My First Concert Since The Pandemic Began

One of the big things I’ve missed during the pandemic is concerts. They’ve always been a big part of every year and losing that – I haven’t been to a concert since Halsey’s Manic Tour in March 2020 – has been really hard. But it’s also hard to feel like they’re safe to go to, now that they’re happening again. I still have a lot of anxiety about going out and about being around a lot of people – it’s not as if COVID is no longer a risk – so going to a concert is a big deal. But normal life does have to resume at some point, even if it happens in baby steps. Since this first show – The Shires in Bromley – was a relatively small concert, it felt like a good one to try, to get the lay of the land in terms of safety precautions, to see how I feel in that sort of environment after everything that’s happened over the last eighteen months, and so on.


This wasn’t quite my first live music event: back in September, I went to my uni’s Songwriters’ Circle, the first one in person since before the pandemic. It was just wonderful. Everyone was so excited to be back together, so excited to get to hang out together, singing along at the top of our lungs. That is one of my favourite things about going to a music uni: everyone’s always up for a sing along.

But this doesn’t feel like a first concert to me, since I’ve been in and out of the building for the last couple of months as I finished my final Masters project. It was just some more people and music. Plus, I’m really comfortable with the safety precautions there: negative COVID tests to get in, a one way system around the building, lots of people still wearing masks even though they aren’t mandatory, and so on. I already feel safe there. But a concert is an entirely new ball game.

My first proper concert was The Shires at the Churchill Theatre in Bromley on the 5th October. It wasn’t a venue I’d been to before and road closures made getting there quite stressful, plus it was a pretty bad pain day: my back, my shoulder, and my wrists and hands. So while I knew I would enjoy the show itself, I wasn’t sure whether the stress and the pain would override that. Fortunately getting in was quick and easy and I didn’t have to spend too long on my feet. And although no one had to wear a mask once seated, negative COVID tests were required for entry so it felt as safe as it can, as anything can be at the moment.

Jake Morrell was the support act and he was great: he was funny and personable and had some good songs. My favourite was ‘This House,’ I think. And I liked ‘Freewheeling.’ I definitely want to check out more of his music.

And then The Shires – Ben and Crissie and some of their band – were on. It was so nice to see them; I’ve seen them so many times over the years and the eighteen months since the pandemic began may be the longest I’ve gone without seeing them. So, as I said in my Instagram post, it felt quite apt that my first proper concert back was them. It was a cool twist on their normal shows: it was all acoustic (being in the front row, it did feel a bit like my own personal concert) and they took the opportunity to play a lot of the songs that they don’t play often or haven’t played for years, like ‘All Over Again,’ ‘Drive’ (one of my favourites), and ‘World Without You.’ Of course they played the favourites too, like ‘Nashville Grey Skies,’ ‘State Lines,’ ‘Tonight,’ and ‘A Thousand Hallelujahs,’ which always get people singing along and dancing. Of their most recent album, Good Years, which they never got to tour due to the pandemic, they only played two songs and they happened to be my two favourites: ‘Lightning Strikes’ and ‘About Last Night.’ So that was cool. And they also played one of my all time favourites of theirs, ‘Daddy’s Little Girl.’ I connected to that song instantly – it being about the loss of a father and how, whatever else you are or end up being, the most important thing you’ll always be is his daughter – and it’s remained very special to me. I actually posted a short cover of it on Instagram years ago:

And to make a cool concert experience even better, they performed a couple of songs from their next album, that is apparently written and produced already so hopefully it won’t be long before we get to hear that. Of the two songs they played, I loved ‘Side by Side’ and I can’t wait to hear it again already. So that made the night extra special.

It was painful – as most things are right now – but it was a good night. It was so wonderful to be at a concert again; they really are my happy place, where I forget about the hard stuff (for the most part – I mean, you can’t exactly forget about physical pain when you’re in it). Hopefully things will continue to improve on the COVID front and concerts can, at some point, come back in full force. That’s the dream anyway.

I was hurting before we got home. I’d stayed sat down as much as possible to protect my knee but apparently my leg has a mind of its own because my foot kept tapping – and therefore flexing my knee – no matter how many times I forced myself to stop. And chronic pain and applause clearly don’t go well together so I think I might have to come up with an alternative for bad pain days (I’ve since found some suggestions here, or maybe the sign language version of clapping is the way to go). And the next morning, my whole body hurt and I was stiff and ache-y. My back and my hands were the worst and unfortunately my painkillers weren’t doing much more than taking the edge off. So that was a pretty unpleasant day but it was worth it.


So that was my first concert back. I honestly thought I’d find it more scary, more stressful – in the pandemic anxiety sense, that is. It was all a bit overwhelming for a moment going in but once we were in the auditorium and the show had started, somehow I forgot about COVID and my anxiety; I was just in the moment and completely absorbed by the music. That wasn’t something I’d expected and it was quite wonderful. All the anxiety, all of the precautions and planning… it was all so very worth it to have live music again.

The Fifth Semester of My Masters

The time has come to sum up the final semester of my Masters. I am done. That’s sort of unbelievable. Given everything that’s happened since I started the course in September 2019, the end of the Masters always felt so far away and although I have lots of plans, I do feel a bit lost now that all of the work is done. Maybe it’s because I haven’t received my final grade or because I haven’t actually graduated yet; maybe once those things happen, the experience will feel a bit more… finished. It was always going to be weird – I’ve been going to this uni on and off for the last seven years – but knowing something and actually feeling it are so different.

So, here is my final semester review.


The final semester of my Masters course involves a largely independent project called the Major Repertoire Project and as long as you’re developing your songwriting skills and knowledge in some way, you can pretty much do whatever you want. People have done projects exploring identity, exploring their heritage, writing song cycles or musicals, digging deeper into their own songwriting and pursuing an artist project like an album, experimenting with newer applications of songwriting (such as in various therapies), and so on. It’s a fascinating module because everyone ends up doing something so different and so interesting. And after a spending a year or two focussing on their craft, the songwriting is so incredible; the final works that I’ve heard are amazing. It would probably take a month but I would happily listen through everyone’s projects.

For my project, I chose to explore my experiences as an autistic woman through songwriting, attempting to translate those experiences both through the lyrics and storytelling and the execution of the song, from the structure to the arrangement to the production and so on. I wanted to write songs that autistic individuals would hopefully relate to and that neurotypical individuals would hopefully gain some insight from. But while the overall goal was to create a body of work, a large part of the project involved researching our chosen area – Autism, in my case – responding to the research (sometimes that was through practice and sometimes it inspired specific songs), and reflecting on my songwriting process and how it was evolving during the project.

The module officially began in the second week of May but I’d already started working on it: I’ve been thinking about this project ever since I applied for the Masters so I was super excited to finally start doing it. But I’d barely begun when I started getting debilitating migraines that lasted for days at a time and resulted in several ambulance visits because the pain was so bad. We eventually traced the source back to one of my teeth: the emergency dentist thought the nerve was dying and diagnosed an abscess. I was top priority for an extraction and given antibiotics (which I had to have a second round of when it flared up again midway through the semester). Fortunately my university granted me an extension – giving me back the time that I’d lost – but it was a flexible extension in case I suddenly got pulled in to have the tooth taken out and needed some recovery time. Due to the long waiting list (and bear in mind that this was the waiting list for emergencies), I still haven’t had the tooth taken out and while the antibiotics and some good painkillers have prevented any more similar episodes, I’ve still been dealing with some tooth pain and migraines. So that hasn’t been ideal.

We only had four classes over the semester but since everyone was researching something different, they weren’t exactly classes. They were more group discussions where we’d talk about how our research and writing was going, whether we were struggling in a particular area, what we could do if we felt like we weren’t fulfilling one or more of the overall objectives, and so on. We had individual supervisors for the more specific guidance and problems whereas this was more general and we were able to share with each other what we’d found helpful, etc. These classes were online but we were finally able to come into the building. With most of the other courses finished for the summer, it was pretty empty and I felt safe there; you had to test negative just to get in the building and with no one around (pre-COVID, it could be a bit of a crush at times), my pandemic anxiety was a lot lower than it usually is when I’m out in the world. Being there after so much time and getting to see some of my friends again made me positively giddy! And there were some friends that I was actually meeting in person for the first time, which was just wonderful! I’m really going to miss it; I mean, I’ll pop in now and then for events and stuff but I’m really going to miss it being part of my day-to-day, week-to-week life.

Anyway. My supervisor was truly awesome. We had fortnightly and then weekly sessions and she was fantastic, not only with the academic stuff but with helping me to manage my anxiety, the things that tripped up my neurodivergent brain, and so on. And while we worked together well, we also had a lot of fun: we went on some epic tangents and there were multiple conversations that we had to mentally bookmark for later in order to actually get our work done. We got on really well and our sessions were always fun and thought-provoking, as well as helpful. I hope that this isn’t the last time we get to work together.

I obviously know a lot about Autism already so, after finding sources for that information, I started writing songs about my experiences and researching Autism further. Having the foundation of knowledge that I did, I think allowed me to research both more deeply and down different avenues since I didn’t have to spend so much time on the basic knowledge. And some of that research, from academic papers to anecdotal stories to art made by autistic individuals, sparked some really interesting song ideas (for example, I ended up writing a love song after watching Love on the Spectrum, which I found both upsetting and deeply depressing as an autistic person).

I don’t want to give too much away about the songs because I hope to release them but, over the semester, I wrote eighteen songs with a handful more that still need finishing. For the most part, I wrote alone – first because it was more convenient and then because I felt like my experiences were conveyed with more clarity that way – but I did work with a few different people, when I was struggling with a concept for example. I wrote with a couple of my friends – Richard and Luce (known as LUCE) – but I also wrote with new people that I’ve met during my time on the Masters – Luke (known as leadmetoland), Phill Vidler, and Katherine Moynihan – which was fun and exciting. It was nice to do both: I love cowriting and the back and forth of ideas but doing so much writing by myself really restored my confidence; I’ve spent so much time cowriting over the last two years and really not that much solo writing so I was nervous when I started to write alone again but after a while, it started to feel really good and that was really exciting.

But while I didn’t manage to write with Richard as much as I’d originally hoped to, we had many production sessions, mostly over Zoom. While I’d never considered the production unimportant, the project evolved to a place where the production was just as key to the representation of my autistic experiences and the emotions attached to them as the lyrics conveying the story or message. So the two of us spent a lot of time working on every little detail. While I’ve always been involved in the production choices of my songs, I’ve also always been aware that Richard knows a hell of alot more than me so I was happy to defer to his judgement. But with this project, for the first time really, I was taking the lead on production decisions – on occasion, I had the whole arrangement and production planned out before the session. But I felt more like a producer than I ever have: I was coming up with ideas that actually worked from idea to execution; I was able to pick out specific instrument, arrangement, and effect details in a way I haven’t been able to do up to now; and so on. Along with the songs themselves, that’s something I’d really proud of. I really feel like I grew as a musician and as a producer.

I absolutely loved working on my project. To be researching and writing songs about something I’m so passionate about was just so creatively invigorating. That’s not to say it wasn’t hard though. There were, of course, periods of doubt, insecurity, and anxiety over the academic elements and whether I’d be able to do as good a job as I desperately wanted to. Plus, some of the experiences I was digging into were pretty raw and writing those songs did get difficult, especially since I was suddenly doing the project without the support of my therapist, something I’d put in place to help me manage that. But apart from one bad bout of depression, my mental health was – somehow – reasonably stable (apart from my day-to-day, ongoing anxiety). As I said in my previous post, I think it was the constant creating (and creating things that I’m really proud of) that did it, that kept everything on a reasonably even keel.

Having said that, my chronic pain was almost constant, worse than it’s ever been. There were periods where my knee, for example, was so painful that I could barely walk and my back so painful that I could barely move. My Mum (once a massage therapist) said that it felt like I was storing rocks in my muscles. It certainly felt like they were made of concrete. Maybe it was my anxiety around the project, I don’t know, but the pain was keeping me up at night. I also struggled on and off with my hands and wrists, presumably from all of the typing, piano, and guitar playing I was doing. God, my various health issues are like freaking buses sometimes. I’m still waiting for physiotherapy and hydrotherapy, have been for months. I’ve just started with the Pain Clinic but one appointment was never going to change anything before the Masters ended. So all I had were various painkillers that were only sporadically helpful.

But my biggest ongoing obstacle was my difficulty concentrating, which I’m assuming is due to my (still untreated) ADHD. Staying focussed on my work was very difficult; I exhausted all of my energy trying. It felt like my concentration was so delicate that the smallest distraction would shatter it and then there was no way to know when it would come back; I felt like I was clinging onto it by my fingertips. So I couldn’t stop (really not healthy, I know). I couldn’t waste a second of it. That was super stressful and I often ended up sitting at my computer for hours and hours; there were multiple fourteen hour days, some successful, some not. People kept telling me to at least take a day off now and then but I just couldn’t. I was too scared of losing my concentration when my hold on it felt so tenuous.

During the semester, I also had a few other commitments; it was awkward timing but they were all great opportunities:

  • As I mentioned in my post about the previous semester, I was part of the judging panel for a songwriting competition. That ended up being a lot of work but fortunately I managed to get it all done in time for this module to start. The end was pretty stressful because our deadline was suddenly brought forward but it was a great experience and I learned a lot from it; there were so many amazing songs and so many talented songwriters and they’re all still pretty young. I hope they keep writing; some of them I’d love to see pursue songwriting as a career. The final winners weren’t the ones I personally would’ve have chosen but I guess that’s what happens when you’re judging by committee and there are so many good songs to chose from.
  • I also submitted work to a competition: three songs, two already written and one that I wrote as part of this project. I was supposed to find out whether I’d made it through the first round in August, I think, but, because they’re also an organisation and not just a competition, COVID has thrown a wrench in the plan and so the whole thing has been delayed until February. So I guess I won’t know anything for a while.
  • One of my tutors is doing a research project on the many reasons why we write songs and I volunteered to share my thoughts. In mid July, a handful of students came together for a Q&A panel about our personal songwriting intentions, processes, and experiences. It was really interesting with a pretty wide range of reviews and even a couple of debates. Hopefully some of what we said was useful for the research.
  • Also in July was the Taylor Swift focussed musicology conference I mentioned in my post about the previous semester and I presented my paper on some of Swift’s lyric writing techniques: her repeated use of certain imagery and the ongoing themes throughout her discography. I loved researching it (and hope to research it further in the future) and writing the paper – so much so that it ended up being over ten thousand words long and I had to do some major editing work. Presenting the paper – I ended up recording it and presenting it in video form because I was so nervous – was very nerve-wracking: everyone was lovely and very welcoming but I was just so aware of how inexperienced I was. But it went really well and I really enjoyed the whole conference; there were so many interesting papers. I hope it’s a conference that can happen again (not just because I have so many ideas that I’d love to research but because Taylor Swift is so fascinating on so many levels; there’s a lot that can be learned from her, not just around music but in business, in the development of pop culture, and so on). 

In the last month, my approach reached a new level of intensity. I was working constantly, quickly when my concentration was good and agonisingly slowly when it was bad. But I didn’t stop. I even worked while I ate. I know that’s not a healthy way of doing things but I was just so terrified of getting a grade I wasn’t happy with, that made me feel like I was letting everyone down, myself included. If I wasn’t working, I felt guilty so I just kept working.

Finally it came time to try and distill all my work down to the most important points for the final presentation. My god, that was hard. Months of research, almost twenty songs, and a lot of reflection on my creative process all into an hour… Or, as I said, the most important points. But figuring what those important points were was a real struggle. Throughout the whole Masters, I felt like the module objectives were designed to trip me up – not me specifically, of course, but anyone reading them. Reading them felt like trying to interpret another language that you barely understand so I felt like I was just waiting to discover that I had it all wrong. Maybe it was my autistic brain, I don’t know. My supervisor was great regarding this anxiety but two years of feeling that way made it a hard feeling to exorcise. So I just did what I know how to do and worked through it, hoping it would be enough. And on the 6th September, I had my final assessment. Two tutors watched my presentation and then, after a brief discussion, they asked me a couple of questions, both of which were pretty straightforward to answer. And that was it. The project and the semester was over.


According to the usual rules, the results will be released in twenty working days, although I don’t know if that will apply given that my assessment was so much later than everyone else’s and they all received their results the day after I presented. So I’m just waiting to hear. I’m trying not to stress about my grade but, as I said in my previous post, I’m finding it hard. I’ve been working relentlessly – with so many obstacles to navigate – and the idea that that still wasn’t enough to get the Distinction I want so badly does upset me. I mean, I’d get over it in time but, yeah, it would be distressing. I just really hate the idea of thinking, “I could’ve gotten a distinction if I wasn’t autistic or had ADHD, etc.” I know that that’s not a healthy way to think but the standards and expectations I have for myself are somewhat warped, something that I think is due to the late ASD diagnosis and the clash between twenty-ish years with neurotypical standards and then having to adjust those expectations in accordance with what I now know is a neurodivergent brain. It’s a mess basically. But I’m waiting for the results – they should be out on the 6th October – and hoping desperately that it went as well as I hope it did.

While the ‘project-for-assessment’ is over, I definitely want to keep working on the songs, write some more on various elements of my autistic experience that I just didn’t manage in the timeframe, and then, hopefully, release it in some form. That’s the dream. I’m so proud of so many of these songs and I really, really want people to hear them and hopefully find strength or comfort in them. We’ll have to see because these projects are just so expensive to put together, from the production work to making music videos to all of the marketing.

And while this is a topic for another post, it should be acknowledged that the semester ended on a very sad note. I found out the morning after my presentation that my Granny had died. Between that news and an intense semester’s worth of work and my brain is just at overload. I can’t tell if I’m not feeling anything or feeling everything. I don’t really want to get too deeply into all of this, partly because I’m not ready and partly because, if only on my blog, I want to keep this semester and this project separate. I really just wanted to mention it in the context of all the emotions I’m dealing (or maybe not dealing) with right now.

So that was the final semester. But there’s still a couple more chapters in this story, so to speak. Graduation will hopefully go ahead as planned – in person – in November and then who knows? I guess we’ll have to wait and see.

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My apologies if this post is a bit all over the place: everything’s really hitting me and I’m just exhausted but I wanted to get this out while it’s still fresh.

International Cat Day 2021

NOTE: This post was written to go up yesterday, on 9th August 2021. However, my phone – which, of course, had the video of the cats on it – completely died and only recovered this morning. Following some further technical difficulties, the video has finally been retrieved and this post can go up. So happy belated International Cat Day!

Happy International Cat Day! Yes, it’s a real thing!

When I first started writing this blog, I made a post introducing the animals in my life and talking about the importance of pets. There have been significant changes in the animal contingent of our family since then and given this holiday, I thought it was time for an update and, if nothing else, a post full of cuteness.

A short note before I get into the main post… if you’ve followed this blog for a while, you’ll know that our family dog, Lucky, had to be put to sleep at the age of fifteen just before the pandemic hit the UK. Although he obviously wasn’t a cat, he may very well have thought he was one (he did spend almost all of his life surrounded by various cats after all) and most of our cats adored him. He was an honorary member of our cat family and we miss him dearly.


LUCY

Lucy is the queen of the house. She always has been and she most likely always will be. And that is very clear. Having been an only cat, she can be a bit aloof and irritable with the younger generations, like it’s a great trial for her to have to share her house, her garden, her people, and so on. Sometimes she’ll smack them as they walk past for no apparent reason. But most of the time, she’s very affectionate, especially with me but with all familiar people, the other cats, and she adored Lucky when he was still with us. She demands her time with me in particular and gets somewhat ratty if she doesn’t get it: she hangs out in the bathroom with me whenever I’m in there; she’s the only one allowed to roam the house at night and she always sleeps on my bed (or nearby if we’re having hot weather); and she spends most of the day in whichever room I’m based in. It’s very sweet. She doesn’t always want to be snuggled up with me but she does like to be close by.

“I’m not sure why I like cats so much. I mean, they’re really cute obviously. They are both wild and domestic at the same time.” – Michael Showalter

MOUSE AND TIGER

Lucy had her first litter of kittens in 2016 which was a wonderful experience. We found them all homes (homes that were all linked actually, which was kind of adorable) and went back to being a one cat household, which I had missed. We discussed having Lucy spayed before deciding that we wanted to have one more experience of kittens, which resulted in Mouse and Tiger, both girls, in early 2018. They were, of course, unbearably adorable and I loved every moment with them. They also really helped me through the traumatic experience of moving house: their playfulness and innocence and general wonder at the world was incredibly soothing to my anxiety and distress. We hadn’t planned to keep them but both my Mum and I had just fallen head over heels and one day, watching the two of them play with Lucy in the garden, we acknowledged that the decision had already been made really. After that, we had Lucy spayed, content with our little family of three.

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Mouse is the elder of the two and she’s just the most beautiful cat: silver, sleek, and utterly gorgeous (as ridiculous as she looks in this picture). She looks very much like a Nebelung cat but given that Lucy and Tiger look nothing like her, I’m not sure how that would be possible. She’s pretty reserved and quite skittish but when she decides she wants affection, she will not leave you alone; it’s very cute. She’s very playful and very vocal, sometimes for no apparent reason, almost like she’s just making sure you haven’t forgotten she’s there.

Tiger is the younger and ever since she could wriggle across the floor on her tummy, she’s been following me around, climbing on me, and snuggling up with me. She’s somewhat obsessed and it’s kind of hilarious. As a kitten, she once climbed up my shirt (whilst I was sitting in bed) and fell asleep curled up on my shoulder. She demands my attention – loudly – and won’t leave me alone until I have thoroughly patted, cuddled, and appreciated her. There have been a handful of very funny Zoom/online class experiences over the last eighteen months where she just wouldn’t leave me alone for anything as I tried my hardest to maintain some semblance of professionalism. She can be a little skittish too, like her sister, but on the whole, she’s calmer and more obliging.

“You can not look at a sleeping cat and feel tense.” – Jane Pauley

SOOTY AND SWEEP (their birth order is actually Sweep and Sooty but, of course, we call them Sooty and Sweep)

When Mouse and Tiger reached the age of being spayed, we had to decide whether or not we wanted to do kittens one last time. After a lot of discussion, my Mum and I decided that it would be really nice to have one more litter. Tiger had been my baby since the moment she was born and I just couldn’t imagine her as a ‘grown up’ – if that makes sense – so we had her spayed and decided to just wait and see what happened with Mouse.

Life went on and nothing happened in the kitten department. Meanwhile my mental health plummeted and I was struggling to get by. In the end, the idea of things changing, of anything new happening, just felt too overwhelming so we decided to have Mouse spayed. We took her for the pre spay check up and the vet said she was fine, although she could lose a little weight so we should reduce her food some.

And then about a week later, we came home to find Mouse pacing by the front door. As soon as she saw me, she headed for my room, stopping every few feet to make sure I was following and yowling the whole way. We went into my room, she curled up in the cat bed in the corner, and a few hours later, we had two new kittens. So that threw us for a loop: just as we’d decided against more kittens, we had them. (The vet – who’d said that Mouse absolutely wasn’t pregnant – thought this was all very funny. As you can imagine, we don’t go to them anymore.) But despite the shock, it was wonderful to have kittens around, even though it took Mouse a while to figure out what she was supposed to do. Watching them explore and learn and grow was a very untainted, therapeutic experience. And their calming influence was especially appreciated when I started my Masters and was having almost daily meltdowns due to stress.

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“A kitten is in the animal world what a rosebud is in the garden.” – Robert Southey

When they reached rehoming age, we did look for a home for them (ideally, we were hoping that they could go to the same home together) but we weren’t in too much of a rush given how high my anxiety levels were. But time kept passing and I was still struggling and in the end, we decided that the joy they brought to the house outweighed everything else. So we kept them and I’m so, so grateful that we did.

Sweep, we believe, is the older sister and in full fluff, she looks very like a Norwegian Forest Cat but like her mother, we don’t know how that would be possible. I’d love to do DNA tests and find out the breeds of our whole pride but that would be incredibly expensive – too expensive just to satisfy my curiosity. She’s super chilled out, happy to curl up – or stretch out! – anywhere and starts to purr immediately when you stroke her. She’s very obliging – cuddling, anything medical, grooming, etc – as long as you let her go when she’s clear that she’s had enough, which rarely means more than pulling away a bit more forcefully than usual. She’s very sweet and has the cutest little face with these gorgeous green eyes.

Sooty is the baby of the family. (They all have their own nicknames: we refer to Lucy as ‘Queen Lucy,’ Mouse and Tiger as ‘the kittens,’ and Sooty and Sweep as ‘the beans’ and Sooty is very often ‘baby bean.’) She’s little and skinny with a ridiculously long tail; she’s like a monkey. She’s super chatty and makes a clear noise of ‘hello’ whenever you enter the room or stop to stroke her. She’s very inquisitive and affectionate and during the winter, she’ll spend hours curled up on the sofa with me (preferably stretched out in between my legs. Like Tiger before her, she’s always been very attached to me; now there is some degree of competition between the two of them and they’ve had to figure out how to take turns in getting my full attention.

While Lucy kind of separated herself from Mouse and Tiger after a certain point (I think she felt she’d done her job and didn’t understand why they hadn’t left like the previous litter had; I think that, if they’d been her first litter and she hadn’t already had the experience of mothering and then watching them leave, things might’ve been different but who knows), Mouse has remained very maternal, especially with Sweep. They curl up together, they cuddle, they groom each other, they play… The two of them in particular are two peas in a pod. Mouse and Sooty are close too but Mouse and Sweep are a special little unit. It’s very sweet.

And that’s our family of cats, also known as the pride of cats. I love them deeply and… Not to say that I wouldn’t love them as much if not for the pandemic, but they were (and still are) one of a handful of things that have kept me going through the hardest parts of the last eighteen months. They were there for cuddles when I needed them, they made me laugh (which was not easy to do), and their complete obliviousness to everything going on in the world was very soothing when my anxiety got overwhelming. I honestly don’t know how I would’ve made it to this point in the pandemic without them.

Over the last year, ever since I discovered that International Cat Day was in fact a real thing, I’ve been collecting clips of them. I thought it would be something fun to post today…


Over the last eighteen months, my pride of cats have been one of the great joys of my life. Managing five cats isn’t always easy and when something goes wrong, it’s incredibly scary – as any pet owner will know – but when all is good, it’s so good. They are truly wonderful little souls… I can practically feel the glare I’d get if they knew I was calling them ‘little souls’ so I’ll amend that statement. They are truly wonderful, big and beautiful souls in little bodies.

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And to finish this post, I want to include a particularly apt quote. Of all the cat related quotes I found, I’m not sure there are any more perfect for me…

“There are two means of refuge from the miseries of life: music and cats.” – Albert Schweitzer