Sounds Like Hope – Out Now!

My new single, ‘Sounds Like Hope,’ the third single from my EP, Honest, is now available on all major music platforms!


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laurenalexhooper: AND ‘SOUNDS LIKE HOPE’ IS OUT! ⁣

I wrote this song a while back with one of my favourite people, Richard Marc. I was in the middle of a really bad depressive episode and had been unable to write for months but somehow, we managed to coax this song out of the universe. And it turned out to be a song about hope. 

Please, please buy/stream it. It would mean so much to me and all of the people who have worked so hard on it 💜

https://ffm.to/sounds-like-hope-lah


I’m kind of anxious about this one coming out, if I’m honest. It’s quite different to the previous two songs, both in pace and in mood, so I’m nervous (although cautiously curious) to see what the reaction is. I hope you like it. And, as always, I hope it makes you feel something.

The Second Semester of My Masters

So, that’s it. I’ve finished the second semester of my Masters Degree. That’s a very weird thought. I kind of can’t believe I made it. But I did. And I wanted to write about it, like I wrote about the first semester because all of this is weird and wonderful and difficult and part of the journey.

This semester, the module I studied was called Musicology (“the scholarly analysis and research-based study of music”) and my classes were split into two different blocks. The first was a series of lectures, each based around a different artist/songwriter and a specific element of their career, like David Bowie and identity, Prince and authenticity, and Max Martin and his use of melodic math (not all of them were men – these are just the ones that are coming to mind as I write this). I’d expected it to be based more around elements affecting music and it’s creation and consumption, like the history of certain genres, feminism, the constant evolution of technology and social media, rather than specific artists but maybe that was a misinterpretation on my part or simply a different approach that could’ve been taken. I don’t know. It was interesting and I learned a lot but a lot of the reading was very academic which I struggled with, given that I’m having  some trouble with what you’d probably call my cognitive processing. Having said that, we had a great tutor who is really passionate about the module, which made it so much more enjoyable and engaging than a lecture heavy module could’ve been.

The group was larger than I was used to but there were a lot of familiar faces, including my two closest friends on the course. That was definitely a positive, both because I love them and because it helped me to adjust to all the changes. But it was also nice to meet some new people and get to know better the ones that I sort of knew and wanted to know better. So that was really nice, even if it took me a while to adjust to the new group dynamic. I’ve made some good friends from that class, even though it was cut short by the lockdown (I’ll get onto that in a bit).

The second block of classes were practical classes where we discussed in further depth the techniques we’d covered in the lecture class (the technical skills and application) and then we’d go away and write a song based on those techniques. Some of the briefs were really inspiring but on the whole, I found the whole exercise frustrating and a bit of a waste of time. We’d just spent a whole semester working on our creative process and tackling our blocks and weak areas and suddenly we had no time to work on them any further because we were focussing on and trying out other people’s techniques. I just feel like I was finally making progress, particularly in my musical ability (I’ve always struggled when it comes to experimenting with different chords and chord progressions), and suddenly that progress was being curbed dramatically, making it really hard to invest myself in the songs I was writing for this class.

The assessment for this module was a single four thousand word essay on anything related to songwriting. Most people choose a songwriter and then focussed on some aspect of their songwriting or the impact of their songwriting in a certain area, like feminism or the genre they were part of, for example. I really didn’t want to go through the overwhelming stress I went through at the end of the last semester due to lack of clarity around the assignments so I spoke to my Module Leader (who was also my tutor and a tutor I’ve known since my BA) really early in the semester so that I could be as prepared as possible and when I presented the potential subjects I had in mind, he gave me some really good advice: choose the one you’ll learn most from. So I decided to investigate Taylor Swift’s use of imagery and how that links to the authenticity in her songwriting, specifically in her song, ‘All Too Well.’ I thought that would benefit my songwriting the most, since those are elements that are important in my writing and therefore knowing more about them could only strengthen my use of them. So, alongside my classes, I slowly started to gather research about those topics.

I was still researching (I readily admit with the help of my Mum because I found myself struggling so much with the academic language and with my cognitive functioning) when the Coronavirus reached the UK. Classes continued but as a course (there aren’t a huge number of us and we have a group chat on WhatsApp where we’re in constant contact with each other) we discussed the situation and came to the collective conclusion  that we didn’t feel safe travelling to and from uni, as well as being in the busy setting of a university. Our representatives contacted the senior staff and not long after, our classes were moved online. I think it was a week or so after that that the lockdown was announced.

Initially, not much changed for me, apart from the fact that I was no longer commuting to London for my classes. I attended the online classes, did my work, and researched for my essay. Determined not to go through a last week of panic writing, I got to writing as soon as I had enough material and added as I learned more. My tutor was fantastic in recommending sources when I got really stuck (there’s not as much research on imagery and authenticity in song lyrics as you’d think) and giving me some excellent feedback when I finished my first draft, still with plenty of time before the deadline. He’s been amazing throughout the whole module and I’m really grateful. I, again with my Mum’s help, went through the feedback and did the best we could to improve and strengthen the essay before submitting it just under a week before the deadline. So no last minute panicking. I think I did the best I could under the circumstances. But it wasn’t a solo effort. They’re my ideas and my words but I would NOT have been able to do it without my Mum’s support, and gentle pushing on the days where it just felt too hard. I couldn’t have gotten through the researching, the writing, or the editing without her. It is a better piece of work because of her help and I’m so incredibly grateful, both for her help on this assignment and throughout this module but also for her in general, for the ways she has supported me otherwise: helped me manage and protect my mental health, organised my life for me when it took all I had just to stumble through the days, for making sure I ate, even and probably especially on days when I didn’t want to. I’m so lucky to have her and I’m aware of that every minute of every day.

It’s been a weird semester. In a lot of ways it was smoother than the first, both because I was getting the hang of my routine as a Masters student but also because my mental health was more stable, if not necessarily better. I had some great, cherished times with my friends but then they were all suddenly ripped away without proper goodbyes by the lockdown (thank god for video calls). I got to do some really fun cowrites, which were then suddenly stalled for the same reason. They can be rearranged and done by FaceTime or Zoom but it’s not the same: I find it much harder to be creative WITH someone when we’re not actually in the same room (plus the lag time makes singing or playing together a real challenge). I’ll make it work because I love cowriting and I love the people I’m writing with but I do find it harder. I was also really enjoying the lectures and discussions we had in class and online classes just aren’t the same. So what was mostly a pretty positive semester was cut off in its prime and I do grieve the way things could’ve been.

I’m done now. The full-timers have another semester but I’m free until the end of September ish. I’ve completed the first year of my Masters Degree. That’s a very strange sentence to write out. There were many, many moments where I was sure I’d have to defer, despite the fact that the thought made me feel physically ill. But I made it. It was somewhat anti-climactic, given that we’re all in lockdown: I uploaded my assignment, clicked a button, and that was it. Year One done. I don’t think I could sum it – or the emotions I’ve experienced – up if I tried, not without writing a PhD length post. It’s been good and difficult and inspiring and more stressful than I could’ve possibly imagined. I’ve learned a lot and I’ve met some wonderful people. I guess I’ll leave it at that.

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February Album Writing Month 2020

FAWM or February Album Writing Month is an annual songwriting challenge where participants must try to write 14 songs in the 28 days of February. Unless all you do is write songs, it can be a real struggle. If you have a job or are in any kind of education or have time consuming responsibilities, you’ll have limited time to write so it’s definitely not easy. Having said that, it’s a great way to motivate yourself when you’re in a rut or when you just want to challenge yourself.

I’ve been attempting this challenge on and off for several years now and I’ve only achieved it once, which was helped by my BA in Songwriting requiring me to write three songs a week (roughly). That definitely made things easier. So once I’d written those, there was only a handful left to write.

This year, I decided to try it again, since I’m back in education, doing a Masters in Songwriting. However, this semester is based around an essay with only the suggestion of writing a song a week. So it’s significantly harder than the last time I tried this in songwriting education. I’ve also been struggling to write for the last several years. The last time I managed this challenge was probably the last time my songwriting brain was really working. Since then, pulling all the elements of a song together has felt all but impossible and the outcomes have been very unsatisfactory, to me at least. Other people haven’t always felt the same. I believe that it was my failing medication (Phenelzine, for my depression) that negatively impacted my songwriting. That continued when I took different medications and only lifted when I started taking Phenelzine again at the end of last year. My brain and my songwriting brain just lit up again and I’ve been writing and writing and writing ever since then. So I decided to try the challenge again. I was a little more flexible this year, what with all of my Masters work so, as well as writing full songs, I also included edited songs as long as the edits were serious edits: not just the odd line but refocusing the song or rewriting major sections.


These are the songs I wrote:

  1. Halley’s Comet – I’ve always been fascinated by Halley’s Comet and how it repeatedly passes Earth, particularly how it passed on Mark Twain’s birthday and the day he died. So I tried to write about that, about that relationship. I’ve tried before and this one is better but I’m still not sure I’ve quite got it right. I’ll keep playing it and see what occurs to me.
  2. Bad Dream – This is a song I wrote with two friends, late in 2019. I loved it but on reflection, after some time had passed, I realised that it didn’t quite fit my original concept and wasn’t quite going in the direction I wanted it to go. So I edited the verses and chorus so that it fitted with what I wanted to say. And now it describes a situation feeling like a dream rather than a situation basically being a bad dream, if that makes sense.
  3. Helping a friend with her song – Me and a good friend of mine sat in a cafe and spent an hour helping each other with concepts and lyrics for songs we were both writing and I had so much fun helping her with her song. I don’t want to say too much because I don’t know whether she’s planning to release it or do something with it but it’s a great song and I can’t wait to hear the final version.
  4. Starlings – This song was a uni assignment where we had to write a song including lots of details of the place we considered home and so I wrote about Brighton and growing up with my brother. But once I’d finished it, I realised that it had ended up too focussed on my relationship with him, rather than my relationship with my home so I had to do a serious rewrite.
  5. Starlings (Version 2) – This version was better, much more focussed on home and Brighton with details of growing up with my brother and my friends and the settings that all those moments took place in. There’s strong imagery and each section says something different and important and I’m really proud of it.
  6. Prison – I wrote this song with one of my favourite cowriters about how sometimes the things that imprison us are of our own doing; we create our own prisons without even realising. We worked on a track as well and it sounds really cool. It definitely needs redrafting – there are lyrics that aren’t as true to the emotion as they should be or as effortless as they should be – so I’m looking forward to doing that.
  7. Pieces – I wrote the chorus of this song in the shower (there’s actual science behind having ideas in the shower that I want to write a blog post about) and had to stop the shower to record it. And once I was done with my shower, I sat down at the piano and wrote the rest of the song in one go. The melodies are quite different to my usual ones, which is exciting, but I’m not happy with the bridge yet so it needs some editing.
  8. Hoping For More – This song was kind of traumatising. I tried to write about something that I don’t think I was ready to write about and then spent the rest of the day anxious and depressed. There are certain things I don’t talk about, not even in therapy – difficult things in my life or from my past – and I thought I’d try and figure some of it out through songwriting but I don’t think I was ready and it ended up really upsetting me. I can’t even say more than that.
  9. Gone – I had bits of melody going around in my head for this one and a first verse that sounded like an emotion I’d been feeling and so I finally sat down with it and wrote the chorus, the other verse, and the bridge. I think it all fits together but I’m going to sit with it for a bit and see how I feel about it.
  10. Curve in the Road – I wrote the chorus for this song years and years ago but could never write the rest of the song; there just wasn’t anything that fitted with it well enough. It always felt like two different ideas. But I think I’ve managed it this time but I’m gonna give it some time and see if I still feel the same way.
  11. Fragile Home – This has been an idea I’ve been thinking about for ages but I’ve been unable to put the concept into words. I took it to a friend and we worked out the message and wrote a chorus. We ran out of time to write more but I went home and wrote the rest of the song.
  12. Easier – This is another song I wrote last year and absolutely adore but there were parts that could’ve been better so I’ve been thinking about the song and the lyrics and the people behind it. So in the last week, I sat down with my guitar and wrote a whole new verse and generally smoothed out the song. I’m really proud of it.
  13. Cry – I had a very intense conversation with some very close friends that I found very upsetting (although I had been upset all day so it was a combination of things) and so the idea for this song came from that experience, how the stories of other people can create big emotions even though they’re not your stories. It’s not perfect yet; I’m still messing around with the lyrics. But it’s a solid start and I really like it.
  14. Lucifer – I did a load of research on the real story of Lucifer but so many stories contradicted each other that I based my song on Lucifer from the TV show Lucifer. I actually really like the song and can’t wait to work on it more. Plus it’s an AABA song (it doesn’t really have a chorus), which I don’t often do.
  15. Grow – I haven’t finished this one yet (a really fun, empowering, pop-y song) but that makes fourteen and a half songs and so I have achieved the leap year edition of FAWM!

I wouldn’t put all of these songs on an album together because they’re so different and disconnected but I’ve been so excited and motivated around songwriting, which I think I has a lot to do with this challenge. So that’s really cool and really pleasing so I’m really happy with the result. Now, unfortunately I have to get back to my uni work.

Unfortunately I can’t include links of these songs for you to listen to, although I know that recording and production is part of the challenge. I just haven’t had time. Maybe during the next month I can do some demos. I also wouldn’t want to put the songs out into the world because I don’t know which songs I’ll be officially releasing. I wouldn’t want to ruin the surprise.

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