What I Did In Lockdown – Part 3

So, on the 4th January, England went into another national lockdown and this list was once again revived. This one felt much more like the first lockdown than the second, where many schools, businesses, etc were still open. When schools and universities started to open, my course remained online (it was one of the courses that could function solely online and meant less people going back to the uni) so lockdown continued for me. My life has only just started to involve going out again – swimming, getting a haircut, (safely) seeing a few people – and that’s why I’ve kept this list going as long as I have…


  • Uploaded all of my assessment work for the Musical Language module.
  • Suggested a topic for Kalie Shorr’s podcast, which she used, and then mentioned me and my music during it, which meant a lot to me.
  • Followed the news about the riots at the Capitol building in Washington D.C.
  • Started building my family tree on AncestryDNA and learning about who my relatives are, especially on my father’s side. This included messaging with distant relatives (cousins multiple times removed, for example), which was a pretty surreal experience.
  • Listened to and fell in love with the bonus tracks from Taylor Swift’s evermore.
  • Started a new (very beautiful) subscription of Vitamin D supplement.
  • Had a socially distanced chat and exchange of Christmas presents with one of my best friends.
  • Had a bit of a reset therapy session: we caught up and then set some goals to work on.
  • Had multiple writing sessions with Richard.
  • Wrote and posted a blog post about the third semester of my Masters.
  • Tested out a new method of overcoming my Trichotillomania: using a strip of elastic to tie my hand to my portable desk, preventing my pulling hand from reaching my hair.
  • Finished my ADHD assessment and was diagnosed with ADHD, although it’s a complicated one as there is much overlap between Autism and ADHD.
  • Had a Netflix party with some friends where we watched How To Train Your Dragon.
  • Started my new university module, The Writer’s Voice (online, of course).
  • Binge-watched The Wilds.
  • Had a productive meeting with one of the careers team at my university.
  • Had multiple writing sessions with my friend and coursemate, Luce.
  • Watched and critiqued the first draft of the acoustic session videos.
  • Watched the film, How It Ends.
  • Watched the film, Ava.
  • Due to technical issues, my friend, Aislin, and I wrote a song using basically texts and a google doc; and not only that, it was a song we loved and felt really proud of, regardless of the circumstances.
  • Watched Joe Biden’s inauguration; I found it very inspiring and emotional.
  • Had a consultation with an Occupational Therapist (via phone) for the pain in my hands.
  • Continued with my therapy sessions.
  • Worked on a couple of songs with my friend and coursemate, Dan.
  • Got my AncestryDNA results back, which was really interesting in some ways and frustrating in others.
  • Had a long catch up call with one of my best friends.
  • Had my first session for a new mentoring programme.
  • Had a meltdown after an unexpected change with a university class and ended up missing the class entirely.
  • Watched the series, Tiny Pretty Things.
  • Had a COVID test.
  • Had my COVID test come back negative.
  • Had multiple sessions with my friend and coursemate, Anna.
  • Watched one of my best friends, Luce, do her second online show.
  • Finished the acoustic session videos.
  • Began Occupational Therapy for the pain in my hands.
  • Wrote a blog post about the first year without our dog, Lucky.
  • Wrote multiple songs by myself.
  • Started FAWM – February Album Writing Month, a challenge to write fourteen songs in twenty eight days.
  • Had a phone call with the Chronic Fatigue Service that proved to be not only unhelpful, but deeply troubling: we discovered that I’d never received the results of blood-work from two years ago that showed multiple (potentially dangerous) abnormalities that should’ve been investigated and he told me my case was too complicated for them, that they didn’t feel they could help me.
  • Ran into a friend that I haven’t seen for ages and we planned a call and (online) movie night.
  • Had an ECG: hypermobility can result in heart problems (in a small percentage of people) so I’ll have to have regular heart check ups.
  • Had a writing session with my friend and coursemate, Amy.
  • Continued to spread awareness of how ableist, offensive, and dangerous Sia’s film, Music, is.
  • Posted my blog post about the first year with our lovely dog, Lucky.
  • Watched the film, Peppermint.
  • Celebrated the beginning of Taylor Swift releasing her rerecorded albums, starting with ‘Love Story (Taylor’s Version).’
  • Wrote with my friend and coursemate, Harrison.
  • Watched the film, The Dig.
  • Had a long overdue movie night (in the middle of the day) and catch up with two of my best friends.
  • Posted two blog posts on the same day about Trichotillomania. (x) (x)
  • My Mum had her first COVID vaccination.
  • Had a difficult video call with one of my tutors about one of the Masters modules, in which I got very upset.
  • Watched Series 1 and 2 of The Bay.
  • My Mum trimmed my fringe for me.
  • Received the about-face makeup (by Halsey) I’d bought and tested it out; I particularly liked the matte lip product.
  • Rewatched Criminal Minds from start to finish.
  • Had several writing sessions with my new friend and coursemate, Phill.
  • Received the Chronic Fatigue Service’s post-session report before they sent it to my GP and corrected all of the errors in it (such as when I was diagnosed with ASD).
  • Watched the film, Taking Lives.
  • Rewatched all three seasons of Absentia.
  • Had another mentoring session, which was really thought-provoking and productive.
  • My university had a reading week so I didn’t have any classes.
  • Had a planning session with Richard after one of our writing sessions.
  • Found the new COVID-19 plan announced on the 22nd February thoroughly unclear and confusing.
  • Watched New Amsterdam Season 1.
  • Wrote several songs based on fictional stories and characters, which isn’t my writing comfort zone but was really fun.
  • Started watching Unforgotten Series 4; I’m ecstatic to have Nicola Walker on my screen again, especially playing such a great character, but given the end of the last series, I can’t help but worry that this will be the last.
  • Had multiple sessions with my friend and coursemate, Simon.
  • Watched the film, Escape From Pretoria.
  • Completed FAWM (February Album Writing Month), actually writing 14 songs in less than 28 days.
  • Had a socially distanced catch up with one of my oldest and best friends.
  • Had a second COVID test.
  • Did several Autism research studies (from home, of course).
  • Dyed my hair.
  • Had a writing session with my friend and coursemate, Joy.
  • One of my best friends, Richard Marc, released his debut single, ‘Put It In A Postcard,’ which I helped write.
  • Had my COVID test come back negative.
  • Learned that my ECG had come back clear.
  • Had official confirmation that I’ve been diagnosed with Hypermobile Ehlers-Danlos Syndrome.
  • Had a meeting with uni staff to discuss the options around the process of changing my antidepressants in order to take medication for my ADHD.
  • Watched New Amsterdam Season 2.
  • Met a potential DSA mentor (it didn’t work out).
  • Was unexpectedly triggered during a seminar and got extremely upset, although I was somehow able to pull myself together enough to manage the class.
  • Bought tickets for me and my family to see Tim Minchin when he (hopefully) tours the UK at the end of the year.
  • Announced the Honest EP (Sunburst Sessions).
  • Fell down the stairs but fortunately wasn’t too badly banged up.
  • Sweep had to go to the vet because she seemed to be having trouble moving around comfortably but the vet wasn’t worried and thought she’d probably been knocked around in all the wind we’ve been having and has given her some painkillers. We also asked if she had any guesses as to what breed Sweep is since we have no idea and her guess is Long Haired Domestic Cat with potentially some Norwegian Forest Cat, so that’s what we’re going with unless we decide to do one of those pet DNA tests.
  • Had a good catch up call with one of my oldest friends.
  • Caught up with The Grammys, celebrated Taylor Swift’s folklore winning Album of the Year, and cried over all of the acceptance speeches.
  • Watched The One (Season 1).
  • Had a particularly good response in class to one of my songs, which is one of my favourite songs I’ve written recently.
  • Had a really productive meeting with my course leader about my Masters final project.
  • Had an upsetting and thoroughly unhelpful appointment with a specialist I’d been referred to.
  • Had another set of blood tests – I’ve completely forgotten what they’re for or who requested them with so many people involved right now but they might give us more insight into my fatigue.
  • Posted the first of the Honest EP acoustic sessions, ‘Bad Night (Sunburst Sessions)’.

  • Learned about Travis Meadows’ surgery, donated to the gofundme, and shared the link.
  • Watched one of my best friends, Luce, do an awesome online show.
  • Posted my blog post about being diagnosed with ADHD.
  • Watched Creating The Queen’s Gambit, which just made me want to watch the show again.
  • Joined the judging panel for a songwriting competition.
  • Screeched at the penultimate episode of Unforgotten Series 4.
  • After a really fascinating seminar on Jungian archetypes, I spent hours reading more about them.
  • Suddenly found out quite a lot about my Dad’s side of the family, which was amazing but pretty overwhelming.
  • Had another meeting with one of the tutors to fine tune the approach to my Masters final project.
  • Did an interview with an Autism publication.
  • Attended Betsy Lane’s Zoom party to celebrate her (awesome) new single, ‘Plan For Paris.’
  • Rewrote my professional bio, or attempted to at least.
  • Had a long phone call with one of my best friends, which I think I really needed (plus she said something to me that may be the most special and important thing anyone has ever said to me).
  • Worked on multiple blog posts for World Autism Awareness Week 2021.
  • Had an excited little freak out about Lexie Grey (played by Chyler Leigh) appearing in Grey’s Anatomy again, even though I’m not watching the show at the moment (I just can’t manage living the pandemic and watching entertainment about it – but I loved Lexie so I look forward to watching it one day).
  • Worked with Richard on my next release.
  • I posted the second video in my acoustic session series, ‘Clarity (Sunburst Sessions).’

  • Had a lovely, long call with one of my best friends.
  • Received a late Christmas gift from one of my parents: a vinyl of the Honest EP!
  • Got a very sweet comment from Natalie Hemby (one of my favourite songwriters) on Instagram.
  • Wrote and submitted a research proposal for a conference.
  • Got my first COVID vaccine!
  • *SPOILER ALERT* Was deeply, deeply upset when Cassie died in the Unforgotten finale – I’m not sure I’ll ever feel the same way about the show and I don’t think I’ll be able to watch the next series.
  • Wrote a song about grief called ‘Incomplete,’ inspired by Unforgotten but informed by my own experience.
  • Had the initial meeting about the next and final module of the Masters, called The Major Repertoire Project.
  • Worked on a really special song with my friend and coursemate, Anna.
  • Went to a drop-in session (online) with my tutor to get some advice on my assessment work.
  • Posted the third video in my acoustic session series, ‘Sounds Like Hope (Sunburst Sessions).’

  • Had several video calls with my friend, Luce, where we worked on our songs for our assessment portfolios.
  • My Mum cut my fringe again. It was alarmingly short this time.
  • Put up a blog post for every day of Autism Awareness Week.
  • Had my last workshop of the semester, which felt quite emotional.
  • The research proposal that I submitted for the conference was accepted!
  • Celebrated Taylor Swift re-releasing her album Fearless as Fearless (Taylor’s Version).
  • Posted the fourth video in my acoustic session series, ‘Back To Life (Sunburst Sessions).’

  • Rewatched The Wilds while I worked on various things.
  • Started watching The Shires’ online concert but couldn’t finish it because of family commitments.
  • Got some really exciting news about a creative project I’ve been involved with (I can’t talk about it yet since it isn’t my project to announce).
  • Got a new fidget toy that also seems to be complimentary to my Occupational Therapy exercises.
  • Finished my marking for the songwriting competition.
  • Rewatched Dare Me while I was working on various tasks.
  • Met and had my first discussion with my Major Repertoire Project (the final module and project of the Masters) supervisor.
  • Posted the fifth and final video in my acoustic session series, ‘Honest (Sunburst Sessions).’

  • Ended up spending the day in A&E after three days with a migraine had my doctor concerned that I might be experiencing side effects from my COVID vaccine.
  • Dyed my hair again.
  • Finished my coursework for The Writer’s Voice module.
  • Worked on a song with my friend and coursemate, Alessandro, which incidentally meant that I’d written with every person in the group.
  • Submitted my coursework for The Writer’s Voice module.
  • Celebrated one of my parents’ birthdays.
  • Attended several (online) networking meetings organised by my university.
  • Rewatched Blood & Water (Series 1).
  • Upped my Occupational Therapy regimen.
  • Got a haircut for the first time in MONTHS. 
  • Had another migraine that lasted for several days.
  • Released the Honest EP (The Sunburst Sessions).
  • Had a very distressing and unhelpful follow up appointment (by phone) with a rheumatologist (different from the original one).
  • Hit a stumbling block in getting treatment for my ADHD.

As I said in the last part of this list, hopefully there won’t be reason to continue this post; hopefully there won’t be any more lockdowns. But I guess only time will tell. I’ve found it strangely comforting to keep this list; it’s kind of like a time capsule for these strange periods of time, if that makes sense.

I hope you’re all keeping safe and well and I’ll see you in the next post.

Country Music Week 2020

As was the case with many events this year, the Country2Country Country music festival was postponed when the pandemic put the country into lockdown in March. It’s since been ‘postponed’ for the same time next year – not something I’m entirely clear on as I would’ve thought that would just be Country2Country 2021. To me, that implies that Country2Country 2020 has been cancelled, unless they’re planning to run two events next year (which seems unlikely). Anyway, with the pandemic, lockdown, and social distancing still ongoing, Country Music Week 2020 has gone virtual with a week of radio and online events…

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MONDAY

The Shires on Chris Country Radio – This was a short interview with Ben and Crissie of The Shires on Chris Country Radio where they talked about their experience of the pandemic (how they haven’t been apart for such a long time since the band started, how ironic it was that they released an album called, ‘Good Years,’ at the beginning of one of the worst years in living memory, and so on) and premiered their new single, ‘Lightning Strikes ft. Lauren Alaina.’ That was very exciting because that’s one of my favourite tracks on the album. It was really nice to hear them again. Yes, I’ve had the album to listen to but it was really nice just to hear them talk again. Maybe that’s an odd thing to say but some of the most intimate moments in concerts are when the artist(s) talk and it felt a bit like that after so much time.

Song Suffragettes with Tenille Townes, Caylee Hammack, Lainey Wilson, Kalie Shorr, Twinnie, Vic Allen, and Emma & Jolie – Song Suffragettes is one of my favourite things about Nashville and one of the things I was most gutted about missing out on when my trip was cancelled (not that those shows would’ve happened, I now know). So this was the event I was most looking forward to, especially as I adore both Caylee Hammack and Kalie Shorr. The show was great. My favourite performances were ‘Forged In The Fire’ by Caylee Hammack, ‘Alice in Wonderland’ by Kalie Shorr, ‘Bigger Houses’ by Caylee Hammack, ‘The Last Time’ by Tenille Townes, ‘Healing’ by Vic Allen, ‘Escape’ by Kalie Shorr, ‘All They Have’ by Mia Morris, ‘Family Tree’ by Caylee Hammack, ‘Cry For You’ by Emma & Jolie, and ‘Gatsby’ by Kalie Shorr. And they always end with a cover and for this show, it was ‘Wide Open Spaces’ by The Chicks and it just sounded so gorgeous, especially with all the beautiful harmonies. It was a great show and I’m so grateful to all those who put the work in to make it possible. I’m pretty confident saying that it was my favourite event of the week.

THURSDAY 

Ingrid Andress Presents “Is That The Tequila Talking?” UK Edition – I freaking love Ingrid. She’s hilarious as well as being an incredible writer and artist. As awesome as it would’ve been to have a performance, it was still fun to hear her talk and joke and tell stories, especially about her time in the UK (where I live). I’ll probably always wish for longer (I mean, who doesn’t hope for one more song or five more minutes when an artist they love is doing some kind of performance or interview, etc) but I really enjoyed the video we got so I’m not complaining. It was really lovely just to see her. It was a fun video and she had me laughing out loud over and over. And afterwards, I couldn’t resist compiling some of the funnier faces she made…

FRIDAY

Caylee Hammack: A Day In The Life Of – I love Caylee and I love her music (I talked about her debut album in my recent National Album Day post). I’ve been following her on social media since I first saw her perform but it was cool to see her do Instagram Stories for Country2Country. It was funny to see her all glammed up and picking tomatoes off her tomato plants but then I also found her attempts to make the broken mirror beautiful again oddly touching. I feel like there’s a song in there somewhere.

Ashley McBryde, Lindsay Ell, and Carly Pearce: Live From The Bluebird Café, Nashville – This one I’m really annoyed about. I missed it at the time because of another commitment but then it went up on YouTube so I was really excited that I’d still get to see it; I’d never seen any of them perform live (yes, technically this still isn’t live, but you know what I mean). So I was relieved that it was available on YouTube and Facebook to watch when I had some time. But with trying to juggle Country Music Week, Tin Pan South, and the uni work and life stuff that got put on hold to watch all of these events and shows, it took me so long to get around to it that when I went to watch it, it had been deleted. So I’m sad that I ended up missing out on that. I don’t know why it was online for such an arbitrary period of time but I’m frustrated that I didn’t watch it as soon as possible (even though I had valid reasons). Yeah, so I’m just annoyed with myself and the universe about that one so I’m going to go and listen to their albums and wallow over the missed opportunity.

SATURDAY

The BBR Music Group & BMG Showcase: The Shires, Granger Smith, Locash, Track45, and Elvie Shane – Unfortunately, I missed this one too. It was at the only Autism-friendly time at the gym (which I didn’t want to give up as it’s only once a week) and I assumed that, like the show the night before, it would be available after the original streaming time. But apparently not, or at least I can’t find it. That was a real shame because I’d been really looking forward to seeing The Shires play but there’s nothing I can do about it now. Hopefully they’ll do a livestream or something to tide fans over before they’re able to tour again. That would be awesome.


Given that Country Music Week 2020 overlapped with Tin Pan South 2020 and normal life wasn’t pausing just because I wanted it to, I didn’t feel that I got as much out of the week as I might’ve done. I was trying to balance a lot and I didn’t always do a great job. There weren’t a huge amount of people I was super excited to see but then some years are like that, pandemic or not. Having said that, the ‘events’ I did attend, I really enjoyed.

National Album Day 2020

Back in the early weeks of lockdown, I wrote a (very long) post about my favourite albums from the 2010s. I love albums; I love the putting together of a collection of songs to create a bigger, more expressive and more meaningful piece of work, both as a listener and as a songwriter. I think it adds so much more to the listening experience than the release-one-single-at-a-time approach. I love diving into them and getting lost in these little pocket universes they create and generally, once I love an album, they remain high on my musical lists.

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And since today is National Album Day (as well as World Mental Health Day), I thought I’d do a little write up of my favourite albums of 2020 so far…


Manic by Halsey (January 2020) – Despite coming out so early in the year and with all the competition since, it’s easy for me to say that this is at the top of my list of 2020 albums, or of albums in general. I absolutely adore it. I love her previous work and the way each body of work existed in a larger metaphor (Badlands is another of my very favourite albums) but there was something truly special about this album and how personal it was, how it felt like we were truly seeing Ashley for the first time; there was something so sacred about that, especially on the first listen. I love how eclectic this album is – in genre, production style, featured artists, subject matter – because that’s something that’s always been indicative of her as a person: she experiments with her hair, her style, her musical projects, her artistic projects, and so on. That the album reflects that feels very authentic and real. And yet somehow it fits. It works. I could write in depth about every song but I’ll just stick to a couple of points: I loved how you feel the transition from Halsey to Ashley in ‘Ashley’; I love the journey, both lyrically and production wise, that we experience through ‘Forever … (is a long time)’; I love the vivid imagery and storytelling that we get in songs like ‘Finally // Beautiful Stranger’; I love and feel honoured by her willingness to be so open and vulnerable about some of the most difficult parts of her life, such as we hear in ‘More’ and ‘929.’ I’m so inspired by her as a songwriter and as an artist and as a person that I think this album will be very special to me for a very long time, if not forever.

Favourite Tracks: Ashley, You should be sad, Forever … (is a long time), 3am, killing boys, More, Still Learning, and 929.

Good Years by The Shires (March 2020) – I’ve loved The Shires’ music since they released ‘Nashville Grey Skies’ in early 2015 and Ben and Crissie are just such lovely people. Their voices sound gorgeous together, complimenting each other perfectly, and their melodies are always incredibly catchy; I’m usually singing the melodies before I even know the lyrics. The production is also stunning; I would describe it as having the glossiness of pop music while staying very true to the country instrumentation and arrangement. There’s a warmth to it; I always feel enveloped by the very sound of the songs. My only wish would be for some development album to album, for example in the song content; after their first album, love songs feature heavily on every album and I just think it would be really interesting to hear them sing about different subjects. They proved on the first album, Brave, that they could do it and do it well with great songs like ‘Nashville Grey Skies’ and ‘Made in England’ and they’ve come so far since then.

Favourite Tracks: Lightning Strikes and About Last Night.

kelsea by Kelsea Ballerini (March 2020) – I’m consistently awed by Kelsea’s ability to perfectly balance country and pop, blending the intimate storytelling and warm instrumentation of country and the glittery production and melodies of pop. And I love how you can feel her growth in each album, as an artist, as a songwriter, and as a person. To me, this album sounds like the universal inbetween of becoming a real adult: getting comfortable in your skin but still nursing some of your deeper insecurities, walking that line of the steadiness of adulthood and the flightiness of youth, and establishing the anchors of your identity while continuing to grow.

Favourite Tracks: club, the other girl (with Halsey), bragger, half of my hometown (feat. Kenny Chesney), the way i used to, and needy.

Lady Like by Ingrid Andress (March 2020) – I’d been excited for Ingrid to release music ever since I first heard her play ‘Lady Like’ at a Tin Pan South round in 2018. She was just fantastic and I couldn’t wait for her to release more than the two singles that were on iTunes at the time. It only took one song to tell what an amazing talent she was. I love the album – I particularly love her lyrics, her ability to weave humour into one song and then vulnerable, heart-wrenching imagery into another, and it’s really cool to have so much piano in country songs – but I was a bit disappointed that there were only eight tracks and that I’d heard all of them by the time the album came out. It’s great, of course, to finally have them to blast in the car and so on, but I would’ve loved to hear a song she’d been holding back for the release or something like that. And I was really sad that ‘Blue,’ which she’d played on tour, didn’t make the album because it was absolutely stunning.

Favourite Tracks: Bad Advice, We’re Not Friends, More Hearts Than Mine, Life of the Party, and Lady Like.

folklore by Taylor Swift (July 2020) – I’ve already written a bit about this album (and because I am such a songwriting nerd, I’m writing another post about it in more detail because there’s just so much to say about it) but I couldn’t not include this album in this post. I’ll just try my best not to go overboard. This feels like the album of a pure singersongwriter, an album where the songs themselves are given centre stage to shine. Somehow the album is her most experimental yet while still being so true to the songwriter that she has always been. I love the production style, which often centers around the piano, the minimal arrangements, and the lower vocal range that Taylor takes the time to explore. I love the different narratives and perspectives that she writes from while still sharing her emotions and experiences. And I love how vulnerable she allows herself to be, over and over again. Whether these lyrics are autobiographical or drawn from elsewhere – “You know the greatest loves of all time are over now,” “I can see you starin’, honey, like he’s just your understudy, like you’d get your knuckles bloody for me,” “I didn’t have it in myself to go with grace,” “I’m still a believer but I don’t know why, I’ve never been a natural, all I do is try, try, try,” “Before I learned civility, I used to scream ferociously any time I wanted,” “Pulled the car off the road to the lookout, could’ve followed my fears all the way down,” “And you know damn well, for you I would ruin myself, a million little times,” “But the rain is always gonna come, if you’re standing with me,” and “Stood on the cliffside, screaming, ‘Give me a reason'” – they prove what an incredible songwriter she is, what a deeper thinker she is, and how deeply she feels emotions (something that has always made me feel really connected to her and her writing). These are emotions she’s related to, whether the events happened to her or not, and to turn those feelings into something so beautiful and to then share it with the world is so, so special. There’s so much more I could say but it’s a stunning album and I love it more than I can express. It’s one of those albums that arrived in my life just when I needed it and my god, I am so grateful.

Favourite Tracks: the 1, exile (feat. Bon Iver), my tears ricochet, mirrorball, this is me trying, illicit affairs, and mad woman.

If It Wasn’t For You by Caylee Hammack (August 2020) – I first heard Caylee sing at Tin Pan South in 2017 and I just fell in love with her songwriting. I’ve been waiting for her to release music ever since and so when she announced this album I was ecstatic. ‘Family Tree’ was the perfect first single: it feels like such a central theme in the album and one of the strongest songs in every aspect. Just because of what was going on in my life when it came out, I haven’t had the opportunity to really delve into it – into the lyrics and stories and so on – but I’m really loving listening to it and just taking it all in (full disclosure, I cried when I first heard ‘Forged In The Fire’ and ‘Mean Something’). She has an amazing voice and I love her ballsy, unapologetic attitude but that she can also let that fall away and open up to write and sing these incredibly vulnerable songs. Her lyric writing is also something really special: her songs are full of little details that make them so unique. I can’t imagine anyone else singing them and really making them work. There are also various production choices that really stick out to me, things that you – or at least I – don’t hear all that often, like her use of backing vocals and ‘non-musical sounds’ like the cheering of a football game on TV in ‘Family Tree.’ My only sadness concerning this album is that she didn’t include a song she sang when I heard her at Tin Pan South, probably one of the most heartbreaking songs I’ve ever heard: “Laid an old friend in the ground before saying ‘I’m sorry’, and that’s something that I don’t expect forgiveness for, I should’ve called more.” I would’ve loved that song to be included on the album because it was absolutely beautiful.

Favourite Tracks: Preciatcha, Sister, Forged In The Fire, Family Tree, Mean Something (feat. Ashley McBryde & Tenille Townes), and Small Town Hypocrite.

Badlands (Live from Webster Hall) by Halsey (August 2020) – Before I talk about the live album, I have to mention the original first because it’s one of my favourite albums of all time. I love how different it is; I love the production and all the extra details that give it it’s unique sound; I love her vocals and the the myriad of little ways she uses her voice to convey emotion; I love the stories she tells and the lyrics she writes, all of the detail she includes and within them, which ones she chooses to develop, the themes she brings into the songs time and again. She’s truly one of my favourite artists.

But back to the live album. I love how much energy and passion she puts into her performances and I love how you can hear her smiling and responding to the crowd as she sings (and oh my god, how gloriously loud the crowd are). Her vocals are incredible (they’ve grown so much since she toured this album) and I love how she’s made little changes: changing the rhythm, speaking a line instead of singing it, and so on. The music behind her, whether it’s live or programmed or a combination of both sounds great and I can absolutely imagine her up on that stage, leaping around just as she did when I saw her on the Badlands Tour in 2016. I also loved the spoken parts (and especially relevant to this post, how she talks about how much she loves albums and how much everyone in the crowd loves albums if they love Badlands as much as they clearly do) because she speaks so beautifully and has such an interesting way of seeing the world. I guess my only sadness about those tracks is how clearly she’s talking to the audience right there (as it should be in a live show, in my opinion) and it just reminds me how I’ve never felt part of the fanbase – or any artist’s fanbase – regardless of how much I love her. I always feel on the edge, feel like if I took one step back and disappeared, no one would notice. And given just how close Halsey is with her fanbase – always taking photos, signing things, replying to tweets, getting tattoos with them, making them feel truly valued as individuals – it’s not difficult to feel even more invisible than usual. I guess that’s one of the downsides of artists being able to connect to fans one-on-one: it’s great for the fans it happens to, but really hard for those it doesn’t.

It’s worth noting that it’s hard to separate my favourite songs from the Badlands album and my favourite performances from the Badlands (Live at Webster Hall) album but I’ll try my best because they’re not necessarily the same…

Favourite Tracks: Castle, Hold Me Down, Hurricane, Roman Holiday, Colors, Tiny Little Babies – Talking Break, Strange Love, Forget Her and Find Her – Talking Break, Coming Down, Control (this one is so powerful), Young God, Gasoline, Some Kind of Stardust – Talking Break, and Is There Somewhere.

More Love: Songs from Little Voice Season One by Sara Bareilles (September 2020)I’m aware that having not seen the show, Little Voice, yet, listening to this album may be a different experience than that of someone who has seen the show. I do really want to watch it but with my mental health in mind, I’m conflicted: I want to see anything Sara Bareilles is involved in creating because I love her and I love her work but I’m also wary that media about my chosen career path, about becoming a singersongwriter, has the capacity to seriously trigger my anxiety, something that I’m extra cautious of in these present times when my anxiety is already so high. But regardless of that, I couldn’t let a Sara Bareilles album come out and not listen to it. I have found it a little harder to get into than some of her others (but again that maybe be that I haven’t seen the show that gives the songs context). But there’s something so distinctly Sara Bareilles about it that I love. The songs feel hopeful and have a certain warmth, creating an instant emotional connection. It’s just stronger with some than others. The production feels like the big sister of the Little Voice album and her vocals her just incredible. Her lyrics are just stunning as always – “I’m barely brave enough to be breathing,” “So I will write it down, all the jagged edges,” “I’m facing all of my fears, I’ve lined them up and wonder how I’ve been with them for years,” “I hit my head against the wall, a portrait of my grief,” and “Looking over the precious moments, it hurts don’t it, they can cut both ways” – and I feel like they’re coming to me just at the right time. There’s something about Sara’s music that has always felt just so healing and I’ve never needed that more than I do right now. I think it’s also worth noting that I’ve never had to pause an album so many times to write down song ideas.

Favourite Tracks: More Love, Simple And True, Coming Back To You, and Little Voice.

ballerini by Kelsea Ballerini (September 2020) – While I’m pretty sure I prefer kelsea to ballerini, I think this is a really fascinating project and it’s really cool to see how different the songs could’ve been, what a different life they could’ve had. I found the instrumentation a little repetitive but I loved some of the changes she made, particularly the little lyric tweaks that gave you a brand new, and often a more vulnerable, insight into the songs. Some songs had a completely different emotional vibe that was really unexpected but so cool to experience. As fans, the songs obviously speak differently to us with these changes but I admit that I’m super curious how they’ve taken on new meaning for Kelsea. It will be really interesting to see, when she is able to tour again, how she chooses to perform these songs, which version she chooses or leans into more.

Favourite Tracks: club, homecoming queen?, bragger, half of my hometown, the way i used to, needy, a country song, and la.

Lady Like (Deluxe) by Ingrid Andress (October 2020) – This album was announced less than an hour after I wrote the paragraph of Lady Like, where I talked about wanting some songs I hadn’t already heard. That made me laugh; it was like I had willed it into existence. The livestream before the release was great and it made my little songwriter heart happy to hear all the stories from the behind-the-scenes of writing those songs. And when it was over, the album was available on iTunes. I love that she changed the tracklist to tell the chronological story (using the tracklist to actively tell a story is something I’ve always been a fan of, rather than just putting the songs in an order that sounds good – not that there’s anything wrong with that) so it was a bit like listening to the album all over again and I just feel like it gave the album a slightly different vibe, a different emotional context. I’m not gonna talk about the songs from the original album because I’d just be repeating myself but the five new tracks were definitely a cool addition to the album as a piece of art (I’m still sad about ‘Blue’ though – hopefully she’s just saving it for a future project). I liked the simplicity and honesty of ‘Feeling Things,’ ‘Boys’ is youthfully lighthearted and flippant, and ‘Waste of Lime’ is full of the acerbic wit and attitude that Ingrid does so well, just as well as she does vulnerable and heartfelt. And the added voices of Karen Fairchild and Kimberly Schlapman from Little Big Town bring a beautiful, almost choral effect to ‘More Hearts Than Mine.’ As I said, I think these extra tracks really add to an already great album and I’m so glad that Ingrid decided to expand on the Lady Like era before moving onto the next project.

Favourite Tracks (not including those from the original edition of the album): Feeling Things and Waste of Lime.


I’ve struggled to sit and just listen to new music over lockdown – my brain seems insistent that I always be doing something to keep my anxiety at bay – so there are still multiple albums that I really want to listen to but haven’t been able to focus enough yet to do so. Some of these are:

  • Gaslighter by The Chicks
  • Rise and Shine by Cassadee Pope
  • Petals For Armor by Hayley Williams
  • Fetch The Bolt Cutters by Fiona Apple
  • Punisher by Phoebe Bridgers
  • Such Pretty Forks in the Road by Alanis Morissette
  • Stay Alive by Laura Jane Grace

I’m really looking forward to them though and having something to look forward to in times like these is definitely not a bad thing.