation for the last and an upcoming music video and they are so beautiful. Again, I’m so happy and so grateful to have had the opportunity to work with her and I’m so, so proud of the results, to have them be the visuals for my music. And again, I should share some of her other projects but I love the work she did on my song so much that I just have to share our current video. You can follow her on Instagram here.

Annerb – Annerb isn’t someone I know or have had more than the occasional Tumblr ask but she writes the most amazing fanfiction and she’s legitimately all I’ve read in the last year or so. The dedication to these stories, which are thousands of words long, is incredible and the stories are just beautiful. And even when the stories are tense, the reading of them and the familiar characters are very calming and really helpful with my anxiety.

Song Suffragettes – And while Song Suffragettes is the biggest person/organisation on this list, I had to include them because they are doing such incredible work for young, female songwriters in and visiting Nashville. They’re doing some really, really impressive work and the community they’ve built is so strong. I feel very lucky to be part of it, even in a really small way and from such a long way away.

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These girls. All incredible, all lovely, and all so special. I said this during the show but I wanted to say it here too: there was a moment when I looked around and I thought, “I’m drowning in talent.” But then I thought, “No, I’m swimming in talent.” It was a bit of an epiphany. As singers, as songwriters, and as women, we’re constantly compared and pitched against each other and after a while that seeps into your brain. So this show was a real reality check. What they can do doesn’t diminish me and what I can do doesn’t diminish them. I’ve always loved @songsuffragette for their mission statement but last night, it all clicked into place. We can exist in a highly competitive industry and still support each other. It is possible. #letthegirlsplay

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This list could go on for a pretty long time – I’m tempted to list every creative I know who is working hard and making beautiful things – so I’ll stop there but before I go, I want to give a short series of shout outs to some of my friends who are just badass creatives (several of whom I’ve mentioned before): Luce Barka, Francesca MorrisCharlotte Black and her platform Self Love London, Foxgluvv, and Tragic Sasha. The list was just getting too long but I wanted to mention them because they all really are amazing.

A Week in My Life (February 2020)

So I thought it might be fun to document a week in my life, both as a person with mental health problems and Autism and as a person doing a Masters in songwriting. So recently, for a week (one of my more interesting weeks), I took notes on each day so this is those days collated, a week in my life right now.


MONDAY

My Monday started at home in Brighton (doing origami for the #30dayfeb) but I was hugely nervous (and excited) because I was playing my university’s songwriters’ circle that evening. And what made it extra special was that it was the LGBTGIA+ History Month Special. I proudly come from a proudly LGBT family and identify as queer myself, although that label is as far as I’ve gotten. When your mental health and Autism take up your whole life, there’s not a lot of time for figuring out your sexuality. I haven’t talked about sexuality on here much because I felt like I needed to know specifically what I identified as (gay, bisexual, pansexual, asexual, etc) before I said anything but now I’m thinking that not knowing yet is also important to talk about. I don’t want to do too much of that here though because I think it deserves its own post.

Anyway, I was nervous but also really excited.

I caught the train to London and the tube to uni where the songwriters’ circle was being held. I met Richard (Richard Marc, my best friend and writing partner) there and we practiced for a bit: we were playing a song we’d never performed before. So we worked that out, ran through it until we were confident with the performance, and then went to get food before going back for our soundcheck. That went well and we met everyone else who was playing; they were all absolutely lovely.

The special guest was an alumni, RIS, described as: “an up-and-coming Sofia-born electropop artist based in East London. The queer singer-songwriter’s brooding vocals bring euphoric melodies to life over dramatic alt-pop tracks, rich with sizzling synths and sonic ear candy.” They were really lovely and I absolutely love their songs: I can’t wait for them to release more.

The other students, Lea Frances, Francesco Pio Ricci, Becky Kerly, and our host tutor, Anjali Perin, were all amazing and interesting and different and it was a really  incredible experience to be a part of. You can actually listen to the whole circle here and hear everyone’s beautiful music and stories. There’s something strangely spiritual about a songwriters’ circle and I hope you can feel that without actually being there. Speaking for myself, it felt magical and exactly how songwriting and songwriters’ circles should feel: a coming together and sharing of stories, of songs, and of souls. And holding it in a music university, getting a sing-a-long isn’t difficult and that’s one of, I think, the most special things you can experience as a songwriter, as a performer. The whole event was so wonderful and I felt so lucky to be a part of it.

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TUESDAY

My lecture didn’t start until eleven so I got a bit of a lie in after the late-ish night and all of the emotion but then I had a bit of a headless chicken morning, running around, back and forth, getting ready and packed up for uni. But I made it on time, a little early even so I got to chat to my friends. It felt like a very weird morning: I just felt super emotional and like crying at every little thing. It was hard work to stay composed.

The lecture covered the grading criteria for the assessment essay, which was really helpful. I find the language really confusing so going through it with a tutor explaining it in detail and in real, human language made is much more accessible and easier to understand.

But the main part of the lecture focussed on Max Martin – we cover one songwriter a week and look at techniques they use and so on. It’s really interesting, especially because they’re all really different. So, for Max Martin, we focussed most on melody, syllable count, and melodic math: a device used to make melodies really tight and memorable. It was fascinating, especially to someone who puts lyrics before melody. I don’t know if I could ever do it consistently because lyrics are so important to me but it’s definitely something I’d be up for trying out, just to see what the result sounded like.

Then I have a four hour break before the next class but I spent some of it hanging out with my friends, an hour at a meeting about the upcoming Nashville trip, and then two hours writing with one of my best friends on the course, Luce, while our other friend, Sharné sat in the room with us and worked on some of her own work. We worked on a song for a couple of hours, getting quite methodical and looking at the deeper message of the song and so on but I don’t think either of us were in quite the right frame of mind to write so the three of us just ended up talking. They’re such lovely people that talking with them, whether it’s about random stuff or intense, emotional stuff, the conversations mean a lot to me.

The second and final class of the day was the workshop, where we play songs we’ve written based on the previous week’s artist’s techniques. A lot of people don’t turn up, presumably because it’s not assessed and they need the time for other things, so it was just me, Luce, and Sharné, which was actually really nice. There was a lot of time for feedback and I really enjoyed working on their songs and my song more intensely than we would usually have time for. They had both written great songs, both of which I really loved.

My only complaint about the classes is how cold the classrooms are. They’re absolutely freezing, so cold that we’re wearing our coats, scarves, and gloves in class. The air conditioning is on even in December and January. We’ve asked them to turn it off but there’s been no change. Especially on a day when I was very emotional, being so cold just made me want to cry.

Fortunately, my Mum was working in London and the end of our days coincided so she picked me up and we drove home together, catching up about our days. We got home and I was so exhausted that I went straight to bed. It had been a long and emotional couple of days.


WEDNESDAY

After my busy Tuesdays (and this busy Monday), I take Wednesday as a rest day. And I tend to work on at least one weekend day. I might technically be doing my course part time but I have to be very flexible about the way I work because of Autism and mental health problems cropping up and making work difficult. I can’t write a song or research an essay if I’m recovering from a meltdown for example. It sucks, because it means I have to plan my life very carefully to allow for these problems but also be very flexible in case they do. It’s so frustrating. I hate it.

I did my origami and then spent the day bouncing between writing my diary and the continuation of moving my songs all into one notebook. They were very calming tasks. I tried to work on a song but just couldn’t make my brain work (I think I was too tired) and then, when I gave up, I lay down on the sofa and accidentally had a three hour nap.

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All of the cats!

I finished the day having dinner and watching Law and Order: Special Victims Unit with my Mum (it’s the show that just the two of us in the family watch). It was very relaxed and really nice to spend some time with her.

I had had serious anxiety about the work I have to do all day but had been managing it with Diazepam. It’s something I deliberately try not to think about on rest days because they’re my weekend where I have fun or recharge. I’ll spend the other days of the week working on those things but rest days are for resting. It’s still hard to shut off that anxiety though, even with the Diazepam.


THURSDAY

As had become my pattern, I started my day with my piece of origami for #30dayfeb. On this day, it was another bird. I did a lot of birds. They were pretty and not too challenging (I wanted challenging but some of the origami tutorials I watched were virtually impossible for a beginner like me).

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Most of my morning involved going to therapy. It ended up being a very intense, upsetting session – therapy can be a bit of a funny paradox because if you leave feeling exhausted and drained, chances are you’ve worked really hard and done some important work; you’ve just got to look after yourself afterwards. We were talking mainly about a difficult relationship in my life and how to handle it as well as my OCD and how it’s affecting my Masters work. Trying to control it enough to get the work done is gruelling and exhausting and sometimes it feels just too hard. It spiralled into harder and harder stuff and I ended up in tears. Getting myself together to leave was a struggle. And then, to make things worse, the cab I needed to get home didn’t turn up and I was left waiting in the rain for half an hour, until my therapist came to check on me. She lent me her phone and I called another one.

I eventually got home and called my Mum at work, sobbing down the phone because it had been just too much after a difficult session. Plus changes in plans really throw me. Talking to her managed to come me down a bit and I felt a bit better when we hung up. I was tired enough to sleep but my brain was whirring too fast so I was still awake but groggy when Mum got home.

We had some dinner (and some red bull) and caught the train to London. We were going to see Waitress again, mainly so that I could try and meet Sara Bareilles after the show. She’s had such an impact on my life that I just really, really want to meet her and thank her. And getting to see the show again isn’t exactly a hardship. I love the music, the cast is fantastic, and the story always inspires me; it makes me feel like I might end up happy, even if it’s not in the way I expect or currently want it to. That’s big for me. And Sara is just amazing. She just is Jenna. She’s plays the part like it was written for her and she sings like Jenna is a part of her. ‘She Used To Be Mine’ is one of my favourite songs ever and there’s something magical about hearing her sing it live. This show is so important to me and it always will be.

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Sara’s bow!

We rushed outside to see if I could meet her and we met some of the other cast who kindly chatted with us and signed my ticket but Sara herself didn’t appear. After a while, the security guard said she’d left but I was reluctant to just go, having been told the same thing in the past and gone home only to see people posting selfies with her on Instagram. But this security guard had been really nice to us earlier in the night – so I felt I could trust him and his explanation – and he told us that she had an early engagement the next day and so she’d had to leave straight away (as it turns out she was on This Morning the next morning so it was entirely true). So we went home. We have one more opportunity to meet her before her run ends so hopefully I’ll get to meet her then. I know a lot of people don’t get my dedication to seeing shows more than once (I often get overwhelmed mid show and so seeing them multiple times allows me to get the full experience – and why would you not want to see a show you love more than once, especially if it’s only on for a limited time?) and meeting the artists but they’ve really shaped my life and therefore become part of my life so it feels important to connect, even if in the tiniest way.

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Marisha Wallace (who plays Becky – she has an incredible voice and is utterly hilarious) signing my ticket.

We caught the train home and fortunately got back not too late, considering we’d waited afterwards (I appreciate that they hadn’t just left us waiting in the cold). I went straight to bed and was asleep in seconds.


FRIDAY

I did my origami (an apple) and then spent the morning doing some reading for my Masters, working on my songwriting book when I needed a break. It was very gentle and chilled after the emotional day and late night from the day before – the perfect antidote.

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Lucy keeping me company.

I had a late shower but ended up sitting on the bathmat, sobbing because there’s just so much sadness in me. There’s so much sadness, past and present, happening in the world and to the people I love. It overwhelmed me and I just got so upset. It happens sometimes, quite a lot in fact. I’m an emotional person but I’ve been particularly emotional recently.

In the afternoon, I had an appointment with the doctor. Mum always comes with me to these appointments, especially with doctors I’m not familiar with (the Autism specialist doctor has been away), in case I get overwhelmed and because she knows my mental health and Autism history really well, sometimes better than me. We talked to the doctor about the pain I’ve been having from my fingers to my shoulders (I was, at that moment, having some really bad pain in my hands and left shoulder), which is obviously cause for concern. We talked about support for people with Autism, which there still seems to be a distinct lack of, plus several other things. I found it very unhelpful and distressing but Mum seems to think that the information we got, good and bad, means movement – in her plans and research, I suppose. So I guess that’s something.

To cheer me up, we went home via the nearby pet shop. We need to replace the cat tree/scratcher so we went to look at the ones they had and there were some possibilities but we need to do some measuring before we commit and buy one. But we did buy a couple of little cat toys, mainly to make me happy: a little unicorn and a little Grumpy Cat (we try to avoid buying toys that look like real animals so that they don’t give us a huge shock, thinking the cats have brought in a mouse or something). They’re really cute.

The unicorn toy and the Grumpy Cat toy.

Then we came home and had a gentle evening. I did some reading for my essay and then me and Mum had dinner in front of SVU. When I finished eating, I did some diary writing. It was an attempt at calm but I was still very anxious, even taking Diazepam. I’d intended to go to a friend’s gig in London but I just had too much pain in my hands, arm, and shoulder that I just couldn’t do it. I felt so bad because it’s been so long since I’ve been to one of her shows and I felt like a bad friend for ‘not supporting her.’ I could’ve managed the show but the travel just made it too much. I felt really guilty for not going, something I struggle with a lot – guilt, that is. So it was a difficult evening.


SATURDAY

I spent most of Saturday songwriting (after doing my origami). I tried to write both with a pen and on a computer – diary, blog writing, or research – but my hands felt thick and stupid (which we think was a side effect of a medication I’ve now stopped taking since it wasn’t helping and there were too many side effects – none of them serious but all of them unpleasant and unhelpful) so it was a real struggle. Playing piano was really the only thing that wasn’t difficult in that sense and so I spent a lot of the day playing, writing, and editing songs, several of which I really like.

I also put up my blog post about Lucky, which I’m really proud of.

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Me and Lucky on Christmas Day with his new toy.

Me and Mum spent some time in the afternoon and early evening talking about a presentation I have coming up, talking rather than writing since my hands were still struggling. Then we had dinner and watched some TV together. I ended up falling asleep on the sofa at seven because I was so exhausted by everything going on and Mum had to all but drag me off the sofa and steer me to bed.


SUNDAY

I woke up stupidly early (at half past four) and couldn’t go back to sleep as hard as I tried. Eventually I got up and moved to the living room, putting the TV on low and getting to work: sending emails, social media messages, and so on. I’m better in the mornings, more awake and less anxious, so those things feel easier.  I organised my diary and did some blog writing. It was a productive start to the day, despite the painfully early start.

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Mouse keeping me company while I worked.

Once Mum was up and we’d had breakfast, we did some house jobs (such as fitting the new cat flap) and I talked to a friend who was very upset before getting down to work on my presentation. I’d been talking to various people since it was set as an assignment so I felt prepared when I sat down to make the presentation slides. I spent the day working on the slides and beginning a script for what I was going to say.

In the evening, I ran it past Mum (who does a lot of presenting as part of her job) and she critiqued it for me. Then one of my other parents came over and we had dinner in front of Tim Minchin’s Orchestra Tour DVD. He’s truly an incredible musician and performer.

It was a productive day and I went to bed as late as I could manage – about ten o’clock – and took a sleeping pill to make sure I got a good night’s sleep.


I hope that was interesting, that it gave you a glimpse into my life. Let me know if you want more of these because it was definitely interesting to write.

February Album Writing Month 2020

FAWM or February Album Writing Month is an annual songwriting challenge where participants must try to write 14 songs in the 28 days of February. Unless all you do is write songs, it can be a real struggle. If you have a job or are in any kind of education or have time consuming responsibilities, you’ll have limited time to write so it’s definitely not easy. Having said that, it’s a great way to motivate yourself when you’re in a rut or when you just want to challenge yourself.

I’ve been attempting this challenge on and off for several years now and I’ve only achieved it once, which was helped by my BA in Songwriting requiring me to write three songs a week (roughly). That definitely made things easier. So once I’d written those, there was only a handful left to write.

This year, I decided to try it again, since I’m back in education, doing a Masters in Songwriting. However, this semester is based around an essay with only the suggestion of writing a song a week. So it’s significantly harder than the last time I tried this in songwriting education. I’ve also been struggling to write for the last several years. The last time I managed this challenge was probably the last time my songwriting brain was really working. Since then, pulling all the elements of a song together has felt all but impossible and the outcomes have been very unsatisfactory, to me at least. Other people haven’t always felt the same. I believe that it was my failing medication (Phenelzine, for my depression) that negatively impacted my songwriting. That continued when I took different medications and only lifted when I started taking Phenelzine again at the end of last year. My brain and my songwriting brain just lit up again and I’ve been writing and writing and writing ever since then. So I decided to try the challenge again. I was a little more flexible this year, what with all of my Masters work so, as well as writing full songs, I also included edited songs as long as the edits were serious edits: not just the odd line but refocusing the song or rewriting major sections.


These are the songs I wrote:

  1. Halley’s Comet – I’ve always been fascinated by Halley’s Comet and how it repeatedly passes Earth, particularly how it passed on Mark Twain’s birthday and the day he died. So I tried to write about that, about that relationship. I’ve tried before and this one is better but I’m still not sure I’ve quite got it right. I’ll keep playing it and see what occurs to me.
  2. Bad Dream – This is a song I wrote with two friends, late in 2019. I loved it but on reflection, after some time had passed, I realised that it didn’t quite fit my original concept and wasn’t quite going in the direction I wanted it to go. So I edited the verses and chorus so that it fitted with what I wanted to say. And now it describes a situation feeling like a dream rather than a situation basically being a bad dream, if that makes sense.
  3. Helping a friend with her song – Me and a good friend of mine sat in a cafe and spent an hour helping each other with concepts and lyrics for songs we were both writing and I had so much fun helping her with her song. I don’t want to say too much because I don’t know whether she’s planning to release it or do something with it but it’s a great song and I can’t wait to hear the final version.
  4. Starlings – This song was a uni assignment where we had to write a song including lots of details of the place we considered home and so I wrote about Brighton and growing up with my brother. But once I’d finished it, I realised that it had ended up too focussed on my relationship with him, rather than my relationship with my home so I had to do a serious rewrite.
  5. Starlings (Version 2) – This version was better, much more focussed on home and Brighton with details of growing up with my brother and my friends and the settings that all those moments took place in. There’s strong imagery and each section says something different and important and I’m really proud of it.
  6. Prison – I wrote this song with one of my favourite cowriters about how sometimes the things that imprison us are of our own doing; we create our own prisons without even realising. We worked on a track as well and it sounds really cool. It definitely needs redrafting – there are lyrics that aren’t as true to the emotion as they should be or as effortless as they should be – so I’m looking forward to doing that.
  7. Pieces – I wrote the chorus of this song in the shower (there’s actual science behind having ideas in the shower that I want to write a blog post about) and had to stop the shower to record it. And once I was done with my shower, I sat down at the piano and wrote the rest of the song in one go. The melodies are quite different to my usual ones, which is exciting, but I’m not happy with the bridge yet so it needs some editing.
  8. Hoping For More – This song was kind of traumatising. I tried to write about something that I don’t think I was ready to write about and then spent the rest of the day anxious and depressed. There are certain things I don’t talk about, not even in therapy – difficult things in my life or from my past – and I thought I’d try and figure some of it out through songwriting but I don’t think I was ready and it ended up really upsetting me. I can’t even say more than that.
  9. Gone – I had bits of melody going around in my head for this one and a first verse that sounded like an emotion I’d been feeling and so I finally sat down with it and wrote the chorus, the other verse, and the bridge. I think it all fits together but I’m going to sit with it for a bit and see how I feel about it.
  10. Curve in the Road – I wrote the chorus for this song years and years ago but could never write the rest of the song; there just wasn’t anything that fitted with it well enough. It always felt like two different ideas. But I think I’ve managed it this time but I’m gonna give it some time and see if I still feel the same way.
  11. Fragile Home – This has been an idea I’ve been thinking about for ages but I’ve been unable to put the concept into words. I took it to a friend and we worked out the message and wrote a chorus. We ran out of time to write more but I went home and wrote the rest of the song.
  12. Easier – This is another song I wrote last year and absolutely adore but there were parts that could’ve been better so I’ve been thinking about the song and the lyrics and the people behind it. So in the last week, I sat down with my guitar and wrote a whole new verse and generally smoothed out the song. I’m really proud of it.
  13. Cry – I had a very intense conversation with some very close friends that I found very upsetting (although I had been upset all day so it was a combination of things) and so the idea for this song came from that experience, how the stories of other people can create big emotions even though they’re not your stories. It’s not perfect yet; I’m still messing around with the lyrics. But it’s a solid start and I really like it.
  14. Lucifer – I did a load of research on the real story of Lucifer but so many stories contradicted each other that I based my song on Lucifer from the TV show Lucifer. I actually really like the song and can’t wait to work on it more. Plus it’s an AABA song (it doesn’t really have a chorus), which I don’t often do.
  15. Grow – I haven’t finished this one yet (a really fun, empowering, pop-y song) but that makes fourteen and a half songs and so I have achieved the leap year edition of FAWM!

I wouldn’t put all of these songs on an album together because they’re so different and disconnected but I’ve been so excited and motivated around songwriting, which I think I has a lot to do with this challenge. So that’s really cool and really pleasing so I’m really happy with the result. Now, unfortunately I have to get back to my uni work.

Unfortunately I can’t include links of these songs for you to listen to, although I know that recording and production is part of the challenge. I just haven’t had time. Maybe during the next month I can do some demos. I also wouldn’t want to put the songs out into the world because I don’t know which songs I’ll be officially releasing. I wouldn’t want to ruin the surprise.

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January 2020

January was tough. A lot of difficult things happened. Normally, I wouldn’t do a monthly round up but there were several things this month that I didn’t think would get properly acknowledged (in my yearly review or otherwise) if I didn’t. So here’s January 2020 and it’s highs and lows…

  • Assessments and meltdowns – I began the year working frantically and anxiously on assessments for the module I’d just finished. And as soon as I’d finished the essay, it was onto preparing the presentation, which absolutely terrified me. All of the work with no rest and all of the anxiety caused so, so many meltdowns. So it was a very stressful start to the year.
  • Presentation – My final presentation was very stressful. I worked ridiculously hard on a powerpoint presentation and script that described my progress throughout the semester with snippets of the songs I’d written and I thought I’d done okay but I was and am upset with my grade, mainly because the ‘good’ and ‘bad’ feedback I got seems to contradict each other. There’s this thing we have called Results Counselling (or something similar) where we can go and discuss it all, which I’m gonna do as soon as I can get through it without crying (not just about the grades – it’ll come up later). Whether that will change the grade or not, I don’t know.
  • Choosing my timetable and beginning the new semester – My uni are really helpful about working with me to find a timetable that was best for my health, mental and physical. I really appreciate that they do that. I know that, as a disabled student, they have certain obligations to help me but this is something that causes me a lot of anxiety so I do really appreciate it. Special thanks to Ivy and Aislin for their help. And then the semester began. I’ve swung from overwhelming anxiety to calm and back again so many times that I’m dizzy. Right now, I’m okay. I think.
  • ‘Clarity’ came out! – The second track from my EP, Honest, was released on the 10th and for what is essentially a second single from an independent artist, it’s done really well. It was added to several playlists with lots of followers and it’s been played on a handful of independent radio stations, including Get In Her Ears, which I’ve followed for a long time. So that was really cool. It’s also had quite a lot of airplay on a couple of local independent radio stations, which feels very special even if bigger stations are ‘better’ for my career – their support means a lot to me. It’s been a lot less stressful and a lot more exciting than the release of ‘Bad Night’ (although that was probably because it was the first one and so all new and unknown). Having said that, there’s still a lot more to come…
  • My First DSA Assessment – As you probably remember from this post, it was a bit of a disaster. It was incredibly upsetting and we were basically told I would get no support as a disabled student. Things have changed a bit since then but I don’t want to talk about it until I actually know what’s happening, until it’s more than just speculation and hope.
  • Semester B – We’re only four weeks into the new semester so we haven’t gotten that far yet but it’s definitely difficult. Much like the first semester, the content is really interesting but there’s a new challenge this semester: the academic language. A lot of the time I have no idea what the texts are saying and that’s pretty distressing. It makes me feel stupid and like I’m not smart enough to complete a Masters and ‘what the fuck was I thinking trying to do this?!’ Just as I thought I had a question for my assessment essay, I decided it was too complicated and now I’m waiting to hear from my tutor about it. I feel frozen. It’s hard to research when you don’t know what you’re supposed to be researching, a problem I had last semester although in a different scenario. I’m doing my best though and I’m doing my best not to panic. But I’m keeping up with my writing and I’ve written songs that I like so that’s keeping me grounded even though they don’t get assessed. But it reminds me why I’m doing this: to write better songs.
  • Manic by Halsey was released – I love Halsey and I was very excited for this album and (Hurray!) I absolutely love it. It’s so different from Badlands and Hopeless Fountain Kingdom but they were really different from each other; there’s progression and evolution and exploration. This one is particularly emotionally vulnerable and to me, the often acoustic production reinforces that. I love all of Halsey’s albums and I think this one is the perfect next step. I love most of the songs but my absolute favourite are ‘Ashley,’ ‘Graveyard,’ ‘You should be sad,’ ‘More,’ ‘Still Learning,’ and ‘929.’
  • Sharné visited – One of my best friends from uni came to visit me (and my cats) and we had such a lovely weekend. We went to the beach at golden hour, made cookies, watched movies, and played with the cats. It was so, so nice. I had such a good time. She’s the best.
  • University gig – The full time students on my course put on a show and it was so cool to hear the songs they’d written and it was so, so nice to see my friends play and get the recognition they deserve because they’re such talented, hardworking writers. It was such a good gig and I wish I could’ve stayed to the end but I had to get home to Brighton.

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(Luce Barka performing ‘Be More Kind’ – a very beautiful, meaningful song.)

  • Richard visitedRichard came down to visit me (and, again, the cats – I’m sensing a theme) and we did some writing and production, which was really fun, especially given that I was trying some new things. We also worked on some stuff for the rest of the ‘Clarity’ release cycle and for the release of the next song. Ooooh…
  • BeFries closed – My favourite restaurant in Brighton closed this month temporarily and then permanently and I’m absolutely gutted. I loved that place, I loved the food, and I loved the people. I’m so, so sad that it’s gone and I genuinely don’t know where my new meeting spot will be because that’s where I took everyone.

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  • Announced ‘Clarity’ music video – I announced via social media (I’m having major problems updating my website for some reason) that the ‘Clarity’ music video would be coming out in early February! I’m so excited for everyone to see it! (It will have gone up by the time I post this but this is where I am right now…)

Clarity Video Announcement

“I’m so, so excited to announce that the music video for ‘Clarity’ will be coming out Friday 7th February! @rsandersonphoto and I had such so much fun shooting this and there’s a pretty cool surprise in there so we hope you love it as much as we do!” (x)

  • Cheer – This might seem small compared to some of the other things on this list but I watched it after hearing all the good press about it and it absolutely held up. It was shot beautifully and the pacing was really good. The stories of all the cheerleaders had me so invested in each of them and their places in the series, and in their futures. I cried in almost every episode.
  • The Grammys 2020 – I have many, many  opinions about The Grammys, about who should’ve won which awards (*cough* Taylor Swift for Song of the Year with ‘Lover’ *cough*) but mainly I’m just super happy that Natalie Hemby and Sara Bareilles won their first Grammys. I can’t believe that this is a first for both of them, given how freaking talented they are and how successful they’ve been but regardless of that, this is amazing news and I’m so happy for both of them.
  • Waitress with Sara Bareilles – The best moment of the month was seeing Sara Bareilles on her first night as Jenna in Waitress the Musical in London. She was incredible. The whole show was amazing but she was a magic all of her own. When she sang ‘She Used To Be Mine,’ (which I know is a special song to her and is a special song to me too) the standing ovation went on for so long that eventually the only way to stop us was to continue with the show and therefore force us to sit down. She was truly awesome and I felt so lucky to be there. I’m fortunate enough to get to see her again before her run finishes and I’m so, so excited.

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  • Track of the Day – In the interval of Waitress, I discovered that ‘Clarity’ was going to be Track of the Day for BBC Introducing in the South and played on the radio, on a show I haven’t been played on before. So that was massively exciting (apart from some confusion about the date). Fortunately, I wasn’t in class when they played it so I could listen and enjoy the feeling! Hearing yourself on the radio, hearing people introduce you and your song and spread the message you’re trying to spread is so special.

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  • Lucky – If you follow my social media, you’ll know that we had to have our family dog put to sleep in the last days of January. We first met him when he was a couple of days old and he would’ve been sixteen on the 9th February, so he lived a long and happy life (I hope he was happy – he seemed happy and we did everything to make sure he was). But saying goodbye to him was agonising and there’s been a massive hole in my life ever since. I miss him desperately. I want to write more about him – it just feels like the right thing to do – but I’m just not ready yet.

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  • #30dayfeb – My tutor, mentor, friend, and super inspiring person, Sophie Daniels, is running a challenge throughout February (1st February – 1st March) under her artist project name, Liberty’s Mother (the name comes from the name of her daughter, Liberty, who tragically died the day before she was born), to raise awareness about baby loss and money for the baby loss charity, Tommy’s. The challenge is all about doing something positive for your wellbeing everyday for 30 days. I know a lot of people are going to the gym everyday, doing yoga, and so on but given my chronic fatigue and chronic pain, I can’t do those things so I’ve decided to focus on relaxing my brain: mindfulness essentially but in a slightly less traditional fashion. I’m going to try and make a piece of origami every day because I can’t think or stress about anything when I’m doing it because I have to concentrate so hard. And I could do with some of that. You can sponsor me to do this, to try and do this everyday. Here are some of my attempts so far.

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So that was January. Yeah, 2020 – the new decade – began on a very stressful and sad note. I’m thankful for the moments of light.

BEHIND THE SONG: Clarity

Today I posted a new video, telling the story behind the inspiration, the writing with Imogen Davies, and the production of my current single, ‘Clarity.’ I’ll let you watch the video but again, it does relate to mental health so I wanted to post it hear, as well as on my social media. I haven’t explained the experience that gave me the idea because I don’t want to get in the way of the way someone applies the song to their life or interprets the story. It’s a song about something difficult so I feel weird saying, ‘I hope you like it!’ but I hope, when you listen to it, it means something to you. I hope it makes you feel something.

If you haven’t heard the song yet, you can buy or stream it here and the music video will be out soon.

The First Semester of my Masters Degree

Now that I’ve finished my assessments, I thought it might be an interesting idea to sit down and write about my experience of the first semester of my Masters Degree. Because I’m doing it part time (mainly to protect my mental health), I’m only doing one module rather than two, which is what the full-timers do. The module I did was called ‘Creative Process’ and it was four hours of uni time, a two hour seminar where we talked about different areas of the creative process and then a two hour workshop where we played the songs we’d written based on the ideas and concepts we’d talked about the week before. It was a really interesting module and I wish my mental health had been better so that I could’ve focussed and enjoyed it more.

I feel really lucky when it came to my group and my tutor.

My group was only about nine people (when the other groups were much larger as far as I know) and they were all absolutely lovely. We were all really different, both musically and life experience wise (but I guess that’s what happens when you get to Masters level), which was really interesting when it came to writing and socialising and… just everything. It was a completely new experience and one that I’m really grateful for. Up until now, I’ve mostly been surrounded by people my own age with similar experiences.

Everyone was so, so good, all in their own way. They all had their own style (some had particularly beautiful musical signatures, some wrote from interesting perspectives with thoughtful lyrics, and so on) and it was so interesting and exciting to see how they developed over the semester. We were and I know will continue to be so supportive of each other’s music and development as songwriters. It always felt safe to bring in something I felt unsure or insecure about and the feedback was always constructive and because the person wanted you to get better; I never once felt like someone was being mean or looking down on me. It was such a supportive atmosphere and I’m so grateful because I think that was a huge part of what helped me to grow so much as a writer.

I made two really good friends in particular, both of whom I’m still in the same group with to my absolute delight. They’re truly beautiful souls. One of them, Luce Barka, wrote this amazing song during the semester and has said she’s happy for me to share it with you guys. I really, really recommend it…

I also had a fantastic tutor, Isobel. She’s a really cool, independent singersongwriter, which I think made her an especially good teacher because she’s very immersed in the industry we’re all trying to get into, in her own, distinctive way. She’s also dealt with serious health problems (which she has talked about publicly so I’m not breaking her confidence or anything) so I felt like she was a really good tutor, especially for me. She understood, or had a kind of understanding, of what I deal with. She was a really, really great tutor, in discussions and when giving and guiding feedback. But for me personally – and this is my blog after all – she was incredible when it came to helping me manage the course against all of my issues. When my anxiety was overwhelming, she helped me adjust the tasks to make them easier while still allowing me to do the task and learn the skills. I am massively appreciative of how accommodating and generous and kind she was, even before  she received the Student Support Agreement (the document with all my information and recommendations).

Anyway, she was amazing. I learned so much, obviously from the course but also from the way she delivered it and the feedback she gave me. I feel like I’ve grown so much as a writer and I feel like she’s a really big part of that. Plus, I’ve never had a teacher who was so understanding, who helped without hesitation, with just my word to guide her. I can’t properly express how much I appreciate that. It’s never happened to me before and it felt so wonderful to be treated as if it was something you just do, rather than being made to feel like a burden or an obstacle to be manoeuvred. So, as much as I learned (and I learned a lot), that is what I’m most grateful for and one of the things that I will always remember about this semester.

The first few weeks were really, really tough. After my massive meltdown in Victoria station, I was having meltdowns every day (as I wrote about here), which was having a big impact on my mental and emotional health, also leaving me physically exhausted. That significant meltdown was triggered by an email from the Disability Coordinator (who was also an Autism Specialist), suggesting a very last minute change of plan for our scheduled meeting which still leaves me bewildered. As an autistic person, sudden changes of plan are known to be highly problematic. That, plus my existing anxiety, caused a massive meltdown that took a very long time to recover from. And it left me feeling less than confident in her ability to support me even though we had had a positive first meeting and I had left feeling cautiously optimistic that this time it might be different. It then didn’t improve as actions promised at that meeting didn’t get done, leading to more meltdowns. So that was a real complication and painful part of the semester.

Having said all of that, I loved the classes. We learned about songcraft, collaborating, imposter syndrome, professional practice, perfectionism, and so much more. It was fascinating and fun and the briefs, while often stressful (with only a week to write the song), were interesting and challenging. I wrote some songs that I’m really proud of and I feel like my songwriting grew a lot because the briefs were challenging.

We watched this video in one of the classes and I thought it was really good so I thought I’d share it:

I loved it – loved getting better at songwriting – even the bits that pushed me and made me feel uncomfortable.

However, out of class was another matter. We were expected to do research that would later become the foundations of our assessment essay and presentation. Except whenever I asked, they wouldn’t tell me what the assessment entailed and just said it was ‘self directed learning’ so I didn’t know what I was actually researching, which caused me terrible anxiety. I created a reading list of books, articles, and interviews about creativity and songwriting but as hard as I tried to do the work, my OCD – my need to write everything down – battled against it. And usually won. So if I wasn’t writing, I was reading. I had no downtime. I was constantly anxious, like, end-of-the-world-anxious. And I felt like I was failing.

They explained the essay and presentation in the last couple of weeks but I still didn’t really understand. The language was complicated and vague and while I understood the general idea, the grading criteria was pretty ambiguous. I didn’t know what I had to do specifically to get good grades. I need clarity. It was incredibly stressful.

It took a couple of last minute meetings with my module leader to really understand what was expected of me but I was now facing a myriad of problems. The research I had been doing had little relevance to the subject I was writing about so I’d have to redo all of that, as well as actually write the essay and prepare the presentation. Plus we were in the final two weeks of the semester and the university would soon be closed for the Christmas holidays so I would have no way of contacting anyone for any support. I was wound so tight I felt like my spine might snap. I felt like I couldn’t breathe. I’m really grateful for those meetings but I just wish the assessment had been clearer earlier in the module so the research I was doing could’ve been more focussed. With all the problems associated with Autism, like chronic fatigue and chronic pain, time is something I have to be incredibly thoughtful about.

I worked every day of the entire holiday (apart from Christmas Day, which I spent with my family – something I don’t often get to do) but the assessments were always in my head so I felt like I couldn’t take a break or have any time to rest and recharge. I still didn’t feel sure that I was doing it right but still, I worked hard on it and gave it everything I had. I finished both the essay and the presentation with time to spare, allowing myself time to redraft and prepare, giving myself the best chance of doing well. I submitted the essay, despite big technical problems with the system, and I did my presentation to the best of my ability, despite finding presentations incredibly difficult. Now I just have to wait for the marks.

Now, having run through the whole semester (and having reflected a lot on the difficulties), I just wanted to share a couple of specific, positive experiences:

  • For one of the early seminars, we had a guest tutor, who works primarily as an expert in Personal Transformation, come and talk to us. Because we were such a small group, he was able to really talk to each of us about our lives and our creative struggles. Considering how little we knew each other at the time, it was amazing how open everyone was and I think it’s part of the reason we became so close and supportive as a group. It was a real bonding experience to hear all of these personal stories and I personally felt really honoured to be part of it, to have been trusted with those stories.
  • One week I brought in a song that I was really proud of. It had a repeated line in it – “it’ll get easier” – and everyone picked it up really quickly, singing along and harmonising. It was beautiful and emotional and it was one of the most special moments of the semester for me.
  • During my research, I found a quote by Paul Gardner that I’m endlessly inspired and intrigued and excited by: “A painting is never finished – it simply stops in interesting places.” There are so many things that could mean. What do you think it means? Or what does it mean to you about a particular thing in your life?

Overall, it was a very mixed bag. The good moments were great and made me feel amazing. I got a lot out of it. But I spent a lot – A LOT – of the semester in crippling anxiety and I had a lot of meltdowns. It was fucking hard. And the marks haven’t even come back yet. I’m terrified that I’ve done horribly. But I’m trying not to think about it. I’m just trying to get through this new semester. Which may be even more stressful than the last.

Clarity – Out Now!

My new single, the second single of the Honest EP, is now officially out! It’s called ‘Clarity’ and is available on all major music platforms!


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laurenalexhooper: AND ‘CLARITY’ IS OUT! ⁣

I wrote this song a couple of years ago with my friend, Imogen Davies, inspired by the idea of desperately chasing a person or bad habit, a habit that you know is harmful, to find some sort of relief from all of the difficult emotions.⁣

Please, please buy/stream it. It would mean everything to me and all the people who have worked so hard on it. 💜

https://ffm.to/clarity-lah


I’d hoped today would be exciting and fun but it’s turned into a really difficult day instead. I just want to cry and cry and cry. So I’m gonna do all the work for this and then have a gentle, calm day to recover.

I hope you like the song, that it makes you feel something. Please share it around. It would mean the world to me.