Posted on October 31, 2020
As was the case with many events this year, the Country2Country Country music festival was postponed when the pandemic put the country into lockdown in March. It’s since been ‘postponed’ for the same time next year – not something I’m entirely clear on as I would’ve thought that would just be Country2Country 2021. To me, that implies that Country2Country 2020 has been cancelled, unless they’re planning to run two events next year (which seems unlikely). Anyway, with the pandemic, lockdown, and social distancing still ongoing, Country Music Week 2020 has gone virtual with a week of radio and online events…
The Shires on Chris Country Radio – This was a short interview with Ben and Crissie of The Shires on Chris Country Radio where they talked about their experience of the pandemic (how they haven’t been apart for such a long time since the band started, how ironic it was that they released an album called, ‘Good Years,’ at the beginning of one of the worst years in living memory, and so on) and premiered their new single, ‘Lightning Strikes ft. Lauren Alaina.’ That was very exciting because that’s one of my favourite tracks on the album. It was really nice to hear them again. Yes, I’ve had the album to listen to but it was really nice just to hear them talk again. Maybe that’s an odd thing to say but some of the most intimate moments in concerts are when the artist(s) talk and it felt a bit like that after so much time.
Song Suffragettes with Tenille Townes, Caylee Hammack, Lainey Wilson, Kalie Shorr, Twinnie, Vic Allen, and Emma & Jolie – Song Suffragettes is one of my favourite things about Nashville and one of the things I was most gutted about missing out on when my trip was cancelled (not that those shows would’ve happened, I now know). So this was the event I was most looking forward to, especially as I adore both Caylee Hammack and Kalie Shorr. The show was great. My favourite performances were ‘Forged In The Fire’ by Caylee Hammack, ‘Alice in Wonderland’ by Kalie Shorr, ‘Bigger Houses’ by Caylee Hammack, ‘The Last Time’ by Tenille Townes, ‘Healing’ by Vic Allen, ‘Escape’ by Kalie Shorr, ‘All They Have’ by Mia Morris, ‘Family Tree’ by Caylee Hammack, ‘Cry For You’ by Emma & Jolie, and ‘Gatsby’ by Kalie Shorr. And they always end with a cover and for this show, it was ‘Wide Open Spaces’ by The Chicks and it just sounded so gorgeous, especially with all the beautiful harmonies. It was a great show and I’m so grateful to all those who put the work in to make it possible. I’m pretty confident saying that it was my favourite event of the week.
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I was so looking forward to this show and it did not disappoint (despite the frantic changeover from my phone to my laptop). @songsuffragettes, you will always have my heart. These shows and these girls are all so amazing and I’m so freaking inspired. 💛 #countrymusicweek
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Ingrid Andress Presents “Is That The Tequila Talking?” UK Edition – I freaking love Ingrid. She’s hilarious as well as being an incredible writer and artist. As awesome as it would’ve been to have a performance, it was still fun to hear her talk and joke and tell stories, especially about her time in the UK (where I live). I’ll probably always wish for longer (I mean, who doesn’t hope for one more song or five more minutes when an artist they love is doing some kind of performance or interview, etc) but I really enjoyed the video we got so I’m not complaining. It was really lovely just to see her. It was a fun video and she had me laughing out loud over and over. And afterwards, I couldn’t resist compiling some of the funnier faces she made…
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Oh, how I love you, @ingridandress 💜 You never fail to make me laugh. I couldn’t resist compiling some of the truly excellent facial expressions you made during this episode of ‘Is That The Tequila Talking?’ 😂 #countrymusicweek
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Caylee Hammack: A Day In The Life Of – I love Caylee and I love her music (I talked about her debut album in my recent National Album Day post). I’ve been following her on social media since I first saw her perform but it was cool to see her do Instagram Stories for Country2Country. It was funny to see her all glammed up and picking tomatoes off her tomato plants but then I also found her attempts to make the broken mirror beautiful again oddly touching. I feel like there’s a song in there somewhere.
Ashley McBryde, Lindsay Ell, and Carly Pearce: Live From The Bluebird Café, Nashville – This one I’m really annoyed about. I missed it at the time because of another commitment but then it went up on YouTube so I was really excited that I’d still get to see it; I’d never seen any of them perform live (yes, technically this still isn’t live, but you know what I mean). So I was relieved that it was available on YouTube and Facebook to watch when I had some time. But with trying to juggle Country Music Week, Tin Pan South, and the uni work and life stuff that got put on hold to watch all of these events and shows, it took me so long to get around to it that when I went to watch it, it had been deleted. So I’m sad that I ended up missing out on that. I don’t know why it was online for such an arbitrary period of time but I’m frustrated that I didn’t watch it as soon as possible (even though I had valid reasons). Yeah, so I’m just annoyed with myself and the universe about that one so I’m going to go and listen to their albums and wallow over the missed opportunity.
The BBR Music Group & BMG Showcase: The Shires, Granger Smith, Locash, Track45, and Elvie Shane – Unfortunately, I missed this one too. It was at the only Autism-friendly time at the gym (which I didn’t want to give up as it’s only once a week) and I assumed that, like the show the night before, it would be available after the original streaming time. But apparently not, or at least I can’t find it. That was a real shame because I’d been really looking forward to seeing The Shires play but there’s nothing I can do about it now. Hopefully they’ll do a livestream or something to tide fans over before they’re able to tour again. That would be awesome.
Given that Country Music Week 2020 overlapped with Tin Pan South 2020 and normal life wasn’t pausing just because I wanted it to, I didn’t feel that I got as much out of the week as I might’ve done. I was trying to balance a lot and I didn’t always do a great job. There weren’t a huge amount of people I was super excited to see but then some years are like that, pandemic or not. Having said that, the ‘events’ I did attend, I really enjoyed.
Category: covid-19 pandemic, event, music Tagged: ben earle, c2c, caylee hammack, chris country, chris country radio, country music week, country music week 2020, country music week digital, country2country, crissie rhodes, emma & jolie, ingrid andress, kalie shorr, livestream, lockdown, lockdown 2020, mia morris, nashville, pandemic, pandemic 2020, song suffragettes, songwriter, songwriters, tenille townes, the shires, tin pan south, tin pan south 2020, vic allen
Posted on March 12, 2018
So, while this isn’t specifically a post about mental health, it is about how my mental health affects my life and the things that I want to do so I think it’s still relevant and maybe useful to someone else. There still aren’t a huge amount of resources for people with Autism and music festivals aren’t a naturally autism friendly situation: they’re loud and busy and overwhelming. The obvious advice is to avoid the conditions that cause you distress but when you love music and live music, it’s not that simple. This thing that I love is also a great stress. So it has to be about balance. Am I having a good time? Is this taking more than it’s giving?
So, let’s begin. For those of you who don’t know, Country2Country is a country music festival in London, Glasgow, and Dublin. In London, it’s three days at the O2 Arena with little stages throughout the complex and a big arena show in the evenings. I love country music and I love the country music community in the UK so there are a lot of positive moments but a lot of stressful ones too. I thought I’d write out a little overview of the festival, the good points and the bad, and how the whole thing fitted into the picture of my mental health and experience of Autism.
The biggest consideration for events like these is my lack of energy, especially with my recently increased struggles with fatigue. Standing is a huge part of any festival and for me, standing for extended periods of time (and by that I mean more than a few minutes) results in shaking, dizziness, and overwhelming nausea. Not to mention the disproportional levels of fatigue that build and build until I physically can’t stand up anymore. Most of the shows are standing, especially the ones during the day. And like any concert, there’s the expectation that you stand, as if standing means you care more than someone who’s sitting. My fatigue has been so bad lately that I only went to shows where I knew I could sit down and even then, I really struggled. I had to really pick and choose what I could go to and that came down to an upsettingly short list. But I was determined to enjoy what I could manage.
My 2018 C2C experience began on the Thursday night with a Songwriters’ Circle where a group of songwriters take turns playing songs they’ve written (that have often been released by other artists) and sharing stories about writing them. I love these events: they’re usually pretty laid back and very inspiring. It is one of my favourite things to hear songs as they were originally written and to hear how they turned from nothing into something. I was almost at the back but I was just so happy to be there. The line up was Brett James, Luke Combs, Nicolle Galyon, Kip Moore, and Natalie Hemby who is one of my all time favourite songwriters so I was very excited and they did not disappoint. They played old favourites as well as new songs but I think everyone agreed that Natalie’s performance of her song, ‘Jealous,’ recorded by Labyrinth, completely stole the show. Although I must also give an honourable mention both to Nicolle’s performance of ‘Consequences,’ recorded by Camila Cabello, and Luke Combs’ new songs. And to round off the night in the most perfect fashion, I managed to hang out with Natalie for a few minutes after the show and she was even lovelier than I remembered. So with that as a first night, the standard was set pretty high!
My excitement was so high that I did crash afterwards. I was completely overwhelmed by nausea twice on my way home, to the point where I had to sit on the ground and just breathe until it faded. This is one of the side effects of my most recent medication (for depression) and it’s one of the worst I’ve experienced but once it passed, I was okay. The emotional energy I get from live music and from being inspired and from talking to these wonderful people is unlike anything else. I could live off that night for days, even weeks, and that’s without the rest of C2C. It’s like feeding a dying fire; I come back to life.
Having had to go back home to Brighton, Day 1 of C2C began with travelling into London. My first event of the day was a very exciting one: an exclusive listen to The Shires’ upcoming album. I’d applied for a ticket and not gotten one but one of my friends in the UK Country community offered me their plus one. I can’t put into words how much that meant to me. I’ve been listening to The Shires since their first single came out and I actually went to one of the events they held when releasing their first album. I’ve already said it but I absolutely adore the UK Country community: I’ve met so many wonderful people (and now great friends) while queuing for gigs or while waiting in meet and greet lines and it is just the kindest, most generous group of people. For this event in particular, I saw so many people offering their tickets to people they knew desperately wanted to go and I was so touched to witness that. Personally, I had three people offer me a ticket because they all knew how much I wanted to be there. How amazing is that?! You’ll get no spoilers from me but it was better than I’d hoped it would be and I felt honoured to be there. Ben and Crissie are such lovely people and it has been so special to watch their journey up to this point. I’m honestly so excited to listen to all of these new songs over and over when the album comes out.
We weren’t allowed to use our phones in the session so, for the purposes of this blog post, I took a photo of The Shires appearing in the official highlights video.
I genuinely loved hanging out with everyone and catching up afterwards but it wasn’t long before I started to struggle. I powered through for a while but when my legs started to shake, I had to call it and headed back to where I was staying, although I did have to sit in North Greenwich station for a while because the shaking and dizziness got so bad. I would love to be able to wander around and spend the day listening to artist after artist but it’s just too much for me: my lack of energy, the constant high level of noise, and the overwhelming amount of people. With the latter two, it’s like my brain becomes overloaded and that can trigger a meltdown. I haven’t written about meltdowns very much so far on this blog (although I mentioned them here – a more in depth post is on the list, I promise!) but one way to explain it would be to imagine tapping on glass that has a crack in it. While one knock doesn’t do much damage, they build up and eventually it shatters. That’s how incoming sensory information feels to me. When I reach overload, I experience extreme anxiety and that can lead to crying, screaming, self harming, etc. Obviously that’s not something I ever want to experience in public, with people that I don’t know, where I don’t feel completely safe, so I have to be aware of how close to that point I am and retreat to a safe place when everything starts to feel too much. I went back to where I was staying and had a couple of hours of quiet time before heading back to the O2 for the arena show.
Kelsea Ballerini was my priority with Tim McGraw and Faith Hill’s headline set coming in second; I would have to assess my capabilities throughout the night. Getting into the O2 Arena always stresses me out: there could be a problem with the ticket, they might not let me take my bag in, the metal detector could go off and they’d want to pat me down… All of those things cause me a lot of anxiety before going into a concert but fortunately everything went smoothly this time (having said that, that anxiety still takes a lot out of me, even when the things I’m worried about don’t come to pass). It always surprises me that people can’t seem to tell how anxious I am because to me, it’s everything. It’s all I can think about. But as I said, it was simple, so that anxiety didn’t turn into anything else.
“Can I be Kelsea Ballerini when I grow up? What a fab show. I loved every second of it. I may have cried a little bit because I want to write songs and sing them too and I want it so badly but that’s not necessarily a bad thing. We are made to love things and I love music unapologetically.” (x)
Kelsea Ballerini was fantastic. I’ve now seen her three times in the last year and she’s such a great performer. I got completely lost in it and that was wonderful, even if I did cry a bit because I want that to be me so badly – that’s not something I can ever really separate myself from. But I had a really awesome time, and I actually managed to lose myself in the music and not feel so self-conscious about enjoying myself. Normally, I can barely move for feeling so exposed to everyone’s opinions. So that was really fun. Also, we all need someone to look at us the way Kelsea looks at her audiences…
By the end of her set, I was feeling very shaky and since I wanted to be well enough for Sugarland the next night (I’ve been waiting eight years to see them live!), I decided to go home. That was derailed a bit by some stuff going on with a friend that didn’t exactly help my anxiety and by the time I got home, I was completely exhausted. As is normal after days and evenings of high emotions, it took me a long time to get to sleep but then I slept so deeply that when I woke up, I was so disorientated that a week could’ve passed. Apparently the previous two days had tired me out more than I’d thought because I slept for most of the day and only really managed to get up in time for the arena shows. I was pretty shaky and anxious but having some of my family with me definitely helped.
Sugarland were freaking awesome. One of my parents played me a few Sugarland songs about eight years ago and ever since, I’ve absolutely loved their voices, their songs, and their energy. If I’m jamming out in the car, it’s most likely to a Sugarland song. So we were both super excited when they announced that they were getting back together and even more so when they were on the line up for C2C. We sang and danced (while sitting down) through the whole thing and it was so, so fun. It couldn’t have been better. I mean, there were more songs I wanted to hear but I do understand that they couldn’t just keep playing until they’d performed their entire repertoire. Mostly… Anyway, I was and am a very happy bean for having finally seen them live. It was a dream come true.
“I didn’t think I could love Sugarland any more than I already did but after last night, I absolutely do. The show was incredible and after waiting eight years, it was a dream come true. Apologies to the people behind me for all the crazy dancing and dramatic singalong.” (x)
The headline act of the night was Kacey Musgraves who I have loved since her first album. When I bought my tickets, I decided that I wanted to see her more than anyone on the Sunday so I decided to push myself to stay for her and then not go the next day. I was okay with that trade off and it was worth it. I’d sort of forgotten how much I love her and her writing style and it was so great to hear both my old favourites and some new songs from the upcoming album. I struggled a bit with the graphics on the screens; they made me a bit dizzy and gave me a headache. But it was a great show and I can’t wait for her to come back to the UK in October. I was worried about being in the underground with masses of people so we left a little bit early and had a relatively easy journey home.
“Kacey Musgraves is a princess. I’m loving the new songs.” (x)
It was a good weekend, if a tiring one. I spent the next day in bed, tired and achy and a bit overly emotional, but that’s not an unexpected consequence of an event like this. It takes a lot out of me, on lots of different levels. Because of all the thinking and restricting and careful planning, it wasn’t too bad but I wish it were easier. I wish I didn’t struggle so much and I wish my abilities and my needs weren’t so incompatible with the way the world typically works. Being out in the world is stressful and overwhelming and most places don’t come with a built in quiet room to hide out in while I recharge. It doesn’t help that I find it really difficult to ask for support. I feel like I’m failing for succumbing to these problems and that I should be strong enough to power through, which I think comes from being diagnosed so late: I’ve spent my life thinking this way and it’s not an easy habit to break.
I hope that this has been helpful, or at the very least gives an insight into what it can be like to go to a festival such as Country2Country when you have Autism, when you struggle with your mental health. The positive moments are unrivalled but the difficulties are freaking difficult.
Category: event, mental health, music, snapshots Tagged: actuallyautistic, anxiety, autism, autism awareness, autism spectrum disorder, autistic, autistic adult, autistic spectrum disorder, country music, country2country, country2country festival, exhaustion, fatigue, kacey musgraves, kelsea ballerini, medication, meltdown, meltdowns, mental health awareness, music festival, natalie hemby, nicolle galyon, overload, sensory overload, side effects, songwriters, songwriting, sugarland, the shires, tiredness, uk country
Hi! I’m Lauren Alex Hooper. Welcome to my little blog! I write about living with Autism Spectrum Disorder (ASD), ADHD (Inattentive Type), and Hypermobile Ehlers-Danlos Syndrome (hEDS), as well as several mental health issues.
I’m a singer-songwriter (it’s my biggest special interest and I have both a BA and MA in songwriting) so I’ll probably write a bit about that too.
My first single, ‘Invisible,’ is on all platforms, with all proceeds going to Young Minds.
My debut EP, Honest, is available on all platforms, with a limited physical run at Resident Music in Brighton.
I’m currently working on an album about my experiences as an autistic woman.