Sooty, The Littlest Kitten

TW: sick pet, pet death, pet loss, pet grief, medical environments, medical equipment, etc. 

Several weeks ago now, I got home late, high on the adrenaline of an incredibly fun and productive day in the studio to find the youngest in my family of cats, Sooty, collapsed in the garden, lethargic and clearly in pain. Despite having just driven for two hours, my Mum and I bundled her up in the cat blanket and got back in the car, headed for the out of hours vet. We arrived at about ten o’clock and she was whisked away, having only gotten more distressed during the drive. I wasn’t in denial – it was clear that something was wrong – but I was trying not to jump to the worst case scenario, at least until we had more information. I didn’t want to torture myself unnecessarily, especially since we didn’t know how long it would be before someone came back to give us an update. My hope, which I felt wasn’t desperately unrealistic, was that she’d eaten something bad for her or something like that and that dehydration from lying in the sun for who knows how long had worsened her condition; I hoped that, perhaps, if that dehydration could be resolved relatively easily, then whatever the bigger problem was wouldn’t be quite as serious as it appeared. Looking back, I don’t know if that was reasonable or unreasonable but I was just trying to get through each minute of waiting for an update.

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ALICE (Music Video) by Erin LeCount: A Very Emotional Analysis

TW: non-graphic discussions of eating disorders, mental health, trauma, hospitals, and therapy.

If you’re a regular reader of my blog, you’ll already know how much I love music and storytelling and songwriting, more than anything in the world: I love diving into the work of others and I love writing my own songs and nothing brings me more joy. I’ve been listening to Erin LeCount for over a year now and while I’ve been working on a broader piece about her songwriting and posting fun little EP analyses on TikTok (here and here), I’ve also been wanting to write about her most recent music video, for the song ‘ALICE,’ ever since it came out because it had such a profound impact on me. But between trying to unravel all of my thoughts around it and life stuff flying at me left, right, and centre, I just haven’t been able to get everything down with any sort of coherence. But now that The PAREIDOLIA Shows are about to happen and Erin has posted about having “something very special” planned for the performance of ‘ALICE,’ I wanted to get all of my thoughts down before I see it, before it can potentially change the way I feel about the song – I already know that I will only love it more (and maybe there will be a Part II to this post) but how I feel about it now is so precious to me that I wanted to document those feelings alongside analysing different elements of the video.


Of the songs on Erin LeCount’s latest EP, PAREIDOLIA, the song ‘ALICE’ didn’t immediately jump out to me as a favourite, not with ‘MACHINE GHOST’ and ‘DON’T YOU SEE ME TRYING?’ clamouring for my attention, competing for the top spot in my ranking. Those two songs immediately clicked for me and I felt them so deeply that it took me a while to start unpacking ‘ALICE’ and all of the layers in the lyrics and the storytelling.

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My Current Stims

TW: non-graphic descriptions of hair pulling, Trichotillomania, and self injury/self harm and photographs of being tattooed.

When I was diagnosed as autistic, I did a lot of research and reading to try and make sense of my life through this new lens and one of the things that I struggled with was stimming. Short for ‘self-stimulating behaviour,’ stimming is behaviour – commonly repetitive movements and sounds – that we all use to self-regulate and self-soothe. Everybody does it to a certain degree but many neurodivergent individuals struggle with self regulating and so we stim more – and more noticeably – to compensate. It helps us to manage our emotions, anxiety and uncertainty and stress, sensory information, and helps us to express joy. I found it difficult to identify these behaviours in myself but over time, and especially over the last couple of years in therapy,* I’ve come to realise that there are many things that I do that play a big part in my attempts to stay somewhat regulated but because many of them have often served another purpose, I haven’t recognised what else they’ve been doing for me. Some of them are great and fun, some of them are harmful and I need help with, and some function only as a way to process what I’m feeling or what’s going on in my body but all of them help me to regulate myself and get through the day.

*I quit talk therapy in 2024 and dug into different modalities, eventually landing on Somatic Massage Therapy for trauma release and truly, I cannot articulate how much it has helped me. The years in talk therapy weren’t wasted (mostly) but this is a totally different level of processing and healing and growing. I was so checked out from my body and how it was processing emotion – as a survival mechanism – and the process of reconnecting to it has really unleashed some of my stimming, particularly swaying, swinging my arms, and flapping, in a really freeing way.


Singing – Up until recently, I probably wouldn’t have considered singing a stim but given how regulating I find it, I think there are certainly situations where I would consider it stimming. I find the physical sensations of singing so calming and it relaxes me both emotionally and physically but that makes a lot of sense since so many parts of singing are connected to self regulation: the breath control, the way you hold your body, the releasing of emotion, the complete focus (on the sound you’re trying to create, in this case)… I will never not be obsessed with the fact that my body is an instrument, that it can make music. It absolutely fascinates me and I get such intense joy from operating my body to produce the sound I want to create. It may be the only way I feel truly connected to my body, something that I have historically struggled with, so it doesn’t surprise me that it creates such a physical sense of joy every time I sing. I’m always finding new songs that I love to sing but some of my long time favourites include ‘California’ by Kina Grannis, ‘She Used To Be Mine’ and ‘Little Voice’ by Sara Bareilles, ‘Radio Silence’ by Natalie Hemby, and ‘Unsteady’ by X Ambassadors.

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