Posted on April 24, 2021
So, on the 4th January, England went into another national lockdown and this list was once again revived. This one felt much more like the first lockdown than the second, where many schools, businesses, etc were still open. When schools and universities started to open, my course remained online (it was one of the courses that could function solely online and meant less people going back to the uni) so lockdown continued for me. My life has only just started to involve going out again – swimming, getting a haircut, (safely) seeing a few people – and that’s why I’ve kept this list going as long as I have…
As I said in the last part of this list, hopefully there won’t be reason to continue this post; hopefully there won’t be any more lockdowns. But I guess only time will tell. I’ve found it strangely comforting to keep this list; it’s kind of like a time capsule for these strange periods of time, if that makes sense.
I hope you’re all keeping safe and well and I’ll see you in the next post.
Category: adhd, autism, covid-19 pandemic, death, diagnosis, heds, medication, meltdowns, mental health, music, tips, trichotillomania, university, video, writing Tagged: a&e, about-face, absentia, acoustic ep, acoustic sessions, adhd, adhd diagnosis, adhd medication, ancestry, ancestrydna, attention deficit hyperactivity disorder, ava, betsy lane, birthday, blood & water, cat family, christmas present, chronic fatigue service, chyler leigh, collaboration, coronavirus, covid test, covid vaccination, covid vaccine, covid-19, cowriter, cowriting, cowriting session, creating the queen's gambit, criminal minds, dare me, dbt, dialectical behaviour therapy, ecg, escape from pretoria, evermore, family history, fawm, fawm 2021, fearless (taylor's version), february album writing month, film, films, folklore, friends, grammys 2021, grey's anatomy, grief, grief anniversary, haircut, halsey, heds, honest ep, honest ep (sunburst sessions), hospital, how it ends, how to train your dragon, hypermobile ehlers danlos syndrome, hypermobility, inattentive type, interview, kalie shorr, lexie grey, lockdown, lockdown 2021, lockdown 3.0, luce, masters, masters degree, masters degree in songwriting, masters degree year two, masters part time, medical trauma, medication, meltdown, migraine, movies, my cat, my cats, my dog, natalie hemby, new amsterdam, new music, new music release, new music uk, new single, nicola walker, occupational therapy, online concert, part time masters student, peppermint, politics, put it in a postcard, remote writing session, research conference, rheumatologist, rheumatology follow up, richard marc, social distancing, songwriter, songwriting, songwriting competition, sunburst sessions, taking lives, taylor swift, the bay, the dig, the one, the one netflix, the queen's gambit, the shires, the wilds, therapy, tim minchin, tiny pretty things, travis meadows, trich, trichotillomania, triggered, tv show, unforgotten, university, us politics, world autism awareness week, world autism awareness week 2021
Posted on April 10, 2021
I love a good week-in-my-life post and I try to do one every semester or so, since that does tend to shake my life up. Now, the semester is coming to a close and the assessments are in sight so I’m busy with uni work, with cowrites, and with health stuff. There’s a lot to juggle right now.
The week in this post begins on Monday 15th March and ends on Sunday 21st March 2021. I’d thought I’d have this up on the blog earlier than this but when I was writing it, I wasn’t thinking about the timing and then there was Autism Awareness Week to post for. But here we are, just a bit later than planned.
I struggled to wake up with my alarm. My sleep isn’t great at the moment and my alarms really aren’t doing their job. Most of the time I’m sleeping through them completely, which isn’t exactly ideal.
For a moment, I forgot that it had been the Grammys the night before and then suddenly it came rushing back. I went online and found out who won what. I’m sad Ingrid Andress didn’t win any of the three she was nominated for, but I am glad that The Highwomen (Brandi Carlile, Natalie Hemby, Lori McKenna, and Maren Morris) won Best Country Song, although Maren Morris won’t get a Grammy since she wasn’t a writer on the song. And then there’s Taylor Swift. I’m so, so happy that she won Album of the Year for folklore. I think she deserved more than just the one award – I mean, how did she not win Best Pop Duo/Group Performance with ‘exile featuring bon iver’?! – but I do also think it’s a good thing when there’s no one person that walks away with five or six, meaning more artists/songwriters/producers/etc are being recognised for their work (I’m not saying the Grammys are fair – we know they’re problematic – but this is one aspect that makes them fairer).
I’m so happy for her, especially after everything she’s had to deal with with her masters and still working through the fall out of everything that happened/came to a head in 2016. And I know I’m biased but it’s pretty widely acknowledged what a big deal folklore was (and is); it was absolutely the album of 2020.
I was so busy catching up with the Grammys news that I was late for my online Occupational Therapy session. Fortunately my OT therapist understands my passion for music so she didn’t mind. We ran through my exercises and she wants me to do them for a little bit longer before moving on to a new set of exercises. Having fallen down the stairs at the weekend, she warned me to take things gently – to take a bit longer if that felt safer and more comfortable – and said that an injury, even to an unconnected area, could cause a general flare up of pain. So hurray for that. Everything hurt from the fall but I figured that that was due to the actual impact (well, multiple impacts) rather than anything chronic pain related. I haven’t been dealing with this – chronic pain – long enough to be able to predict stuff like flare ups. So we’ll just have to see things go.
And then we were done. The sessions are always exhausting, even if I’m not being asked to do much. So, before I could fall asleep on the sofa (it would not be the first time), I got up and recorded the new vocals for the song I was presenting in class the next day, ‘Last One Standing.’ I really love this song so I was really nervous to hear people’s feedback; I really wanted them to like it.
I finished that and, as predicted, I fell asleep on the sofa for a couple of hours.
I had a gentle rest of the day, doing various admin tasks before starting The One on Netflix. I was craving something new. I got into it really quickly, which was great – exactly what I wanted. I only stopped when 9pm rolled around and it was time for Unforgotten, a show my whole family has loved since it began airing. We all just love Nicola Walker and I particularly love her as Cassie Stuart. Having said that, I’m struggling with this series. I think the case they’re working is super interesting – maybe the most interesting one they’ve tackled – but with Cassie feeling so trapped and angry, it’s not as enjoyable as it has been in the past so I really that hope they’re heading towards a solution that brings some of her warmth back. (It’s safe to say that I wrote this before we saw the series finale.)
I was really stressing before class (we’re heading towards the assessment and I always get so anxious that I’m not doing enough) and somewhat frantically messaging with my friend. She suggested we have a a quick video chat before the class started and that really helped to ground me. Then we signed into our class.
We didn’t have our normal (awesome) tutor but we had another awesome tutor; I’ve had her as a tutor a handful of times since I first started at ICMP, on the BA, and she’s really great. Throw in the fact that we were presenting our ekphrasis songs (songs that were responses to other pieces of art, like visual art, films, etc) and it was a really interesting and thought provoking session. The brief had really stretched people and the songs were all so exciting and so different in the best possible way. I loved all of them.
I was last and VERY nervous because I was (and am) so attached to my song. Fortunately though, everyone really liked it and had some really great responses, some really interesting thoughts, and some good things to think about in the redrafting process. I was so happy with the positive response that I finished the class feeling like I was glowing. My first ‘glowy moment’ of the year – that’s what I used to call the really awesome moments. It’s been a really long time since I’ve felt like I had a reason to use the phrase.
I meant to have a nap between classes – that always makes it easier to concentrate in the second class, which is, after all, three hours long – but I accidentally ended up binge-watching The One. It’s so compelling and so thought-provoking, in so many different ways.
The seminar was on authenticity but having studied authenticity in song lyrics pretty extensively for my Musicology essay, it was all pretty familiar. So while it wasn’t too intellectually taxing, I was tired and it was hard to stay focussed. I didn’t mind three hour classes when I was actually in them but I do find three hour classes on Zoom a struggle.
When the class was over, I curled up on the sofa and finished The One; the last episode was just one mind-blowing revelation after another. It was so good. I found Rebecca a particularly fascinating character; there was so much to unravel. Both Hannah Ware (Rebecca Webb) and Zoë Tapper (Kate Saunders) deliver incredible performances and there’s so much potential for another series. Me and my friend, Luce, (who was an episode behind me) freaked out together when she finished it about an hour later.
I’m always exhausted on a Tuesday, even if I do manage a nap, and I was falling asleep on the sofa around ten. So I dragged myself up and headed for bed. That’s pretty early for me these days. I’ve been trying to get to bed earlier so that wasn’t the worst thing in the world.
I slept really badly but I didn’t sleep in. I was still in pain so I couldn’t get back to sleep anyway and at some point during the pandemic, I started feeling guilty if I slept in (this is super unhealthy, I know – I’m working on it in therapy) so I got up, had a shower and breakfast, and got to work. I did some uni stuff and then wrote down my thoughts to collect myself before a meeting with my course leader.
The meeting was about the final module of the Masters, which is called the Major Repertoire Project where we can research and create a body of work about anything we want. I know what I want to centre my project around (I’ll share soon but I want to get the current module done first) but you can take various approaches to the research and I wanted to talk to my course leader about that. We had a really in depth discussion and she gave me some really good ideas to think about. So I’ve got a lot to figure out but I’m really excited to get into it.
As good as the meeting was, I was really tired afterwards. I got comfortable and tried my best to concentrate on blog post writing. It took hours but eventually I managed to finish my blog post on being diagnosed with ADHD. At least I had a pretty good view while I worked.
Mid afternoon, I was supposed to have a phone call appointment with a neurologist. And I did, except they called two hours late, it wasn’t the person it was supposed to be, and then they basically spent twenty five minutes trying to convince my Mum and I that any tests they do as a department would probably be a waste of time and likely wouldn’t show anything. And that was it. The call ended and I just felt confused and upset. Isn’t the point of a doctor to help you, rather than convince you that trying to find an answer to your problems is a waste of everyone’s time? I mean, I was referred to the neurologist by my GP because she thought this was worth investigating. And then I finally get to see said neurologist after rescheduling and it felt like they were fobbing me off from the moment the call started. So, that was… yeah.
I was all over the place and Mum did her best to distract me. She’d seen bits of The One (although I’d managed to prevent her from seeing anything too spoiler-y) but she wanted to see the whole show so we started it again; she was hooked straight away, just like I was. As we watched, I started doing some basic research based on the Major Rep Project seeds that my course leader had planted in my brain; I didn’t get very far but it was definitely interesting and a good distraction from real life.
And then I went to bed, completely exhausted. It was barely ten thirty.
I struggled up with my early alarm but all of my careful planning for the day had fallen apart before ten am. I’d had two cowrites booked for the day but then one of them needed rearranging so I suddenly had to try and rearrange the whole day. I was majorly stressing that I was going to have to cancel on somebody but fortunately I was able to rework everything so that I could work with both people.
I had a shower and breakfast before finishing the lyrics to a song I’d been working on and speaking to Richard about the plans for the acoustic videos (the ones I’ve been releasing over the last few weeks). Then I worked on blog post stuff until it was time for my first cowrite. My friend, Anna, and I worked on a really cool song that she’d brought a draft of to the sessions and we were both so proud of it when finished. It has some really great metaphors and imagery and we tightened up this awesome outro that she’d proposed. I feel like we created something really special and that felt so good.
When we hung up, I had an hour to eat a really late lunch (and watch some more of The One with my Mum) before my second writing session, this time with my friend, Dan. He didn’t have a draft like Anna but we’d been messaging about what to write about: he’d sent me some themes, I proposed some more concrete ideas, and then he chose one that resonated for us to work on.
We decided to call it quits after a couple of hours and although we hadn’t finished the song we’d started, I feel like we’d made a really solid start on a really interesting song. I really liked what we’d come up with and Dan seemed to feel good about it too.
I feel like my writing has improved so much over the last few months and it felt particularly strong that day. I just felt like everything I was coming out with was good, not necessarily right for the song of the moment but still good. And that felt kind of amazing. Obviously not every day or every session is like that but every now and then it happens and it’s so, so satisfying; it gives you such a motivation boost. And remembering days like that one are really helpful on the days when it feels like everything you write is complete crap. So it was a good day, despite the stressful start, and I felt really positive about my writing and my friendships and my creative relationships and my course. It was a good day.
I was exhausted and starving by the time we finished but in a good way, in the way where you’ve worked really hard and you need to replenish, in the satisfying way. Mum and I finished The One with dinner and she was as blown away as I’d been. It was fun to have someone to talk about it and dissect it with; there are so many interesting and thought-provoking ideas in there.
Even though it was already late, I couldn’t help doing some more research into some of the ideas my course leader had suggested before forcibly reminding myself that that was not the time to be getting into complicated academic research, that I needed to disconnect and go to bed.
For the first time in a really long time, I slept super deeply and actually woke up feeling somewhat human and not a zombie.
After a quick shower and breakfast, my Mum and I headed down to the GP surgery for another set of blood tests. I’ve completely forgotten what they’re for or who requested them with so many people involved right now but apparently they might give us more insight into my fatigue. The nurse was lovely and the whole thing was super quick and efficient.
Back home, I did some work for uni and typed up my notes from my meeting with my course leader, including some of the resources I’d started to find the night before. I wanted to get it all down before I started to forget things. This project feels so huge right now – I’m sure it will start to feel more manageable and achievable once I’m actually working on it and not just thinking about it in broad strokes – so I don’t know what I’m going to need to remember at this point.
I worked up until my therapy session, which are still online at this point. I’ve said it before but I’ll say it again: in person is better and, personally, I find it more helpful but I’m grateful to still have access to therapy at all so I’m not complaining. Since I’ve been in a better place, we talked about that and what’s contributed to that. I told her about my first glowy moment – the first one in so long – and she was so excited so we enthused about that together. But we also talked about how difficult I’ve been finding it to start on the assessment work; maybe it’s my anxiety around assessments, maybe it’s the untreated ADHD, maybe it’s a combination of both. It’s also just irritating to have to focus on the paperwork side of things when I just want to keep writing madly.
It was an okay session. Between all of the pandemic stuff and having sessions online, I find it hard to get into things deeply enough to really move forward. So mostly it’s been about coping, which is necessary but also really frustrating. It’s felt like a year of treading water when I’m just so desperate to make some progress, of any kind.
I spent the afternoon doing various admin, like emails and so on, and more uni work. And then, early evening, I uploaded the first of the acoustic session videos. Working with Sunburst Sessions (back in February 2020), we’d made a video for each track of the Honest EP but I obviously hadn’t finished releasing the EP at that point, hence why they’re only coming out now. I’m going in order of the EP tracklist so the first one up was ‘Bad Night.’
The video up and shared to all of my social media and WhatsApp groups etc, I had a long catch up on FaceTime with one of my parents before having dinner with my Mum. It was pretty late by that point and we were both tired so we watched a couple of episodes of Episodes (it’s one of our comfort shows – it’s not emotionally heavy and both Tamsin Greig and Stephen Mangan are brilliant).
I’m still sore from falling down the stairs so Mum gave me a massage (I’m so freaking lucky to have a massage therapist for a mother) and then we both headed to bed.
I was awake on and off throughout the night and I was wide awake between four and six am. Ugh. And then, of course, I fell into a really deep sleep that was a really struggle to wake up from. And because I’d slept later than usual – later than I usually start taking my current daily painkillers – I was in so much pain that I could barely move. I had to eat and wait for them to kick in before I could manage a shower. So… not the best start to the morning.
When I finally made it to the living room, Mum and I did the Census and then I logged into the blog and posted my International Day of Happiness post.
I spent the rest of the morning working through the feedback I’d received on my songs from this semester, which made the task of choosing songs for the assessment portfolio much more straightforward: I don’t think any of the songs I’ve presented are bad but there were some obvious standouts, all of which were actually in line with my gut instinct about what to submit. I just needed to work on them, based on the feedback, and then pull the paperwork together: the various drafts, the feedback, my notes, etc.
Early afternoon I had a writing session with my friend, Phill, but we ended up deciding that we’d gotten as far as we could online and so we’re gonna continue working on the song when we can meet up in person. We’re just having trouble with the lag time. I’m happy to do that and although that was the writing session effectively over, we stayed on the video call and just had a really fun and chilled out chat, which was really nice. Because socialising has to be so organised now, I’ve definitely found myself having fewer spontaneous and casual chats with people and I’ve missed that. So it was a really nice few hours.
After we hung up, I had some chill time. I was having a quick scroll through Instagram when I saw that Natalie Hemby, a songwriter I really admire, had posted about Travis Meadows, another songwriter I really admire, and how he’s been through A LOT recently…
I love Travis Meadows and his music so I went straight to the gofundme page. The video he’d made the week before, sharing for himself what had happened, was incredibly moving. I donated what I could and shared the fundraiser on all of my socials. (The fundraiser has since met its goal but is still open – I’m sure the hospital bills, past and ongoing, are much more than the original goal set.)
One of my parents came over for a bubble dinner and we watched Lucifer together and then I watched my friend Luce‘s online show. She played some great covers and acoustic versions of the songs she’s already released but she also played some new songs and they were incredible. They were so powerful. I can’t wait for everyone to hear what she’s working on because it’s truly amazing.
When her show finished, I had a couple of FaceTime calls with various family members and then went to bed. It was still really early – not even ten thirty – but I was exhausted.
I didn’t wake up until half nine and when I opened my eyes, I found three of the five cats watching me. Clearly it was long past breakfast time and they were impatiently waiting for me to deliver. So I dragged myself up, fed the clamouring masses (this is sarcasm just in case you couldn’t tell – I adore them), and had a shower, before settling in the living room.
I ate breakfast in front of the Netflix short Creating The Queen’s Gambit. I loved it, loved seeing how the whole thing came together, from the really obvious creative choices (like Beth’s hair and the sets) to the tiniest of details (like the interactions between the characters); it just made me want to watch the show again but I just don’t have the time right now. I would want to pay attention to all of those details and right now I have too much to do; the TV is pretty much just there for background noise at the moment.
I spent the morning working on my notes for my assessment portfolio. I was due to have a cowrite in the afternoon but then that got rescheduled to the next day. But I made use of the time: I spent several hours working on a research proposal for a Musicology conference. I’d absolutely love to present at this conference, so much so that it’s probably making me super perfectionistic about it. So I’m trying – I really am – to dial that back so that I can actually write the damn proposal. Because if I don’t write the proposal, I definitely don’t get to present at the conference.
After a few hours on that, I went back to my portfolio notes. It wasn’t a particularly interesting day but it was busy. I got a lot done.
Then, in the evening, I had another bubble dinner: pizza, Lucifer, and catching up. It was really nice. I couldn’t totally relax – I did a bit more uni work and some writing for various blog posts – but I had a really good evening. And then I went to bed early, completely knackered.
So it was a super busy week. But that’s not exactly new. I’ve been battling all semester with the danger of burning myself out before the assessment. I know that I really need to manage myself better. It’s just that sometimes my enthusiasm gets the better of me, especially when it comes to music things.
As I post this, classes have ended and the assessment deadline is coming up so I really need to concentrate on that. I just wish concentrating was easier. The practical work I don’t seem to have a problem with but the analysis – an essay that’s not really an essay – has me banging my head against my desk. It’s such a simple, straightforward task and yet I’m finding it so difficult. And on that note, I’m going to post this and go and work on it. Because there’s a hundred and one more things to do after I do that.
Category: adhd, animals, anxiety, autism, covid-19 pandemic, emotions, heds, mental health, music, sleep, therapy, university, video, writing Tagged: a week in my life, acoustic sessions, adhd, assessment, attention deficit hyperactivity disorder, blog writing, blogging, blood test, cat, cats, chronic fatigue, chronic pain, conference, coronavirus, covid-19, cowriting, cowriting session, creating the queen's gambit, dbt, dialectical behaviour therapy, ekphrasis, episodes, facetime, family, family of cats, folklore, friend, friends, glowy moment, grammys 2021, heds, honest ep, honest ep (sunburst sessions), hypermobile ehlers danlos syndrome, luce, major repertoire project, march 2021, masters, masters degree, masters degree in songwriting, masters degree year two, masters part time, musicology conference, my cats, natalie hemby, neurologist, nicola walker, occupational therapy, online classes, online concert, online learning, online university, pain, pandemic, pandemic 2020, pandemic anxiety, part time masters student, perfectionism, perfectionist, remote therapy, remote writing session, research conference, research proposal, seminar, singersongwriter, sleep, songwriter, songwriting, sunburst sessions, taylor swift, the highwomen, the one, the one netflix, the queen's gambit, therapy, travis meadows, unforgotten, university, university assessment, week in my life, writing session
Posted on December 26, 2020
Funnily enough, one of my goals for this year was to consume more new media, to experience new stories, expand my creativity, and just for fun. The first semester of the year didn’t really allow for that very much but then lockdown happened. Initially, my anxiety was so high that all I could do was watch comfortable, familiar, and safe stories, but slowly I started adding in new ones as a means of escape. This basically revolved around film and TV as I just didn’t have the brain space to read with all of the fear and anxiety taking up so much space. But I really started to get into watching new things and enjoyed it more and more; I think I’d gotten stuck in a bit of a rut of rewatching old things because it allowed me to do other things at the same time, namely my constant (and desperate) attempts to keep up with my OCD-induced diary. But with so little going on, I really only had to write about the new things I was watching. Back at university, there’s been less time but I have still managed the odd new thing here and there.
I haven’t included everything in this post – for obvious reasons. I’ve just written about the ones I thought were really good or had something specific that I wanted to say about them. Please don’t feel that you have to read the whole thing in detail; feel free to skim or just look at one section for example. Hopefully there will be something in here that you walk away thinking, “oh, I want to read/watch that…” Fair warning, there will be some spoilers but I will try and mark them clearly.
The Boy, The Mole, The Fox and The Horse by Charlie Mackesy – My therapist gave me this book just before lockdown and I absolutely adore it. I love the beauty and simplicity of it, of the drawings, of the words, of the characters and the little conversations between them, about everything from cake to fear of the future… I can completely understand it not being for everyone – it is a very specific style of book and approach to life – but I loved it and found great comfort in it. I still do. It’s permanently by my bed so that I can just open it at random and read a few passages.
I Would Leave Me If I Could by Halsey – Halsey’s first collection of poetry is described as “In this debut collection, Halsey bares her soul. Bringing the same artistry found in her lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality, and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power. Masterful as it is raw, passionate, and profound, ‘I Would Leave Me If I Could’ signals the arrival of an essential voice.” It’s definitely true that she bares her soul: some of the poems are uncomfortably honest, giving you the sensation of reading a person’s diary. She’s sharing things she’s never shared before and she’s never been one to hide the ugly from the ugly sides of life. (It’s worth noting that some of the poems have graphic descriptions in them and she does discuss some really difficult subjects like abuse and sexual assault so if those things are likely to trigger you, it may be important to have a conversation with yourself about whether you’re in the right place to read the book.) Some of the ones I found most powerful were Due Date, Battles, Stockholm Syndrome Pt. 1, Wish You The Best, Eight, With Great Power Comes Great Responsibility, American Woman, Telltale, Tornado, Lighthouse, The Painter, High-Five Kids, A Story Like Mine, I Would Leave Me If I Could, Something For Them, and Seventeen. These aren’t necessarily ‘favourites’ because some of them are practically painful to read, knowing that she has gone through these experiences. But these are some of the ones that gave me that gut-punch feeling, ones that felt so important to the collection. I have such respect and admiration for her in sharing these stories; it’s one of the bravest pieces of personal writing I’ve ever seen. You can feel her passion and her sincerity and her emotions pouring off the page and I think that is what most drew me into this book. Yes, I loved the writing but the emotion was what made it so powerful. The closing lines to Ordinary Boys, I think, sums up the book really well: “You write to calm the craving. / To corner them in fiction / And say / Finally, / I have conquered you.“
(I also read chapters and excerpts of multiple music and songwriting books for my course but as they weren’t for the sake of just reading and I didn’t always read the complete book each time, it didn’t feel right to include them here.)
I would’ve loved to have read more this year and I had so many plans but between my mental health struggles and university commitments, I just haven’t been able to. Hopefully next year will be a better reading year.
What Happened To Monday – In a dystopian future where every family is only allowed one child, septuplets, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday must remain hidden by assuming the singular identity of Karen Settman. They each go out one day a week – the day they were named after – and until the age of thirty, they manage to go unnoticed. But then Monday doesn’t come home and the sisters fear their secret has been discovered. It’s a really great action film (although, be warned, it doesn’t shy away from fairly graphic violence) and Noomi Rapace is incredible, playing seven distinct women, each with their own personalities, their own struggles, and their own emotional reactions (I’ve seen some people call the different personalities less than subtle but, if you’re only real existence isn’t really who you are or want to be, I wouldn’t be surprised by a need to defiantly distinguish yourself from the people ‘sharing’ your identity). From the emotional scenes to the action sequences, she was fantastic and I found myself connecting to each of the sisters in different ways, although I think Friday was my favourite. Despite being an action film, the emotional storyline is what really carries the film, getting more and more intense as the minutes pass. And the ending is really, really interesting but I won’t give it away. I thought the aesthetic was perfect for the story and really effective in elevating the emotions of the story. With the complicated moral debate that the film is based on, the multiple characters, the relationships between them, and the challenges they face, it really is a multi-layered movie, leaving you with a lot to think about after it ends.
(I kind of wish they would make a sequel of sorts because the underlying problem – the rapidly growing population and society’s inability to cope with that – isn’t solved. It wouldn’t have to involve the main characters, apart from maybe a cameo or two to bridge the films, and it could be shot like a documentary, like the ‘The Truth Behind The Child Allocation Act’ (the law that enforces the one child per family policy). Half of it could tell the story of how the Settman sisters revealed that truth (which could be where the cameos come in, the use of ‘crowd footage’ of certain moments, and interviews with scientists, etc) and then the other half of it could be about the committees put in place to find a better solution to the population problem. I think that could be a really interesting way to build on an already existing universe but without it needing to be a direct sequel but more an expansion of that world.)
Isn’t It Romantic – Romantic comedies aren’t usually my thing and I’ve never seen Rebel Wilson in something I enjoyed so I wasn’t expecting to like this film when a friend picked it for a Netflix Party but I ended up LOVING it. I loved how it made fun of romantic comedies (as well as challenging the toxic elements that can appear in them); I thought Rebel Wilson was hilarious; the musical numbers were great; and it was just such a joyful, feel good film. I’ve watched it multiple films since my first viewing and it always cheers me up.
Ocean’s 8 – I really enjoyed this film. Probably more than the original trilogy. I loved all of the main characters and how different they all were and yet, they became this great team. I loved the dynamics between them, even if many of them weren’t given the time or opportunity to be properly fleshed out (it was a big cast so that’s not exactly surprising). There were so many awesome people in the cast, even the cameo parts. Helena Bonham Carter was brilliant and I adored both Sandra Bullock and Cate Blanchett. They were gorgeous and hilarious and they had great chemistry; I wanted them to have their own spin off adventures, just the two of them. I’m not sure if I ship them in the conventional sense (as I know many people do) but there’s definitely a relationship there that would be really cool to see explored. Anyway. I loved the multiple twists and the comedy was right up my alley (most of the time – there were a few moments that made me cringe but that’s still quite impressive since comedy isn’t really my genre). And the ending was just perfect.
Laputa: Castle in the Sky – I love so many of the Studio Ghibli films and during lockdown, a group of friends and I watched a few of them. I hadn’t seen this one before and although it felt quite similar to Nausicaä of the Valley of the Wind, in terms of themes and general storyline, I did really enjoy it. It follows a young girl and her friend in their attempts to keep a magic crystal safe from the power-hungry military and find a mythical floating castle. But the biggest thing for me was how beautiful it was: the design of the castle, the abandoned gardens with all the greenery growing freely, the big, glass rooms… it was just utterly stunning. It was definitely the most beautiful Studio Ghibli I’ve seen.
Fantasy Island – When a group of competition winners land on Fantasy Island, they are given the opportunity to have their greatest fantasy fulfilled. But slowly the fantasies start to spiral out of control, becoming much darker than originally intended. When they start to overlap, the group start to get suspicious that maybe these aren’t their fantasies at all, that they might be in the fantasy of someone else altogether. I was drawn in by the idea of fantasies being fulfilled and because I’m a fan of Maggie Q, Lucy Hale, and Michael Peña. It wasn’t a life-altering film but I enjoyed it and thought it threw out some interesting stuff about the things we fantasise about, whether they’d actually play out that way if they happened in real life, and who we’d be if they did happen. So, yeah, I felt like it was an afternoon well spent.
The Half of It – Solitary, introverted Ellie Chu lives in a small town, practically taking care of her widowed father and making extra money by writing homework assignments for her classmates. When the less than eloquent, dorky football player, Paul Munsky asks her to write a love letter for Aster Flores, a girl who goes to their school, she initially refuses, secretly in love with Aster herself. But when the power company threatens to cut off her house’s electricity, she accepts in order to make the payment. One letter turns into more and Ellie and Aster connect over their shared love of art and literature, although Aster believes it’s Paul she’s connecting with. Ellie and Paul also start to bond over the experience. I won’t say more than that because the story unfolds so beautifully that I don’t want to ruin it. It’s a funny, gentle, and “quietly revolutionary” (as I believe Rolling Stone described it) coming of age story. I’m sure there will be those who find it too whimsical or too Fault-In-Our-Stars-esque but there’s so much more too it than that. I loved it. I loved the characters and I loved the different relationships between them. I loved the ideas they discussed: about longing, about love, about art, about identity, about life… And the ending is perfect. Utterly perfect.
Official Secrets – This is a docu-drama based on Katharine Gunn, a GCHQ analyst, who leaked a confidential memo that exposed an illegal spying operation by American and British intelligence services to potentially blackmail members of the UN into voting for the 2003 invasion of Iraq. It is eventually published but immediately discredited due to someone at the paper accidentally correcting American grammar to British grammar. Meanwhile an investigation is launched at GCHQ and eventually Katharine confesses to what she’s done. War breaks out in Iraq and Katharine seeks help from Liberty, an advocacy group which campaigns to challenge injustice, protect civil liberties and promote human rights. Even though this is about a historical event, I don’t want to give too much away because it’s a really fascinating film and I don’t want to ruin that experience if you’re not familiar with the events. It was a very strange experience to watch because I was alive at the time but far too young to be aware of the politics behind it all. I was aware of the war and went to the protest marches with my parents (so, somewhere, I’m potentially in the march footage that they used) but I didn’t know the details, like the story of Katharine Gunn. So it was a really interesting experience to watch it now and learning about what happened (I researched it more after finishing it) and putting that in the context of the few memories I do have of that time.
The Accountant – I have to admit that I didn’t like this film much, didn’t like how baldly stereotypical the portrayal of Autism was (as an autistic person, I found it so cringe-worthy that I could barely finish it) but there was a moment at the end that I thought was important and so I wanted to include it in this list. A family with an autistic son are being shown around a facility for people with Autism (not hospital or lab like at all though; more like this huge, beautiful country house) where some spend short periods and some live full time. The doctor says something that I think is really important, especially after such a traditional and unchallenging (and, in some ways, harmful) representation of Autism…
NEUROLOGIST: 1 in 68 children in [the US] are diagnosed with a form of Autism. But if you can put aside for a moment what your pediatrician and all the other NT’s have said about your son…
AUTISTIC BOY’S FATHER: ‘NT’s?
NEUROLOGIST: Neurotypicals. The rest of us. What if we’re wrong? What if we’ve been using the wrong tests to quantify intelligence in children with Autism? Your son’s not less than. He’s different. Now, your expectations for your son may change over time, they might include marriage, children, self-sufficiency. They might not. But I guarantee you, if we let the world set expectations for our children, they’ll start low, and they’ll stay there. And maybe… Just maybe… He doesn’t understand how to tell us. Or… we haven’t yet learned how to listen.
Searching – The really interesting thing about this film is how the viewer sees the story entirely through screens: homemade videos, computer screens, FaceTime, news footage, etc. It was really cool, but I can’t imagine that it would work again without feeling like a gimmick. Anyway, for this film, it was a really interesting way of telling the story, what could otherwise be a normal mystery film, albeit one full of unexpected twists. It follows David Kim’s search for his missing daughter, Margot, through which he learns that his daughter was going through much more than he’d realised after his wife and her mother’s death a few years (approximately) earlier. The police come up with multiple theories but continue to hit dead ends but David refuses to give up, leading to some confusing and shocking discoveries.
Enola Holmes – I was really excited for this film and I wasn’t disappointed; I really, really enjoyed it. I never quite got into Stranger Things but I did think Milly Bobby Brown was great from what I did see of it. I absolutely loved her in this role though: the incredibly smart, resourceful, and loyal younger sister of Mycroft and Sherlock Holmes. She had great, effortless chemistry with so many of the characters, including Sherlock himself, her mother (played beautifully and hilariously by Helena Bonham Carter), and the young Viscount Tewkesbury, whose story she accidentally falls into and becomes a part of whilst on her own quest. I loved the story, beginning when Enola’s mother mysteriously disappears, and I loved how it was constantly evolving, starting as one thing and then turning into another and then another. It felt really cohesive and flowed really well as a film: I loved the motifs that kept reappearing throughout, like the meanings of different flowers and Enola paying people to change clothes with her as just two examples. I also really loved how they broke the fourth wall with Enola speaking directly to the audience, looking right at the camera; I think it was a really effective storytelling technique. I really loved it and have watched it several times since my first viewing. It’s an interesting and thought-provoking film while still retaining that feel good factor that makes it so enjoyable to watch over and over again, especially when I’m having a bad day.
Legally Blonde – *Spoilers* It was good fun and I loved that it challenged societal norms: that we should fit in and conform, that others can tell you who you are and who you should be, that your interests determine your intelligence, your character, or your value… It was great to see a film with a demographic of (probably) mainly young girls, pushing back against these ideas. I loved how Elle used her own expertise to her advantage and how it allowed her to draw conclusions that the others wouldn’t have come to (although I’m not sure that her knowledge of fashion and style would win her many cases). I loved how accepting she was and how willing to forgive she was, with Vivian for example. I did struggle with some of the stereotypes portrayed, like gay men knowing fashion, the sleazy professor trying to sleep with his student, and so on but it was made almost twenty years ago; I have to hope that things are better now. Having said that, they did publicly out a gay man (technically they tricked him into outing himself but is it really any different if they were planning on that exact outcome?), which is beyond problematic. And then to have the whole thing treated as so hilarious and outrageous makes it seem like no big deal when it is. Outing someone is not only cruel but potentially dangerous. It’s not something to joke about. So as much as I enjoyed the rest of the film and appreciated the positive messages it focussed on, ultimately it left a bad taste in my mouth.
Close – Noomi Rapace as an action hero with a complicated backstory? Count me in. Close follows Sam, a highly experienced Close Protection Officer, who is assigned to protect Zoe, the young and entitled heiress, after her father’s sudden death when she and her stepmother travel to Morocco to secure the future of the family mining empire. But while there, the house is attacked in an attempt to kill Zoe and prevent her from becoming a powerful figure in the company. It seems that the stepmother is trying to eliminate her competition and ultimately it’s left to Sam to protect Zoe (and to an extent, teach her to protect herself) and both get them to safety and find out what’s really going on. While it might not be a life altering movie, I really enjoyed it. I love Noomi Rapace and thought she did an awesome job as Sam. I thought she brought a lot to what could’ve potentially been quite a one-dimensional role: she shows an incredible control, calm and quick-thinking under pressure, but she also has deeply emotional reactions to some of the events that happen throughout the film. Apparently she did all her own stunts and was trained by Jacquie Davis, the UK’s first female bodyguard, whom the character of Sam was actually based on. I just loved her as a character and the conflict she finds herself in protecting Zoe, even when it’s no longer her job. The relationship between them grows as they have to depend on each other and it’s messy and complicated but they ultimately develop genuine affection for each other, which is particularly heartwarming when both of them have had such a hard time trusting others. So, overall, a film I really enjoyed and a greatly appreciated ninety minutes of escapism.
Cheer – I wasn’t sure that this would be something I would enjoy but multiple people that I like and respect recommended it so I thought I’d give it a go and absolutely loved it from the first episode. I already had a hypothetical understanding of how physical and intense and skilled cheerleading is but to actually see it (and see the process of learning a routine, practicing it over and over, and then taking it to the biggest of competitions) gave me a completely new insight and respect for it, in a way that I don’t think I could’ve had had I only had that theoretical knowledge of it. I got so invested in so many of the team members (Morgan especially – I think I related to her the most and her journey had the biggest impact on me) and I finished almost every episode in tears because I was so moved by their stories and their passion and then where they had ended up when the series finished. It’s not an obvious choice for those without an interest in cheerleading or sports but I thought it was really, really good and highly recommend it.
Noughts + Crosses – I loved the books so I’ll admit I was worried that that would affect how I felt about the show or if the show would affect how I felt about the books. But they were quite different (Callum going to Police Training rather than Sephy’s school, Yaro’s appearance in the story, etc), which actually made the series much easier to sink into: I wasn’t constantly comparing them because the difference in the stories felt so significant. It wasn’t hard to love them both and feel emotional about how the events played out in each version. The show had a much darker vibe than the books but then, in the books, we see this society through the eyes of teenagers. However that’s not possible in television: we see the whole picture. Quite literally. We also see different plot lines from characters we saw very little of in the books as the story was told in first person, either from Sephy or Callum’s point of view.
As challenging and upsetting as many of the scenes were, there were so many things I loved about it as a show. I loved the casting and portrayal of the characters, especially when it came to Callum and Sephy. They had such great chemistry that their relationship felt so natural. The acting – all of the acting – was fantastic and you really felt the emotions of the characters as they went through them. I also thought the two families were portrayed so well; the dynamics were so complex, so layered and nuanced. I also loved how visually rich it was: even in the intentionally grim areas, like the industrial areas and the roof of Callum’s house, which I think is ultimately due to the incredible attention to detail that you don’t really get in the books. But in the show, you can really see the cultural influence in every aspect of life (stemming from an African Empire that colonised Europe hundreds of years prior): clothing styles, hair styles, architecture, interior design, advertising, language (slang, pleasantries, terms of endearment, etc), and so on.
I don’t know if I feel educated enough to make an assessment of the representation, especially considering the race reversal and the fact that certain things don’t line up with the present (in the UK at least, which is where it’s set), such as an inter-racial couple being arrested and the death penalty as a potential punishment. It’s not a straightforward comparison. But having said that, it does very effectively and powerfully highlight a multitude of issues around race and class. “Josh Lee [of The Guardian] gave the television series four out of five stars, describing it as a ‘reverse-race love story that is vital viewing.’ Lee praised the series for highlighting the challenges that working-class white people and people of colour share in the real world through its depiction of racism in an alternate world dominated by African supremacy.”
Criminal Minds (Season 15) – *SPOILERS* It feels so strange to me that this show is over. I started watching it in mid 2009, in the gap between seasons three and four and now it’s over. I can’t believe I’ve been watching this show for eleven years; that just seems so odd to me. Anyway. I must admit that I’ve been expecting someone to pull the plug on Criminal Minds for a while now. I’m not convinced it’s been consistently good since season seven, although there have been good episodes and story arcs since then; it just felt like they were running out of ideas, reusing old stories and villains, or using ideas that in earlier seasons they would’ve considered too ridiculous or traumatising to make episodes out of. I was endlessly happy to have Emily Prentiss back and that’s ultimately what got me back into the show when I was losing interest, especially with her in the position of Unit Chief; I feel like that was a very natural arc and development of here character. Anyway, back to season fifteen. I hated the cliffhanger to season fourteen and was very relieved to see JJ and Reid recover their friendship and I really liked Reid’s relationship with Max; she seemed like a good fit for him. I wasn’t particularly drawn in by any of the episodes, story wise, and I found Everett Lynch to be a pretty uninteresting nemesis, certainly nothing compared to George Foyet or Ian Doyle. But I liked the more character focussed moments throughout the season. The show was obviously coming to a conclusion and they were muddying the waters of who would be leaving the team, creating new paths for multiple characters. While I would’ve loved to see Emily as FBI Director (not exactly likely given all of the trouble the BAU cause), I think it was fitting that Garcia was the one to leave. She struggled with the darkness of it all and going to work for a non-profit seems like something that would’ve been a really positive place for her to be. As much as I was ready for the show to be over, I found those last few minutes really heartbreaking and I definitely cried when she waved them off, everyone aware that she wouldn’t be there when they got back.
Little Fires Everywhere – As soon as I saw the trailer for this show, I wanted to watch it. The mini series begins with Elena Richardson (played by Reese Witherspoon) watching as her big, beautiful home burns down in front of her and I was instantly invested. We jump back four months and the rest of the series is devoted to finding out what led up to that moment. Set in the late 1990s in the midwest town of Shaker Heights, Ohio, two very different families collide: the Richardson family are privileged, wealthy, and white, while the Warren family are transient, artistic, black, and rarely have money to spare. The children become friends, Pearl Warren drawn to the stability of the Richardson home and developing a crush on the oldest son, Trip, while Izzy Richardson identifies with Pearl’s mother, Mia Warren (played by Kerry Washington), as an artist and outsider. Their relationships bring the mothers closer together with disastrous consequences for all. It’s hard to describe the show without giving anything away, which I don’t really want to do with this one; the show does a much better job than I will. I’m still hoping to read the book but something that I found really interesting was that the author had pictured the Warrens as people of colour because she wanted to talk about how intertwined race and class are but hadn’t felt like she was the right person, as an Asian-American, to talk about a black woman’s experience. But then, when Kerry Washington joined the cast and became an executive producer, the showrunner decided to bring race to the forefront of the story and filled the writer’s room “with creatives who could relate to Mia’s kind of Blackness,” a decision the author was happy with. (x) It was also really interesting to watch how the characters developed and changed due to these relationships and how that affected you, as the person watching, and your feelings about the characters. Everyone I’ve talked to about the show has said the same, that their favourite characters at the beginning of the show weren’t the same as their favourites by the end. But overall, I loved Izzy and I particularly loved the scenes between Izzy and Mia. I thought they were particularly powerful. Having said that, the series is packed with incredibly powerful moments.
Absentia (Seasons 1-3) – Six years after disappearing on the hunt for a serial killer, having been assumed dead, FBI Emily Byrne is found in a cabin in the woods, barely alive and with almost no memory of the years she was missing. Recovering in hospital, she learns that her husband has remarried and that he and his new wife are raising her son. Her former colleagues at the FBI investigate her disappearance again but when they start to find evidence that Emily may have faked her abduction, Emily launches her own investigation and it becomes a race. Will Emily find out the truth before the FBI reach the end of the path they’re being led down? I loved this show. It’s one of my favourites of the year and I may very well rewatch it over the Christmas holidays. I just fell in love with the character of Emily Byrne (played by Stana Katic) – she’s a really well developed character and a total badass – and I was just blown away by how the show portrayed the trauma of what had happened to her, consistently and realistically and with the gravitas it deserved. I also thought it was great that they explored the psychological effects that her disappearance had had on her family and her relationships and how, even though they were incredibly grateful to have her back, their previous issues and their issues stemming from her disappearance didn’t go away and had to be dealt with. So there was a lot of interesting character development throughout the whole show, not just the first season. Fair warning, there’s some serious violence so if that’s not your thing, then you won’t enjoy this. But it’s an incredible psychological-thriller-mystery-drama with great characters. And while I don’t want to talk about the later seasons because that would give away the end of Season 1, I do want to shout out the introduction of the character of Cal Isaac. He’s a really interesting character and I really liked him straight away. The development of his relationship with Emily is done really well too. Anyway, I’m gonna stop here. It’s great. I love it. I can’t wait to watch it again.
Broadchurch (Series 1-3) – Broadchurch follows the partnership of the mysterious and grumpy DI Alec Hardy (played by David Tennant) and the bright and cheerful DS Ellie Miller (played by Olivia Colman) as they attempt to solve cases (one per series) in the small, seaside town of Broadchurch. It was incredibly gripping and the cliffhangers at the end of each episode were almost unbearable. We watched all three series very quickly because we kept finding ourselves watching almost a whole series in one night. Looking back at it though, I’m not sure I could rewatch it: the stories were so painful and emotional that I’m not sure I could bear to, although I guess that’s a testament to how fantastic the acting is. But I absolutely adored Hardy and Ellie’s relationship; the contrast between their personalities was utterly hilarious but their shared commitment to the job and finding the truth made them a remarkable, if unusual, pair.
Agents of Shield (Season 7) – *SPOILERS* I was so upset when I learnt that this year’s season was going to be the last (I legitimately called my Mum in tears when I heard the news) but if there had to be a last, this was the best possible last. It was just incredible, from start to finish. I was a bit wary about it, with the previous season ending with them in the past but then, as they moved towards the present, episode by episode, I really got into it and I loved watching the new timeline develop, story by story. Every episode was excellent but a handful of them were real standouts, not just of the season but of the whole show (7×09 is probably my absolute favourite episode). I loved the references to previous seasons and I loved seeing old characters return as we got closer to the present. I also loved the development of the characters: Coulson, May, and Yoyo all had particularly interesting journeys that I found myself very invested in. And of course, I loved Daisy’s storyline throughout the season. I wasn’t sure a love interest was a good move but they handled it so intuitively that the way it played out felt very natural. And I loved the return to her earlier focus on family and where she came from and what that meant for who she ended up becoming. She was already a powerful figure (powers aside) but she really came into herself in this season and I wouldn’t have thought I could love her more but I did. But then Daisy Johnson is my hero and I will love her forever. I also loved that she was the voice of the audience in the sense of her grief over the team’s story ending; that felt really important and special. And despite it being the end. I loved the ending. It was just absolutely perfect. I sobbed through the last few episodes because it was so powerful and so emotional. A part of me will always want more but I don’t think they could have created a better ending. So I’ll be grateful for what an amazing seven seasons and for all the show has given me. I think it’ll probably be important to me for the rest of my life.
The Fix – I was so happy to have Robin Tunney back on my screen, especially as a main character. I thought her acting, especially when it came to the emotions she was experiencing (or when she had to shut off those emotions), was fantastic. I really enjoyed that the series followed one legal case, allowing the show to really delve into the details and the relationships between all of the characters, as well as side stories that fleshed out the bigger picture. It might not reinvent the wheel but I really did enjoy it and as I said, it was such a delight to see Robin Tunney again, especially in such a beautiful nuanced and complex role.
Lucifer (Season 5: Part 1) – *Spoilers* I love Lucifer and this season certainly didn’t disappoint. I love how much work goes into evolving the characters and their own personal journeys. No one in the ensemble feels like a side character; they’re all beautifully fleshed out, more and more as time goes on. I also thought there were some really great storylines in this season. Michael’s introduction was certainly interesting, although I was glad when he was outed as Michael and not Lucifer so quickly as the idea of Chloe starting a relationship with him, thinking he was Lucifer, made me feel seriously uncomfortable. Both Maze and Dan have really powerful storylines and I felt for them so deeply, even though I hadn’t initially liked Dan. I just wanted to hug Maze the whole time. I also thought the ongoing story of Ella and her boyfriend was a really cool addition. But with so many storylines going on at once, I never felt like the show was unbalanced or that any of stories were treated as filler. And yet it never felt too busy.
There were so many amazing scenes but there were a few that really topped the list. One of them was in the first episode when Maze destroys Lucifer’s piano because she feels so hurt and so angry that Lucifer abandoned her for Hell. Lesley-Ann Brandt’s acting is just incredible; I swear I could feel everything she was feeling. And I’m also really freaking curious how the show made the scene possible, what they did to make it possible for her to tear a piano into pieces. My other favourite is the final fight scene, in episode eight. The choreography is awesome and the special effects, particularly Maze throwing Lucifer through a glass wall while time is frozen, are stunning. The glass seems to hang rather than falling to the floor but they can still sweep it aside. It’s beautiful.
And that cliffhanger. Oh my god.
Away – *Spoilers* This is a ten episode season about a group of astronauts on the first manned mission to Mars. I’m a sucker for anything about space and I’ve always really liked Hilary Swank so I was excited when it popped up on Netflix one day. I felt like it started a little awkwardly but I thought the cast were fantastic and I loved the characters, especially the astronauts. I found them all really interesting and complex and I loved seeing how their lives had lead them to that point and I loved the relationships between them, as a group and in the various combinations. I don’t know if that many disasters is realistic or not but I think they conveyed the emotions of the characters really well. I was crying by the end of every episode, if not before. My favourite part without a doubt was the end when, in the last episode, they land on Mars and everything that’s been building through the show (the relationships between the astronauts, their evolving emotions about the mission, the complicated concept of duty, their relationships with their friends and family on Earth) all come to a head. It’s a stunning end and I was just sobbing. Even my Mum, who’d only seen snatches of it as she came and went, found it emotional.
Dare Me – *SPOILERS* I’ve been finding this one really difficult to write about, I think because there are so many layers to the story and the relationships between the characters are so complicated. The story follows best friends, Beth and Addy, who’ve been inseparable for years until the new cheerleading coach Colette French arrives, removing Beth’s captainship and completely shaking up the team. Beth, a wild and reckless but ultimately lonely girl, distrusts her immediately while Addy, the loyal follower and peacekeeper, becomes more and more infatuated by Coach French, something that drives a wedge between the two friends. The storyline requires some suspension of disbelief (I doubt a real cheerleading coach would encourage parties and underage drinking in her own home but then, given that she’s bringing positive attention to the cheerleaders and therefore the pretty fucked up little town they’re living in, who knows…) but it’s definitely a wild ride from beginning to end. When I first finished it, I thought, “okay, cool, that was interesting,” but a week later, I realised that I was still thinking about it a lot, especially about the characters and their relationships. They were so complex and intriguing. I was fascinated. I even ended up writing a song based on the show.
The Queen’s Gambit – *Spoilers* I know a lot of people found this show really gripping right from the start but it was more of a slow burn for me. I don’t think I absolutely fell for it until the last episode. Like an elastic band being pulled, it was almost like I got more and more frustrated with the show and then all of that tension was released in the final episode when I felt it all come together. I loved every second of that episode: her friends coming together to help her with her strategy, her win against Borgov and his grace over her victory, all of her people supporting and celebrating her, and then it ending with her walking the Russian park with all of the old men playing chess and how excited they were to meet her and honoured to play with her. It was fantastic. I do have my criticisms of it as a show but that final episode especially was so powerful that ultimately my experience of it was positive.
The Split (Series 2) – I started watching this back at the beginning of the year but then the pandemic derailed everything and I forgot about it. But recently I found it on BBC iPlayer and had to finish it. I love Nicola Walker and while the whole cast was great, she just delivered incredible performance after incredible performance. The dual storylines of the legal case her character, Hannah, was working and the difficulties in her personal life were balanced beautifully and they informed each other in a powerful but still realistic way. I loved Series 1 but this series really upped the emotional intensity and Nicola Walker’s acting – the subtlety of the emotional spiral – as the pressure mounted and her life started coming apart around her was just breathtaking. And even though she wasn’t innocent, she also wasn’t the only guilty party and the complexity of the story, the emotions experienced, and the relationships between the characters felt very true to life. The pain that Hannah was going through by the end was completely and utterly heartbreaking and the final episodes had me in floods of tears. I just wanted to hug her. It was an absolute masterclass in acting and I only love Nicola Walker more after watching it. I really, really hope there’s another series and I can’t wait to have her back on my screen, whether in a third series or when Series 4 of Unforgotten airs. She’s fantastic in that too.
Little Voice – I didn’t watch this straight away; the idea of watching a TV show about a struggling singersongwriter felt a little too close to home when I was already struggling with my mental health. And the likelihood that it would probably have a really positive ending for her, music wise, just felt like more than I could handle. So I kept it on my ‘To Watch’ list; I mean, it was co-created by Sara Bareilles so I knew that, in the right frame of mind, I’d really enjoy it. But after hearing Sara’s album of the songs in the show and falling in love with so many of them, I had to watch it. And I did, I really did enjoy it.
*SPOILERS* I got really invested in lots of the characters, especially Bess, Prisha, and Samuel, and I loved the relationships between all of the characters; they all felt really different and natural, based on the characters personalities and experiences together. I especially loved Bess’ relationship with the other characters, particularly with her father, her brother, Prisha, Samuel, Benny, her boss at the bar, one of the elderly women at the senior centre she also works in, and so on. I felt like she had a really special way to connect with people. There were some really touching moments – watching Bess write songs, the first time she performs and it goes well, Bess and Ethan’s conversation about hope, etc – but then there were a handful of moments that made me cringe with secondhand embarrassment – Bess’ early stage banter, watching her father rant during her first studio experience, etc. Overall, it was a positive experience but when I cringed, I really cringed.
It was great to see such a diverse cast and for the show to have a disabled character who’s disability wasn’t brushed aside but also wasn’t his only character trait; he was pretty well developed (considering how many characters there were) with his own storyline, involving his relationship with Bess, his love of musical theatre, and his journey to be more independent, to which he had both positive and negative reactions. There were also some very relatable music industry experiences, like producers trying to mould a song to their own vision or telling you what you want to hear, industry people saying good things and then telling you all of the reasons why they can’t work with you, people making promises that never come to anything, and so on. I haven’t experienced all of these situations but I’ve definitely experienced some of them.
My only real issue with it was that I felt like there was just too much going on, too many storylines that ended up not getting the time they deserved. I loved so many of them that I don’t know which ones I would’ve cut but it was too much for nine episodes and what could’ve been really beautifully developed stories ended up being glossed over. I don’t want to say any more because I don’t want to totally ruin it but I would recommend it if you have Apple TV+. I loved the music and I loved how well it matched the story and the characters. Oh, and I loved Sara Bareilles’ cameo and how Bess and Louis fangirled over meeting her.
His Dark Materials (Series 2) – *SPOILERS* I loved series 1 so I was really, really excited for series 2 of His Dark Materials. I don’t want to give too much away since it’s literally just finished and so a lot of people may not have seen it yet but I thought it was excellent and looked forward to it every week. I thought the city in the ‘middle world,’ Cittàgazze, was really intriguing and so beautiful. And it was very cool to see characters from Lyra’s world in Will’s world (which I believe is also our, the reader’s, world?) and how they tried to fit in. Sometimes the jumps between worlds was a bit confusing or jarring but I loved how some elements matched up beautifully and how some were in such stark contrast. And that was just background as it was the strength of the characters and their relationships that really drove the show. I thought the chemistry between Lyra and Will (and Pan, of course) was great and I loved their friendship; even with only seven episodes to the series, we really saw it grow and develop as they got to know and trust each other. I also really liked Mary Malone and her relationship with Lyra (and the scenes with Lyra and Mary’s machine were incredible). As much as I love Lyra (Dafne Keen really was the perfect choice), I couldn’t help but be absolutely blown away by Ruth Wilson in every episode. Her performances as Marisa Coulter are just awesome. She’s such a complicated character (I’m desperate to understand how she can do what she can do and why her relationship with her dæmon is so different to everyone else’s: why he doesn’t speak, why she’s so cruel to him, how they can be so far apart – something that does seem to distress him but not her – and so on) and Ruth Wilson does such an amazing job playing her. I admit that a part of me was waiting throughout each episode for the moment where we saw how awesome she is, because there was one in pretty much all, if not all, of the episodes: her interrogation of Lee Scoresby (and the painful moment with her dæmon afterwards), the moment when Lyra sets Pan on her dæmon but she is able to fight off the affects – that whole scene is amazing, not to mention intriguing – her ability to control the spectres, the moment where she almost turns on her own dæmon… She’s a force of nature. I’m kind of obsessed with her because she’s such a fascinating character. I did feel like the end was quite rushed: they spent most of the series looking for Will’s father and then he’s just suddenly there, but it wouldn’t surprise me if the pandemic had played a part in that. It just felt like it was suddenly over and I was completely unprepared for that. I have just seen that it’s been renewed for the third and final series so I’m really looking forward to that, whenever it may come. This team and this cast have done such an incredible job with these stories so I’m really glad that they’ll be able to finish them.
Miss Americana – I don’t know if I can sum up this documentary in just a paragraph or two but, between them, Taylor Swift and Lana Wilson created a beautifully honest and emotionally revealing documentary about Taylor’s life so far, the period of transformation she had found herself in, and what she wanted for her future. It shows footage and discusses the history and the fall out of everything with Kanye and the infamous phone call in 2016 (the full recording of which has since been revealed, proving that Taylor was telling the truth all along), the toxicity of social media and how the response to Kanye’s attacks on her continue to affect her, addressing her need to please and how damaging that had become, the harrowing experience of the sexual assault trial, her body image issues and eating disorder, the making of reputation, the reputation tour, her mother’s cancer, beginning to voice her political opinions and arguing with her father and management team about it, the making and release of Lover, the writing of ‘Only The Young,’ and basically her journey of growing as a person. There’s a lot in there and it was a real eye-opening experience, even for someone who considers themselves an avid Taylor fan. I loved her even more than I already did for putting out this documentary and deliberately including details that she knew would help people, like her previously unknown struggles with her body image and the experience of her sexual assault trial. She didn’t have to discuss these things but she did because she knew that there would be people who needed to hear her talk about it. I admire her so much for that. I would highly recommend watching it, fan or not.
City of Lover Concert (Taylor Swift Show) – I was gutted that I couldn’t be at this show when it happened so I was really excited that Taylor was putting it on Disney+. It wasn’t the same and the flow of it felt quite jerky as they had to cut around the songs caught up in the Masters situation (she can perform them but they can’t be recorded and distributed in a film like this one) but it was still really cool and a lovely tribute to the Lover album since we didn’t get a tour for the album (and probably never will since the release of folklore and evermore). You can feel the joy radiating off Taylor as she performed the then new songs and it’s hard not to smile, watching her do this thing that she loves so much. I still wish I could’ve been there for the actual show but I’m so grateful that we got this, especially with the pandemic and the resulting loss of live music.
Hamilton – I’d been planning to see the show in London but then the pandemic hit and obviously that plan was scuppered but then it went up on Disney+ just as my phone contract offered me a free subscription. The timing was beautiful. From the first note, I was absolutely entranced. I loved it. I loved the music, the acting, the set, how the actors interacted with the set… everything. I’ve watched it over and over and read so many articles explaining different aspects of it because I just find the whole production so fascinating. And as both a songwriter and a songwriting nerd, my mind was just exploding. It really is mind-blowing work and I’m sure there are still things I’m missing because it’s so clever and so layered. I could talk about the music for hours but I won’t, I promise. So, yeah, I found it really inspiring as a writer (and I did actually attempt to write a song in the style of it although I’m not sure it’ll ever see the light of day). It was amazing and I love it. I love it more every time I watch it.
folklore: long pond studio sessions – I loved this so much. I love Taylor Swift and I love the folklore album and in a time where we can’t have real concerts, I so appreciated that this film gave us the next best thing. The studio was gorgeous (I would love somewhere like that to write and record music one day) and the performances were stunning; Taylor’s vocals in particular were just breathtaking. She can convey so much emotion just through her eyes and I found watching the film a really emotional moving experience. I also loved getting to learn more about the songs, what they were about, the context in which they were written, and so on. We’ve been speculating and theorising for so long that it was so satisfying to find out where fans had guessed right and get some insight into the ones where we’d been so confused (‘hoax,’ for example). And the whole thing is so beautiful and intimate. It was just so good and I knew from the first watch that I’d be watching it over and over again.
So I hope that was of some interest and that you’re maybe even leaving with a few new things to read or watch. I’m quite proud of how many new things I discovered this year, after being stuck in a rut of just rewatching the same things. I definitely want to continue this approach into next year, although hopefully it will include more books. As I said, I just haven’t been able to concentrate enough to get into a novel. But having said that, I feel really good about pushing myself out of my comfort zone, exploring genres I don’t generally favour, and expanding my creative brain by filling it with new stories, new characters, and new ideas. So I’m proud of this list and I’m excited for the new discoveries that 2021 will bring.
Category: book, covid-19 pandemic, emotions, favourites, music, quotes Tagged: absentia, agents of shield, autism, autism awareness, away, book, broadchurch, castle in the sky, charlie mackesy, cheer, chloe bennet, city of lover concert, close, criminal minds, daisy johnson, dare me, documentaries, enola holmes, fantasy island, favourites, film, folklore: the long pond studio sessions, hamilton, his dark materials, i would leave me if i could, isn't it romantic, laputa: castle in the sky, legally blonde, little fires everywhere, little voice, lucifer, milly bobby brown, miss americana, musical, new, nicola walker, noomi rapace, noughts + crosses, ocean's 8, official secrets, poetry, review, rewatching, ruth wilson, sara bareilles, searching, spoilers, stana katic, taylor swift, the accountant, the boy the mole the fox and the horse, the fix, the half of it, the queen's gambit, the split, tv show, university reading, what happened to monday
Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder, as well as several mental health issues. I’m a singersongwriter (and currently studying for a Masters in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is now available on iTunes and Spotify, with all proceeds going to Young Minds.
I’m currently releasing my first EP, Honest, track by track and all five songs are now available on all major music platforms. However, there’s still more content to come…