An Unexpected Trigger

NOTE: Spoilers for Unforgotten Series 4.

Back in March, I watched the final episode of Unforgotten Series 4 and if you haven’t seen it – spoiler alert – Cassie, the main character (played by Nicola Walker), dies from injuries sustained in a car accident. It was incredibly shocking and upsetting. It’s something that’s been in my head on and off all year and I would really like to leave it in this year. I guess that’s why I’m writing about it now.


Screenshot 2021-11-22 at 21.08.41

(x)

As I said, I was very upset when the series ended with Cassie’s death. That’s not exactly surprising since I do get very attached to my favourite characters. Upset isn’t really a big enough word: there was shock, distress, grief, anger… it was overwhelming. And in an attempt to process some of these emotions, I wrote a song about grief called ‘Incomplete,’ a snippet of which I posted on Instagram…

And while that helped a bit (coincidentally, it’s the second TV show featuring Nicola Walker that I’ve written a song about), I could feel it all hanging over me. It felt so shocking and so brutal and I felt oddly fragile in the wake of it. It was later that I learned about ‘the alienation effect’ after a researching rabbit hole that ended in me reading about the film, Psycho (a film I’ve never seen by the way – I’m looking at you, ADHD). In his essay about Psycho, film theorist Robin Wood wrote: “[The murder of the main character, Marion] also constitutes an alienation effect so shattering that (at a first viewing of the film) we scarcely recover from it. Never – not even in Vertigo – has identification been broken off so brutally. At the time, so engrossed are we in Marion, so secure in her potential salvation, that we can scarcely believe it is happening; when it is over, and she is dead, we are left shocked, with nothing to cling to, the apparent center of the film entirely dissolved.” I could be wrong – I’m not a film expert by any measure – but I think that’s what’s happened here; this quote certainly describes how I felt about that final episode. Cassie was the focal character, the audience surrogate almost, and she was the glue that held together a show that regularly changes almost the entire cast (along with Sunny and the rest of the team, of course) and her death was incredibly shocking. I’ve always felt things deeply but I haven’t spoken to one person who wasn’t upset by it.

While there were, of course, other factors impacting on my mental health, it was the trigger of that particular period of depression. But months later, even after my depression lifted a bit, I still couldn’t shake it. I still found it very upsetting and I was still having nightmares involving car crashes; as deeply as I feel things, this seemed to be sitting differently. Eventually, it occurred to me that it was potentially more than straightforward upset over the loss of a favourite character and the loss of a favourite show (maybe – I’m still not sure how I feel) and that the storyline – a sudden, completely unexpected, shocking death – had triggered me as a result of the trauma around my Dad’s death, trauma that is still relatively undealt with. It completely blindsided me. I’m still relatively in the dark on my triggers in this area, given that my coping mechanism for most of the last thirteen years has been to, essentially, bury it: facing it just felt insurmountable. But now that I’m starting to unearth it again, it appears that that earth is packed with landmines. The metaphor wears thin, but hopefully you get my point.

I don’t know how I feel about all of this but putting my thoughts into words has helped. This year has been so busy and so emotionally chaotic that I feel like I haven’t had the time or brain space to even start processing it all. In regards to the show, I don’t know whether I’ll watch the next series. Right now just the thought of it is upsetting. Nicola Walker said in an interview that “Cassie’s death wasn’t for effect; [Chris Lang, writer of Unforgotten] is going somewhere with that conversation about grief,” and while I think these are important conversations to have, I’m not sure if I have the emotional bandwidth for a fictional one when I’m already trying to manage my own very real one. I don’t know. But I really don’t want to go through this again if I can avoid it.


“Cassie’s fate may have caught viewers by surprise, but it was something Walker had discussed with the show’s creator and writer, Chris Lang. ‘We were talking from the beginning, really, about what he was doing with this character and this story he wanted to tell,’ Walker told TV Insider. ‘Chris and I were always interested in looking at the cost of being involved with these sorts of cases that we all love watching on television. Cassie does not have superpowers. She’s an ordinary person who’s really good at her job, and it took her to the place of having an emotional breakdown… We talked a lot after Season 3 about where it was going to go, and it was a joint decision,’ she adds. ‘I think the clues were there in Season 3. The title of the show is Unforgotten and I think there’s a great deal of narrative beauty to this woman. She’s not going to be forgotten. I felt like she was quietly very unusual on television because she was a real person.'” (x)

I keep coming back to this quote. I agree with it, with what she says about Cassie, but I still don’t understand why Cassie had to die, why she had to die in a shocking, brutal way. Maybe I never will. Most of all, I’m sad. I’m sad that a show I loved will forever be entwined with distress and painful memories.

A Somewhat Reluctant Birthday Post

My birthday this year was definitely weird, hence why I’m only just writing about it a couple of months after the fact. I’ve been struggling to process the last few months just because of how much stuff has happened: the final project of my Masters wrapping up, the final assessment, the Masters being over, the sudden death of my Granny, her funeral, performing again for the first time in eighteen months, changing my medication, graduation, the celebration of life for my Granny… It’s been a lot and I honestly have no idea how I feel most of the time. But I’m hoping that, by putting it into words, it’ll help. Somehow.

So, for the last few years, I’ve been trying to ease my anxiety around birthdays with some birthday rules I picked up from Tumblr a while back. My first post about them is here, but the basic idea is to do something you wouldn’t normally do and buy yourself something you wouldn’t normally buy, to make each birthday unique and special. For some reason, this year was harder than the previous ones and I really struggled to commit to an idea for both rules. But, given that it’s now two months later, I think I need to let it go and stop obsessing. Whatever’s causing my anxiety over this, it’s taking up too much energy that I need elsewhere.

So, I’m writing it down and putting it to bed…


Rule #1: Do something you wouldn’t normally do.

I was going back and forth on what to do when the perfect thing fell into my lap: the opportunity to perform again for the first time in about eighteen months! And not only that but it was two gigs, the first at the original Hard Rock Cafe in London and the second at the Hard Rock Cafe in Piccadilly Circus. So, while I was very nervous, I was also very, very excited. Given the tight turnaround between getting the gigs and them actually happening, Richard and I only managed to practice together once. Fortunately, we are very well practiced at the Honest EP songs and picked them up again quickly so we could, for the most part, focus on the other songs we were playing.

The first night was actually the night of my birthday and I was so nervous that I could barely breathe. My body felt so awkward and it was almost like I couldn’t remember how to perform, how to hold my body, how to not bump into the microphone, how to talk between songs… But, by the second half of my set, it was all rushing back and I was just overflowing with that unique joy of getting to do the thing you love most in the world (well, other than the songwriting itself but you know what I mean). I was SO HAPPY. I was positively giddy with it. It wasn’t my strongest performance ever but after eighteen months of playing to my living room, I wouldn’t have expected it to be. It was jumping in at the deep end. And although it felt so awkward at the beginning, it all came back very quickly and I couldn’t wait for the next night so I could do it all over again.

The second night went well, on the whole. Despite the night before, I was still nervous and it was a very different space; the lower ceiling meant that the sound bounced around differently and it took a while to adjust (just like everything, adjusting to the space you’re performing in is a skill that requires practice) but, again, I had so much fun. Performing songs that I’ve written about things that matter to me… it’s when I’m doing that that I feel most comfortable in my own skin, most in sync with the world around me. It’s the best feeling. Everyone was so lovely and I had such a great time.

It was just so fun to perform again. And it was so fun to perform with Richard again (and what a trooper he was, having moved house the day of the second performance). I loved getting to play the songs from the Honest EP, I loved performing some of my unreleased songs, and I loved playing a few brand new covers (including ‘Lullaby’ by Kalie Shorr and ‘this is me trying’ by Taylor Swift, both of which are among my favourite songs). I’m so grateful to everyone at both shows – those working in the venues and the other performers – and my friends and family who came to support and celebrate with me; it was just a complete joy and I wouldn’t have wanted to spend my birthday any other way, even if I was beyond nervous about it.

Rule #2: Buy yourself something you wouldn’t normally buy.

I was very aware that Taylor Swift was releasing Red (Taylor’s Version) in November and given how much the original means to me, I knew I would want to spend money on it when it came out. So I tucked some money away until the album was released on the 12th November. As much as I loved it before, I fell in love with it all over again, not to mention the new songs: they’ve added so many new layers to the world of the album. It’s a stunning album and every time I listen to it, I feel like I’m learning even more about songcraft.

Along with the album and the vinyl, I treated myself to some of the accompanying merch, including the scarf and the notebook. Oh, and the jumper with ‘Taylor’s Version’ across the front; that was just so perfect. What she’s doing with the rerecordings is incredible and, as someone entering the music industry, it’s both encouraging and inspiring to have a woman like her advocating for the rights of songwriters and artists. Plus, it seems fitting. Her music has had such a huge impact on my life; I wouldn’t be who I am now if not for her music.


So while both of these things were Good Things, it was a weird and hard birthday. There’s just been so much to process – so much change – and so much anxiety; it was hard to settle on a decision because nothing felt right. But I’m starting to think that, given everything going on, nothing was going to feel right. So it’s time to move on. It’s time to stop worrying about it. I did the best I could with that birthday I had and it was good, even if it was messier than I would’ve liked. Such is life.

Farewell Phenelzine 2.0 (The 2021 Edition)

The decision to change my medication has been a long time coming. I was diagnosed with ADHD back in January but, for various reasons, I haven’t been able to take any medication for it up to this point. As I said in this post, my specialist wouldn’t allow me to take any of the classic, stimulant medications for ADHD while I was still taking my current antidepressant, Phenelzine. So, in order to take anything for my ADHD (other than the less common medications that would only make me even drowsier than I am currently), I would have to come off the Phenelzine and either try a different antidepressant or try going without one. That all felt too much to manage while I was doing my Masters – it feels like a lot to manage now – but now that the Masters as is over and I’m already in a period of transition, it felt like it was time to come off the Phenelzine. The side effects were going to throw a wrench in several plans but that was going to be the case regardless of when I decided to do it and I hated the feeling of having it hanging over me. I know I need to do it but a big part of me really didn’t want to (and is still sceptical to a certain degree): over the last ten years, I’ve found it all but impossible to write songs during the periods when I wasn’t taking Phenelzine so it’s not surprising that it’s not exactly an easy decision. But if I want to get out of this limbo state, then I need to try.

So, beginning the 18th November, I started to reduce the dosage of the Phenelzine. For two weeks, I took half my normal dose and then I went another two weeks without anything in my system, giving my body the time to filter out any traces of the Phenelzine (known as the wash out period) and ensuring that way any new drug I take won’t result in a negative interaction. As always, it’s important to point out that this is a plan I’ve worked out with my psychiatrist and my ADHD specialist and is specifically tailored to me. If you’re making any changes around any medication you’re taking, please consult your doctor first.


REDUCTION PERIOD

WEEK 1 (Monday 18th October – Sunday 24th October)

For most of the week, I felt fine, which surprised me: usually, if I miss a dose of Phenelzine, I get hit with a headache pretty quickly but for some reason, that didn’t happen this time. I was tired and a bit more emotional than usual but nothing that out of the ordinary, nothing that couldn’t just happen anyway. I think those first four days lulled me into a false sense of security.

It hit me on the Friday. I felt weak and shaky and had a really unpleasant headache. And that turned into feeling absolutely awful over the weekend: I had debilitating migraines; I felt nauseous, shaky, and lightheaded; I thought I might faint every time I stood up. I also developed an annoying cough and, after multiple COVID tests, I had to assume it was part of the withdrawal and not COVID related (thank goodness – I don’t think I could’ve coped with that as well and I’m glad my family didn’t either).

WEEK 2 (Monday 25th October – Sunday 31st October)

The cough and the migraines continued into the middle of the week and then, fortunately, they started to let up. My sleep schedule was utterly screwed up: I was struggling to get to sleep and not drifting off until between two and five am and then, because I was so exhausted, I was sleeping in to the middle of the afternoon. And as hard as I tried, I couldn’t correct the schedule. I also had really weird, really vivid dreams that took me a while to drag myself out of and separate dream from reality. I did have a sudden, deep dip in mood where I felt really awful and discouraged about the various things I’m currently working on, which was scary: my big fear about coming off the Phenelzine has been returning to that really depressed place I was in before so to feel it happening was horrible. But fortunately it didn’t last and I’ve tried to just stay away from things that trigger those kind of feelings, for the duration of this changeover at least.

By Sunday, things had started to improve and I was feeling a bit more human. Having said that, I was not looking forward to the rollercoaster that the next two weeks were likely to be.

WASH OUT PERIOD

WEEK 1 (Monday 1st November – Sunday 7th November)

The beginning of the week was okay with just minor headaches and some nausea, both of which were pretty ignorable. And apart from sleeping really deeply and the continuation of the weird, vivid dreams, I felt okay. But by the end of the week, I was feeling very tired and just generally unwell again. The cough had faded but it picked up again and then, on Sunday, the nausea was back in full force.

WEEK 2 (Monday 8th November – Sunday 14th November)

This was a very big week. Unfortunately. It was a really bad time to be coming off a medication but, as I said, it’s almost always a bad time. There’s always something happening so I just had to get it over with. But this week held both my graduation from university (I had a great time but physically, I did spend the day counting down to the next dose of painkillers and – on several occasions – actively focussed on not throwing up) and my Granny’s Celebration of Life service (thankfully, by that point, I was feeling a bit better and was able to just focus on the day without too much distraction). Given those two huge things, I spent a lot of the week dealing with a lot of physical exhaustion and pain.

The cough was ongoing and I had migraines for most of the week, although they did lessen in intensity by the end of the week. I was nauseous, shaky, and overly emotional but, again, that had mostly passed by the weekend. On the Sunday, I was a bit weak and nauseous but I felt a lot more human than earlier in the week.


So, four weeks later, I’m finally starting medication for my ADHD. I’m excited but I’m also nervous; I haven’t had many good experiences with medications and it’s taken a lot of trial and error to find the only one that’s helped so far. So it’s a bit scary to be starting over with a whole new category of medications but I’m trying to stay… cautiously optimistic. I’ve started Xaggitin XL and now, I guess, I just have to wait and see.