January 2020

January was tough. A lot of difficult things happened. Normally, I wouldn’t do a monthly round up but there were several things this month that I didn’t think would get properly acknowledged (in my yearly review or otherwise) if I didn’t. So here’s January 2020 and it’s highs and lows…

  • Assessments and meltdowns – I began the year working frantically and anxiously on assessments for the module I’d just finished. And as soon as I’d finished the essay, it was onto preparing the presentation, which absolutely terrified me. All of the work with no rest and all of the anxiety caused so, so many meltdowns. So it was a very stressful start to the year.
  • Presentation – My final presentation was very stressful. I worked ridiculously hard on a powerpoint presentation and script that described my progress throughout the semester with snippets of the songs I’d written and I thought I’d done okay but I was and am upset with my grade, mainly because the ‘good’ and ‘bad’ feedback I got seems to contradict each other. There’s this thing we have called Results Counselling (or something similar) where we can go and discuss it all, which I’m gonna do as soon as I can get through it without crying (not just about the grades – it’ll come up later). Whether that will change the grade or not, I don’t know.
  • Choosing my timetable and beginning the new semester – My uni are really helpful about working with me to find a timetable that was best for my health, mental and physical. I really appreciate that they do that. I know that, as a disabled student, they have certain obligations to help me but this is something that causes me a lot of anxiety so I do really appreciate it. Special thanks to Ivy and Aislin for their help. And then the semester began. I’ve swung from overwhelming anxiety to calm and back again so many times that I’m dizzy. Right now, I’m okay. I think.
  • ‘Clarity’ came out! – The second track from my EP, Honest, was released on the 10th and for what is essentially a second single from an independent artist, it’s done really well. It was added to several playlists with lots of followers and it’s been played on a handful of independent radio stations, including Get In Her Ears, which I’ve followed for a long time. So that was really cool. It’s also had quite a lot of airplay on a couple of local independent radio stations, which feels very special even if bigger stations are ‘better’ for my career – their support means a lot to me. It’s been a lot less stressful and a lot more exciting than the release of ‘Bad Night’ (although that was probably because it was the first one and so all new and unknown). Having said that, there’s still a lot more to come…
  • My First DSA Assessment – As you probably remember from this post, it was a bit of a disaster. It was incredibly upsetting and we were basically told I would get no support as a disabled student. Things have changed a bit since then but I don’t want to talk about it until I actually know what’s happening, until it’s more than just speculation and hope.
  • Semester B – We’re only four weeks into the new semester so we haven’t gotten that far yet but it’s definitely difficult. Much like the first semester, the content is really interesting but there’s a new challenge this semester: the academic language. A lot of the time I have no idea what the texts are saying and that’s pretty distressing. It makes me feel stupid and like I’m not smart enough to complete a Masters and ‘what the fuck was I thinking trying to do this?!’ Just as I thought I had a question for my assessment essay, I decided it was too complicated and now I’m waiting to hear from my tutor about it. I feel frozen. It’s hard to research when you don’t know what you’re supposed to be researching, a problem I had last semester although in a different scenario. I’m doing my best though and I’m doing my best not to panic. But I’m keeping up with my writing and I’ve written songs that I like so that’s keeping me grounded even though they don’t get assessed. But it reminds me why I’m doing this: to write better songs.
  • Manic by Halsey was released – I love Halsey and I was very excited for this album and (Hurray!) I absolutely love it. It’s so different from Badlands and Hopeless Fountain Kingdom but they were really different from each other; there’s progression and evolution and exploration. This one is particularly emotionally vulnerable and to me, the often acoustic production reinforces that. I love all of Halsey’s albums and I think this one is the perfect next step. I love most of the songs but my absolute favourite are ‘Ashley,’ ‘Graveyard,’ ‘You should be sad,’ ‘More,’ ‘Still Learning,’ and ‘929.’
  • Sharné visited – One of my best friends from uni came to visit me (and my cats) and we had such a lovely weekend. We went to the beach at golden hour, made cookies, watched movies, and played with the cats. It was so, so nice. I had such a good time. She’s the best.
  • University gig – The full time students on my course put on a show and it was so cool to hear the songs they’d written and it was so, so nice to see my friends play and get the recognition they deserve because they’re such talented, hardworking writers. It was such a good gig and I wish I could’ve stayed to the end but I had to get home to Brighton.

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(Luce Barka performing ‘Be More Kind’ – a very beautiful, meaningful song.)

  • Richard visitedRichard came down to visit me (and, again, the cats – I’m sensing a theme) and we did some writing and production, which was really fun, especially given that I was trying some new things. We also worked on some stuff for the rest of the ‘Clarity’ release cycle and for the release of the next song. Ooooh…
  • BeFries closed – My favourite restaurant in Brighton closed this month temporarily and then permanently and I’m absolutely gutted. I loved that place, I loved the food, and I loved the people. I’m so, so sad that it’s gone and I genuinely don’t know where my new meeting spot will be because that’s where I took everyone.

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  • Announced ‘Clarity’ music video – I announced via social media (I’m having major problems updating my website for some reason) that the ‘Clarity’ music video would be coming out in early February! I’m so excited for everyone to see it! (It will have gone up by the time I post this but this is where I am right now…)

Clarity Video Announcement

“I’m so, so excited to announce that the music video for ‘Clarity’ will be coming out Friday 7th February! @rsandersonphoto and I had such so much fun shooting this and there’s a pretty cool surprise in there so we hope you love it as much as we do!” (x)

  • Cheer – This might seem small compared to some of the other things on this list but I watched it after hearing all the good press about it and it absolutely held up. It was shot beautifully and the pacing was really good. The stories of all the cheerleaders had me so invested in each of them and their places in the series, and in their futures. I cried in almost every episode.
  • The Grammys 2020 – I have many, many  opinions about The Grammys, about who should’ve won which awards (*cough* Taylor Swift for Song of the Year with ‘Lover’ *cough*) but mainly I’m just super happy that Natalie Hemby and Sara Bareilles won their first Grammys. I can’t believe that this is a first for both of them, given how freaking talented they are and how successful they’ve been but regardless of that, this is amazing news and I’m so happy for both of them.
  • Waitress with Sara Bareilles – The best moment of the month was seeing Sara Bareilles on her first night as Jenna in Waitress the Musical in London. She was incredible. The whole show was amazing but she was a magic all of her own. When she sang ‘She Used To Be Mine,’ (which I know is a special song to her and is a special song to me too) the standing ovation went on for so long that eventually the only way to stop us was to continue with the show and therefore force us to sit down. She was truly awesome and I felt so lucky to be there. I’m fortunate enough to get to see her again before her run finishes and I’m so, so excited.

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  • Track of the Day – In the interval of Waitress, I discovered that ‘Clarity’ was going to be Track of the Day for BBC Introducing in the South and played on the radio, on a show I haven’t been played on before. So that was massively exciting (apart from some confusion about the date). Fortunately, I wasn’t in class when they played it so I could listen and enjoy the feeling! Hearing yourself on the radio, hearing people introduce you and your song and spread the message you’re trying to spread is so special.

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  • Lucky – If you follow my social media, you’ll know that we had to have our family dog put to sleep in the last days of January. We first met him when he was a couple of days old and he would’ve been sixteen on the 9th February, so he lived a long and happy life (I hope he was happy – he seemed happy and we did everything to make sure he was). But saying goodbye to him was agonising and there’s been a massive hole in my life ever since. I miss him desperately. I want to write more about him – it just feels like the right thing to do – but I’m just not ready yet.

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  • #30dayfeb – My tutor, mentor, friend, and super inspiring person, Sophie Daniels, is running a challenge throughout February (1st February – 1st March) under her artist project name, Liberty’s Mother (the name comes from the name of her daughter, Liberty, who tragically died the day before she was born), to raise awareness about baby loss and money for the baby loss charity, Tommy’s. The challenge is all about doing something positive for your wellbeing everyday for 30 days. I know a lot of people are going to the gym everyday, doing yoga, and so on but given my chronic fatigue and chronic pain, I can’t do those things so I’ve decided to focus on relaxing my brain: mindfulness essentially but in a slightly less traditional fashion. I’m going to try and make a piece of origami every day because I can’t think or stress about anything when I’m doing it because I have to concentrate so hard. And I could do with some of that. You can sponsor me to do this, to try and do this everyday. Here are some of my attempts so far.

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So that was January. Yeah, 2020 – the new decade – began on a very stressful and sad note. I’m thankful for the moments of light.

2019 in Songs

It’s become a bit of a tradition for me to keep a log of my favourite songs throughout the year, roughly one a month. As a songwriter especially, it’s nice to look back and see which songs I loved and played obsessively throughout the year. It was hard to choose this year – there were multiple choices each month and sometimes I couldn’t choose, as you’ll see – but here are the songs that had my heart singing.


1. Family Tree by Caylee Hammack

I first heard Caylee sing this song at a Tin Pan South show in Nashville, just a vocal and guitar and she immediately had the whole room singing along. It’s so fun and you can’t help feeling like you know the people she’s describing, the members of her family. And then the chorus is – hopefully – relatable, whether it’s your blood family or your chosen family. It’s super catchy and such a feel good song. Plus the arrangement and production are really unique and interesting.

Some swing a little higher, some’ll just hang low
A few of us are on fire to get out, and some just wanna stay home
But it don’t matter, ’cause the roots run deep
And ain’t nothing gonna shake our family tree
And ain’t nothing gonna shake our family tree, ooh


2. Lady Like by Ingrid Andress

Another song I first heard at Tin Pan South, this one a few years ago. But this year, I was lucky enough to see Ingrid twice, both times in London. Every time I see her perform it, it seems like she’s fitting more and more into her skin, not that I ever would’ve called her uncomfortable when performing this song. But she just seems stronger and more confident and it’s beautiful to see. The whole song – the lyrics, the melodies, the production – is so cohesive, like every puzzle piece fits perfectly together. It’s a great pick-me-up song, one that can totally change your mood around, from feeling low to feeling badass. Also, Ingrid is one of the loveliest artists. She’s also so grateful that I’ve come to a show and so supportive of my endeavours to be an artist. I don’t think I’ll get to see her when I’m in Nashville in March, which I’m really gutted about, but hopefully another opportunity will come up.

Woah, I could bring you to your knees and
Get you kicked out the Garden of Eden
Untamable, unframeable, Mona Lisa, oh
Kiss you like a whiskey fire
Turn around, leave your heart in a riot
Lipstick in a cigarette pack on the dash
I’m a lady like that
I’m a lady like that


3. Great Ones by Maren Morris

It took me a while to get used to the new Maren Morris album, I think because I was so attached and so familiar with the first one (not that other people weren’t – I just don’t adjust to change well). But now I love it so it was freaking hard to choose a favourite. But there’s something about this one that just feels extra special. The production is fantastic and the lyrics are just beautiful. The line ‘The myth of me and you’ really sums it up for me because the song sounds like a myth, like a legendary love story, and I can’t help but hope for something like that, even though I’m not sure that’s possible.

You just fell out of the sky
The best things come when you don’t even try
Lightning in a bottle doesn’t happen twice
The kind of gospel that saves you just in time
The myth of me and you
Is fiction turned to truth
Most loves don’t make it through
But the great ones do


4. How Do I Get Close by Nick Wayne

A third song I first heard at Tin Pan South and it was just stunning. Nick Wayne has such a beautiful voice, unreal high notes and gorgeous low notes, and the emotion just pours out of it and out of his lyrics, even if, personally, I would write it differently. He writes in particular details that I’ve never heard anyone else pick up on but there’s a simplicity to the lyric so that you don’t feel that you’re being overwhelmed with imagery. I learned a lot from listening to this song.

How do I get close to you
There ain’t nothing I won’t do
I used to know that I was your home
Now I’m in this house alone
Wondering how do I get close to you


5. She Used To Be Mine by Sara Bareilles

I’ve long loved this song and during this part of the year, when I was desperately depressed, I learned to play it on the piano and sang it everyday, sometimes multiple times. It helped somehow to focus on something that I love so much, even if it made me sob over the keys. It creates this stillness in me, this clarity, that brings all of my emotions to the surface. Waitress and this song mean so much to me and they got me through a really hard time. And now that things are a bit easier, they bring me joy as well.

She’s imperfect, but she tries
She is good, but she lies
She is hard on herself
She is broken and won’t ask for help
She is messy, but she’s kind
She is lonely most of the time
She is all of this mixed up and baked in a beautiful pie
She is gone, but she used to be mine


6. What If I Never Get Over You by Lady Antebellum

From the moment I heard this song, I was in love. I related it so strongly to an experience I went through in my late teens that took me a long time to get over and at the time, I didn’t think I’d ever get over it. I’d never had that sort of experience TO get over before so I didn’t personally know that you could get over something like that, not really. Not truly. So the song instantly felt like it could’ve been written for me. It’s a beautiful song: lyrics, melodies, build up, harmonies, and so on. It definitely got me more into Lady Antebellum.

It’s supposed to hurt, it’s a broken heart
But to movin’ on is the hardest part
It comes in waves, the letting go
But the memory fades, everybody knows
Everybody knows


7. Love Wins by Carrie Underwood

I’ve wanted to see Carrie Underwood live for years and I finally got to in July and she was even better than I thought she would be. She’s an incredible performer and her voice is even better live than it is recorded and it’s amazing recorded. It was really hard to choose a favourite song but this one was so positive and you could feel it lifting your soul. It doesn’t take in all of the complexities of the world we live in, of course, but we all need – we will always need – songs that inspire us, inspire kindness and compassion.

I, I believe you and me are sisters and brothers
And I, I believe we’re made to be here for each other
And we’ll never fall if we walk hand in hand
Put a world that seems broken together again
Yeah I, I believe in the end love wins


8. Cruel Summer by Taylor Swift

I am obsessed with this song. It’s chaotic, intense, and emotional, with both classic (“snuck in through the garden gate”) and unconventional imagery (“in the glow of the vending machine”). It’s easily one of Taylor’s best songs and I’m pretty sure it’s my favourite on ‘Lover’ (although that’s a tough call because it’s such a great, interesting, and diverse album). I’m fascinated by all the layers in the lyrics and the production is practically mythical and the bridge is a classic Swift/Antonoff work of art, building from the chorus and exploding like a firework. Then it drops back to the chorus to remind us of the core of the song, of the story, before taking off again. And then it ends suddenly. There are so many details in this song that I could write a dissertation dedicated to figuring them out and that is… awesome.

I’m drunk in the back of the car
And I cried like a baby coming home from the bar (oh)
Said “I’m fine”, but it wasn’t true
I don’t wanna keep secrets just to keep you
And I, snuck in through the garden gate
Every night that summer just to seal my fate (oh)
And I screamed for whatever it’s worth
I love you, ain’t that the worst thing you ever heard?


9. The One by Kalie Shorr

This choice was the hardest. I was obviously going to choose a song from Kalie’s (long awaited) album but I wanted to choose every single one, each for different reasons. It’s an incredible album. I could’ve chosen Messy, F U Forever, Alice in Wonderland, The World Keeps Spinning, Big Houses, Gatsby, Vices, Lullaby, Angry Butterfly… practically the whole album. I could’ve chosen the few remaining that I haven’t listed. I don’t honestly know why I chose this one, why this one is the one (well, if I’m honest, one of a couple) that catches me in the chest every time but it does. It brings me to tears in moments. The instrumentation, the production, Kalie’s vocal and melodies, the emotion, the lyrics, even the specific arrangement of the words… They’re beautiful. They’re stunning. They’re heartbreaking.

This album ties with ‘Lover’ for album of the year for me. Sometimes I can’t listen to it because the emotions are so overwhelming, so blinding in their clarity. She’s brutal in her honesty but the vulnerability is heartbreaking. The imagery is so powerful, emotional and literal. I’m rambling. I don’t know if the songs were written or arranged chronologically but they sure do sound it and you can feel the emotional journey like the movement of ocean waves. There’s heart aching confusion, hollow vulnerability, visceral anger, self sabotage, growth, incredible strength… It’s one of the most emotionally compelling albums I’ve ever heard. It’s an origin story. I’ve always been a sucker for an origin story.

You were always supposed to be my seatbelt when we crashed
Answering the questions that I didn’t have to ask
I was supposed to be the concrete heart that couldn’t crack
Yeah, you were always supposed to be on my side of the war
Tell me what the hell were the last five years for
Now we’re just broken hearts and slamming doors
And you were supposed to be the one
You were supposed to be the one


10. I Can Love You From Here by Liberty’s Mother / This Isn’t Love (feat. Sam Jackson) by NADINE

I’m including two songs for this month because they were both played at the same event. I went to my tutor’s EP launch (released to raise awareness about baby loss), the title track of the EP being ‘I Can Love You From Here.’ Sophie (Liberty’s Mother being her artist name) performed the whole EP but the title track will always be special to me. It’s the first song I ever heard her play and it’s about how her daughter died the day before she was born, about how to love someone after they’ve died. It almost always reduces me to tears because of how strongly I relate to it. No one teaches you what to do with the love you have for someone when they’re gone – especially when it’s sudden.

The other song was performed by NADINE, who Sophie had invited to play a set at the launch. ‘This Isn’t Love’ is a song of hers that I’ve heard live several times now and absolutely love. But this time, she performed the newer, duet version with Sam Jackson and it was amazing. The guitar jack didn’t work so they stepped off the stage and performed acoustically, out of the spotlight and practically in the dark, and it was magical. Their voices fitted together beautifully and it was such a special one-of-a-kind moment. I felt so lucky to be witnessing it. The rest of her set was incredible too and there were several other songs I could be listing here, more amazing, special moments, but this one was the first of the show.


11. club by Kelsea Ballerini

I really like Kelsea Ballerini and while I liked ‘Homecoming Queen?’, I was a bit skeptical about a twenty six year old singing about high school. I much preferred ‘club’, despite being the person least likely to be found in a club. The melodies are so catchy and I really like the lyrics, the message that you don’t have to go out and get drunk to have fun. It’s been played many a time when I need a pick-me-up. Plus I love the video. The only thing that bothers me about it is the line ‘so what’s wrong with me?’ because it implies that there’s something wrong with not wanting to go to a club, despite the message of the rest of the song.

Yeah I like my friends, yeah I like tequila
I like puttin’ on a dress and dancin’ with my feelings
I could be the life of any party
I can play along with anybody
But sorry

I don’t wanna go to the club
I don’t wanna watch everybody around me try to hook up
And say stuff they don’t mean
And get drunk and get cheap
So what’s wrong with me?
‘Cause I don’t wanna go to the club


12. Graveyard (Acoustic) by Halsey

I love the original version of ‘Graveyard’ (the darkness in the lyrics, the urgency in the rhythms, particular production choices – when some instrumental/electronic parts were used and when they were pulled back or out completely) but there’s something about the acoustic version that just sounds so magical to me. The  slower tempo gives it a more introspective feel and I love the sound of the electric guitar. Something about it just connects deep inside me and it feels like I can breathe more easily. And on that note, the gasp that follows the bridge in the original version seems to be replaced with an exhale, like a letting go of the situation, of the person, and that small detail profoundly changes the song somehow.

You look at me
With eyes so dark, don’t know how you even see
You push right through me
It’s gettin’ real
You lock the door, you’re drunk at the steering wheel
And I can’t conceal


So there you have it. My songs of 2019. As I always say, there could’ve been so many more but I’ll stop there. I hope you liked reading this as much I liked writing it but now I have a monster of an essay to finish. Yay for me.

EDIT: If you’d like to listen to all of these songs, I made a Spotify playlist:

https://open.spotify.com/embed/playlist/1NWlFAodE18mIdvhIZUbn6

Grateful 2019

This year has been a weird year, something I don’t really want to get into until I do my end of year review. But it has been a weird year and with all the medication changes and mental health issues, it’s only the last three months that are really clear in my memory. I’m very aware of being grateful – there’s so much to be grateful for – but having had such a fuzzy brain, I feel sure that I’m forgetting things, something that’s causing me a lot of anxiety. Pieces of the year are just missing from my memory, whether blurry or plain misfiled, and so I worry that there are moments in there that I should and would be grateful for if only I could get a grasp on them. But I can’t. So this is the best I can do. Please forgive me if I’m leaving things out.

My Mum – I always list (or shout out) my Mum because she is the person that I am most, most grateful for. Being the person I am with the disabilities I have, I couldn’t survive in any way without her and for that, for her presence, I am so grateful. She goes above and beyond to help me through the bad days and achieve on the good days and I’m just in awe of her. She is the most caring person I know.

Richard (my best friend and writing partner) – During the first part of the year, Richard and I planned an EP that we were both so, so excited about. And then suddenly, overnight it felt like, that excitement disappeared for me. It was replaced by paralysing anxiety, so bad that I couldn’t even talk about the project. It was awful. But we got through it and the EP – Honest – is now slowly being released, all of which is largely because of Richard, both practically and emotionally. And that’s just our working relationship. He’s always there to text me shitty jokes, to help me write songs when I’m banging my head against the wall, to eat sweets and watch The Good Place with. I don’t know what I’d do without him.

My Family and Friends – I often give a specific shout out to Mum and Richard because they seem to be the ones who most commonly see and help me with my bad days and my anxieties but the rest of my family have also been amazing this year. They’ve always been there when I’ve needed them. I haven’t seen many of my friends as much as I would’ve liked to this year. Between the depression, the trying of different drugs, and starting the Masters, it’s been a messy and complicated year that I will write about more in my end of year review. Hopefully I’ll get to see them more next year.

The animals in my life – We started the year with our dog, Lucky, and three cats, Lucy and her kittens, Mouse and Tiger. We’d dabbled with the idea of Mouse having kittens, just to do the kittens experience one more time, but just as I changed my mind – it was too much change and I needed everything to stay the same – we came home and Mouse was having kittens, despite the vet telling us the week before that she wasn’t pregnant. And now we have two kittens in the house, two black furballs called Sooty and Sweep. They’re gorgeous and them, plus the rest of the animals, have really helped me with my anxiety (which has been overwhelming) over the last three months and that has been so, so important.

My Masters Degree group – Starting a new course or a new anything is always scary and for me, the scariest part tends to be the new people. Fortunately, I’m doing my Masters course at the same uni I did my BA so that was really the only new thing. But I got really lucky: I ended up in a really small group and they’re all really lovely people. It feels like we’ve gotten to know each other pretty well and we’re all so supportive of each other. The groups are going to change somewhat after Christmas but it became a really safe environment, creatively and personally, and I’ll really miss it. I know I’ll still see them and our friendships won’t suddenly end but I’ll miss our little pocket in space and time.

My benefits being renewed – Given how scary the political climate in the UK has become and continues to become, I am so, so grateful that my benefits were renewed before the election and will last until just before the next election, regardless of what happens in the next few years. That was such a relief to learn. I don’t know what will happen after that but for now, I feel like I can breathe a little bit easier.

Red Bull – The major side effect of my current medication is this overwhelming sleepiness. When I told my psychiatrist about it, he said that it should wear off but that it could take months. I’d been drinking Red Bull to help me stay awake and help me concentrate; we discussed the fact that it’s not massively healthy but it’s his opinion that the sleepiness will wear off, hopefully within a few months and then I can give up my Red Bull habit. So we’re keeping an eye on it and in the meantime, Red Bull is my best friend.

Fanfiction – In times of great anxiety, I’ve reverted to a major hobby of my early teenage years. I read stories from every film and TV show I loved and wrote reams of the stuff. I’m not writing it this time around but reading it and getting lost in new stories from familiar worlds has been a very effective calming strategy. It’s made me feel safe. And it’s kept my creativity (always stifled by my anxiety) burning low, in the background, for when I’m ready for it.

His Dark Materials – I have been in love with this show from the first episode. I honestly can’t remember the last time I was so impressed by and excited about a TV show currently airing (I’ve fallen in love with shows after they’ve ended, for example). Daphne Keen is an incredible Lyra and Ruth Wilson blows me away every episode as Mrs Coulter. The sets, the CGI, the characters’ relationships with their daemons, the complexity of the characters, even the introduction sequence are absolutely extraordinary. I’m so gutted that the series is over but I can’t wait for the next one.

Taylor Swift – I’m pretty sure I’ve always mentioned Taylor Swift but I probably always will. Her songwriting is incredible, she’s one of the hardest working people in the music industry, she’s generous, she’s intelligent, and she’s exceptionally kind. She’s one of my favourite singersongwriters and her recent album, Lover, is so, so good: one of my favourite albums of the year, possibly one of my favourite albums ever. It’s beautiful and vulnerable and special. She’s also been saying some very smart and very important things during her recent press cycle:

  • “I’m a woman, I’m not a coat hanger. I need to feel healthy in my life and I need to take pleasure in food and I need to not use my body as an exercise of control when I feel out of control in my life.”
  • “Do not let anything stop you from making art. Just makes things. Do not get so caught up in this that it stops you from making art or if you need to, make art about this. But never stop making things.”
  • “You’re not always going to be inspired and that’s okay.”
  • “If someone’s gonna take your hand, they’d better take your hand, scars and all.”
  • “I guess what I’m trying to say is that all any of the artists, or really anyone in this room wants, is to create something that will last, whatever it is in life. And the fact that this is an award that celebrates a decade of hard work, of art, and of fun and memories, all that matters to me is the memories that I had with you, the fans, over the years. We’ve had fun, incredible, exhilarating, extraordinary times together, and may it continue! Thank you for being the reason why I am on this stage, from the first day of my career until tonight.”
  • “I think that artists deserve to own their work. I just feel very passionately about that.”

And lastly, she’s fearlessly standing up for artists and their right to own their music. It’s a big, hard fight but she’s using her platform and her power in the industry (“as your resident loud person”) to try and change that. Of course, she’s personally affected by it but she could handle it in private. Except she’s not: she’s speaking out and working to create change. And as a new artist, I really appreciate that she’s trying to make the industry I’m entering fairer and less discriminatory.

I think I’ll stop there. I’ve got my Christmas wrapping to do and a Christmas tree to guard from some very inquisitive cats. I hope you all have a safe, happy, and healthy Christmas where you feel as special and beautiful as you are.

EDIT: Honourable mentions to Nashville and the lovely people there, Agents of Shield, and fairy lights. But if I keep going here, we’ll be here until 2020.