Finding HopeA Day In My Life (University With Autism Spectrum Disorder)
Posted on November 28, 2020
As opposed to my usual week-in-the-life posts, I thought I’d do something slightly different this time and zoom in on what it’s like to be an autistic student at university (one doing an MA in COVID-19 times anyway). This is obviously just my experience – as the saying goes, ‘if you’ve met one autistic person, you’ve met one autistic person’ – but I thought it might be an interesting post to write. I feel like it’s so important to share our experiences as autistic people, especially when media is being created that can be harmful to us (i.e. everything that’s been going on with Sia’s new film – I feel like I should be writing about that but I still don’t know how to; it makes me so upset that I can’t really write anything that feels articulate enough to represent the significance of the issue). So I hope this is an interesting read.
THE NIGHT BEFORE
Monday was hugely busy, with a production session, two doctors appointments, and working on the essay of the module in the spaces between. I’ve been working on it somewhat steadily but since I have a feedback session coming up, I’ve been a bit more random in my approach to writing it – fitting writing time in wherever I can or just writing about certain things as they occur to me – so that I can get as much out of that session as possible.
So it was one of those days where I barely had time to think.
On Monday evenings, the Masters course have a song sharing session between 7.30pm and 9.30pm. I’ve been a couple of times but I tend to find it too much. I’m most creative at night and so filling my head with new songs and song analysis right before I try to sleep really messes up my ability to sleep, which I have to try to do relatively early with my first class on a Tuesday at 9am. And if I don’t get enough sleep on a Monday night, I’m useless in every class on the one day I have classes. So, unless there’s a really good reason, I can’t really prioritise them.
I also find them quite hard socially: as much as doing the Masters course part time was the right thing for me, it has meant that for both years, I’ve never quite felt part of the group. There’s a handful of us in the same position and I can’t speak for them but it’s always left me feeling a bit ‘other,’ like I don’t really fit anywhere – not quite part of the group in the first year and even less part of the group in this second year. Everyone on the course is lovely but it does have a pretty big impact on the social side of the course. And when you struggle with feeling like you don’t fit in, it’s hard to feel it in yet another area of your life. So sometimes that factor just makes it too hard on my mental health. Maybe it will feel easier when one of my best friends rejoins the course in January.
So, instead, I used the time to do some more work on my essay before emailing everything required for the feedback session to my tutor (I wanted to make sure he had enough time to go through it all before we met on Wednesday afternoon). Then I tried to unwind a bit. Somehow I still ended up going to bed too late – not that 11pm is hugely late but for me, the night before a class, it’s on the border of being dangerously late.
I have a prescription for sleeping pills because my anti-depressants can cause problems with my sleep but I try to avoid them where I can. Having said that, knowing how exhausting a uni day can be, I usually take one the night before to make sure I’ve had enough sleep to give me the best chance of getting through said long uni day.
THE DAY ITSELF
I wouldn’t say I slept well and I struggled to get up but I’ve had worse nights so I just tried to push through the fatigue. I got dressed and made up and then collapsed on the sofa for a rest. Standing for the time it takes to shower, get dressed, and do my make up makes me feel weak, and lightheaded, and sick – something we’re still investigating with, unfortunately, very little progress – but getting up as early as I had meant that I did have enough time for some recovery time. It’s all down to planning. My life is dependent on planning. I also managed to eat some breakfast and take all of my pills. I’m taking quite a few at the moment – more than the ‘normal’ ones that help me maintain my mental health – because of a Vitamin D deficiency and horrible nerve pain down my left side (I’ve been waiting for a hospital appointment for the latter since about April or May, which may be my personal record for appointment waiting times).
My seminar started at nine (if you’ve read my previous university posts, you’ll remember that I’m doing all of my classes online this semester). My normal tutor (who is legitimately one of the loveliest people I’ve ever met) started the class before handing us over to a guest tutor who gave us a two hour class on arranging strings and horns. He was incredibly knowledgeable and engaging and so it was really interesting. Plus, Tiger came and sat with me for most of it, which was very nice. University with cats is a definite advantage of online lectures.
I was struggling to concentrate by the end of the class so I was relieved when we wrapped up. It was a lot of knowledge and sensory information to try to process and sort through and digest. I felt more than a bit dazed. Fortunately, the session was recorded so I can either go back and listen to it in shorter sections or go back and search for something specific.
My next class wasn’t until five so I had rather a lot of time to fill. Pre-pandemic, I’d hang out at uni and do cowrites, go to the favourite local coffee shop with friends, or work on whatever was on the list at the time but I’m finding it much harder to use this time effectively, whether that’s due to having my classes online or down to the pandemic just really screwing with my brain. Stuff that wasn’t hard before is now and the only thing I can put it down to is the pandemic, even if I don’t know precisely why. All I know is that it’s a weird time and so it shouldn’t be surprising that certain things aren’t the same as they were before. But it’s still frustrating to have such a big block of time that I could be using productively and not have my brain cooperate. Early in the semester, I ended up staring at my laptop screen, desperately trying to work on stuff and just not being able to. I got more and more frustrated and demoralised and eventually I just had to accept that this is not productive time. So I’ve been trying to come up with ways to fill it that aren’t too demanding but still feel like there’s a point to them; I don’t want to feel like I’ve wasted it by just staring at my phone or mindlessly jumping between the open windows on my laptop because that’s just not good for my general mental health. So I’ve been trying things like reading or watching new movies or TV shows – these have been good sources of inspiration in a time where I’ve struggled to find inspiration – or having a nap if I need one… Things that don’t require a lot of energy but still feel worthwhile (most of the time).
I did a quick scroll through my social medias to see if there was anything that needed replying to and then did some admin work: replying to emails, updating my bullet journal, and so on. Just as I was about to move onto something else, I got a load of notifications from social media, all Taylor Swift announcing her acoustic concert film going up on Disney+, folklore: the long pond studio sessions. That was so exciting that it temporarily scrambled my brain, in both a good and a bad way. As an autistic person, I’m really not a fan of surprise drops because I just get hit by a tidal wave of emotions and I feel so overwhelmed that I actually feel sick. I don’t want to sound ungrateful for the film because I am so, so grateful for all that Taylor has been putting out during the pandemic (her work really has been one of the things that’s helped me during this time) but the suddenness with which she’s been announcing things has been difficult because that doesn’t give me enough time to do the emotional processing that I need to do. So although I eventually settled into being really excited, I spent a lot of the day feeling painfully twisted up and anxious over the mess of emotion I was experiencing.
That did leave me floundering quite a bit, I have to confess. So, to try and take my mind off of everything I was feeling, my Mum and I caught up with the latest episode of His Dark Materials. It did help a bit. It’s such a great show; the casting, the acting, the sets, the interwoven storylines, etc are all so beautifully done. I loved the first series and I’m really enjoying the second one. I love Dafne Keen as Lyra (I so related to Lyra’s reaction to popcorn – it was freaking hilarious) and Amir Wilson as Will but I think it was Ruth Wilson as Marissa Coulter and Lin-Manuel Miranda as Lee Scoresby who really stole the show this week (pun actually not intended – if you know me, you’ll know I love a good pun). Their big scene together was just so powerful and how Ruth Wilson played the aftermath was particularly emotive.
I spent an hour or so working on a new blog post but after a while, I was just getting slower and slower and eventually I gave up and had a nap. I slept for about two hours before struggling up for my second class at five. I could’ve easily slept longer but I did my best to shake it off and concentrate on the workshop. This is where we (in this case, all of the 100% online students – the rest are blended and do the workshop in person onsite) share the songs we’ve been working on over the week and get feedback from the rest of the group. For most of the semester, we’ve had briefs each week but now we’re just working on whatever’s right for us. So, for example, I didn’t have a song to present because I’ve been working on the feedback for previous songs and the essay, rather than a new song (although I did recently write a rap, although I’m not sure whether I ever want anyone to hear it). Everyone else had songs to play though so I could still participate and give feedback, although I’m not sure how helpful I was because of how tired I was. But I tried. Some days I was just have less energy to work with than others.
I had an hour break before the evening session, which runs from seven to nine; they’re technically extra-curricular but I try to attend them when I can, especially now that they’re online and therefore more accessible. I don’t want to miss out on anything I don’t have to.
During my break, I had a quick dinner and catch up with my parents. The Grammy nominations had also been announced so I went through those. I’m super pleased for Taylor Swift: folklore is such a great album. Six nominations – Album of the Year, Song of the Year, Best Pop Solo Performance, Best Pop Duo/Group Performance, Best Pop Vocal Album, Best Song Written For Visual Media – is incredible and I’m really excited for her. Personally, I think she deserves at least several of those, especially considering the other nominees. I’m absolutely psyched for Ingrid Andress and her three nominations: Best New Artist, Best Country Song, and Best Country Album. I’ve been following her for years, having met her in Nashville at least a couple of years before her album was released. She’s an amazing writer and it would be just so awesome for her to win even one Grammy award this early in her career. But I’m concerned about her chances; she has some serious competition in all of those categories. The Best Country Song category, for example, is incredible, full of so many amazing songwriters that I love so much: Natalie Hemby (‘Bluebird’ by Miranda Lambert and ‘Crowded Table’ by The Highwomen, a group of which she’s a member), Maren Morris (‘The Bones’), and then Ingrid, of course. I want them all to win it. I was disappointed that Halsey still hasn’t been nominated. Manic is such an incredible album, as is Badlands (Live from Webster Hall), and it’s so frustrating that she doesn’t get the industry recognition she deserves. Especially given how popular ‘Without Me’ was, I’m really shocked that she’s never been nominated.
I just made it in time for the late session, which involved two of last years graduates presenting their final projects, one about using songwriting to explore different aspects of personality and the other about the experience of their gender transitioning and how sharing that story has the potential to increase understanding and empathy and break down barriers. They were both really cool projects but it was also massively helpful to see their processes, how they’d developed their ideas and researched them and how that research had lead them to writing the songs they wrote. It was fascinating and I definitely feel more prepared for my own project. I’ve got several ideas I’ve been turning over and the presentations have been helpful in my decision making process too. So I got a lot out of it, even if I was completely exhausted by the time the session finished.
It was about half nine and I probably could’ve gone straight to bed but I went and spent some time with my Mum, watching some TV together as we both wound down from the day. But it wasn’t long before we were both falling asleep so we put the cats to bed (they sleep in the kitchen so that we’re not woken up at five – the time they start demanding breakfast) and headed to bed ourselves.
THE NEXT MORNING
I’m not one of sleeping in so I always set an alarm. Then I can get up and start doing things (I have a real problem with needing to be productive) but usually, the day after a uni day, I sleep through the alarms I set. It doesn’t seem to change anything though. I keep setting alarms and sleeping through them. But that morning was special. I dragged myself out of bed at eight to watch folklore: the long pond studio sessions, as soon as it was available. It wasn’t particularly enjoyable to get up when I was so exhausted but it was absolutely worth it. The film was amazing, so amazing that I still haven’t figured out how to put all my feelings into words yet.
Since this post is just about my day at uni, I won’t write much more but just as I wrote about the Monday night, I thought I’d write about the Wednesday morning. Usually there isn’t a brand new Taylor Swift film to watch so I try to rest and recover my energy – physical, mental, and emotional – from the day before. As I said, I’m struggling with this need to be productive all of the time so with that in mind, I try to schedule undemanding tasks for Wednesdays. That particular day, I had a couple of half hour tutorials with tutors, so I spent the morning making sure I was ready for those. I’d already made notes of what I want to ask and discuss so I spent the rest of the morning going through those to make sure I felt as prepared as possible.
So, as you can probably tell, it takes a lot of planning and prioritising and rationing of energy to make it possible for me to go (or at the moment, ‘go’) to university, to make it possible to live my life in the most positive and productive (to a healthy extent) way. This isn’t an unusual day for me. While stuff like big Taylor Swift announcements and the Grammy nominations don’t happen every day, there’s often something that can cause emotional reactions like the ones described and I deal with fatigue and anxiety everyday. It’s one big juggling act. Every day. One enormous, exhausting juggling act every day.
Musicians And The US Election
Posted on October 17, 2020
I think it’s safe to say that a significant number of us, in the US and abroad, are terrified of what will happen if Donald Trump wins the upcoming election and so a vast number of public figures are becoming more politically vocal than they ever have before, at least as far as I can tell. People from all kinds of professions are speaking out and sharing their views, sharing information, and encouraging people to vote. And for what feels like the first time, there’s a lot less of the ‘vote according to your beliefs’ and a hell of a lot more ‘vote Biden because voting for Trump will cause irrevocable damage, including the deaths of thousands of people.’ Personally, I’m grateful for that. It’s one thing to tell people to vote for the party they believe in when the parties just prioritise different aspects of society, it’s another when people’s lives, their families, their very homes and livelihoods are at stake. This isn’t about priorities; this is about turning a blind eye to greed and corruption or putting people’s lives above all else. Because that’s what this will come down to. Donald Trump does not care for the American people and that will affect everyone in America, regardless of whether you voted Democrat or Republican.
I accidentally went off on a bit of an emotional tangent there. What I really wanted to talk about are some of the people making political statements and taking political action and how they’re going about it, specifically musicians…
Sara Bareilles – While Sara has never shied away from posting about politics, she has dedicated her social media almost entirely to politics in recent months. She tweets and retweets a lot of political discussion and resources and continually calls out Trump – and other Republicans – for their terrible behaviour. She also doesn’t just share the major, nation-wide stuff; she shares state specific stuff as well, which I imagine is really useful to her American followers. She’s unapologetically loud and it’s fantastic to see.
She also recently started the #MoreLoveCampaign – named after her recent album but apt for the current times – encouraging people to vote…
Taylor Swift – While Taylor is relatively new to talking about politics, she is absolutely serious now. She did post about and encourage people to vote in the last election but she didn’t publicly endorse Hillary Clinton, who she’s since said she supported. During a recent interview, she said that she felt her endorsement could’ve been damaging:
“The summer before that election, all people were saying was, ‘[Taylor’s] calculated. She’s manipulative. She’s not what she seems. She’s a snake. She’s a liar,’” the pop star told Vogue. “These are the same exact insults people were hurling at Hillary. Would I be an endorsement or would I be a liability?” She described how the attacks might have gone: “‘Look, snakes of a feather flock together. Look, the two lying women. The two nasty women.’”
She’s since said that, regardless of that, she regrets not clearly stating that she was voting for Hillary.
In the last two years, she’s become increasingly political but she is very strategic about it. She doesn’t post about it a lot on social media but then again, she doesn’t post a lot on social media at all. So when she does, it’s pretty big deal, especially if it’s about politics. She publishes targeted, impactful posts that, as you can imagine, get a lot of attention, on social media and in the press. It’s a different approach to that of Sara Bareilles’ but with Taylor’s megastar status, that’s not surprising. It doesn’t make one strategy better than the other though.
She’s also recently been featured in V Magazine’s Thought Leaders Issue, which included multiple public figures and their views on the election and encouraging people to vote.
She’s also talked about the election repeatedly in interviews and has even been including ‘vote’ cards in her merchandise deliveries as reminders to fans.
Maren Morris – Maren is another musician who has been consistently posting about politics on social media. I don’t recall seeing anything that directly states she’s voting for Biden but everything she posts and reposts, tweets and retweets implies that she is: she’s talked about having a voting plan, the debates, voter suppression, publicly (and I assume privately) mourned Ruth Bader Ginsburg, shared posts about how Trump’s people were manipulating photos and videos of support, and so on. She’s not sitting back and staying quiet as country artists are so often encouraged to do.
But I think her biggest contribution has been her recent song, ‘Better Than We Found It,’ and its accompanying music video. The song itself is more general in its message, a message of always striving for a better world, but certain lyrics – “When the wolf’s at the door all covered in blue,” “America, America, divided we fall,” and “God save us all from ourselves and the Hell that we’ve built for our kids, America, America, we’re better than this” – point to this specific moment in time. It’s a very powerful song but the music video is more powerful still, highlighting three different stories, all far too common today: two young Mexican boys, beneficiaries of the Dream Act, who are being forced to return to Mexico; footage from the Black Lives Matter protests; family members of Daniel Hambrick, who was shot and killed by Nashville police in 2018, talking about his death. It’s a very emotional video. It makes me cry every time I watch it; I cried just writing about it.
As well as spreading an important political message, some of the proceeds from ‘Better Than We Found It’ are being donated to the Black Women’s Health Imperative.
You can listen to/buy the song here.
Halsey – Halsey has always been an activist but it’s never been more obvious than it has over the last few months. She marched in the Black Lives Matter protests in LA where she was hit twice with rubber bullets, going back the next day with medical supplies to help treat the injured protesters. She’s been very vocal about the movement:
“I’m mixed-race and white-passing, and part of the [Black Lives Matter] protests put me in a position where I was subject to being shot with rubber bullets, and where I was subject to violence. Part of the reason for my participation is because my family is Black. Every time I see a name in the news, it could be my family. Being subject to violence [at the protests] gave me a lot of perspective. I’ve always been a part of an activity like that since I was a pre-teen—I was in the streets for Occupy Wall Street—so I’m a seasoned protester.”
She’s since set up the Black Creators Funding Initiative to award $10,000 grants to Black artists.
She’s been featured in V Magazine’s Thought Leaders Issue and was on the cover of Time Magazine as one of their ten Next Generation Leaders. She’s constantly using her social media accounts to share information and resources about the political situation and the election, as well as challenging those who share problematic or hateful views, and she’s currently releasing a series of videos where she discusses different elements of American society with Bernie Sanders, while encouraging viewers to vote.
“You vote for humanity, or you don’t,” she says. “You vote for a racist or you don’t. That’s the black and white of it to me.”
Of course, there are multiple others in the music industry doing the same or similar, including Carole King, The Chicks, John Legend, Cher, Madonna, James Taylor, P!nk, Billie Eilish, Lin-Manuel Miranda, and so on. I chose these four because I know more about what they’re doing and so can more personally speak to their actions and motivations and also because writing about everyone who has been getting involved would probably result in this post going up after the election…
And a quick side note:
It also makes me really happy and proud that some of my favourite actors (including those behind some of my favourite characters) have also been using their platform to encourage people to vote and especially to vote for Biden. For example…
Mariska Hargitay (Olivia Benson from Law & Order: Special Victims Unit) has been posting consistently about the election, endorsing Biden, and providing resources through her social media. She’s also engaging with (the respectful) people in the comments about why Biden is the better choice and why Trump getting in again will be so damaging. Given what I know of her as a person through interviews and so on, this doesn’t surprise me but it means a lot to me to see someone I respect so much putting so much effort into this.
And Chloe Bennet (the actress behind my absolute favourite character ever, Daisy Johnson from Agents of S.H.I.E.L.D.) has also been very vocal about the election and about voting Democrat.
She’s been politically active for as long as I’ve been aware of her, and longer if you scroll back through her social media. Something I particularly like and relate to in her approach to politics is that she’s equally as emotional as she is thoughtful and strategic. She gets sad and angry and she rages about the unfairness but she also finds ways to help and engages with organisations (even co-founding one, RUN AAPI) that will improve people’s lives. I think a lot of people need to see that: that you can be emotional about it but that that doesn’t have to leave you frozen. You can both feel and act.
She’s also been calling out Trump for almost as long as she’s had social media, the earliest one I could find being in 2013. If we didn’t know already, I think we could safely say who she’s not voting for…
It’s hard to be in the UK and not be able to do anything, as far as I can tell. We can speak out on social media, share resources for our American friends, and so on, but we can’t actually DO anything. It’s scary and I know I’m not the only one feeling helpless, waiting for this one moment that will change everything, one way or the other, without being able to affect the result.
National Album Day 2020
Posted on October 10, 2020
Back in the early weeks of lockdown, I wrote a (very long) post about my favourite albums from the 2010s. I love albums; I love the putting together of a collection of songs to create a bigger, more expressive and more meaningful piece of work, both as a listener and as a songwriter. I think it adds so much more to the listening experience than the release-one-single-at-a-time approach. I love diving into them and getting lost in these little pocket universes they create and generally, once I love an album, they remain high on my musical lists.
And since today is National Album Day (as well as World Mental Health Day), I thought I’d do a little write up of my favourite albums of 2020 so far…
Manic by Halsey (January 2020) – Despite coming out so early in the year and with all the competition since, it’s easy for me to say that this is at the top of my list of 2020 albums, or of albums in general. I absolutely adore it. I love her previous work and the way each body of work existed in a larger metaphor (Badlands is another of my very favourite albums) but there was something truly special about this album and how personal it was, how it felt like we were truly seeing Ashley for the first time; there was something so sacred about that, especially on the first listen. I love how eclectic this album is – in genre, production style, featured artists, subject matter – because that’s something that’s always been indicative of her as a person: she experiments with her hair, her style, her musical projects, her artistic projects, and so on. That the album reflects that feels very authentic and real. And yet somehow it fits. It works. I could write in depth about every song but I’ll just stick to a couple of points: I loved how you feel the transition from Halsey to Ashley in ‘Ashley’; I love the journey, both lyrically and production wise, that we experience through ‘Forever … (is a long time)’; I love the vivid imagery and storytelling that we get in songs like ‘Finally // Beautiful Stranger’; I love and feel honoured by her willingness to be so open and vulnerable about some of the most difficult parts of her life, such as we hear in ‘More’ and ‘929.’ I’m so inspired by her as a songwriter and as an artist and as a person that I think this album will be very special to me for a very long time, if not forever.
Favourite Tracks: Ashley, You should be sad, Forever … (is a long time), 3am, killing boys, More, Still Learning, and 929.
Good Years by The Shires (March 2020) – I’ve loved The Shires’ music since they released ‘Nashville Grey Skies’ in early 2015 and Ben and Crissie are just such lovely people. Their voices sound gorgeous together, complimenting each other perfectly, and their melodies are always incredibly catchy; I’m usually singing the melodies before I even know the lyrics. The production is also stunning; I would describe it as having the glossiness of pop music while staying very true to the country instrumentation and arrangement. There’s a warmth to it; I always feel enveloped by the very sound of the songs. My only wish would be for some development album to album, for example in the song content; after their first album, love songs feature heavily on every album and I just think it would be really interesting to hear them sing about different subjects. They proved on the first album, Brave, that they could do it and do it well with great songs like ‘Nashville Grey Skies’ and ‘Made in England’ and they’ve come so far since then.
Favourite Tracks: Lightning Strikes and About Last Night.
kelsea by Kelsea Ballerini (March 2020) – I’m consistently awed by Kelsea’s ability to perfectly balance country and pop, blending the intimate storytelling and warm instrumentation of country and the glittery production and melodies of pop. And I love how you can feel her growth in each album, as an artist, as a songwriter, and as a person. To me, this album sounds like the universal inbetween of becoming a real adult: getting comfortable in your skin but still nursing some of your deeper insecurities, walking that line of the steadiness of adulthood and the flightiness of youth, and establishing the anchors of your identity while continuing to grow.
Favourite Tracks: club, the other girl (with Halsey), bragger, half of my hometown (feat. Kenny Chesney), the way i used to, and needy.
Lady Like by Ingrid Andress (March 2020) – I’d been excited for Ingrid to release music ever since I first heard her play ‘Lady Like’ at a Tin Pan South round in 2018. She was just fantastic and I couldn’t wait for her to release more than the two singles that were on iTunes at the time. It only took one song to tell what an amazing talent she was. I love the album – I particularly love her lyrics, her ability to weave humour into one song and then vulnerable, heart-wrenching imagery into another, and it’s really cool to have so much piano in country songs – but I was a bit disappointed that there were only eight tracks and that I’d heard all of them by the time the album came out. It’s great, of course, to finally have them to blast in the car and so on, but I would’ve loved to hear a song she’d been holding back for the release or something like that. And I was really sad that ‘Blue,’ which she’d played on tour, didn’t make the album because it was absolutely stunning.
Favourite Tracks: Bad Advice, We’re Not Friends, More Hearts Than Mine, Life of the Party, and Lady Like.
folklore by Taylor Swift (July 2020) – I’ve already written a bit about this album (and because I am such a songwriting nerd, I’m writing another post about it in more detail because there’s just so much to say about it) but I couldn’t not include this album in this post. I’ll just try my best not to go overboard. This feels like the album of a pure singersongwriter, an album where the songs themselves are given centre stage to shine. Somehow the album is her most experimental yet while still being so true to the songwriter that she has always been. I love the production style, which often centers around the piano, the minimal arrangements, and the lower vocal range that Taylor takes the time to explore. I love the different narratives and perspectives that she writes from while still sharing her emotions and experiences. And I love how vulnerable she allows herself to be, over and over again. Whether these lyrics are autobiographical or drawn from elsewhere – “You know the greatest loves of all time are over now,” “I can see you starin’, honey, like he’s just your understudy, like you’d get your knuckles bloody for me,” “I didn’t have it in myself to go with grace,” “I’m still a believer but I don’t know why, I’ve never been a natural, all I do is try, try, try,” “Before I learned civility, I used to scream ferociously any time I wanted,” “Pulled the car off the road to the lookout, could’ve followed my fears all the way down,” “And you know damn well, for you I would ruin myself, a million little times,” “But the rain is always gonna come, if you’re standing with me,” and “Stood on the cliffside, screaming, ‘Give me a reason'” – they prove what an incredible songwriter she is, what a deeper thinker she is, and how deeply she feels emotions (something that has always made me feel really connected to her and her writing). These are emotions she’s related to, whether the events happened to her or not, and to turn those feelings into something so beautiful and to then share it with the world is so, so special. There’s so much more I could say but it’s a stunning album and I love it more than I can express. It’s one of those albums that arrived in my life just when I needed it and my god, I am so grateful.
Favourite Tracks: the 1, exile (feat. Bon Iver), my tears ricochet, mirrorball, this is me trying, illicit affairs, and mad woman.
If It Wasn’t For You by Caylee Hammack (August 2020) – I first heard Caylee sing at Tin Pan South in 2017 and I just fell in love with her songwriting. I’ve been waiting for her to release music ever since and so when she announced this album I was ecstatic. ‘Family Tree’ was the perfect first single: it feels like such a central theme in the album and one of the strongest songs in every aspect. Just because of what was going on in my life when it came out, I haven’t had the opportunity to really delve into it – into the lyrics and stories and so on – but I’m really loving listening to it and just taking it all in (full disclosure, I cried when I first heard ‘Forged In The Fire’ and ‘Mean Something’). She has an amazing voice and I love her ballsy, unapologetic attitude but that she can also let that fall away and open up to write and sing these incredibly vulnerable songs. Her lyric writing is also something really special: her songs are full of little details that make them so unique. I can’t imagine anyone else singing them and really making them work. There are also various production choices that really stick out to me, things that you – or at least I – don’t hear all that often, like her use of backing vocals and ‘non-musical sounds’ like the cheering of a football game on TV in ‘Family Tree.’ My only sadness concerning this album is that she didn’t include a song she sang when I heard her at Tin Pan South, probably one of the most heartbreaking songs I’ve ever heard: “Laid an old friend in the ground before saying ‘I’m sorry’, and that’s something that I don’t expect forgiveness for, I should’ve called more.” I would’ve loved that song to be included on the album because it was absolutely beautiful.
Favourite Tracks: Preciatcha, Sister, Forged In The Fire, Family Tree, Mean Something (feat. Ashley McBryde & Tenille Townes), and Small Town Hypocrite.
Badlands (Live from Webster Hall) by Halsey (August 2020) – Before I talk about the live album, I have to mention the original first because it’s one of my favourite albums of all time. I love how different it is; I love the production and all the extra details that give it it’s unique sound; I love her vocals and the the myriad of little ways she uses her voice to convey emotion; I love the stories she tells and the lyrics she writes, all of the detail she includes and within them, which ones she chooses to develop, the themes she brings into the songs time and again. She’s truly one of my favourite artists.
But back to the live album. I love how much energy and passion she puts into her performances and I love how you can hear her smiling and responding to the crowd as she sings (and oh my god, how gloriously loud the crowd are). Her vocals are incredible (they’ve grown so much since she toured this album) and I love how she’s made little changes: changing the rhythm, speaking a line instead of singing it, and so on. The music behind her, whether it’s live or programmed or a combination of both sounds great and I can absolutely imagine her up on that stage, leaping around just as she did when I saw her on the Badlands Tour in 2016. I also loved the spoken parts (and especially relevant to this post, how she talks about how much she loves albums and how much everyone in the crowd loves albums if they love Badlands as much as they clearly do) because she speaks so beautifully and has such an interesting way of seeing the world. I guess my only sadness about those tracks is how clearly she’s talking to the audience right there (as it should be in a live show, in my opinion) and it just reminds me how I’ve never felt part of the fanbase – or any artist’s fanbase – regardless of how much I love her. I always feel on the edge, feel like if I took one step back and disappeared, no one would notice. And given just how close Halsey is with her fanbase – always taking photos, signing things, replying to tweets, getting tattoos with them, making them feel truly valued as individuals – it’s not difficult to feel even more invisible than usual. I guess that’s one of the downsides of artists being able to connect to fans one-on-one: it’s great for the fans it happens to, but really hard for those it doesn’t.
It’s worth noting that it’s hard to separate my favourite songs from the Badlands album and my favourite performances from the Badlands (Live at Webster Hall) album but I’ll try my best because they’re not necessarily the same…
Favourite Tracks: Castle, Hold Me Down, Hurricane, Roman Holiday, Colors, Tiny Little Babies – Talking Break, Strange Love, Forget Her and Find Her – Talking Break, Coming Down, Control (this one is so powerful), Young God, Gasoline, Some Kind of Stardust – Talking Break, and Is There Somewhere.
More Love: Songs from Little Voice Season One by Sara Bareilles (September 2020) – I’m aware that having not seen the show, Little Voice, yet, listening to this album may be a different experience than that of someone who has seen the show. I do really want to watch it but with my mental health in mind, I’m conflicted: I want to see anything Sara Bareilles is involved in creating because I love her and I love her work but I’m also wary that media about my chosen career path, about becoming a singersongwriter, has the capacity to seriously trigger my anxiety, something that I’m extra cautious of in these present times when my anxiety is already so high. But regardless of that, I couldn’t let a Sara Bareilles album come out and not listen to it. I have found it a little harder to get into than some of her others (but again that maybe be that I haven’t seen the show that gives the songs context). But there’s something so distinctly Sara Bareilles about it that I love. The songs feel hopeful and have a certain warmth, creating an instant emotional connection. It’s just stronger with some than others. The production feels like the big sister of the Little Voice album and her vocals her just incredible. Her lyrics are just stunning as always – “I’m barely brave enough to be breathing,” “So I will write it down, all the jagged edges,” “I’m facing all of my fears, I’ve lined them up and wonder how I’ve been with them for years,” “I hit my head against the wall, a portrait of my grief,” and “Looking over the precious moments, it hurts don’t it, they can cut both ways” – and I feel like they’re coming to me just at the right time. There’s something about Sara’s music that has always felt just so healing and I’ve never needed that more than I do right now. I think it’s also worth noting that I’ve never had to pause an album so many times to write down song ideas.
Favourite Tracks: More Love, Simple And True, Coming Back To You, and Little Voice.
ballerini by Kelsea Ballerini (September 2020) – While I’m pretty sure I prefer kelsea to ballerini, I think this is a really fascinating project and it’s really cool to see how different the songs could’ve been, what a different life they could’ve had. I found the instrumentation a little repetitive but I loved some of the changes she made, particularly the little lyric tweaks that gave you a brand new, and often a more vulnerable, insight into the songs. Some songs had a completely different emotional vibe that was really unexpected but so cool to experience. As fans, the songs obviously speak differently to us with these changes but I admit that I’m super curious how they’ve taken on new meaning for Kelsea. It will be really interesting to see, when she is able to tour again, how she chooses to perform these songs, which version she chooses or leans into more.
Favourite Tracks: club, homecoming queen?, bragger, half of my hometown, the way i used to, needy, a country song, and la.
Lady Like (Deluxe) by Ingrid Andress (October 2020) – This album was announced less than an hour after I wrote the paragraph of Lady Like, where I talked about wanting some songs I hadn’t already heard. That made me laugh; it was like I had willed it into existence. The livestream before the release was great and it made my little songwriter heart happy to hear all the stories from the behind-the-scenes of writing those songs. And when it was over, the album was available on iTunes. I love that she changed the tracklist to tell the chronological story (using the tracklist to actively tell a story is something I’ve always been a fan of, rather than just putting the songs in an order that sounds good – not that there’s anything wrong with that) so it was a bit like listening to the album all over again and I just feel like it gave the album a slightly different vibe, a different emotional context. I’m not gonna talk about the songs from the original album because I’d just be repeating myself but the five new tracks were definitely a cool addition to the album as a piece of art (I’m still sad about ‘Blue’ though – hopefully she’s just saving it for a future project). I liked the simplicity and honesty of ‘Feeling Things,’ ‘Boys’ is youthfully lighthearted and flippant, and ‘Waste of Lime’ is full of the acerbic wit and attitude that Ingrid does so well, just as well as she does vulnerable and heartfelt. And the added voices of Karen Fairchild and Kimberly Schlapman from Little Big Town bring a beautiful, almost choral effect to ‘More Hearts Than Mine.’ As I said, I think these extra tracks really add to an already great album and I’m so glad that Ingrid decided to expand on the Lady Like era before moving onto the next project.
Favourite Tracks (not including those from the original edition of the album): Feeling Things and Waste of Lime.
I’ve struggled to sit and just listen to new music over lockdown – my brain seems insistent that I always be doing something to keep my anxiety at bay – so there are still multiple albums that I really want to listen to but haven’t been able to focus enough yet to do so. Some of these are:
- Gaslighter by The Chicks
- Rise and Shine by Cassadee Pope
- Petals For Armor by Hayley Williams
- Fetch The Bolt Cutters by Fiona Apple
- Punisher by Phoebe Bridgers
- Such Pretty Forks in the Road by Alanis Morissette
- Stay Alive by Laura Jane Grace
I’m really looking forward to them though and having something to look forward to in times like these is definitely not a bad thing.
Finding Hope 