Posted on April 25, 2020
So, that’s it. I’ve finished the second semester of my Masters Degree. That’s a very weird thought. I kind of can’t believe I made it. But I did. And I wanted to write about it, like I wrote about the first semester because all of this is weird and wonderful and difficult and part of the journey.
This semester, the module I studied was called Musicology (“the scholarly analysis and research-based study of music”) and my classes were split into two different blocks. The first was a series of lectures, each based around a different artist/songwriter and a specific element of their career, like David Bowie and identity, Prince and authenticity, and Max Martin and his use of melodic math (not all of them were men – these are just the ones that are coming to mind as I write this). I’d expected it to be based more around elements affecting music and it’s creation and consumption, like the history of certain genres, feminism, the constant evolution of technology and social media, rather than specific artists but maybe that was a misinterpretation on my part or simply a different approach that could’ve been taken. I don’t know. It was interesting and I learned a lot but a lot of the reading was very academic which I struggled with, given that I’m having some trouble with what you’d probably call my cognitive processing. Having said that, we had a great tutor who is really passionate about the module, which made it so much more enjoyable and engaging than a lecture heavy module could’ve been.
The group was larger than I was used to but there were a lot of familiar faces, including my two closest friends on the course. That was definitely a positive, both because I love them and because it helped me to adjust to all the changes. But it was also nice to meet some new people and get to know better the ones that I sort of knew and wanted to know better. So that was really nice, even if it took me a while to adjust to the new group dynamic. I’ve made some good friends from that class, even though it was cut short by the lockdown (I’ll get onto that in a bit).
The second block of classes were practical classes where we discussed in further depth the techniques we’d covered in the lecture class (the technical skills and application) and then we’d go away and write a song based on those techniques. Some of the briefs were really inspiring but on the whole, I found the whole exercise frustrating and a bit of a waste of time. We’d just spent a whole semester working on our creative process and tackling our blocks and weak areas and suddenly we had no time to work on them any further because we were focussing on and trying out other people’s techniques. I just feel like I was finally making progress, particularly in my musical ability (I’ve always struggled when it comes to experimenting with different chords and chord progressions), and suddenly that progress was being curbed dramatically, making it really hard to invest myself in the songs I was writing for this class.
The assessment for this module was a single four thousand word essay on anything related to songwriting. Most people choose a songwriter and then focussed on some aspect of their songwriting or the impact of their songwriting in a certain area, like feminism or the genre they were part of, for example. I really didn’t want to go through the overwhelming stress I went through at the end of the last semester due to lack of clarity around the assignments so I spoke to my Module Leader (who was also my tutor and a tutor I’ve known since my BA) really early in the semester so that I could be as prepared as possible and when I presented the potential subjects I had in mind, he gave me some really good advice: choose the one you’ll learn most from. So I decided to investigate Taylor Swift’s use of imagery and how that links to the authenticity in her songwriting, specifically in her song, ‘All Too Well.’ I thought that would benefit my songwriting the most, since those are elements that are important in my writing and therefore knowing more about them could only strengthen my use of them. So, alongside my classes, I slowly started to gather research about those topics.
I was still researching (I readily admit with the help of my Mum because I found myself struggling so much with the academic language and with my cognitive functioning) when the Coronavirus reached the UK. Classes continued but as a course (there aren’t a huge number of us and we have a group chat on WhatsApp where we’re in constant contact with each other) we discussed the situation and came to the collective conclusion that we didn’t feel safe travelling to and from uni, as well as being in the busy setting of a university. Our representatives contacted the senior staff and not long after, our classes were moved online. I think it was a week or so after that that the lockdown was announced.
Initially, not much changed for me, apart from the fact that I was no longer commuting to London for my classes. I attended the online classes, did my work, and researched for my essay. Determined not to go through a last week of panic writing, I got to writing as soon as I had enough material and added as I learned more. My tutor was fantastic in recommending sources when I got really stuck (there’s not as much research on imagery and authenticity in song lyrics as you’d think) and giving me some excellent feedback when I finished my first draft, still with plenty of time before the deadline. He’s been amazing throughout the whole module and I’m really grateful. I, again with my Mum’s help, went through the feedback and did the best we could to improve and strengthen the essay before submitting it just under a week before the deadline. So no last minute panicking. I think I did the best I could under the circumstances. But it wasn’t a solo effort. They’re my ideas and my words but I would NOT have been able to do it without my Mum’s support, and gentle pushing on the days where it just felt too hard. I couldn’t have gotten through the researching, the writing, or the editing without her. It is a better piece of work because of her help and I’m so incredibly grateful, both for her help on this assignment and throughout this module but also for her in general, for the ways she has supported me otherwise: helped me manage and protect my mental health, organised my life for me when it took all I had just to stumble through the days, for making sure I ate, even and probably especially on days when I didn’t want to. I’m so lucky to have her and I’m aware of that every minute of every day.
It’s been a weird semester. In a lot of ways it was smoother than the first, both because I was getting the hang of my routine as a Masters student but also because my mental health was more stable, if not necessarily better. I had some great, cherished times with my friends but then they were all suddenly ripped away without proper goodbyes by the lockdown (thank god for video calls). I got to do some really fun cowrites, which were then suddenly stalled for the same reason. They can be rearranged and done by FaceTime or Zoom but it’s not the same: I find it much harder to be creative WITH someone when we’re not actually in the same room (plus the lag time makes singing or playing together a real challenge). I’ll make it work because I love cowriting and I love the people I’m writing with but I do find it harder. I was also really enjoying the lectures and discussions we had in class and online classes just aren’t the same. So what was mostly a pretty positive semester was cut off in its prime and I do grieve the way things could’ve been.
I’m done now. The full-timers have another semester but I’m free until the end of September ish. I’ve completed the first year of my Masters Degree. That’s a very strange sentence to write out. There were many, many moments where I was sure I’d have to defer, despite the fact that the thought made me feel physically ill. But I made it. It was somewhat anti-climactic, given that we’re all in lockdown: I uploaded my assignment, clicked a button, and that was it. Year One done. I don’t think I could sum it – or the emotions I’ve experienced – up if I tried, not without writing a PhD length post. It’s been good and difficult and inspiring and more stressful than I could’ve possibly imagined. I’ve learned a lot and I’ve met some wonderful people. I guess I’ll leave it at that.

Category: anxiety, autism, covid-19 pandemic, emotions, mental health, music, university, writing Tagged: academia, all too well, artist, assessment, authenticity, cognitive processing, commuting, concentration, coronavirus, covid-19, cowriting, creative process, essay, essay writing, facetime, feedback, focus, friends, imagery, lectures, lockdown, lyric writing, lyrics, masters degree, masters degree in songwriting, masters degree year one, masters part time, motivation, musical skills, musicology, online classes, online learning, part time masters student, quarantine, research, songwriter, songwriting, songwriting briefs, songwriting techniques, support, support system, taylor swift, video calling, zoom
Posted on April 4, 2020
A while back, I had a reading week as part of my university semester, where classes don’t happen and we stay home to focus on our studying. Being a part time student meant that it wasn’t much of a change as I’m only at uni one day a week but not having to expend the energy that that requires allowed me to do more, both in terms of uni work and in other areas. Yes, I researched for my essay, prepared for a presentation, and wrote songs, but I also did a whole bunch of things for my job as a singersongwriter.
MONDAY
I got up, did my hair and makeup, and caught a train to London. I’d booked a slot at the Selfie Factory at The O2 Arena, thinking that Richard (Richard Marc, who also does all my photography – he’s a photographer as well as a writer, musician, and producer) and I might get some good social media content. I get very self conscious having my photo taken but I’m trying to get over that anxiety and it looked like fun.
I used the train journey to send a load of emails, which made good use of the time, and then I met Richard at The O2. The Selfie Factory was small but it had some really fun set ups and we had great fun, especially in the ballpit.
View this post on InstagramClearly I had no fun with @richardmarcmusic yesterday 💖
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We got some nice photos and when our time ran out, we headed home. Again, I used the train journey to be productive and worked on a rough script for my university presentation – we all had to give presentations on our essay subjects the next week when we were back in regular classes. I’d already made the slides with the information but I wanted a rough script to keep me on track and provide extra information.
I got home and, even though I was exhausted, I practiced several of my songs as I had a recording session coming up later in the week that I needed to be prepared for. I wasn’t super familiar with the arrangements of the songs I was singing so it was quite hard work but I definitely made progress, getting used to the rhythm and melody. It was a good practice.
TUESDAY
I started the day with another big batch of emails: uni stuff, music stuff, gigging stuff.
That took an hour or so and then I spent the rest of the day doing research for my assessment essay. There’s not much to write about here really; I just read relevant sections of books, read articles, and pulled useful quotes, putting them in separate documents to keep everything organised. This session was focussed on imagery, specifically in songwriting, obviously. It’s surprising how few books on songwriting go into any detail around imagery.

At least I had some good company (and entertainment).
I had a gentle evening, working on a blog post and watching old episodes of Grey’s Anatomy. There’s something very comforting about the familiarity of them and the time when I first watched them.
WEDNESDAY
I spent the morning practicing for the recording session, going over the songs, and then, after lunch, I had an appointment with my psychiatrist.
The practice had moved since my last appointment so there was an element of anxiety about going but it was okay and turned out to be a really productive session. My psychiatrist agreed with my decision to come off the Aripiprazole, since it clearly wasn’t working, and we discussed what else we could try to help with my anxiety. We also talked about what could be causing my drowsiness and decided to try reducing my Pregablin as it’s clearly the current medication situation that’s causing it. So we’ll see how that goes. And considering we’re changing that, we decided to stick with the Diazepam for my anxiety so that we’re only changing one thing at a time and can clearly see the results. Otherwise you can’t tell what’s causing what. So that’s progress and we’ll just have to see what the effects are.
Late in the afternoon, I caught a train up to London in preparation for the recording session the next day, using the time to do some more reading for my essay. My frequent train journeys are great for any reading I have to do for my course. From Victoria, I made my way to where I stay in London: the flat belonging to one of my parents. I was suddenly, out of nowhere, overwhelmed with anxiety and although I took Diazepam as soon as the feeling started, it obviously doesn’t kick in straight away so I spent most of the journey talking to said parent, a mix of distraction and reassurance. I’d just started to feel calmer when I got there.
We had dinner together and then I spent the evening in the pursuit of catching up with my diary. It feels like a hopeless task; I’m so behind, what with the time taken up by uni work and managing my mental health. I’m hoping to catch up once I’ve submitted my essay. It’ll take a while though.
THURSDAY
I slept terribly. So terribly that I barely got any sleep at all, the worst I’ve slept in years. Maybe I was nervous about the recording. I finally got a solid hour or so just before my alarm went off. But it was an important day so I dragged myself up, got ready, and headed to the University of West London where we were using one of their studios to do the recording.
It was a beautiful studio and we had a lot of fun. Having said that, we worked bloody hard. We worked from about eleven until six, filming and recording for a project that I’m not going to talk about yet. It’s a surprise. It does mean there’s not a lot for me to write about, other than the fact that I’m super grateful to everyone (all tagged below) for the work they put in. I really, really appreciate it.
When we finished, I was so tired that I thought I might throw up. I manage to help pack up a little but eventually I just had to leave. I felt bad for not staying to the very end but everyone was very understanding. I got home and barely made it through dinner before falling asleep at about half past eight.
FRIDAY
I slept for twelve solid hours and woke up feeling like an entirely different person. Still, I had a slow, gentle start. I had breakfast, got showered and dressed, and did some reading for my essay.
Around lunchtime, my Mum arrived, on her way home from visiting her Mum (this was when we still thought we were going to Nashville and she’d obviously wanted to spend some time with her before we went). She’d stopped in London because we had a plan to have lunch with one of my best friends, Sharné, and her Mum, who had come to visit her. The four of us had hoped to spend a little time at the songwriters circle I’d played (the one I mentioned in my previous A Week in My Life post) but it was busy and loud and it just wasn’t the right setting. So we’d planned lunch at this awesome Italian restaurant.
It started out quite stressfully due to pouring rain and terrible traffic but once we were all together, it was lovely. They’re both so lovely. We all got on really well and have a lot in common; it was just unfortunate that we didn’t have longer. Hopefully we’ll get another chance at some point.
We said goodbye and me and Mum headed home to Brighton. When we got in, I curled up on the sofa with a couple of the cats and had some diary time. I was exhausted and really just needed some quiet, rest time.
SATURDAY
Richard came down first thing because we were performing at the Access Open Day at The Brighton Dome. We picked him up from the station and went home so he could drop off his stuff and we could have a quick run-through, especially of the songs that we’ve only just started to perform like ‘Clarity.’
We headed to The Dome and had everything explained to us, where we could store our stuff, hang out between sets, and so on. We were playing once at 12.30pm and again at 2.15pm so we’d have time to kill between sets. There were other talks and activities going on but I’m never able to concentrate when I’m about to perform.
Both sets went really well. I felt like my voice sounded really good, I didn’t make any (obvious) mistakes, and I felt really confident in my body and how I was moving as I performed. I’ve done a few gigs recently but before a couple of months ago, it had been a long time since I’d performed so it’s felt a bit like starting all over again. But this felt completely natural and quite possibly the best I’ve ever performed. I’m just sad more people didn’t see it because they were performances I was really proud of. But I had a great time, telling the stories behind the songs and singing my heart out. It felt so good. And that’s the important thing.
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This is a picture from the first time I played there:

When we got home, we were both still buzzing with adrenaline so I suggested we write a song since we’re not getting a whole heap of opportunities to write together at the moment with both of us on Masters courses. So we got to work and managed a track and half a song before we ran out of energy. It was really fun and I’m really excited to finish it.
And before the day was up, I put up a blog post as I always try to do on a Saturday. This one was the one about February Album Writing Month, where I tried to write fourteen songs in the month of February. I’m proud of succeeding in the challenge and proud of the post I wrote about it.
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We had an early dinner and were basically falling asleep on the sofa so we dragged ourselves up and went to bed early. I was asleep within minutes.
SUNDAY
We had a gentle morning, watching Friends together and companionably working on different things. I finished a blog post and put it up, #30dayfeb Challenge For Tommy’s. It covered my attempt and completion of Liberty’s Mother‘s challenge to do something positive for your wellbeing from the 1st February to the 1st March. I’d chosen origami.
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Richard went home because I had a few things to do, as much as I would’ve liked to have him stay and work on the song and chill out together. So we dropped him at the station, came home, and I got to work, practicing my presentation for the following Tuesday. I was confident with the material and the questions I wanted to ask; I just wanted to make sure it was within the time limit. So I ran that a few times and then spent the rest of the day resting. I also have dinner with some of my family on Sunday nights (when we can manage it) so that was really nice.
So that was my reading week. Not as productive uni work wise as I would’ve hoped – I wanted to have started writing the essay rather than still adding research to my structure – but it was very productive in the working-as-a-singer-songwriter sense. And those opportunities don’t come around super often so I’m really grateful for them. So it was a good, if exhausting week.
Category: animals, book, event, medication, mental health, music, sleep, treatment, university Tagged: 30 day challenge, 30dayfeb, a week in my life, anxiety, aripiprazole, best friend, blog post, blogging, cat, cats, challenge, coursework, diazepam, drowsiness, essay, farm 2020, fawm, february album writing month, friend, mental illness, origami, performance, performing, pet, pets, phenelzine, photoshoot, pregabalin, presentation, psychiatrist, reading week, recording session, recording studio, research, richard marc, richard marc music, richard sanderson, selfie factory, side effects, singing, sleepiness, songwriting, songwriting challenge, studio, studying
Posted on March 8, 2020
Happy International Women’s Day! The theme this year is #EachforEqual, based around the idea that we can all choose to challenge stereotypes, improve environments, and celebrate women’s achievements. “Collectively, each one of us can help create a gender equal world. Let’s all be #EachforEqual.”
So to celebrate the day, I wanted to share some of my favourite female creatives, from writers to artists to musicians. Having said that, these are all ‘smaller’ artists, artists that aren’t supported by major companies or big record labels and so on.
Laura Greenway – Laura is an incredible artist who I’ve known for a while now, after seeing her gallery crowdfunding page. She makes beautiful visual art and immersive art, based around various mental health problems. Her pieces are thought provoking and meaningful and I look forward to everything she posts about her art.
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Isobel Anderson and The Female DIY Musician – Isobel is an amazing musician and sound artist and I was lucky enough to have her as a tutor at university last year. She was encouraging and inspiring and truly motivating. She’s one of the best tutors I’ve ever had. She also runs a community that supports and empowers women wanting to be musicians, specifically those wanting to learn how to record and produce. It’s really helpful and positive, which is hard to find in such a male dominated industry.
Deerful – Emma is a really good friend of mine and she makes so many different things: music in many forms, art, loops, and so on. She’s incredible, skilled at so many things and I would absolutely love to work with her on a project one day. You can find her music here.
View this post on InstagramVery high-tech home studio today.
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Aislin Evans – Aislin is another of my good friends and she’s an amazing songwriter. I love everything she writes. She’s also an actor, multi-instrumentalist, and mental health advocate. She’s doing impressive and inspiring work as a human being and I’m so proud of her and to know her. (You can find her music here.)
https://www.instagram.com/p/B6yChlqhO7W/?utm_source=ig_web_copy_link
Laura Zocca – I’ve followed Laura on YouTube and social media for years and she’s a beautiful songwriter. She’s also a lovely human. Even though she’s now pursuing other career paths, she’s still releasing music, which makes me very happy. I’m still hoping for a few of my old favourites to see the light of day…
NADINE – Nadine is an awesome singersongwriter and I love her songs. I’ve been to several of her gigs and the atmosphere is incredible; everyone is picking up the words and singing along by the end of the first chorus. It’s magical. A handful of her songs actually move me to tears. She’s also a tutor at my university and although she only taught me for one class, she was great, really encouraging and thoughtful in her responses to our songs.
Write Like A Girl – “Only 17% of UK songwriters are women. Write Like A Girl aims to put female songwriting talent back in the spotlight – and inspire more women to create original music.” This showcase is so cool and so inspiring, full of amazing female songwriters. I try to go whenever I can and I would absolutely love to play in one of their shows at some point.
Liberty’s Mother – I’ve talked about Liberty’s Mother and the woman behind the project, Sophie Daniels, but I had to include her in this list. She’s doing amazing things (an EP, launch event, month long challenge) to raise awareness and money for the baby loss charity, Tommy’s. It’s so inspiring and encouraging to see someone use art and music to do such good for so many people.
Caitlyn Siehl – This girl is an incredible writer and her book, What We Buried, is one of my favourite books, poetry and in general. She writes beautifully: some of the poems are painful, some of them are joyful, some of them are so real it’s like they were written about your own life. It’s a fantastic book and you should definitely read it.
Rosie Powell – Rosie is an amazing photographer and videographer and I absolutely love her work. I’m so happy and so grateful that my first music video was done with her because she made it so easy and so comfortable when I was so nervous. I should probably post some of her other work but I wanted to post what we worked on together because I’m so proud of it. I would absolutely love to work with her again at some point.
Betsy Lane – Betsy is a light of a human being, practically a ball of positivity and sunshine, although that’s not to say she doesn’t bravely share her struggles and vulnerability. She’s a lovely human being and a stunning singersongwriter. I finally got to meet her and see her play a garden show a couple of years ago and she was just as sweet as I’d expected her to be. You can find her music here.
Lois de Silva – I’ve been friends with Lois for years, since we were about sixteen or seventeen. She’s one of the kindest, sweetest people I know and she’s an incredibly talented artist, in multiple forms. She’s done the animation for the last and an upcoming music video and they are so beautiful. Again, I’m so happy and so grateful to have had the opportunity to work with her and I’m so, so proud of the results, to have them be the visuals for my music. And again, I should share some of her other projects but I love the work she did on my song so much that I just have to share our current video. You can follow her on Instagram here.
Annerb – Annerb isn’t someone I know or have had more than the occasional Tumblr ask but she writes the most amazing fanfiction and she’s legitimately all I’ve read in the last year or so. The dedication to these stories, which are thousands of words long, is incredible and the stories are just beautiful. And even when the stories are tense, the reading of them and the familiar characters are very calming and really helpful with my anxiety.
Song Suffragettes – And while Song Suffragettes is the biggest person/organisation on this list, I had to include them because they are doing such incredible work for young, female songwriters in and visiting Nashville. They’re doing some really, really impressive work and the community they’ve built is so strong. I feel very lucky to be part of it, even in a really small way and from such a long way away.
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This list could go on for a pretty long time – I’m tempted to list every creative I know who is working hard and making beautiful things – so I’ll stop there but before I go, I want to give a short series of shout outs to some of my friends who are just badass creatives (several of whom I’ve mentioned before): Luce Barka, Francesca Morris, Charlotte Black and her platform Self Love London, Foxgluvv, and Tragic Sasha. The list was just getting too long but I wanted to mention them because they all really are amazing.
Category: book, favourites Tagged: aislin evans, annerb, artist, betsy lane, caitlyn siehl, charlotte black, deerful, each for equal, eachforequal, fanfiction, female creatives, foxgluvv, francesca morris, friends, gender equality, international women's days 2020, international womens day, isobel anderson, iwd, iwd2020, laura greenway, laura zocca, liberty's mother, lois de silva, luce barka, musician, NADINE, rosie powell, self love london, song suffragettes, songwriter, songwriting, the female guy musician, tragic sasha, write like a girl

Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder (ASD), ADHD (Inattentive Type), and Hypermobile Ehlers-Danlos Syndrome (hEDS), as well as several mental health issues.
I’m a singer-songwriter (it’s my biggest special interest and I have both a BA and MA in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is on all platforms, with all proceeds going to Young Minds.
My debut EP, Honest, is available on all platforms, with a limited physical run at Resident Music in Brighton.
I’m currently working on an album about my experiences as an autistic woman.
Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder (ASD), ADHD (Inattentive Type), and Hypermobile Ehlers-Danlos Syndrome (hEDS), as well as several mental health issues.
I’m a singer-songwriter (it’s my biggest special interest and I have both a BA and MA in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is on all platforms, with all proceeds going to Young Minds.
My debut EP, Honest, is available on all platforms, with a limited physical run at Resident Music in Brighton.
I’m currently working on an album about my experiences as an autistic woman.
Finding Hope