Posted on October 9, 2021
One of the big things I’ve missed during the pandemic is concerts. They’ve always been a big part of every year and losing that – I haven’t been to a concert since Halsey’s Manic Tour in March 2020 – has been really hard. But it’s also hard to feel like they’re safe to go to, now that they’re happening again. I still have a lot of anxiety about going out and about being around a lot of people – it’s not as if COVID is no longer a risk – so going to a concert is a big deal. But normal life does have to resume at some point, even if it happens in baby steps. Since this first show – The Shires in Bromley – was a relatively small concert, it felt like a good one to try, to get the lay of the land in terms of safety precautions, to see how I feel in that sort of environment after everything that’s happened over the last eighteen months, and so on.
This wasn’t quite my first live music event: back in September, I went to my uni’s Songwriters’ Circle, the first one in person since before the pandemic. It was just wonderful. Everyone was so excited to be back together, so excited to get to hang out together, singing along at the top of our lungs. That is one of my favourite things about going to a music uni: everyone’s always up for a sing along.
But this doesn’t feel like a first concert to me, since I’ve been in and out of the building for the last couple of months as I finished my final Masters project. It was just some more people and music. Plus, I’m really comfortable with the safety precautions there: negative COVID tests to get in, a one way system around the building, lots of people still wearing masks even though they aren’t mandatory, and so on. I already feel safe there. But a concert is an entirely new ball game.
My first proper concert was The Shires at the Churchill Theatre in Bromley on the 5th October. It wasn’t a venue I’d been to before and road closures made getting there quite stressful, plus it was a pretty bad pain day: my back, my shoulder, and my wrists and hands. So while I knew I would enjoy the show itself, I wasn’t sure whether the stress and the pain would override that. Fortunately getting in was quick and easy and I didn’t have to spend too long on my feet. And although no one had to wear a mask once seated, negative COVID tests were required for entry so it felt as safe as it can, as anything can be at the moment.
Jake Morrell was the support act and he was great: he was funny and personable and had some good songs. My favourite was ‘This House,’ I think. And I liked ‘Freewheeling.’ I definitely want to check out more of his music.
And then The Shires – Ben and Crissie and some of their band – were on. It was so nice to see them; I’ve seen them so many times over the years and the eighteen months since the pandemic began may be the longest I’ve gone without seeing them. So, as I said in my Instagram post, it felt quite apt that my first proper concert back was them. It was a cool twist on their normal shows: it was all acoustic (being in the front row, it did feel a bit like my own personal concert) and they took the opportunity to play a lot of the songs that they don’t play often or haven’t played for years, like ‘All Over Again,’ ‘Drive’ (one of my favourites), and ‘World Without You.’ Of course they played the favourites too, like ‘Nashville Grey Skies,’ ‘State Lines,’ ‘Tonight,’ and ‘A Thousand Hallelujahs,’ which always get people singing along and dancing. Of their most recent album, Good Years, which they never got to tour due to the pandemic, they only played two songs and they happened to be my two favourites: ‘Lightning Strikes’ and ‘About Last Night.’ So that was cool. And they also played one of my all time favourites of theirs, ‘Daddy’s Little Girl.’ I connected to that song instantly – it being about the loss of a father and how, whatever else you are or end up being, the most important thing you’ll always be is his daughter – and it’s remained very special to me. I actually posted a short cover of it on Instagram years ago:
And to make a cool concert experience even better, they performed a couple of songs from their next album, that is apparently written and produced already so hopefully it won’t be long before we get to hear that. Of the two songs they played, I loved ‘Side by Side’ and I can’t wait to hear it again already. So that made the night extra special.
It was painful – as most things are right now – but it was a good night. It was so wonderful to be at a concert again; they really are my happy place, where I forget about the hard stuff (for the most part – I mean, you can’t exactly forget about physical pain when you’re in it). Hopefully things will continue to improve on the COVID front and concerts can, at some point, come back in full force. That’s the dream anyway.
I was hurting before we got home. I’d stayed sat down as much as possible to protect my knee but apparently my leg has a mind of its own because my foot kept tapping – and therefore flexing my knee – no matter how many times I forced myself to stop. And chronic pain and applause clearly don’t go well together so I think I might have to come up with an alternative for bad pain days (I’ve since found some suggestions here, or maybe the sign language version of clapping is the way to go). And the next morning, my whole body hurt and I was stiff and ache-y. My back and my hands were the worst and unfortunately my painkillers weren’t doing much more than taking the edge off. So that was a pretty unpleasant day but it was worth it.
So that was my first concert back. I honestly thought I’d find it more scary, more stressful – in the pandemic anxiety sense, that is. It was all a bit overwhelming for a moment going in but once we were in the auditorium and the show had started, somehow I forgot about COVID and my anxiety; I was just in the moment and completely absorbed by the music. That wasn’t something I’d expected and it was quite wonderful. All the anxiety, all of the precautions and planning… it was all so very worth it to have live music again.
Category: anxiety, covid-19 pandemic, emotions, event, favourites, heds, medication, music, video Tagged: anxiety, ben earle, chronic pain, concert, concerts, country music, cover, covid, covid-19, crissie rhodes, daddy's little girl, eds, ehlers danlos syndrome, heds, hypermobile ehlers danlos syndrome, jake morrell, live music, medication, pain, pain management, pain medication, pandemic, pandemic 2020, pandemic anxiety, safety precautions, singersongwriter, singing, songwriters circle, the shires, uk country, university
Posted on October 31, 2020
As was the case with many events this year, the Country2Country Country music festival was postponed when the pandemic put the country into lockdown in March. It’s since been ‘postponed’ for the same time next year – not something I’m entirely clear on as I would’ve thought that would just be Country2Country 2021. To me, that implies that Country2Country 2020 has been cancelled, unless they’re planning to run two events next year (which seems unlikely). Anyway, with the pandemic, lockdown, and social distancing still ongoing, Country Music Week 2020 has gone virtual with a week of radio and online events…
The Shires on Chris Country Radio – This was a short interview with Ben and Crissie of The Shires on Chris Country Radio where they talked about their experience of the pandemic (how they haven’t been apart for such a long time since the band started, how ironic it was that they released an album called, ‘Good Years,’ at the beginning of one of the worst years in living memory, and so on) and premiered their new single, ‘Lightning Strikes ft. Lauren Alaina.’ That was very exciting because that’s one of my favourite tracks on the album. It was really nice to hear them again. Yes, I’ve had the album to listen to but it was really nice just to hear them talk again. Maybe that’s an odd thing to say but some of the most intimate moments in concerts are when the artist(s) talk and it felt a bit like that after so much time.
Song Suffragettes with Tenille Townes, Caylee Hammack, Lainey Wilson, Kalie Shorr, Twinnie, Vic Allen, and Emma & Jolie – Song Suffragettes is one of my favourite things about Nashville and one of the things I was most gutted about missing out on when my trip was cancelled (not that those shows would’ve happened, I now know). So this was the event I was most looking forward to, especially as I adore both Caylee Hammack and Kalie Shorr. The show was great. My favourite performances were ‘Forged In The Fire’ by Caylee Hammack, ‘Alice in Wonderland’ by Kalie Shorr, ‘Bigger Houses’ by Caylee Hammack, ‘The Last Time’ by Tenille Townes, ‘Healing’ by Vic Allen, ‘Escape’ by Kalie Shorr, ‘All They Have’ by Mia Morris, ‘Family Tree’ by Caylee Hammack, ‘Cry For You’ by Emma & Jolie, and ‘Gatsby’ by Kalie Shorr. And they always end with a cover and for this show, it was ‘Wide Open Spaces’ by The Chicks and it just sounded so gorgeous, especially with all the beautiful harmonies. It was a great show and I’m so grateful to all those who put the work in to make it possible. I’m pretty confident saying that it was my favourite event of the week.
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I was so looking forward to this show and it did not disappoint (despite the frantic changeover from my phone to my laptop). @songsuffragettes, you will always have my heart. These shows and these girls are all so amazing and I’m so freaking inspired. 💛 #countrymusicweek
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Ingrid Andress Presents “Is That The Tequila Talking?” UK Edition – I freaking love Ingrid. She’s hilarious as well as being an incredible writer and artist. As awesome as it would’ve been to have a performance, it was still fun to hear her talk and joke and tell stories, especially about her time in the UK (where I live). I’ll probably always wish for longer (I mean, who doesn’t hope for one more song or five more minutes when an artist they love is doing some kind of performance or interview, etc) but I really enjoyed the video we got so I’m not complaining. It was really lovely just to see her. It was a fun video and she had me laughing out loud over and over. And afterwards, I couldn’t resist compiling some of the funnier faces she made…
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Oh, how I love you, @ingridandress 💜 You never fail to make me laugh. I couldn’t resist compiling some of the truly excellent facial expressions you made during this episode of ‘Is That The Tequila Talking?’ 😂 #countrymusicweek
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Caylee Hammack: A Day In The Life Of – I love Caylee and I love her music (I talked about her debut album in my recent National Album Day post). I’ve been following her on social media since I first saw her perform but it was cool to see her do Instagram Stories for Country2Country. It was funny to see her all glammed up and picking tomatoes off her tomato plants but then I also found her attempts to make the broken mirror beautiful again oddly touching. I feel like there’s a song in there somewhere.
Ashley McBryde, Lindsay Ell, and Carly Pearce: Live From The Bluebird Café, Nashville – This one I’m really annoyed about. I missed it at the time because of another commitment but then it went up on YouTube so I was really excited that I’d still get to see it; I’d never seen any of them perform live (yes, technically this still isn’t live, but you know what I mean). So I was relieved that it was available on YouTube and Facebook to watch when I had some time. But with trying to juggle Country Music Week, Tin Pan South, and the uni work and life stuff that got put on hold to watch all of these events and shows, it took me so long to get around to it that when I went to watch it, it had been deleted. So I’m sad that I ended up missing out on that. I don’t know why it was online for such an arbitrary period of time but I’m frustrated that I didn’t watch it as soon as possible (even though I had valid reasons). Yeah, so I’m just annoyed with myself and the universe about that one so I’m going to go and listen to their albums and wallow over the missed opportunity.
The BBR Music Group & BMG Showcase: The Shires, Granger Smith, Locash, Track45, and Elvie Shane – Unfortunately, I missed this one too. It was at the only Autism-friendly time at the gym (which I didn’t want to give up as it’s only once a week) and I assumed that, like the show the night before, it would be available after the original streaming time. But apparently not, or at least I can’t find it. That was a real shame because I’d been really looking forward to seeing The Shires play but there’s nothing I can do about it now. Hopefully they’ll do a livestream or something to tide fans over before they’re able to tour again. That would be awesome.
Given that Country Music Week 2020 overlapped with Tin Pan South 2020 and normal life wasn’t pausing just because I wanted it to, I didn’t feel that I got as much out of the week as I might’ve done. I was trying to balance a lot and I didn’t always do a great job. There weren’t a huge amount of people I was super excited to see but then some years are like that, pandemic or not. Having said that, the ‘events’ I did attend, I really enjoyed.
Category: covid-19 pandemic, event, music Tagged: ben earle, c2c, caylee hammack, chris country, chris country radio, country music week, country music week 2020, country music week digital, country2country, crissie rhodes, emma & jolie, ingrid andress, kalie shorr, livestream, lockdown, lockdown 2020, mia morris, nashville, pandemic, pandemic 2020, song suffragettes, songwriter, songwriters, tenille townes, the shires, tin pan south, tin pan south 2020, vic allen
Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder (ASD), ADHD (Inattentive Type), and Hypermobile Ehlers-Danlos Syndrome (hEDS), as well as several mental health issues.
I’m a singer-songwriter (it’s my biggest special interest and I have both a BA and MA in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is on all platforms, with all proceeds going to Young Minds.
My debut EP, Honest, is available on all platforms, with a limited physical run at Resident Music in Brighton.
I’m currently working on an album about my experiences as an autistic woman.