Posted on March 8, 2020
Happy International Women’s Day! The theme this year is #EachforEqual, based around the idea that we can all choose to challenge stereotypes, improve environments, and celebrate women’s achievements. “Collectively, each one of us can help create a gender equal world. Let’s all be #EachforEqual.”
So to celebrate the day, I wanted to share some of my favourite female creatives, from writers to artists to musicians. Having said that, these are all ‘smaller’ artists, artists that aren’t supported by major companies or big record labels and so on.
Laura Greenway – Laura is an incredible artist who I’ve known for a while now, after seeing her gallery crowdfunding page. She makes beautiful visual art and immersive art, based around various mental health problems. Her pieces are thought provoking and meaningful and I look forward to everything she posts about her art.
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Still so pleased with how our group show at @deptforddoesart came out. Here’s a shot of my three text pieces that were on show including the middle piece ‘Body Poems’ that features the poem I recited as part of my live performance. #art #artist #artwork #contemporarypainting #fineart #modernart #contemporaryart #contemporaryartist #textart #mentalhealthart #blackandwhite #mentalhealthawareness #bodystandards #poetryart #bodyimage #liveart #deptforddoesart
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Isobel Anderson and The Female DIY Musician – Isobel is an amazing musician and sound artist and I was lucky enough to have her as a tutor at university last year. She was encouraging and inspiring and truly motivating. She’s one of the best tutors I’ve ever had. She also runs a community that supports and empowers women wanting to be musicians, specifically those wanting to learn how to record and produce. It’s really helpful and positive, which is hard to find in such a male dominated industry.
Deerful – Emma is a really good friend of mine and she makes so many different things: music in many forms, art, loops, and so on. She’s incredible, skilled at so many things and I would absolutely love to work with her on a project one day. You can find her music here.
Aislin Evans – Aislin is another of my good friends and she’s an amazing songwriter. I love everything she writes. She’s also an actor, multi-instrumentalist, and mental health advocate. She’s doing impressive and inspiring work as a human being and I’m so proud of her and to know her. (You can find her music here.)
Laura Zocca – I’ve followed Laura on YouTube and social media for years and she’s a beautiful songwriter. She’s also a lovely human. Even though she’s now pursuing other career paths, she’s still releasing music, which makes me very happy. I’m still hoping for a few of my old favourites to see the light of day…
NADINE – Nadine is an awesome singersongwriter and I love her songs. I’ve been to several of her gigs and the atmosphere is incredible; everyone is picking up the words and singing along by the end of the first chorus. It’s magical. A handful of her songs actually move me to tears. She’s also a tutor at my university and although she only taught me for one class, she was great, really encouraging and thoughtful in her responses to our songs.
Write Like A Girl – “Only 17% of UK songwriters are women. Write Like A Girl aims to put female songwriting talent back in the spotlight – and inspire more women to create original music.” This showcase is so cool and so inspiring, full of amazing female songwriters. I try to go whenever I can and I would absolutely love to play in one of their shows at some point.
Liberty’s Mother – I’ve talked about Liberty’s Mother and the woman behind the project, Sophie Daniels, but I had to include her in this list. She’s doing amazing things (an EP, launch event, month long challenge) to raise awareness and money for the baby loss charity, Tommy’s. It’s so inspiring and encouraging to see someone use art and music to do such good for so many people.
Caitlyn Siehl – This girl is an incredible writer and her book, What We Buried, is one of my favourite books, poetry and in general. She writes beautifully: some of the poems are painful, some of them are joyful, some of them are so real it’s like they were written about your own life. It’s a fantastic book and you should definitely read it.
Rosie Powell – Rosie is an amazing photographer and videographer and I absolutely love her work. I’m so happy and so grateful that my first music video was done with her because she made it so easy and so comfortable when I was so nervous. I should probably post some of her other work but I wanted to post what we worked on together because I’m so proud of it. I would absolutely love to work with her again at some point.
Betsy Lane – Betsy is a light of a human being, practically a ball of positivity and sunshine, although that’s not to say she doesn’t bravely share her struggles and vulnerability. She’s a lovely human being and a stunning singersongwriter. I finally got to meet her and see her play a garden show a couple of years ago and she was just as sweet as I’d expected her to be. You can find her music here.
Lois de Silva – I’ve been friends with Lois for years, since we were about sixteen or seventeen. She’s one of the kindest, sweetest people I know and she’s an incredibly talented artist, in multiple forms. She’s done the animation for the last and an upcoming music video and they are so beautiful. Again, I’m so happy and so grateful to have had the opportunity to work with her and I’m so, so proud of the results, to have them be the visuals for my music. And again, I should share some of her other projects but I love the work she did on my song so much that I just have to share our current video. You can follow her on Instagram here.
Annerb – Annerb isn’t someone I know or have had more than the occasional Tumblr ask but she writes the most amazing fanfiction and she’s legitimately all I’ve read in the last year or so. The dedication to these stories, which are thousands of words long, is incredible and the stories are just beautiful. And even when the stories are tense, the reading of them and the familiar characters are very calming and really helpful with my anxiety.
Song Suffragettes – And while Song Suffragettes is the biggest person/organisation on this list, I had to include them because they are doing such incredible work for young, female songwriters in and visiting Nashville. They’re doing some really, really impressive work and the community they’ve built is so strong. I feel very lucky to be part of it, even in a really small way and from such a long way away.
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These girls. All incredible, all lovely, and all so special. I said this during the show but I wanted to say it here too: there was a moment when I looked around and I thought, “I’m drowning in talent.” But then I thought, “No, I’m swimming in talent.” It was a bit of an epiphany. As singers, as songwriters, and as women, we’re constantly compared and pitched against each other and after a while that seeps into your brain. So this show was a real reality check. What they can do doesn’t diminish me and what I can do doesn’t diminish them. I’ve always loved @songsuffragette for their mission statement but last night, it all clicked into place. We can exist in a highly competitive industry and still support each other. It is possible. #letthegirlsplay
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This list could go on for a pretty long time – I’m tempted to list every creative I know who is working hard and making beautiful things – so I’ll stop there but before I go, I want to give a short series of shout outs to some of my friends who are just badass creatives (several of whom I’ve mentioned before): Luce Barka, Francesca Morris, Charlotte Black and her platform Self Love London, Foxgluvv, and Tragic Sasha. The list was just getting too long but I wanted to mention them because they all really are amazing.
Category: book, favourites Tagged: aislin evans, annerb, artist, betsy lane, caitlyn siehl, charlotte black, deerful, each for equal, eachforequal, fanfiction, female creatives, foxgluvv, francesca morris, friends, gender equality, international women's days 2020, international womens day, isobel anderson, iwd, iwd2020, laura greenway, laura zocca, liberty's mother, lois de silva, luce barka, musician, NADINE, rosie powell, self love london, song suffragettes, songwriter, songwriting, the female guy musician, tragic sasha, write like a girl
Posted on December 31, 2019
I don’t even know how to sum up this year.
If I’m honest, most of it’s blurry. The first half of it anyway. I was still trying medication after medication so I was kind of living in a haze. It’s scary to look back at a time not that long ago, search for memories and not be able to find them, find the details. Or worse, not even know what memories to look for. I hate it and it’s scary and I try not to think about it. Thank god for photos though. Looking back through my photos helped me to remember and I’m grateful for that.
I got to go to the opening night of Waitress The Musical and to my complete surprise, Sara Bareilles was there, both to introduce the show and to bid us all goodnight. The show was amazing: I loved the music, I loved the characters, I loved the story, and the meaning in the story. And seeing Sara Bareilles in person for the first time since 2014 was extra special.
I also got up stupid early to see her do a surprise set in St Pancras station. Apart from the fact that she has an incredible singing voice and is a great performer, even just sitting at a piano, there’s something magical about seeing a person you admire so much in real life. And my Mum was a trooper, running after her team (my medication meant I could barely stand up for the whole performance) and making sure she got my letter. So that was a good morning, even if I felt very unwell for the rest of the day (I’d overstretched, given the meds I was taking).
We had a nerve-wracking few weeks where our dog, Lucky, was incredibly unwell. I saw it happen: his head just tilted to the side and he stood there, looking so… wrong. I was convinced he was having a stroke. Plus his eyes were moving back and forth really quickly; I couldn’t imagine how he could even see. Despite a trip to the emergency vet then and there, we didn’t find out until the next day that he had Geriatric Vestibular Disease, which is basically vertigo. He was really, really sick. He wouldn’t eat and that’s really the sign that a labrador is sick. Mum was feeding him pieces of boiled chicken by hand just to keep him going. They gave him a morphine patch but that just made him sicker so they eventually removed it. It took a long time but eventually he was back to his old self. It’s not the same: he has a permanent head tilt, his balance is terrible, he can have trouble walking. But he seems to be happy and he’s certainly loved. So we’re getting through. Day by day, we’re getting through.
I was fortunate enough to go to Nashville again, which was amazing, even though I was really, really struggling on my medication. I was depressed, overwhelmingly anxious, and my hands felt thick and clumsy, making playing guitar a real ordeal. As wonderful as it was to be in Nashville, I felt very guilty for not being as happy as I felt I should be.
Having said that, I had some really great experiences while I was there. I got to go back to my favourite places, see two Song Suffragettes shows (which are always such special experiences for me), and hang out with my friends who I only get to see once a year. I didn’t get to see everyone but I had a lovely time with the people I saw. I even got to see the awesome Caylan Hays play a show and hear all of her new songs. That was really, really special.
Tin Pan South was amazing as usual, although I had to make some tough decisions over which shows to go to. They were all amazing though. My favourite was Nick Wayne, Hannah Ellis, Josh Kerr, and Natalie Hemby. Natalie is another person I hugely admire and she actually knows who I am now, which I’m honoured by. We got to have a proper conversation, which was one of my favourite moments of the trip. And I’d love to write with her one day: that’s a bucket list write.
I also got to see Kelly Clarkson (who I’ve always, ALWAYS wanted to see live) in concert and Kelsea Ballerini was the opener, which was awesome because I love her. It was an amazing concert and I loved every second of it.
It was an amazing trip but I hope that next year I’ll be in a better place, a place where I can enjoy it properly and effortlessly. I think that’s gonna be one of my goals for 2020.
Here at home I also got to see some amazing concerts. My favourites were Maren Morris (I saw her twice but the second time was front row at the Royal Albert Hall, which was the most surreal, amazing experience) and Ingrid Andress, who had the whole crowd singing despite only having released a few singles. It was amazing. And she remembered me and we talked about writing together when I’m next in Nashville, although I’m now not sure it’s going to happen. But it was amazing to know that she was up for it. Hopefully one day.
I also saw Halsey in a super small venue and she was fantastic. We had trouble with the accessibility, which caused me a lot of anxiety, but the show was incredible. She’s an amazing, amazing performer. I love her. But I feel very out of place at her concerts, which is hard.
I, with Richard Sanderson (Richard Marc on social media), spent most of the year working on my first EP. It was such a learning curve but I loved it, for the most part. It took an exceptional amount of work and I have to give so much credit to Richard and to Josh Fielden who mixed the songs because part way through, I tumbled into a really deep depression, accompanied with the worst anxiety I think I’ve ever experienced. It took a long time for me to get back to a place where I could work on it. It’s part of my musical story so I’m really glad it’s coming out, even if I still have a lot of anxiety about it. If you’ve been following this blog, you’ll know the story of the first single and you’ll know more about the rest of the songs soon.
I spent several months in a deep, deep depression, the worst I’ve ever experienced. I basically lay on the sofa and thought about dying. It was awful. I don’t really know what else to say about it. It was just still, but with a mess of agonising turmoil underneath.
Then, in the middle of the summer, one of my cats had kittens, despite the vet telling us in her vet check the week before that she absolutely wasn’t pregnant. We came home from dinner and Mouse was waiting for us. She took me upstairs to my room, curled up in one of the cat beds, and over the next few hours, she had a couple of tiny, adorable kittens. She got distressed every time I tried to leave so I stayed through the whole thing (and saw some pretty disgusting stuff that I never needed to see).
Having the kittens in my life has done wonders for my anxiety. Watching them grow and play and explore was so calming and mindful for me. And now that they’re older, all five cats play as a family. They’re a pride. It’s gorgeous. I don’t know what the future holds but having them in my life has been one of the most, if not the most, positive thing this year. I’m really, really grateful for them. Having said that, everyone’s spayed now so there won’t be any more surprises, which is probably – definitely – a good thing, as adorable as kittens are. The stress is just too much.
Somewhere in the middle of the holidays of kittens, I started taking Phenelzine again, which was a really difficult decision. I’m still struggling with the side effects but I am better than I was. I still have moments of depression but it’s not constant and I’m managing the anxiety with other medications. And best of all, I can write songs again. That is the best possible outcome.
September loomed and I spent time with the Disability Coordinator at my uni, something they had never had before. I actually felt hopeful about having someone who understood me. And then, she became extremely unreliable and that resulted in one of the worst meltdowns I’ve ever had – in the middle of Victoria Station. That triggered a period of multiple meltdowns a day, which turned the weeks into a blur. It was awful. I started my Masters Degree in Songwriting in one of the worst states I’ve ever been in.
Despite being part time, the Masters took up every day of the week, working on songs and trying to research while battling my OCD, which had suddenly spiked. I had no time off, no time to breathe. I felt like I was failing at everything. I think I’ve gotten better at managing it (and it’s going to be a focus in therapy when we start again in the new year) and I managed some research and I wrote some songs I’m really proud of. I enjoyed the course and classes but balancing everything with Autism and mental health problems was a nightmare. I’m going to write a post about the course in more detail but it still needed to be included in this post.
Oh, and somewhere in there, I turned twenty five. My Mum bought me twenty five yellow roses.
The first single of the EP came out a few weeks into the course and it was a complete surreal – if incredibly stressful – experience. I had no idea what to expect, especially since I’m an independent artist, but for what was really a first, first single (considering ‘Invisible’ had no marketing and so on), I think it did pretty well. It got added to several playlists on Spotify and had radio play, local and BBC Introducing. That’s been amazing and I’m excited to see where the next one goes.
And now I’m finishing the year with basically no Christmas break because I’m working on the assessments for my course everyday. They’re causing me so much stress I feel like I can’t breathe. I’m also terrified of the fireworks tonight (another story I’ve talked about before) and don’t know what I’m going to do to avoid them because I have work to do and they cause awful meltdowns. So, all in all, not the best way to end the year. I’m cautiously optimistic about 2020.
“2019 has been an incredibly difficult year. I feel broken. I feel like I was shattered into a thousand pieces and then put back together wrong. And if I’m honest I don’t know what to do about it. But there were good moments too and I’m so grateful for those. 2020, please be kind.” (x)
Category: about me, animals, diagnosis, emotions, holidays, medication, mental health, suicide, therapy, treatment, university Tagged: 2019, 2019 in review, 2020, antidepressants, anxiety, bad night, birthday, cat, caylan hays, concert, debut ep, depression, dog, halsey, ingrid andress, kelly clarkson, kelsea ballerini, kitten, kittens, maren morris, masters, masters degree, masters degree in songwriting, meltdown, meltdowns, mental illness, nashville, natalie hemby, obsessive compulsive disorder, ocd, phenelzine, reflection, richard marc, richard sanderson, sara bareilles, song suffragettes, songwriting, suicidal, tin pan south, waitress the musical
Posted on April 13, 2019
This trip to Nashville wasn’t exactly what I’d expected. I’d had this vision of going out there and writing a load of songs and going to show after show after show and seeing all the friends I’ve made out there. I managed to do some of those things – and I’m really proud of what I achieved – but my mental health really dominated the trip, much more than I’d hoped it would.
We got off to a pretty rocky start when I forgot to take my medication the night before we flew out. We had to leave at two o’clock in the morning so I never really went to bed and therefore my nightly routine was disrupted. Plus I was excited and nervous and just generally all over the place. We got to the airport and I couldn’t even walk the distance to security, I was so completely out of energy. I thought it was the lack of sleep and stress of travelling but I physically couldn’t do it. We ended up asking the airport staff for assistance and they were absolutely amazing, at every airport we travelled through over the trip: they got me a wheelchair and took me wherever I needed to be, getting me early access to the planes, and so on. It was so helpful and honestly made the whole thing possible. I don’t know what I would’ve done without their help. It took a few days to recover and it was only then that we realised what had caused it.
The reason we go at this time of year is because the Nashville Songwriters Association International hold the Tin Pan South songwriters festival, where hundreds of songwriters perform songs that they’ve written. They have a great mix of famous and up and coming so you get a lot of different, beautifully written songs. All of the shows that I went to were good and some of them were fantastic. My favourites include Lori McKenna, Alyssa Micaela, Emily Shackelton, Hannah Ellis, Natalie Hemby, and Travis Meadows. They were truly incredible.
There were a couple of other musical highlights too. By some wonderful coincidence, Kelly Clarkson was playing the Bridgestone Arena while we were in Nashville. I’ve always wanted to see her and I’ve always wanted to go to a show at Bridgestone. And to make it even sweeter, Kelsea Ballerini – who I LOVE – was opening. So it was perfect. The show was amazing and I had a blast. Totally a bucket list moment.
The other musical highlight was getting to see my friend, Caylan Hays, perform. We’ve written together several times and on my last trip, she came to see me play a gig and by another beautiful coincidence, she was playing on the last night of our stay. She was fantastic. She’s such a talented writer and I love her voice. Throw in some gorgeous electric guitar and I was in love. You can check out her music here.
And of course, I got to go to two Song Suffragettes rounds. I love this organisation with my whole heart and so it meant so much to me to see both shows while I was there. They – the people who run it and the girls who play – are so inspiring and I hope I can play with them again someday.
I had several writing sessions while we were there and for the most part, they were a struggle. I love the people I was writing with dearly but my brain still isn’t right: a casualty of my depression and the medications I’m taking. We’re still trying to find the balance where I’m emotionally stable and not creativity stifled. Still, I’m trying and I so appreciate these writers for having patience with me while I work through this. I also got to spend some time with friends, old and new, and they really inspired me in this dark patch of my life.
But throughout the trip, I really, really struggled. My anxiety was so high that I actually had trouble breathing and my depression was so overwhelming that I found myself falling apart (even in public places, which I’m usually able to avoid doing) multiple times. There were lots of tears and lots of Diazepam; it was very hard. I struggled desperately with wanting to go home and I was battling suicidal thoughts (helpfully described by Claudia Boleyn as, “my brain trying to kill me”) for most of the trip. In truth, it was a bit of a nightmare but there were some really great moments that helped me manage it and of course, I had my wonderful people (my Mum and my writing partner, Richard Sanderson) there to support me. The trip wouldn’t have been possible without them.
Also, shout out to Pancake Pantry for teaching me what it’s like to get excited about food.
Category: event, holidays, medication, mental health, music, suicide, video Tagged: anxiety, creative block, creativity, depressed, depression, diazepam, kelly clarkson, kelsea ballerini, mental illness, nashville, nashville tennessee, nsai, song suffragettes, songwriter, songwriters, songwriting, songwriting festival, suicidal thoughts, tin pan south, tin pan south 2019
Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder, as well as several mental health issues. I’m a singersongwriter (and currently studying for a Masters in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is now available on iTunes and Spotify, with all proceeds going to Young Minds.
I’m currently releasing my first EP, Honest, track by track and the first three songs are available on all major platforms.