Posted on April 17, 2022
Apparently I’m incapable of doing things halfway: I went from barely leaving the house to going on an almost three week trip to the US. The songwriting festival, Tin Pan South, was starting up again and I’ve been going every year since 2016, to write songs and network and just learn from the best songwriters in Nashville. I was utterly terrified – about the COVID risk, about how even a minor bout of COVID could affect the trip, about all of the uncertainty and anxiety that I was going to feel every day without having a true safe place to return to and recharge, etc – but I felt like I had to go. My Mum and I were as careful as we could be: we wore masks pretty much all of the time (being autistic makes that hard but I did the best I could) and we went through so much hand sanitiser. I was practically showering with it. I cried pretty much every day (whether from anxiety, stress, or exhaustion, I don’t know) and I was on my knees by the end of the trip but it was amazing and a lot of really cool things happened.
BOSTON
We flew from London to Boston, which was relatively simple – my anxiety aside. I’d already burst into tears at least twice before we actually left the runway. I was very anxious about COVID (and there were so many things that already made me anxious that now had an entirely new context because of COVID) and about flying (it’s not my favourite thing) and I think I was just really overwhelmed by everything ahead of me. The flight felt ridiculously long and while I was relieved to be back on the ground (and eventually into the hotel where we could take the masks off after wearing them for so long), I was immediately overwhelmed by being abroad, by all of the differences. Getting to the hotel room and being able to just collapse was a great relief.
Months earlier, I’d bought tickets to the Bleachers show where they’d be playing their album Strange Desire from start to finish in the hope that I’d be able to combine it with the Nashville trip – the date was, after all, pretty close to when Tin Pan South usually took place. So I chanced it and by some stroke of luck, it worked out and we made our connection in Boston with a day in between to go to the concert. I had no idea what the disabled accommodations were going to be like but, on the whole, the venue and staff were great, which made the concert possible for me and it was incredible.
I still don’t know if I can describe the concert, beyond saying how amazing it was. Charly Bliss were a really fun opener and I’m very excited for them to release the new songs they played; those were the ones that I really got into. And Bleachers were just fantastic. Jack Antonoff in particular was just like an endlessly ricocheting ball of adrenaline; I barely got any photos of him that were in focus because he was just in constant motion. It was so incredibly special to hear songs like ‘Wild Heart,’ ‘I Wanna Get Better,’ and ‘Like A River Runs,’ all of which I love so much. It still feels kind of unreal, like I can’t quite believe I was really there.
The next day, we struggled up – I felt completely wrecked by the concert – and caught our flight to Nashville.
NASHVILLE
When we got to Nashville, we took a couple of days just to rest and to allow me to collect myself. I was exhausted and a few days holed up in my Airbnb – where I didn’t have to worry about wearing a mask or the risk of COVID – was absolutely needed. And while there are always things to see and exploring to do in Nashville, we’d decided to keep our excursions to our highest priorities; we wanted to minimise the risk of exposure to COVID so that we could do all of the things that we really, really wanted to do.
So those first few days were spent chilling out, watching TV, catching up with my diary, and listening to Maren Morris’ new album, Humble Quest. I think I’ll forever connect it with Nashville now. Between listening to it as I flew into the city and watching her Amazon Prime show that first weekend, the album’s setting will always Nashville.
The show was great and I cannot wait until she comes back to the UK. I’m already in love with this album.
SONG SUFFRAGETTES
My first show back was a big one: Song Suffragettes’ 8th Anniversary show. Usually a Song Suffragettes show consists of five girls and they go around three times, performing three songs each (in total), before closing the show with the cover song performed together. But for this song, there was the first round of five girls who each performed twice plus a cover, a break in which THE Nicolle Galyon interviewed THE Kelsea Ballerini, and then a second round with five more girls who each performed twice as well as a cover song. It was a long but very excellent show.
The first round consisted of Ava Paige, Autumn Nicholas, Kalie Shorr, Ava Suppelsa, Lanie Gardner, and Mia Morris on percussion (she also played a song in this round – a rewrite of Fountains of Wayne’s ‘Stacy’s Mom’ from the point of view of Stacy, which was hilarious). They were all great but, as I think is the case with every songwriters’ round, there were some that resonated with me more than others. I’ve known and loved Kalie for years so I always know she’s going to be my favourite (if you haven’t listened to her music, please check her out – she’s very special) but I didn’t know the others and found I particularly enjoyed Ava Paige’s songs too. I also loved the cover they did, ‘abcdefu’ by GAYLE, and I’ve had it on repeat ever since (along with ‘Humble Quest’ by Maren Morris).
After the cover, they cleared the stage and set it up for the Nicolle Galyon and Kelsea Ballerini interview. They are both just such cool people and have achieved some incredible things; it was very inspiring. Nicolle asked some really interesting questions and Kelsea shared a lot of fascinating, inspiring, and encouraging stories and advice. And then they played a couple of songs that they’ve written together – ‘i quit drinking’ and ‘half of my hometown’ – as well as telling the stories behind the writing of them. It was a really, really cool experience and I feel very lucky to have been there.
The second round was made up of Emily Brooke, Caroline Watkins, Lauren Hungate, Madeline Merlo, Peyton Porter and, again, Mia Morris on percussion. I particularly liked Emily Brooke; I’ve seen her before and I really like her music. And they all told great stories about what inspired the songs.
It was an amazing show and experience and it was a great reintroduction to Nashville. I also got to reconnect with the people I know at Song Suffragettes (and those who I’ve spoken to online but not met) and that was really, really nice. I was kind of scared that, after three years away, the previous years of building relationships might have ended up meaning nothing but that completely wasn’t the case and I’m really grateful for that.
TIN PAN SOUTH
As I said, Tin Pan South is the big reason for coming to Nashville and I had some amazing shows on my list. There were some very tough choices too, great rounds that I struggled to choose between. But I think I made the right choices, for me, for this trip.
I could write about every single show in a ridiculous amount of detail but then we’d be here forever. So here are my highlights of the week…
AUTISM AWARENESS WEEK / DAY
It was World Autism Awareness/Acceptance Week and World Autism Awareness Day while I was away and, knowing that I’d be busy in Nashville, I’d prepared a series of posts to put up on my blog. I also posted this on Instagram:
OTHER FUN THINGS
While I didn’t do a whole lot more than go to shows, I did do a few things that are specific and special to Nashville…
SONG SUFFRAGETTES
I did manage to get in a second Song Suffragettes show while I was in town, which I was very grateful for. This round was made up of Jillian Dawn, Sam Bowlds, Olivia Faye, Elana Jane, Paige King Johnson, and Mia Morris, Mia being the only one I knew previously. They were all great – they always are – but I think my favourites were Jillian Dawn and Paige King Johnson; their songs just spoke to me more deeply than the others did for some reason.
On the whole, the travel had been good. I had disabled assistance at all of the airports and until the trip home, that was great and had made the whole flying ordeal a lot easier. But on the return trip, everything kind of went to hell and it was a bit reminiscent of ‘a series of unfortunate events.’ I almost had a meltdown on the flight from Nashville to Dallas because of a mix up with the seats, which was horrible.
And while the Dallas to London flight was okay (I mean, it was long and cold and uncomfortable but nothing went wrong), everything went wrong from the moment we landed, from problems with gates to confusion with the disability assistance to the freaking coach home. And by that time, we were both so tired (and I was so overwhelmed and stressed out) that I was definitely moments from bursting into tears. But we did eventually – eventually – get home.
It’s been about a week since I got home now and I’ve been a bit of a mess. The jet lag hit me hard, on top of my exhaustion from the trip itself, and my mental health hasn’t been great. I guess I’m just feeling really overwhelmed, like all of my feelings have been turned up to eleven (I mean, even more so than usual).
Category: anxiety, autism, chronic fatigue, covid-19 pandemic, emotions, event, favourites, food, heds, holidays, mental health, music, sleep, special interests, video, writing Tagged: bleachers, boston, boston ma, candle bar, candle bar nashville, candle making, caylee hammack, charly bliss, chris destefano, chronic fatigue, chronic illness, chronic pain, commodore grille, concert, covid-19, disabled, disabled access, emily shackelton, exhaustion, face mask, face masks, festival, humble quest, jack antonoff, jeffrey steele, jet lag, kalie shorr, kelsea ballerini, madison kozak, maren morris, mask, masking, masks, nashville, nashville songwriters association international, natalie hemby, nicolle galyon, nsai, paddywax candle bar, pancake pantry, pandemic, pandemic 2020, pandemic anxiety, singersongwriter, singersongwriter life, song suffragettes, songwriter, songwriters, songwriters festival, songwriting, strange desire, tin pan south, tin pan south 2022, travel, travelling, waaw, world autism acceptance week, world autism acceptance week 2022, world autism awareness day, world autism awareness week
Posted on April 16, 2022
From Brighton to Boston to Nashville and then back to Brighton, I was listening to a lot of music and like on previous trips, I enjoyed keeping notes of which songs I was listening to. These are all songs that were prominent during my trip, songs that I will probably always connect back to this trip. I didn’t necessarily have a song for every single day but given that I was away for just over two weeks, I figured that this was a perfectly decent number of songs for a playlist.
‘I Wanna Get Better’ by Bleachers
The reason we stopped in Boston on the way to Nashville was so that I could finally see Bleachers live and see them play the Strange Desire album from start to finish, an album that means so much to me. I could’ve chosen ‘Like a River Runs’ because that song is tied with this one as my favourite Bleachers song but the energy of the crowd during this song took my breath away. It was amazing.
Favourite Lyrics: “Woke up this morning early before my family / From this dream where she was trying to show me / How a life can move from the darkness / She said to get better // So I put a bullet where I shoulda put a helmet / And I crash my car cause I wanna get carried away / That’s why I’m standing on the overpass screaming at myself / ‘Hey, I wanna get better!’ // I didn’t know I was lonely ’til i saw your face / I wanna get better, better, better, better / I wanna get better / I didn’t know I was broken ’til i wanted to change / I wanna get better, better, better, better / I wanna get better”
WARNING: FLASHING LIGHTS!
‘Humble Quest’ by Maren Morris
Maren Morris’ new album came out the day I flew into Nashville and so I listened to it as I flew back into town. While I love a lot of the songs, ‘Humble Quest’ stood out to me straight away and it was stuck in my head for days afterwards. I really related to it although I’m not sure what part of me it’s speaking to. But the lyrics “And damn I do my best / Not gonna hold my breath / ‘Cause I still haven’t found it yet / No, I still haven’t found it yet” just resonate really strongly. And it’s catchy as hell.
Favourite Lyrics: “Haven’t looked up in a while / Been biting my tongue behind a smile / Falling on swords that I can’t see / Poison my well on the daily / Got easier not to ask / Just kept hitting my head on the glass / I was so nice till I woke up / I was polite till I spoke up // I’m on a humble quest / And damn I do my best / Not gonna hold my breath / ‘Cause I still haven’t found it yet / No, I still haven’t found it yet”
‘Circles Around This Town’ by Maren Morris
While I was in Nashville (and still recovering from the flights, the jet lag, and the Bleachers concert), Maren Morris’ Amazon Prime show was streamed from New York and I was able to watch it. I really, really enjoyed it and I could’ve chosen so many different songs but ‘Circles Around This Town’ just felt like the right choice. It’s the first single from the new album and the first song she played for this show. I wasn’t sure about it when she first released it but it’s grown on me so much since then, so much since the album came out. It’s so her and yet so easy to connect to.
Favourite Lyrics: “So many times I thought about leaving / Got my ass kicked trying to compete with / Everybody else’s ones that got away / Hung around long enough to catch a break // Couple hundred songs and the ones that finally worked / Was the one about a car and the one about a church / That I wrote // Driving circles around this town / Trying to write circles around this town / Trying to say something with meaning, something worth singing about / I’ve been kind and I’ve been ruthless / Yeah, I got here but the truth is / Thought when I hit it, it’d all look different / But I still got the pedal down / Driving circles around this town / Driving circles around this town”
‘Eighteen’ by Kalie Shorr
Kalie is one of my favourite artists and songwriters and this one is gut-wrenching. It’s beautifully written and while I literally can’t name my favourite songs of hers because I love so many of them, this is one of the ones that I love a lot. I’d never heard it live though – up to this point anyway – but she played it at the Song Suffragettes 8th Anniversary show, which was my first show back in Nashville. That was particularly sweet: because of the pandemic, I haven’t seen Kalie live since she released her debut album, Open Book, which is one of my favourite albums ever so it was very special to hear a song from the album now that I’m finally back in the US and able to see her perform.
Favourite Lyrics: “Which one did you fuck harder my best friend or my self esteem / Remember when you got drunk and said you were the only one dumb enough to love me / I don’t want to live just following your script / The actress is too young and the director is a narcissist” AND “I see you out with younger versions of me / While I’m trying to find who I used to be / I’m terrified that you and I will always be chasing eighteen // This isn’t normal, this isn’t okay / But I didn’t know any better, so I thought it’d be better to stay / Almost beautiful, the things that you taught me / I think I really loved you, I think you really loved that I was / Eighteen”
‘abcdefu’ by GAYLE (Performed by Song Suffragettes – Mia Morris, Ava Paige, Autumn Nicholas, Kalie Shorr, Ava Suppelsa, and Lanie Gardner)
This was one of the songs the Song Suffragettes covered during their anniversary show and it just got stuck in my head. It’s such a mood, both in the context of a break up and when you’re just pissed off: just fuck everybody and all of the stupid things about them that irritate you. The dog is spared though, which just cracks me up. It’s so catchy and my brain was just switching back and forth between this song and ‘Humble Quest’ by Maren Morris.
Favourite Lyrics: “Dated a girl that I hate for the attention / She only made it two days, what a connection / It’s like you’d do anything for my affection / You’re goin’ all about it in the worst ways // I was into you, but I’m over it now / And I was tryin’ to be nice / But nothing’s getting through, so let me spell it out // ABCDE FU / And your mom and your sister and your job / And your broke-ass car and that shit you call art / Fuck you and your friends that I’ll never see again / Everybody but your dog, you can all fuck off / Nah, nah, nah, nah, nah, nah, nah, nah / ABCDE FU”
‘half of my hometown’ by Kelsea Ballerini (Performed by Kelsea Ballerini and Nicolle Galyon)
Kelsea Ballerini was being honoured at the Song Suffragettes show (the same one Kalie was playing at) and after an interview with Nicolle Galyon (who is also very awesome), the two of them played a couple of the songs they’ve written together that Kelsea’s released. That was very cool and ‘half of my hometown’ is one of my favourite songs on Kelsea’s latest album so it was very cool to hear her sing it live. I love the detail in the lyrics that is so specific to her and yet it’s such a relatable feeling.
Favourite Lyrics: “Back roads raise us / Highways take us / Memories make us wanna go back // To our hometown, settle down / Talk about that one touchdown / Raise some kids in red and black / Go Bobcats, while the other half / Of my hometown was in the crowd / They knew the words, they sang them loud / And all I wanna do is make them proud / ‘Cause half of me will always be / From Knoxville, Tennessee / My hometown / ‘Cause I’m half of my hometown”
‘Small Town Hypocrite’ by Caylee Hammack
I first saw Caylee Hammack in 2017 – at a Tin Pan South show – and she actually played this song. Now, at my first Tin Pan South show of 2022 – my first in three years – she played it again and I was just so happy to be seeing her perform again (another thing that was taken away by the pandemic). In that time, she’s put out an album that I love and is working on her music, some of which she played during the show. She has an incredible voice, which only amplifies the emotion in the song. I also got to have a conversation with her and she’s such a sweetheart. It was, all in all, an excellent start to the festival.
Favourite Lyrics: “And that scholarship was a ship that sailed / When I chose you and daddy gave me hell / I made myself into someone else just to love you, damn, I loved you / Took all my plans and I put ’em in a box / Phantom pains for the wings I lost / Had me circling rings in the catalogs / For seven years and you never got the hint / Ain’t that some shit / I’m just a small-town hypocrite // Swore we’d be running, running, running this town / But you’re just running, running, running around / And I’m staring at a picket fence / Wondering where the hell time went / I should’ve been running, running, running by now / But I just hang around”
‘My First Last Name’ by Madison Kozak
I could’ve chosen any of the songs Madison Kozak played during her Tin Pan South show because I loved all of them but this one has always been special to me. I’ll never get to have a relationship like this with my Dad but it’s nice to imagine. It makes me super emotional but not in a negative way – or at least, not in a wholly negative way. It does make me sad but I’m grateful for the song. It reminds me of my Dad and the good parts of our relationship. It’s a beautifully written song and I can’t wait to hear the other songs she played that she’s planning to release soon.
Favourite Lyrics: “Yeah, he set the bar real high / But I met a real good guy / Still not much of a crier / Till we’re halfway down the aisle // He’s the son of the salesman / Short glass, old fashioned / ‘How are things going lately?’ / ‘Stop on by, bring the baby’ / People they say, I’m more like him everyday / He can give me away, but no one can take / My first last name”
‘i quit drinking’ by Kelsea Ballerini and LANY (Written by Kelsea Ballerini, Paul Jason Klein, and Nicolle Galyon) (Performed by Nicolle Gaylon)
I love Nicolle Galyon’s songwriting and she has a gorgeous singing voice; she makes all of these iconic songs her own and I love that she’s created a label to specifically support women. She’s just awesome and, again, I could’ve chosen any of the songs that she played. This particular festival slot was a hard one because there were multiple great shows on at that time but I’m really happy I chose this one. I also got to talk to her briefly after the show and she was really lovely. I still feel like I’m getting my feet under me socially, after so long with little in person socialisation (and so I feel very awkward still), but talking about music and songwriting is my favourite thing so that does make it easier.
Favourite Lyrics: “We used to be / Dizzy all morning / Hungover, pouring / Cups of coffee black / Kiss and crawl right back / Under the covers / Down for another / Hour in that bed / Now, I’m here instead // Waking up sober, it feels kind of nice / Except that I can’t sleep at night // You’re the reason there’s no whiskey anywhere inside this house / You’re the reason all my friends know I don’t go downtown / You’re the reason I hate champagne, never used to turn it down / You’re the only thing I want when one drop hits my mouth / Baby, you’re the reason / I quit drinking // I quit thinking (I quit thinking) / Staring at the ceiling (Oh) / And all my cabernet is down the kitchen sink, yeah (It’s down the kitchen sink, yeah) / I quit mixing (I quit mixing) / All my drinks and feelings / It’s not fixing that you’re gone”
‘Doin’ Fine’ by Lauren Alaina (Performed by Emily Shackelton)
I still remember the first time I heard Emily Shackelton play this song at a Tin Pan South round and how it just hit me; like, the autobiographical details are clearly not mine but the message of the song has been so applicable to me so many times throughout my life and here we are again and it’s still true. There was a new level of poignancy in the performance of this song though as it was written with busbee who is no longer with us – he died late 2019 – and this is the first Tin Pan South since then. Emily dedicated it to him and from what I’ve heard, he was an amazing person. I’m sorry that I never got to meet him.
Favourite Lyrics: “I’m doin’ fine enough to know that everyone’s a little broken / Fine enough to learn that hearts are best when they’re wide open / I still got fear inside of me / I’m not okay, but I’m gonna be alright / Oh, for the first time in a long, long time I’m doin’ fine / I’m doin’ fine”
‘Where Would You Rather Die?’ by Kalie Shorr
I could’ve easily chosen any and all of the songs she performed (and I have chosen two from the round because I love her songs so much) but this was the only one that was completely new to me and it just blew me away. She paints such vivid portraits with her lyrics and the fact that it was based on a real experience (although it obviously did not involve actually dying) makes it even more enjoyable. I would love a music video for this song because it’s just such a wild story.
Favourite Lyrics: THE WHOLE DAMN SONG.
I was in the presence of so many great songwriters this week, but @kalieshorr has written songs featured in Yellowstone, so how do you beat that? Plus you don’t hear a lot of songs about the pleasures of being murdered in Beverly Hills pic.twitter.com/89xOGHUGZR
— Austin Harris (@ImAustinHarris) April 4, 2022
‘The World Keeps Spinning’ by Kalie Shorr
This song gets me every time. Kalie has been open about the inspiring of the song, that it’s about her older sister’s death and while the details are specific to her life, I think it’s very easy to relate to if you’ve lost anyone, especially if they died suddenly. I relate it to my Dad. It makes me well up every time – or full on sob if I’m feeling particularly emotional – because it’s so beautifully written and gets right to the heart of grief. As sad as it is, it’s one of my favourite Kalie songs.
Favourite Lyrics: “The 5th of January is on the calendar every year / Like some kind of messed up holiday to remind me that you’re not here / I hear people laughing, I don’t get the joke / But I can’t hold it against them, cause it’s not like they know // It was just another day, until it wasn’t // The sky / Didn’t even have the decency to cry / And that damn sun still found a way to shine / When the heartache’s hitting / I think it’s kind of cruel that the world keeps spinning”
‘Crowded Table’ by The Highwomen (Performed by Natalie Hemby)
I love Natalie Hemby and she’s always the first person I look for in the Tin Pan South line-up. She’s a fantastic writer, as well as an utterly hilarious and genuinely lovely person. This song kind of reminds me of growing up: my house was always busy and there was always a lot of people around. We were a big, tight knit family (we’re still close but we’re all a bit more spread out now so getting together is harder) and we often congregated around the table at meal times. So, when I listen to it, it reminds me of that. Hearing it live was very cool and the fact that she gave me a shout out before playing this song (in front of the amazing songwriters on stage and the whole show’s audience) just makes me love this song even more; it symbolises a very special memory.
Favourite Lyrics: “The door is always open / Your picture’s on my wall / Everyone’s a little broken / And everyone belongs / Yeah, everyone belongs // I want a house with a crowded table / And a place by the fire for everyone / Let us take on the world while we’re young and able / And bring us back together when the day is done”
‘What Hurts The Most’ by Rascal Flatts (Performed by Jeffrey Steele)
Somewhat hilariously, the first version of this song that I heard – in my Dad’s car – was the more dance/club version. I have no idea why my Dad had it on a CD but hearing it still brings back fond memories. Hearing the country version for the first time was a bit of a surprise but given the memories of my Dad, I have a soft spot for it and hearing Jeffrey Steele perform it was incredible. He’s an amazing singer and an amazing guitarist; it was a bit like the musical equivalent of a religious experience.
Favourite Lyrics: “It’s hard to deal with the pain of losing you everywhere I go / But I’m doing it / It’s hard to force that smile when I see our old friends / And I’m alone // Still harder getting up, getting dressed, living with this regret / But I know if I could do it over / I would trade, give away all the words that I saved in my heart / That I left unspoken // What hurts the most / Is being so close / And having so much to say (much to say) / And watching you walk away / And never knowing / What could’ve been / And not seeing that love in you / Is what I was trying to do”
‘right where you left me’ by Taylor Swift
I was listening to evermore quite a bit, given that it was nominated for Album of the Year at the Grammys. It might not have won but it’s still an amazing album and I love it so much. ‘right where you left me’ is such a fascinating song: so specific and yet so relatable; so beautifully written, with some really cool techniques. I wrote about it in my full evermore post. I love it and it’s been stuck in my head on and off during my trip.
Favourite Lyrics: “Help, I’m still at the restaurant / Still sitting in a corner I haunt / Cross-legged in the dim light / They say, ‘What a sad sight’ / I, I swear you could hear a hair pin drop / Right when I felt the moment stop / Glass shattered on the white cloth / Everybody moved on / I, I stayed there / Dust collected on my pinned-up hair / They expected me to find somewhere / Some perspective, but I sat and stared / Right where you left me / You left me no, oh, you left me no / You left me no choice but to stay here forever” AND “Help, I’m still at the restaurant / Still sitting in a corner I haunt / Cross-legged in the dim light / They say, ‘What a sad sight’ / I, I stayed there / Dust collected on my pinned-up hair / I’m sure that you got a wife out there / Kids and Christmas, but I’m unaware / ‘Cause I’m right where / I cause no harm, mind my business / If our love died young, I can’t bear witness / And it’s been so long / But if you ever think you got it wrong / I’m right where you left me / You left me no, oh, you left me no / You left me no choice but to stay here forever”
‘HEARTFIRST’ by Kelsea Ballerini
I’ve very used to the first singles of a new chapter not landing well with me – with basically all artists – so I was very pleasantly surprised when I loved this song straight away. It’s fun, it’s adorable, and it’s so feel good. It’s so uplifting and joyful. The imagery is gorgeous and while it’s obviously about a romantic relationship, the broader idea of jumping into every thing heart first is very relatable to me.
Favourite Lyrics: “I couldn’t wait till later, talking in the elevator / Then we’re kissing in the back of the car” AND “Could be forever or we might break / That’s just the kind of risk that we take / My head is yelling that I could get hurt / But I’m gonna jump right in / Baby, with my heartfirst” AND “And I can’t even stop myself anymore / Oh, we couldn’t end the perfect night outside my front door”
So here is my Nashville 2022 playlist. There were definitely more songs I could’ve included but I tried to keep some sort of constraint on myself, otherwise this probably could’ve gone on forever. There were just so many songs to choose from, practically every day. Anyway. A musical post for a very musical trip.
Category: favourites, music, video Tagged: abcdefu, bleachers, boston, caylee hammack, circles around this town, crowded table, doin' fine, eighteen, emily shackelton, favourite lyrics, GAYLE, half of my hometown, heartfirst, humble quest, i quit drinking, i wanna get better, jeffrey steele, kalie shorr, kelsea ballerini, LANY, lauren alaina, lyrics, madison kozak, maren morris, my first last name, nashville, natalie hemby, nicolle galyon, open book, playlist, rascal flatts, right where you left me, small town hypocrite, song suffragettes, songwriter, songwriters, songwriting, songwriting festival, taylor swift, the highwomen, the world keeps spinning, tin pan south, tin pan south 2022, travel, travelling, what hurts the most, where would you rather die
Posted on December 19, 2020
Despite being such an upside down and difficult year, and the chaos in the music industry due to the pandemic, so much amazing music was released. It was a real struggle every single month to choose just one song (and as you can see, in some cases I couldn’t). Having said that, my mental health has been really bad for most of the year and I listen to music less when I’m depressed (I think it’s just too emotional when my emotions are already very fragile) but when I felt able to, it was and is such a comfort. So I’m really, really grateful to all the artists who continued to work on and put out music in a year when so many people really needed it.
1. 929 by Halsey
I was so excited about Halsey’s new album and it turned out to be one of my favourite albums of the year. I absolutely adore it, adore almost every single song. So this was a really hard choice (although I think ‘More’ was a pretty close second). But I love this one because it’s so simple and it tells so many stories and shares so many beautifully detailed painful and powerful moments, like “And I’ve stared at the sky in Milwaukee and hoped that my father would finally call me” and “I lost the love of my life to an ivory powder but then I realise that I’m no higher power.” It drew me in straight away; it’s so visual and yet so emotional that you could be experiencing it all for yourself. It’s honestly hard to describe how and why I love it so much. But it’s one of my favourite songs of hers and I’m so glad I got to hear it live.
Favourite Lyrics: “And I remember this girl with pink hair in Detroit / Well she told me / She said, “Ashley, you gotta promise us that you won’t die / ‘Cause we need you,” and honestly, I think that she lied / And I remember the names of every single kid I’ve met / But I forget half the people who I’ve gotten in bed”
A very important note: I love that, on The Manic World Tour, she changed the lyrics from “She said, “Ashley, you gotta promise us that you won’t die, ’cause we need you,” and honestly, I think that she lied” to “She said, “Ashley, you gotta promise us that you won’t die, ’cause we need you,” and honestly, I think she was right.” It got the biggest cheer both nights I saw the show and I cried my eyes out even though I knew it was coming from all the videos posted of the shows.
2. Life of the Party by Ingrid Andress // Small Town Hypocrite by Caylee Hammack
I absolutely loved ‘Life of the Party’ when Ingrid performed it on tour so I was very happy when it was on the album (although ‘Blue’ may have beaten it if she’d released that one). I love the contradiction of the sad emotions painted as an upbeat, party song. It’s like the song is literally a manifestation of the denial that the relationship is over and everything is awful. Ingrid’s vocals are incredible anyway, but they seem particularly stunning in this song: you can hear how close to the edge all of these volatile emotions are, all the anger and misery and hurt, and how much she’s trying to ignore them. In just her voice. She’s an amazing vocalist. I don’t know how she’ll do at the upcoming Grammys with such heavy competition but just to be nominated for three really significant awards on her first album is incredible. I can’t help thinking back to when I first met her in 2018 and what her reaction would’ve been if I could’ve told her where she’d be today.
Favourite Lyrics: “I’m the life of the party / Round here, everybody loves me / But they don’t know that I’ve been hurtin’ / ‘Cause, baby, ever since you left me / I’ve been the life of the party”
I first heard Caylee sing this song in 2016, on my second trip to Nashville and Tin Pan South. It was so heartbreaking then and somehow, it seems even more heartbreaking now. It tells such a sad story in such rich and painful detail that I can’t help but get caught up in it every time I listen to it. The lyrics are all so stunning and her vocal performance is amazing; she conveys the regret in the song so powerfully that it often makes me cry. Caylee has since released her debut album, If It Wasn’t For You, and it’s full of songs that are just as powerful and emotional. I love most of them but I think my favourites – or at least two of them – are ‘Forged In The Fire’ and ‘Mean Something.’ They both hit me so hard each time that I usually end up in tears. If she ever tours in the UK, you’ll be able to recognise me as I will probably be sobbing obnoxiously through the entire show because her songs trigger such big emotions in me.
Favourite Lyrics: “And that scholarship was a ship that sailed / When I chose you and daddy gave me hell / I made myself into someone else just to love you, damn I loved you / Took all my plans and I put ’em in a box / Phantom pains for the wings I lost”
3. the other girl (with Halsey) by Kelsea Ballerini
I was so excited about Kelsea’s new album and I was not disappointed. There were so many songs I could’ve chosen, including ‘the way i used to’ and ‘half of my hometown.’ But I absolutely adore both Kelsea and Halsey and their friendship is so freaking adorable (their CMT Crossroads was a true gift) and I love that it’s a female/female duet, which you don’t get half as often as a female/male duet. And what makes it even better is that it isn’t about two girls fighting over a guy, but about each of them recognising why he likes the other so much – because they’re both awesome women in their own way: ‘who’s the diamond, who’s the pearl?’ – and realising that he’s treating them BOTH badly. It’s about whether either of them are willing to put up with it. It would be super cool if they collaborated again and continued the story (in my mind, they both dump him and go on to be best friends) but I can’t really see it happening. It’s super catchy and their voices really compliment each other; it’s such a good song. And this performance (I’m assuming it was during the rehearsal for the CMT Crossroads as they’re dressed and made up differently) of it really shows what great performers they both are.
Favourite Lyrics: “Are you mad? Me too / And I wonder in his world / Is it me? Is it you? / Who’s the other girl?”
4. Couch (Unreleased) by Kalie Shorr
During the first lockdown (in the UK), Kalie was doing a lot of different livestreams on various platforms and I swear, it was one of the things that kept me going when I was really struggling with everything. And during an Instagram live with Savannah Keyes (another awesome – and lovely – Nashville singersongwriter), she played two songs that they’d written together with Skip Black, the day after the big break up that inspired a lot of her album, Open Book. The first was ‘The One,’ which made it onto the album (and is definitely one of my favourites) and then this one, ‘Couch,’ which remains officially unreleased (although she has played it on her podcast, Too Much To Say). I fell in love with it straight away; it was just so raw and heartbreaking. I ended up working out the chords and play it on the piano quite a bit. I just absolutely adore it. It’s such a beautiful song.
Favourite Lyrics: “You left a picture on your old night stand / Like it’s some kind of message, like, ‘I don’t give a damn’ / If I need a reminder that I’m brokenhearted / Baby, there’s a million in this apartment / I don’t need a picture on your old nightstand”
5. Atom Bomb by Lauren Cimorelli // California by Kina Grannis
I loved Cimorelli (at the time, a band of six sisters but the youngest has now left) as a teenager and when I looked them up again a while back, I saw that a few of the girls were releasing their own music. I gravitated towards Lauren’s very quickly because of the lyrics, melody, and production. They just fit my taste in music better. I rediscovered her just after she’d released ‘Atom Bomb’ and I just loved it. I loved the detail and emotive language in the lyrics, the melodies were so catchy, and the production was epic; it really reminded me of ‘Wonderland’ by Taylor Swift. I love how she compares the end of a relationship with something of such catastrophic destruction because that’s often how my emotions feel: enormous and overwhelming and end-of-the-world. So I really relate to it emotionally as well as loving all the songwriting and sonic elements. She’s since released several more songs and ‘Rabbit Hole’ also ranks very highly on my list.
Favourite Lyrics: “What’s yours, what’s mine / Keep trying to pick up what’s left of me / Breathe slow / Let go but that smoke just keeps / Suffocating me”
During the first UK lockdown, I spent a lot of time playing the piano. I find it hard to think about anything but what I’m playing, something I desperately needed, and the lower octaves felt very soothing. One of my favourite songs to play is ‘California’ by Kina Grannis, which she wrote while trapped for a hundred days in Jakarta due to visa problems while touring in 2015; it’s a beautiful song and the sound of it is so gentle and comforting. I ended up thinking a lot about the parallels between the song and everything that was going on in the world at that moment: the pandemic, the lockdown, and how all of that was affecting us all (I hope Kina herself has been coping okay having had to go through these two similar, extremely difficult situations). It’s still one of my favourite songs to play (when the nerve pain I’ve been experiencing isn’t too bad); it feels like a desperately needed hug in these really hard times and I never take for granted how much comfort it brings me.
Favourite Lyrics: “Hey there, California / I can hear you when I wake up / In the distance, like the ocean / You calling me back to your side / Holding my breathe in the night / I listen again for your song”
6. Little Voice by Sara Bareilles
I distinctly remember listening to this song for the first time: I was lying in bed in the dark and it felt like Sara was singing directly to me, putting so many of my thoughts and feelings into words. I listened to it over and over again and just cried my eyes out. It was exactly what I needed to hear. It’s so simple but the lyrics are so powerful, effortlessly capturing so much emotion with so few words. Months later, I don’t have such an extreme emotional reaction but it still means a lot to me. It both lifts me up and calms my soul.
Favourite Lyrics: “It’s just a little voice and if you’re listening / Sometimes a little voice can say the biggest things / It’s just my little voice that I’ve been missing”
7. this is me trying by Taylor Swift
It’s very, very, VERY tempting to cheat and just say the whole of Taylor Swift’s surprise eighth album, folklore, or at least list my top five (‘the 1,’ ‘exile,’ ‘my tears ricochet,’ ‘mirrorball,’ and ‘this is me trying’) but I’m trying my very best to keep to the tradition of having a somewhat concise list. The top spot is a rock solid tie between ‘mirrorball’ and ‘this is me trying,’ because I love them both so much and relate to them both so strongly but, in the end, I decided to write about ‘this is me trying’ because, having had such an awful year mental health wise, it felt more fitting. It just sounds like how I feel so often and Taylor’s voice as she sings it… she sounds like she’s feeling all of it, all of these emotions I feel so strongly, and that only made me feel more connected to the song, to the album, to her. The lyrics are just stunning and I related to so many of them: “I’ve been having a hard time adjusting / I had the shiniest wheels, now they’re rusting / I didn’t know if you’d care if I came back,” makes me think about how everyone called me ‘gifted’ as a child and young teenager but ever since then, my life has been put on hold somewhat by having to deal with my mental health and the difficulties caused by my Autism and that third line is so similar to a recurring thought pattern of mine, of wondering whether anyone would even notice if I disappeared; I feel “Pulled the car off the road to the lookout / Could’ve followed my fears all the way down” so strongly it’s painful, both in the sense of getting sucked into spirals of fear and anxiety and in the sense of having periods of feeling suicidal; “They told me all of my cages were mental” reminds me of how hard I had to fight to get my diagnoses because nobody believed me and I was constantly dismissed, which has ultimately resulted in even more problems; “I was so ahead of the curve, the curve became a sphere / Fell behind all my classmates and I ended up here / Pourin’ out my heart to a stranger” could be the story of my life in how I was always ‘the best’ at things because I was so driven by perfectionism and the fear of getting things wrong or letting people down and while that initially put me ahead, it ended up backfiring and resulting in mental health problems that have now put me behind in so many ways, many of which I’m now dealing with (or trying to deal with) in therapy (although I’d hardly call her a stranger, having seen her for almost six years now); the line “And it’s hard to be at a party / When I feel like an open wound” really just describes any mental health bad day, when having to function feels excruciating because just existing is painful; and “I just wanted you to know / That this is me trying,” just sums me up. I’m always trying. always, always trying.
As I’ve kind of just described, I related to it so much because, with my Autism, my mental health issues, my physical health problems, and so on, I feeling like I’m trying my goddamn hardest everyday, just to get through the minute, the hour, the day. And most of the time, no one even knows that all of this is going on under the surface, sometimes because I don’t want them to and sometimes because I already feel so fragile that to let it all pour out would shatter me. Because it’s taking all of my energy to hold it together and if I let go, I might never be able to get a hold on it all again. And doing all of that work takes so much energy. When you’re working that hard to just survive, it’s so easy to feel like you’re failing because you’re not achieving in the same way as everyone around you – getting through the day doesn’t feel like an achievement when your best friend has just got a promotion or your sibling has gotten amazing grades. It’s easy to feel like it just isn’t worth trying but it is and this song is a testament to that, to staying still instead of moving backwards, to making baby steps of progress, to trying and trying and trying, even when it feels excruciating. I related to all of those feelings so strongly that it took my breath away. It’s an incredible song and maybe one of her most important ones.
Favourite Lyrics: “I didn’t know if you’d care if I came back / I have a lot of regrets about that / Pulled the car off the road to the lookout / Could’ve followed my fears all the way down”
8. Wait For It from Hamilton
I finally saw Hamilton when it was released on Disney+ and I absolutely loved it, every element, from start to finish. It was just incredible. I know that it’s not without its flaws but it’s really fascinating, especially from a creative perspective. It’s so clever and layered and I find it so inspiring as a writer. I’ve been watching it over and over again and I get more out of it every time. I could’ve chosen almost any song because I love so many of them but after much deliberation, I chose this one. I can’t explain it really; there’s just something about it.
Favourite Lyrics: “Death doesn’t discriminate between the sinners and the saints / It takes and it takes and it takes and we keep living anyway / We rise and we fall and we break and we make our mistakes / And if there’s a reason I’m still alive when everyone who loves me has died / I’m willing to wait for it”
(And just in case I needed more awesome, Chloe Bennet – who played Daisy Johnson in Agents of Shield, my all time favourite character – and her cast mate, Jeff Ward, did multiple lip syncs to Hamilton songs and they’re hilarious. As if I needed more reasons to love both Chloe and Hamilton…)
9. Coming Back To You by Sara Bareilles
I was in a pretty bad place mentally when this album, More Love, came out so I kept putting off listening to it; I didn’t want my depression to taint my feelings about the songs. But eventually I managed to listen to it and, as always with a Sara record, I fell in love with it. There are multiple songs that I really, really love but ‘Coming Back To You’ just really spoke to me from the first listen. I love the energy, I love the instrumentation, the melodies are super catchy, and the lyrics are just so beautiful. I connected to the verses especially straight away, especially the ones I’ve listed as my favourites. They just hit so close to home and yet singing along to them feels so freeing. I love it.
Favourite Lyrics: “I’m facing all of my fears / I’ve lined them up and wonder how I’ve been with them for years / They had me crippled before / They made a home in my heart but they’re not welcome anymore”
10. My Voice by Kalie Shorr
October was the month of Kalie Shorr. She announced her record deal, announced the upcoming re-release of her upcoming album – titled Open Book: Unabridged – released her new single, ‘My Voice,’ played an awesome livestream show (I mean, what I saw was awesome but I had major difficulties with the app) during which she also played another incredible new song, ‘Eighteen,’ and she released a worktape of her unreleased song, ‘Strawberry Blonde,’ (which she’d promised to do if Biden won the US election) which was awesome (if the lyric ‘you might find it surprising I stopped taking shit from anyone’ doesn’t describe my life the last few years of my life than I don’t know what does). So a Kalie song was necessary for this month. I could choose all three of the songs we got this month because they were all fantastic in their own way but I’m gonna go with ‘My Voice’ since it was the single she released that month. It’s an awesomely feisty and empowering song that’s a devastating ‘fuck you’ to the music industry but it’s also more than that. It’s also a song about celebrating who you are in all your uniqueness, regardless of what other people tell you. I love the defiance in it, the rebellion of choosing yourself: I find it really inspiring. It actually makes me feel more confident and not just in the dance around like an idiot in front of whoever’s around kind of way but in the deep in your gut way. The lyric, “Get used to the sound of my voice” gets me every time because it makes me feel like, somehow, being me is enough. Enough to do the things I want to do, achieve the things I want to achieve, and be the person I’m often scared is out of my reach. And if I ever needed a song like that, it’s this year.
Favourite Lyrics: “Too rock for country, too country for punk / But who said I had to pick either one / Tattoos at the Opry / I could cover ’em up but it’s not me”
11. Carry You by Tim Minchin
In November, I watched ‘Tim Minchin: Apart Together, The Album Live!‘ which was absolutely incredible. I loved it and I loved pretty much every song he played. He had some awesome, super high energy songs and then some quiet, profound ones that just created this beautiful balance for a show, especially one during these times. My absolute favourites were ‘Absence of You,’ ‘Leaving LA,’ ‘I Can’t Save You,’ and ‘Carry You.’ I could’ve chosen so many songs from his new album but ‘Carry You,’ even though I’d heard it before, pre-pandemic, it just really got me when I watched this show. I guess, in the context of the pandemic, it just hits differently. It was very emotional and I was crying by the end of the first chorus.
Favourite Lyrics: “And though we cannot be together / I know that I will carry you, wherever I go / I will carry you / Lord knows / I will carry you / I will carry you”
(Also, shout out to Kalie Shorr’s ‘Lying To Myself.’ It’s an amazing song, with utterly stunning lyrics, including, “I put you up on that pedestal, and damn, you looked incredible, I guess coming down’s inevitable…” and “Picked out all of my favourite things you said, and like a delusional architect, I built you up like a house of cards…”)
12. Show Me Around by Carly Pearce // marjorie by Taylor Swift
I first heard Carly Pearce play this song during the virtual Tin Pan South festival a few months ago and she called it a tribute to busbee (an incredible songwriter, producer, and member of the Nashville community) who died last year. She described how she’d been inspired by something said at his funeral about how of course he had to get to heaven first so that he would be able to show his loved ones around when they eventually arrived and thus a song was born. I’m not religious but it’s such a beautiful song, incredibly sad but also incredibly warm and comforting. I was in tears before the second verse started. As I said, I’m not religious but the loss of loved ones is such a painful thing that sometimes, I wish I was; it’s nice to listen to the song and just pretend for a little bit that I am. It helps.
Favourite Lyrics: “Bet you’re up there right now making plans and writing out / All your favourite places that you just can’t wait to take us / And we’ll get to spend forever talking about whatever / When I get there, promise you’ll track me down / And show me around”
I thought I was done but then, Taylor Swift gave us all the shock of our lives and released her second surprise album in six months, evermore. I’m still absorbing all of the songs but a handful of them stuck out to me straight away, including ‘no body, no crime (feat. HAIM),’ ‘happiness,’ ‘ivy,’ ‘long story short,’ and ‘marjorie.’ I could’ve written about any of these but ‘marjorie’ feels so incredibly special that I think it was probably always going to be that one. It’s so heartbreakingly sad but such a beautiful tribute to her grandmother, especially given that it includes recordings of her grandmother’s opera performances as background vocals. That just gets me every time. Justin Vernon’s backing vocals in the choruses also add a gorgeous depth to the song that only makes it more powerful and emotional. The whole sound world of the song is full and warm and rich without being too busy and it just feels like it fills my entire body.
I love the simplicity of the verses and they feel very much like advice her grandmother might’ve (or would’ve) given her but it’s the bridge that has me in tears every time (these are the ones listed as my favourite lyrics because they’re just so powerful). I relate to that section and the last section (“And if I didn’t know better / I’d think you were singing to me now / If I didn’t know better / I’d think you were still around / I know better / But I still feel you all around / I know better / But you’re still around”) so strongly that it makes me cry every time I listen to it. But even though it’s an incredibly sad song to relate to, there’s something really special and important to have a song like this to relate to, to feel understood in these emotions. I absolutely adore it already and I’m pretty sure it will always have a special significance for me, even though it’s only been out a short time. I wish I could hug Taylor and tell her just how grateful I am to have this song in my life. And I can only hope that one day I can write as good a tribute to my Dad as Taylor has done for her grandmother.
Favourite Lyrics: “I should’ve asked you questions / I should’ve asked you how to be / Asked you to write it down for me / Should’ve kept every grocery store receipt / ‘Cause every scrap of you would be taken from me / Watched as you signed your name Marjorie / All your closets of backlogged dreams / And how you left them all to me”
There are so many songs I could’ve put on this list (and I’m already over my self imposed twelve song limit…) but if I wrote about them all, we’d still be here at the end of 2021. So I’ll stop here. But this has been really good fun. I hope you enjoyed reading it as much as I enjoyed writing it. Here’s a Spotify playlist so that you can check out the songs!
What were your songs of 2020?
Category: covid-19 pandemic, depression, emotions, favourites, mental health, music, video Tagged: 2020, 2020 in songs, 929, atom bomb, california, carly pearce, carry you, caylee hammack, chloe bennet, cmt crossroads, coming back to you, coronavirus, couch, covid-19, depression, eighteen, evermore, favourite lyrics, favourite music, favourite songs, folklore, halsey, hamilton, hamilton the musical, ingrid andress, it's time to go, jeff ward, kalie shorr, kelsea ballerini, kina grannis, lady like, lauren cimorelli, life of the party, little voice, lockdown, lockdown 2.0, lockdown 2020, long story short, lying to myself, lyrics, manic, marjorie, mental health, mental illness, mirrorball, music, my voice, open book: unabridged, pandemic, pandemic 2020, playlist, sara bareilles, show me around, small town hypocrite, songs, songs of 2020, strawberry blonde, taylor swift, the other girl, this is me trying, tim minchin, unreleased, unreleased song, video, wait for it

Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder (ASD), ADHD (Inattentive Type), and Hypermobile Ehlers-Danlos Syndrome (hEDS), as well as several mental health issues.
I’m a singer-songwriter (it’s my biggest special interest and I have both a BA and MA in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is on all platforms, with all proceeds going to Young Minds.
My debut EP, Honest, is available on all platforms, with a limited physical run at Resident Music in Brighton.
I’m currently working on an album about my experiences as an autistic woman.
Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder (ASD), ADHD (Inattentive Type), and Hypermobile Ehlers-Danlos Syndrome (hEDS), as well as several mental health issues.
I’m a singer-songwriter (it’s my biggest special interest and I have both a BA and MA in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is on all platforms, with all proceeds going to Young Minds.
My debut EP, Honest, is available on all platforms, with a limited physical run at Resident Music in Brighton.
I’m currently working on an album about my experiences as an autistic woman.
Finding Hope