The Loneliest Whale – Out Now!

NOTE: Spoilers for the documentary, The Loneliest Whale: The Search for 52.

If you follow me on any of my social media accounts, you will likely already know that my new single, ‘The Loneliest Whale,’ is officially OUT! I love this song so much and I’m so excited for you all to hear it – it is, without a doubt, one of my favourite songs I’ve ever written.


If you’re a regular on my blog, you will probably have read the posts about ‘Write This Out‘ and ‘In The Mourning,’ the two singles that I released prior to this one. ‘The Loneliest Whale’ is the first official single of my upcoming EP but the earlier songs felt really important in establishing the foundations of this new project. Plus it meant I could release more music with the EP.

I wrote this song with an amazing artist and songwriter, lukeistired, who I went to university with. It was the summer of 2021 and our course had remained online up to this point and, finally able to work onsite again, we booked a practice room and started writing this song. We made a solid start and I later finished it by myself before working on the production with my long time collaborator, Richard Marc. It was then beautifully mixed and mastered by Josh Fielden.

Photographer: Thomas Oscar Miles  // Cover Design: Richard Sanderson

The song, unsurprisingly, uses the story of The Loneliest Whale as a metaphor for the loneliness that can often come with being autistic. This whale calls at a frequency much higher than other whales (it’s believed to be a hybrid) and while other whales can hear it they can’t understand it; they can’t communicate. That was something that I desperately related to, both before and after I was diagnosed as autistic. I’ve always felt like I’m on a different, more difficult to access frequency, so I’ve had this story in the back of my mind for a really, really long time.

When I sat down to start writing songs for this project, I knew this was a story that I wanted to write a song about. Although I knew the story well, I wanted to make sure I had all of my facts right and so I started researching. But what I didn’t expect to find was just how many individuals and communities also related to this whale, how many people have made art about this whale… I was so inspired. I’d expected the song to be a lonely, melancholy one but this changed the emotional direction: the loneliness and isolation is still there but there’s also hope. It’s a much more uplifting song than I’d ever imagined it would be.

The one obvious source of research that I avoided was Joshua Zeman’s documentary, The Loneliest Whale: The Search for 52. It was a documentary that I was really excited to see but I knew that, if they did find the whale during the documentary, I would never be able to write the song I was so inspired to write. So I decided that I’d watch it after the song was finished and then, if there was anything I wanted to change about the song, I could but I could also leave it as it was.

The documentary is great and I highly recommend it (although major trigger warnings for gruesome scenes of whaling – I’m not convinced that that level of blood and violence was necessary to make the point but that’s just my personal opinion): it manages to perfectly balance the story and mythology of the whale with the physical search and all of the science involved. And while they didn’t find the whale, they do manage to record two separate whale calls at this same frequency, close together but far enough apart that they had to belong to two separate whales. So there are two of them: two 52Hz whales. The Loneliest Whale no longer needs to be lonely. I was so moved by this discovery: just as the whale is no longer lonely, neither am I.


I am so excited to finally have this song out in the world. As I said, it is one of my favourite songs I’ve ever written and I think it’s the song that I’ve had most people reach out to me about, after playing it live or sharing snippets of it here and there. It seems to really resonate with people and that is so, so special. At the heart of it all, that’s what I want for my music; all I want is for people to feel seen and heard and understood when they listen to it.

Staying Creative in Lockdown

During the first lockdown, I really struggled to be creative but eventually, I accepted it (as much as I could) because the pandemic was new and scary and I was just trying to take things day by day. The pandemic is, of course, still scary and disruptive, at the very least. But I’m back at university now and I need to be productive and creative and write songs so I thought I’d try and create a list of things that might help with that. And hopefully they’ll help you too. There may be a songwriting slant to these ideas but I do want to try and make sure that they’re applicable to as many creative disciplines as possible.


  • TAKE CARE OF YOURSELF – We all know that it’s difficult to be productive and focussed if you’re physically struggling. So try and make sure you’re getting enough sleep, food, exercise, and water. They may not be actively involved in the creative process but it’s a lot harder to engage in anything when your body isn’t functioning properly.
  • CREATE A SCHEDULE WITH ALLOTTED TIME FOR YOUR CREATIVE PURSUIT – Some people work really well to a tight schedule and if you’re one of them, set yourself a specific amount of time at a particular point in the day to work on your creative project. If you’re not a strict timetable person, perhaps try it out but with a looser approach. Think about the time of day when you usually feel most creative and productive and each day, sit down and try to work on your project or skill. It doesn’t have to be for a pre-set period of time, it’s just about giving yourself a regular prompt so that the time doesn’t just pass you by.
  • SET YOURSELF LITTLE GOALS – Setting yourself small goals that are relatively easy to achieve is a good, gentle way of getting out of that ‘stuck’ place and back into a creative mindset. That sense of achievement can really help with your motivation and so it’s easier to keep going and keep creating. And over time, those goals can get bigger and they won’t feel impossible to achieve.
  • CHALLENGE YOURSELF WITH PROMPTS OR CHALLENGES – Sometimes our thinking gets stuck in repetitive patterns and shaking things up with a challenge or a prompt (here, here, and here are some good ones for songwriters) can divert our thinking and inspire new thoughts and ideas to pursue. I often find with challenges (thirty day challenges, for example, with a prompt every day) that the majority of things I produce don’t go further than the day of their creation but then I’m really proud of a handful of the raw pieces that I go on to turn into songs, poetry, etc that I never would’ve thought to write otherwise.
  • COLLABORATE – A second voice in the process can, again, push you in a different direction, away from the paths you would naturally take and into new creative territory. Another person can act as a sounding board, challenge your ideas and thought processes, provide insight that you might not have considered working alone, and offer encouragement if you lose confidence. Working with another person can be really scary to start with but it can be really galvanising. And working with someone you really click with creatively can result in the most amazing art.
  • TRY LEARNING FROM THOSE WHO PRACTICE YOUR CRAFT – We all practice our craft uniquely, from the slightest difference to a completely different approach. Reading up (or watching documentaries, interviews, etc) into how different people work can give you an insight into different approaches, as well as a new perspective on your own. Both looking into those who work similarly to you and those who work differently can be helpful; I think it just depends on what you’re looking for and what you’re feeling restricted by.
  • TRY AN ONLINE COURSE (IF YOU HAVE THE TIME/FUNDS) – Having a structure with assignments and guidance can be really motivating and just get you into the groove of creating again if you’ve gotten stuck. Sometimes your own internal motivation isn’t quite enough and you need some outside pressure to kickstart your creative engine again. There are plenty of courses (especially online, what with the pandemic preventing face to face courses at the present moment) and classes that are designed with particular creative pursuits in mind. And, of course, if you’re looking for a more personalised, self paced approach, YouTube is full of videos with advice on just about everything.
  • READ OR WATCH SOMETHING NEW – I’ve recently become a big fan of this as a source of inspiration. Many of us use our real life experiences when creating but that has been much more difficult since the pandemic began and our lives shrunk down into these tiny bubbles. Fiction can inspire all sorts of new ideas, whether they spark old thoughts or memories to re-explore, provide an escape into a different life, or trigger a whole new project through a specific moment or sentence. There’s so much potential inspiration right there waiting. And even if you don’t get a specific idea from watching a new movie, for example, there’s so much to learn from the pacing, colouring, atmosphere of a scene that you can apply to your artistic discipline, even if it isn’t a visual one.
  • TRY SOMETHING NEW – Trying something new is scientifically proven to increase your creativity because it presents new challenges that stimulate our creative brain. Just within your discipline, a new project or style presents you with new challenges for you to explore and overcome, forcing you to problem solve and expand your thinking. You could go even further by trying a completely new creative discipline or hobby and see where it leads you and what ideas it sparks.
  • CHANGE UP WHO YOU’RE FOLLOWING ON SOCIAL MEDIA – Most of us look at social media everyday and if the things you’re seeing are triggering negative emotions, it could be helpful to unfollow them and remove that influence from your life. And try looking for new people to follow, people who post content that makes you feel good, inspires you, and motivates you; a specific post or just the influx of new, different content could inspire new creative ideas.

So hopefully some of these tips are somewhat helpful to all of us. Being creative and making art, as a career or for the sheer enjoyment, are more important than ever in these difficult times. So even when it gets hard, don’t give up. Try something new, look for inspiration elsewhere, or take a break. Do whatever you need to do to support your ability to create.

EXTRA NOTE: Here are several articles that I read while writing this post that I found to be really interesting and potentially useful resources: (1) (2) (3) (4) (5)

The Second Semester of My Masters

So, that’s it. I’ve finished the second semester of my Masters Degree. That’s a very weird thought. I kind of can’t believe I made it. But I did. And I wanted to write about it, like I wrote about the first semester because all of this is weird and wonderful and difficult and part of the journey.

This semester, the module I studied was called Musicology (“the scholarly analysis and research-based study of music”) and my classes were split into two different blocks. The first was a series of lectures, each based around a different artist/songwriter and a specific element of their career, like David Bowie and identity, Prince and authenticity, and Max Martin and his use of melodic math (not all of them were men – these are just the ones that are coming to mind as I write this). I’d expected it to be based more around elements affecting music and it’s creation and consumption, like the history of certain genres, feminism, the constant evolution of technology and social media, rather than specific artists but maybe that was a misinterpretation on my part or simply a different approach that could’ve been taken. I don’t know. It was interesting and I learned a lot but a lot of the reading was very academic which I struggled with, given that I’m having  some trouble with what you’d probably call my cognitive processing. Having said that, we had a great tutor who is really passionate about the module, which made it so much more enjoyable and engaging than a lecture heavy module could’ve been.

The group was larger than I was used to but there were a lot of familiar faces, including my two closest friends on the course. That was definitely a positive, both because I love them and because it helped me to adjust to all the changes. But it was also nice to meet some new people and get to know better the ones that I sort of knew and wanted to know better. So that was really nice, even if it took me a while to adjust to the new group dynamic. I’ve made some good friends from that class, even though it was cut short by the lockdown (I’ll get onto that in a bit).

The second block of classes were practical classes where we discussed in further depth the techniques we’d covered in the lecture class (the technical skills and application) and then we’d go away and write a song based on those techniques. Some of the briefs were really inspiring but on the whole, I found the whole exercise frustrating and a bit of a waste of time. We’d just spent a whole semester working on our creative process and tackling our blocks and weak areas and suddenly we had no time to work on them any further because we were focussing on and trying out other people’s techniques. I just feel like I was finally making progress, particularly in my musical ability (I’ve always struggled when it comes to experimenting with different chords and chord progressions), and suddenly that progress was being curbed dramatically, making it really hard to invest myself in the songs I was writing for this class.

The assessment for this module was a single four thousand word essay on anything related to songwriting. Most people choose a songwriter and then focussed on some aspect of their songwriting or the impact of their songwriting in a certain area, like feminism or the genre they were part of, for example. I really didn’t want to go through the overwhelming stress I went through at the end of the last semester due to lack of clarity around the assignments so I spoke to my Module Leader (who was also my tutor and a tutor I’ve known since my BA) really early in the semester so that I could be as prepared as possible and when I presented the potential subjects I had in mind, he gave me some really good advice: choose the one you’ll learn most from. So I decided to investigate Taylor Swift’s use of imagery and how that links to the authenticity in her songwriting, specifically in her song, ‘All Too Well.’ I thought that would benefit my songwriting the most, since those are elements that are important in my writing and therefore knowing more about them could only strengthen my use of them. So, alongside my classes, I slowly started to gather research about those topics.

I was still researching (I readily admit with the help of my Mum because I found myself struggling so much with the academic language and with my cognitive functioning) when the Coronavirus reached the UK. Classes continued but as a course (there aren’t a huge number of us and we have a group chat on WhatsApp where we’re in constant contact with each other) we discussed the situation and came to the collective conclusion  that we didn’t feel safe travelling to and from uni, as well as being in the busy setting of a university. Our representatives contacted the senior staff and not long after, our classes were moved online. I think it was a week or so after that that the lockdown was announced.

Initially, not much changed for me, apart from the fact that I was no longer commuting to London for my classes. I attended the online classes, did my work, and researched for my essay. Determined not to go through a last week of panic writing, I got to writing as soon as I had enough material and added as I learned more. My tutor was fantastic in recommending sources when I got really stuck (there’s not as much research on imagery and authenticity in song lyrics as you’d think) and giving me some excellent feedback when I finished my first draft, still with plenty of time before the deadline. He’s been amazing throughout the whole module and I’m really grateful. I, again with my Mum’s help, went through the feedback and did the best we could to improve and strengthen the essay before submitting it just under a week before the deadline. So no last minute panicking. I think I did the best I could under the circumstances. But it wasn’t a solo effort. They’re my ideas and my words but I would NOT have been able to do it without my Mum’s support, and gentle pushing on the days where it just felt too hard. I couldn’t have gotten through the researching, the writing, or the editing without her. It is a better piece of work because of her help and I’m so incredibly grateful, both for her help on this assignment and throughout this module but also for her in general, for the ways she has supported me otherwise: helped me manage and protect my mental health, organised my life for me when it took all I had just to stumble through the days, for making sure I ate, even and probably especially on days when I didn’t want to. I’m so lucky to have her and I’m aware of that every minute of every day.

It’s been a weird semester. In a lot of ways it was smoother than the first, both because I was getting the hang of my routine as a Masters student but also because my mental health was more stable, if not necessarily better. I had some great, cherished times with my friends but then they were all suddenly ripped away without proper goodbyes by the lockdown (thank god for video calls). I got to do some really fun cowrites, which were then suddenly stalled for the same reason. They can be rearranged and done by FaceTime or Zoom but it’s not the same: I find it much harder to be creative WITH someone when we’re not actually in the same room (plus the lag time makes singing or playing together a real challenge). I’ll make it work because I love cowriting and I love the people I’m writing with but I do find it harder. I was also really enjoying the lectures and discussions we had in class and online classes just aren’t the same. So what was mostly a pretty positive semester was cut off in its prime and I do grieve the way things could’ve been.

I’m done now. The full-timers have another semester but I’m free until the end of September ish. I’ve completed the first year of my Masters Degree. That’s a very strange sentence to write out. There were many, many moments where I was sure I’d have to defer, despite the fact that the thought made me feel physically ill. But I made it. It was somewhat anti-climactic, given that we’re all in lockdown: I uploaded my assignment, clicked a button, and that was it. Year One done. I don’t think I could sum it – or the emotions I’ve experienced – up if I tried, not without writing a PhD length post. It’s been good and difficult and inspiring and more stressful than I could’ve possibly imagined. I’ve learned a lot and I’ve met some wonderful people. I guess I’ll leave it at that.

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